Auswahl der wissenschaftlichen Literatur zum Thema „Women – India – Fiction“
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Zeitschriftenartikel zum Thema "Women – India – Fiction"
Mukherjee, Sayan. „Dark Portrayal of Gender: A Post-colonial Feminist Reflection of Bapsi Sidhwa’s The Pakistani Bride and The Ice-candy Man“. History Research Journal 5, Nr. 5 (26.09.2019): 81–88. http://dx.doi.org/10.26643/hrj.v5i5.7919.
Der volle Inhalt der QuelleMeyer, Neele. „Challenging Gender and Genre: Women in Contemporary Indian Crime Fiction in English“. Zeitschrift für Anglistik und Amerikanistik 66, Nr. 1 (28.03.2018): 105–17. http://dx.doi.org/10.1515/zaa-2018-0010.
Der volle Inhalt der QuelleDas, Jyotirmoy. „The British Lion’s Triumph over the Bengal Tiger: The Royal Combat and the Allegory of Imperial Dominance“. Praxis International Journal of Social Science and Literature 6, Nr. 9 (25.09.2023): 1–12. http://dx.doi.org/10.51879/pijssl/060901.
Der volle Inhalt der QuelleMadavi, Dr Manoj Shankarrao. „Literary Representation of Natives in Indian Regional Literature-A Vast Panorama of Indigenous Culture, Imperialism and Resistance“. International Journal of English Language, Education and Literature Studies (IJEEL) 2, Nr. 5 (2023): 01–04. http://dx.doi.org/10.22161/ijeel.2.5.1.
Der volle Inhalt der QuelleDr. Sampath Kumar Chavvakula. „Feminism In The Novels Of Anita Desai“. Journal of Namibian Studies : History Politics Culture 33 (20.05.2023): 5462–70. http://dx.doi.org/10.59670/jns.v33i.4824.
Der volle Inhalt der QuelleEt al., Bisma Butt. „An Analysis of Kanthapura by Raja Rao: A Postcolonial Study“. Psychology and Education Journal 58, Nr. 1 (15.01.2021): 4701–8. http://dx.doi.org/10.17762/pae.v58i1.1629.
Der volle Inhalt der QuelleSubitha, M. „Home: Depiction Of Social Reality In Manju Kapur’s Novel“. Shanlax International Journal of English 12, S1-Dec (14.12.2023): 59–61. http://dx.doi.org/10.34293/rtdh.v12is1-dec.45.
Der volle Inhalt der QuelleKadam, Dipali M. „Diasporic consciousness in contemporary Indian women’s fiction in English: at a glance“. RUDN Journal of Studies in Literature and Journalism 27, Nr. 3 (12.10.2022): 532–40. http://dx.doi.org/10.22363/2312-9220-2022-27-3-532-540.
Der volle Inhalt der QuelleMahapatra, Aruni. „Irreverent Reading: Humor, Erudition and Subalternity in the fiction of Bankim Chandra Chattopadhyay and Fakir Mohan Senapati“. Cambridge Journal of Postcolonial Literary Inquiry 6, Nr. 2 (26.03.2019): 179–98. http://dx.doi.org/10.1017/pli.2018.52.
Der volle Inhalt der QuelleJackson, Elizabeth. „Gender and social class in India: Muslim perspectives in the fiction of Attia Hosain and Shama Futehally“. Journal of Commonwealth Literature 53, Nr. 1 (11.05.2016): 124–39. http://dx.doi.org/10.1177/0021989416632373.
Der volle Inhalt der QuelleDissertationen zum Thema "Women – India – Fiction"
Hasseler, Theresa A. „"Myself in India" : the memsahib figure in colonial India /“. Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/9364.
Der volle Inhalt der QuelleChanda, Geetanjali. „Indian women in the house of fiction : place, gender, and identity in post-independence Indo-English novels by women /“. Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19736617.
Der volle Inhalt der QuelleGohain, Atreyee. „Where the Global Meets the Local: Female Mobility in South Asian Women's Fiction in India and the U.S“. Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1428022854.
