Thematische Bibliographien / Women journalists – Connecticut – Fiction

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Autor: Grafiati
Veröffentlicht am 26. Juli 2024

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Zeitschriftenartikel zum Thema "Women journalists – Connecticut – Fiction"

1

Kale, Verna. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880?1930." Journal of Popular Culture 40, no. 2 (2007): 388–89. http://dx.doi.org/10.1111/j.1540-5931.2007.00390.x.

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2

Plummer, Hunter. "“Like Home”: Gerrymandering the Physical Public Sphere in Female Journalist Narratives." Journal of the Gilded Age and Progressive Era 23, no. 1 (2024): 84–101. http://dx.doi.org/10.1017/s1537781423000385.

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AbstractThe cultural figure of the female journalist most clearly embodies the opportunities given to, and the anxieties caused by, the period’s working women. As writers, they fought for rhetorical space in the pages of newspapers and periodicals, and as women, they faced social pressure to avoid the male-dominated physical public sphere or move within it under specific conditions. Even the increasing number of female journalists at the turn of the century could not guarantee their place within the newsroom itself, let alone the world beyond its walls. Instead, their struggle to stake a claim in physical public spaces manifested in fiction and nonfiction narratives as a search for “home,” or a place of belonging. This article explores the exclusively white-woman fiction and nonfiction narratives by and about nonwhite and nonmainstream women through a human geography lens, arguing that their shared central issue is the social “gerrymandering” of women and other overlapping marginalized groups out of physical public spaces, as well as the efforts of women to “redistrict” the social spheres into a comfortable public place in which everyone could thrive.
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3

Gwyneth Mellinger. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880-1930 (review)." American Studies 48, no. 1 (2010): 157–58. http://dx.doi.org/10.1353/ams.0.0096.

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4

Abbey Zink. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880-1930 (review)." Legacy 25, no. 2 (2008): 347–48. http://dx.doi.org/10.1353/leg.0.0048.

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5

Wiener, Joel H. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880-1930 (review)." Modernism/modernity 15, no. 4 (2008): 826–28. http://dx.doi.org/10.1353/mod.0.0044.

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Hill, Lorna. "Bloody Women: How Female Authors Have Transformed the Scottish Contemporary Crime Fiction Genre." American, British and Canadian Studies Journal 28, no. 1 (2017): 52–71. http://dx.doi.org/10.1515/abcsj-2017-0004.

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Abstract This study will explore the role of female authors in contemporary Scottish crime fiction. Over the past thirty years, women writers have overhauled the traditionally male dominated genre of crime fiction by writing about strong female characters who drive the plot and solve the crimes. Authors including Val McDermid, Denise Mina and Lin Anderson are just a few of the women who have challenged the expectation of gender and genre. By setting their novels in contemporary society they reflect a range of social and political issues through the lens of a female protagonist. By closely examining the female characters, both journalists, in Val McDermid’s Lindsay Gordon series and Denise Mina’s Paddy Meehan series, I wish to explore the issue of gender through these writers’ perspectives. This essay documents the influence of these writers on my own practice-based research which involves writing a crime novel set in a post referendum Scotland. I examine a progressive and contemporary Scottish society, where women hold many senior positions in public life, and investigate whether this has an effect on the outcome of crimes. Through this narrative, my main character will focus on the current and largely hidden crimes of human trafficking and domestic abuse. By doing this I examine the ways in which the modern crime novel has evolved to cross genre boundaries. In addition to focusing on a crime, the victims and witnesses, today’s crime novels are tackling social issues to reflect society’s changing attitudes and values.
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Kleberg, Madeleine. "Feminism och genus i svensk medieforskning." Tidskrift för genusvetenskap 24, no. 2 (2022): 7–28. http://dx.doi.org/10.55870/tgv.v24i2.4150.

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This artide is an overview of feminist or gender perspectives within Swedish media research during the last ten to fifteen years. Books and contributions to anthologies are described and the research sorted into two categories, populär culture within media and journalism. Although this categorisation is to be questioned due to blurred boundaries of fact and fiction in media, it is useful in an overview in order to avoid the risk of neglecting one orthe otherfield. One can conclude that feministic or gender oriented research about populär culture in the media is mostly dealing with the content and questions of gender constructions, especially representation of women, but there is also an increasing interest for male constructions including representation of relations between women and men. There is a claim for not talking of the existence of one woman voice but instead of a manifold of women's voices. Little is to be found regarding the reception of populär culture and even less regarding conditions of production. The research about journalism is more oriented towards texts by women journalists and often historically oriented. Here questions of gender constructions are not salient and to some degree this can be understood by the unwillingness to let journalistic products be analysed as constructions. Nevertheless one of the most remarkable features of the feminist media research in Sweden during the last decade has been to identify and make visible (and readable) women journalists from the early part of the last century. Media and communication studies as a discipline was established at the Swedish universities around 1990. As a new academic field it should be expected to be free of old traditional bonds, but gender or feministic aspects within media research constitutes less than 10 percent of the total registered media research.
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8

Edelstein, S. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880-1930; The Female Investigator in Literature, Film, and Popular Culture." American Literature 79, no. 4 (2007): 847–49. http://dx.doi.org/10.1215/00029831-2007-052.

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DuRose, Lisa. "How to Seduce a Working Girl: Vaudevillian Entertainment in American Working–Class Fiction 1890–1925." Prospects 24 (October 1999): 377–91. http://dx.doi.org/10.1017/s0361233300000429.

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“The city,” Theodore Dreiser explains at the beginning of Sister Carrie, “has its cunning wiles, no less than the infinitely smaller and more human tempter. There are larger forces which allure with all the soulfulness of expression possible in the most cultured human. The gleam of a thousand lights is often as effective as the pervasive light in a wooing and fascinating eye” (1). Dreiser's description here echoes many early 20th-century writers' anxieties about the rise of the modern city — from social reformers like Jane Addams and Jacob Riis to journalists and novelists as varied as Stephen Crane and Jean Toomer. But it is Dreiser's depiction of the city as a seducer, as an irresistible wooer, which finally arrives at the heart of the controversy. In the age that saw an increase in the most socially diverse wage seekers — newly arrived immigrants, Southern blacks who migrated North, and single, young women from the country — the city promises, only in the heat of passion, economic and social possibilities, a chance to live out the full contract of American democracy. And the city finds no better stage for its wooing of these new generations of Americans than that of the vaudeville theater.
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10

Gottlieb, Agnes Hooper. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880–1930 by Jean Marie Lutes Ithaca, NY: Cornell University Press, 2006, 226 pp." American Journalism 24, no. 1 (2007): 116–18. http://dx.doi.org/10.1080/08821127.2007.10678055.

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Bücher zum Thema "Women journalists – Connecticut – Fiction"

1

Danielle, Steel. Bittersweet. Bantam Press, 1999.

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2

Exposé. MIRA Books, 1999.

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3

Olson, Karen E. Secondhand smoke. Mysterious Press, 2006.

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4

Olson, Karen E. Secondhand Smoke. Grand Central Publishing, 2006.

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5

Wormer, Laura Van. Mr. Murder. Mira, 2006.

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6

Clark, Mary Higgins. We'll meet again. Simon & Schuster, 1999.

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7

Clark, Mary Higgins. We'll meet again. Pocket, 2000.

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8

Clark, Mary Higgins. We'll meet again. Doubleday Book Clubs, 1999.

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9

Clark, Mary Higgins. My eshche vstretimsi︠a︡ s toboĭ: Golovolomnyĭ detektiv. "ĖKSMO", 2005.

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10

Clark, Mary Higgins. We'll meet again. Simon & Schuster, 1999.

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