Dissertationen zum Thema „World war, 1939-1945 – italy – fiction“
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Langlois, Suzanne 1954. „La résistance dans le cinéma français de fiction (1944-1994) /“. Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42073.
Der volle Inhalt der QuelleRiccardelli, Charlie Frank. „The Hoboken War Bride: A Novel“. Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248470/.
Der volle Inhalt der QuelleCroci, Osvaldo. „The Trieste crisis, 1953 /“. Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70276.
Der volle Inhalt der QuelleWhite, Brook. „ANOTHER FORGOTTEN ARMY: THE FRENCH EXPEDITIONARY CORPS IN ITALY,1943-1944“. Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2595.
Der volle Inhalt der QuelleM.A.
Department of History
Arts and Humanities
History MA
Iannone, Pasquale. „Childhood and the Second World War in the European fiction film“. Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5654.
Der volle Inhalt der QuelleCrossland, R. Bert (Rodney Bert). „A Content Analysis of Children's Historical Fiction Written about World War II“. Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279151/.
Der volle Inhalt der QuelleJayne, Dusti R. „Settling Libya Italian colonization, international competition and British policy in North Africa /“. Ohio : Ohio University, 2010. http://www.ohiolink.edu/etd/view.cgi?ohiou1269020385.
Der volle Inhalt der QuelleChurchill, Amanda Gann. „Peonies for Topaz“. Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12097/.
Der volle Inhalt der QuelleSigalas, Clément. „La guerre manquée : Représentations de la Seconde Guerre mondiale dans le roman français (1945-1960)“. Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040204.
Der volle Inhalt der QuelleThis thesis deals with the representations of the Second World War found in the French novels published between 1945 and 1960. It aims to shed light on a body of works that depict a “failed war”, unlike the epic vision which prevails in the post-war period. It analyses from an aesthetic, ethical and political perspective twenty novels or so which portray war as an unreal, elusive experience shared by French people.The first part of this work scrutinizes the way writers depict the failure of war. These novels portray the conflict as both spectral and brutal – seen from a distance, almost always mediated, concealed under the appearance of peace, yet unescapably destructive.These novels also throw light on the failure of community. A far cry from the seminal, unifying narrative of the epic, they start attacking the myth of France as unified in the war effort very soon after the end of the conflict.The second part of this thesis looks at the ways they construct the image of a torn or passive nation, as if they were France’s guilty conscience.This study will finally examine the way the novel “thinks”, how it was specifically used to convey a specific reflection on community. Against the discourses of literary Resistance, then Existentialism, it questioned the primacy of rational thinking in men; against the prominence of documents, it embraced fiction as a means to explore dark territories; against the calls for exemplariness, it constituted itself as an autonomous space to investigate the war, as well as to challenge the failures and shortcomings of the epic discourse
Kato, Megumi Humanities & Social Sciences Australian Defence Force Academy UNSW. „Representations of Japan and Japanese people in Australian literature“. Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38718.
Der volle Inhalt der QuelleSereno, Marie-Noëlle. „Résistance italienne et littérature : Contribution à une étude de la mémoire collective“. Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3102.
Der volle Inhalt der QuelleSix notable Italian authors (Beppe Fenoglio, Italo Calvino, Elio Vittorini, Renata Viganò, Luigi Meneghello, Mario Tobino) portrayed what the life of the insurgents was during World War II. This research investigates the potential of their fictional works to help historian better understand this crucial period, they experienced.An appraisal of fictitious accounts of the war, as seen from the insurgent's perspective, may help understanding their state of mind once facing the armed forces of both the German occupant and fascists battalions. Their pre-political sensibility has been defined by the historian Guido Quazza as 'existential anti-Fascism". Historian's accounts of the Italian Resistance portrayed it from a somewhat idealistic view, mostly highlighting the heroic side. However, it is clear from the literature analyzed, that it was far from harmonious. The writer stresses the multifarious and the diversity of the population's comportments. Historical works of the 1950's concentrated on analyzing the support by the peasants to the Resistance, while in the 1970's this focus shifted to the importance of the "grey zone", the non-committal population. The novels underline the factual, supportive attitude of women throughout the Italian Resistance, only corroborated by recent scholarly works.This research indicates the efficacy of fictional literature as a complement to the use of historical cultural anthropology, for analyzing components of the Italian Resistance. Their keenness and subtlety allows scholars to better assess people's thoughts behind observed events. Use of this material may help avoid a simplified building of memory
WINTERHALTER, Cecilia. „La resistenza armata nell'Italia del 1943-45 fra storia e memoria pubblica alle radici della trasmissione storica“. Doctoral thesis, 2000. http://hdl.handle.net/1814/6020.