Der volle Inhalt der QuellePraveen, Radhika. „Memoirs of a Taboo : a novel ; Women in pre- and post-Victorian India : the use of historical research in the writing of fiction“. Thesis, London Metropolitan University, 2018. http://repository.londonmet.ac.uk/3440/.
Der volle Inhalt der QuelleGoosen, Adri. „"Stealing the story, salvaging the she" : feminist revisionist fiction and the bible“. Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5338.
Der volle Inhalt der QuelleENGLISH ABSTRACT: This thesis analyses six novels by different women writers, each of which rewrites an originally androcentric biblical story from a female perspective. These novels are The Red Tent by Anita Diamant, The Garden by Elsie Aidinoff, Leaving Eden by Ann Chamberlin, The Moon under her Feet by Clysta Kinstler, The Wild Girl by Michelle Roberts and Wisdom’s Daughter by India Edghill. By classifying these novels as feminist revisionist fiction, this study considers how they both subvert and revise the biblical narratives they are based on in order to offer readers new and gynocentric alternatives. With the intention of establishing the significance of such an endeavor, the study therefore employs the findings of feminist critique and theology to expose how the Bible, as a sexist text, has inspired, directly or indirectly, many of the patriarchal values that govern Western society and religion. Having established how biblical narratives have promoted and justified visions of women as marginal, subordinate and outside the realm of the sacred, we move on to explore how feminist rewritings of such narratives might function to challenge and transform androcentric ideology, patriarchal myth and phallocentric theology. The aim is to show that the new and different stories constructed within these revisionist novels re-conceptualise and re-imagine women, their place in society and their relation to the divine. Thus, as the title suggests, this thesis ultimately considers how women writers ‘steal’ the original biblical stories and transform them in ways that prove liberating for women.
AFRIKAANSE OPSOMMING: Hierdie tesis analiseer ses romans deur verskillende vroue skrywers - romans wat die oorspronklik androsentriese bybelse stories herskryf vanuit ’n vroulike perspektief. Die romans sluit in The Red Tent deur Anita Diamant, The Garden deur Elsie Aidinoff, Leaving Eden deur Ann Chamberlin, The Moon under her Feet deur Clysta Kinstler, The Wild Girl deur Michelle Roberts en Wisdom’s Daughter deur India Edghill. Deur hierdie romans te klassifiseer as feministiese revisionistiese fiksie, oorweeg hierdie studie hoe hulle die bybelse verhale waarop hulle gebaseer is, beide ondermyn en hersien om sodoende lesers nuwe en ginosentriese alternatiewe te bied. Met die voorneme om die betekenisvolheid van so ’n poging vas te stel, wend hierdie tesis dus die bevindings van feministiese kritiek en -teologie aan om bloot te lê hoe die Bybel, as ‘n seksistiese teks, baie van die patriargale waardes van die Westerse samelewing en godsdiens, direk of indirek, geïnspireer het. Nadat vasgestel is hoe bybelse verhale sienings van vroue as marginaal, ondergeskik en buite die sfeer van heiligheid bevorder en regverdig, beweeg die tesis aan om te ondersoek hoe feministiese herskrywings van sulke verhale, androsentriese ideologie, patriargale mite en fallosentriese teologie uitdaag en herskep. Die doelwit is om te wys dat die nuwe en anderste stories saamgestel in hierdie revisionistiese romans, vroue, hul plek in die samelewing en hul betrekking tot die goddelike, kan heroorweeg en herdink. Dus, soos die titel voorstel, oorweeg hierdie tesis primêr hoe vroue skrywers die oorspronklike bybelse stories ‘steel’ en herskep op maniere wat bevrydend vir vrouens blyk te wees.
Young, Sally. „Irresistible grace : excerpt from a novel, and, Looking back: on writing, travel and the gaze : an essay“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/871.
Der volle Inhalt der QuelleBarber, Jennifer P. „Indian chick-lit : form and consumerism /“. Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/barberj/jenniferbarber.pdf.
Der volle Inhalt der QuelleRoy, Reshmi. „"Saptapadi" -- the seven steps : a study of the urban Hindu arranged marriage in selected Indian-English fiction by women authors“. Thesis, University of Canterbury. English, 2004. http://hdl.handle.net/10092/4690.