Der volle Inhalt der QuelleExamining Board: Prof. Heinz-Gerhard Haupt, Universität Bielefeld (supervisor) ; Prof. Luisa Passerini, Istituto Universitario Europeo (co-supervisor) ; Prof. Claudio Pavone, emeritus, Università di Pisa ; Prof. Jakob Tanner,Universität Zürich
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
L'oggetto di questa tesi sulla Seconda Guerra Mondiale e sulla Resistenza armata in Italia è il racconto che viene «inventato» per narrare gli eventi passati o la memoria selettiva. Si tratta di uno studio su storia e memoria e sul modo in cui funzionano e sono trasmesse. Basandosi sull'analisi di fonti disparate come le riviste storiche divulgative, le immagini fotografiche e documenti alleati e tedeschi, esso osserva le discrepanze tra i fatti (storia) e la loro narrazione (memoria). Inoltre studia come sono narrati i fatti, come si ricorda e si dimentica, chi è il narratore (testimoni, seconda generazione, collettività) e come ciò influisce sul racconto tramandato. Il testo tenta di capire se c'è una ragione per la forma narrativa scelta e quale potrebbe essere. Prendendo spunto dal funzionamento psicologico della memoria individuale, esso osserva la memoria collettiva e come, nel dopoguerra, l'Italia narrandosi «sceglie» o «inventa» una memoria che le dia una nuova identità.
Castles, Belinda. „What we don't know : exploring the inheritance of history through fiction“. Thesis, 2012. http://handle.uws.edu.au:8081/1959.7/529553.
Der volle Inhalt der QuelleBENFANTE, Filippo. „Carlo Levi a Firenze e la Firenze di Carlo Levi, (1941-1945) : vita quotidiana e militanza politica dalla guerra alla Liberazione“. Doctoral thesis, 2003. http://hdl.handle.net/1814/5730.
Der volle Inhalt der QuelleExamining Board: Victoria De Grazia (EUI, Firenze); Gérard Delille (EUI, Firenze, supervisor); Gabriella Gribaudi (Università Federico II, Napoli); Marco Palla (Università di Firenze)
First made available online on 23 October 2014.
Questa ricerca nasce dal recente ritrovamento, presso gli eredi del pittore fiorentino Giovanni Colacicchi, di lettere e documenti appartenuti a Carlo Levi, risalenti al periodo in cui il pittore e scrittore torinese tenne aperto uno studio a Firenze: dalla fine del 1941 alla fine del 1945. Durante questi anni, accadono molte cose che un biografo definirebbe “fondamentali”. Dalla Questura di Firenze parte l’ordine di arresto che costa a Levi la terza carcerazione della sua vita: dalla fine del giugno 1943 sarà detenuto al carcere delle Murate, da cui uscirà il 26 luglio. Tra il 1943 e il 1944, nascosto in piazza Pitti, scrive Cristo si è fermato ad Eboli, che resterà il suo libro più celebre. A Firenze Levi aderisce al Partito d’Azione, e quindi lo rappresenta, dall’agosto 1944, nella direzione interpartitica della “Nazione del Popolo”, il quotidiano pubblicato a cura del Comitato Toscano di Liberazione Nazionale. Tra i cinque condirettori, Levi si ritaglia un ruolo di assoluto primo piano: ha un peso molto rilevante nella scelta dei collaboratori, a lui si devono la presenza di certi temi e prese di posizione sulle pagine della “Nazione del Popolo”. Levi interviene direttamente – sono almeno trenta i suoi articoli di fondo, concentrati soprattutto nei primi mesi di vita del giornale –, oppure commissiona alcuni pezzi ad hoc ai suoi collaboratori più stretti.
Bruwer, Johannes Jacobus. „Die rol van die Sesde Suid-Afrikaanse Pantserdivisie in Italië : 27 Mei tot 4 Augustus 1944“. Thesis, 2014. http://hdl.handle.net/10210/9050.
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