Der volle Inhalt der QuelleVijay, S. „Margaret Laurence and Shashi Deshpande: A study of the notion of Marginal woman in Canadian and Indian fiction in English“. Thesis, 1998. http://hdl.handle.net/2009/1695.
Der volle Inhalt der QuelleBücher zum Thema "Women – India – Fiction"
Singh, Jacquelin. Home to India. Sag Harbor, N.Y: Permanent Press, 1997.
Den vollen Inhalt der Quelle findenJain, Jagdish Chandra. Women in ancient Indian tales. Delhi, India: Mittal Publications, 1987.
Den vollen Inhalt der Quelle findenPayne, Peggy. Sister India. New York: Riverhead Books, 2001.
Den vollen Inhalt der Quelle findenJames, Patterson. Private India. London: Century, 2014.
Den vollen Inhalt der Quelle findenFlower, Amanda. Maid of murder: An India Hayes mystery. Waterville, Me: Five Star, 2010.
Den vollen Inhalt der Quelle findenDharmarajan, Geeta, Hrsg. Separate journeys: 23 stories from the women of India. Bombay: India Book Distributors (Bombay), 1993.
Den vollen Inhalt der Quelle findenFlower, Amanda. Murder in a basket: An India Hayes mystery. Waterville, Me: Five Star, 2012.
Den vollen Inhalt der Quelle findenJ, Tharu Susie, und Lalita Ke, Hrsg. Women writing in India: 600 B.C. to the present. New York: Feminist Press at the City University of New York, 1991.
Den vollen Inhalt der Quelle findenAikath-Gyaltsen, Indrani. Daughters of the house. New York: Ballantine Books, 1994.
Den vollen Inhalt der Quelle findenAikath-Gyaltsen, Indrani. Daughters of the house. New Delhi, India: Penguin Books, 1991.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Women – India – Fiction"
Ghosal, Nilanjana, und Srirupa Chatterjee. „Cultural Assimilation and the Politics of Beauty in Postwar American Fiction by Ethnic Women Writers“. In The English Paradigm in India, 139–51. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_10.
Der volle Inhalt der QuelleVenkataraman, Vijaya. „Rewriting Genre/Gender? Crime Fiction by Women Authors from India and Latin America“. In Transcultural Negotiations of Gender, 83–92. New Delhi: Springer India, 2015. http://dx.doi.org/10.1007/978-81-322-2437-2_8.
Der volle Inhalt der QuelleKuhad, Urvashi. „Indian science fiction“. In Science Fiction and Indian Women Writers, 24–57. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-2.
Der volle Inhalt der QuelleGupta, Indrani Das, und Shashi Prava Tigga. „Woman and Statecraft: Reading Meenakshi Reddy Madhavan's Novels in the Series ‘Girls of the Mahabharata’“. In Indian Popular Fiction, 173–91. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003239949-13.
Der volle Inhalt der QuelleKuhad, Urvashi. „Contemporary Indian science fiction writers and their works“. In Science Fiction and Indian Women Writers, 58–130. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-3.
Der volle Inhalt der QuelleKuhad, Urvashi. „Radical elements and the use of conjunctions“. In Science Fiction and Indian Women Writers, 131–47. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-4.
Der volle Inhalt der QuelleKuhad, Urvashi. „Conclusion“. In Science Fiction and Indian Women Writers, 155–65. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-6.
Der volle Inhalt der QuelleKuhad, Urvashi. „Contradictions through disjunctions“. In Science Fiction and Indian Women Writers, 148–54. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-5.
Der volle Inhalt der QuelleKuhad, Urvashi. „Introduction“. In Science Fiction and Indian Women Writers, 1–23. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-1.
Der volle Inhalt der QuelleChakraborty, Nabanita. „The Rhetoric of Deliberation and the Space of the Hyphen: Identity Politics of the Indian Women Diaspora in the Fictions of Jhumpa Lahiri“. In Women in the Indian Diaspora, 27–37. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5951-3_3.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Women – India – Fiction"
DEKA, Kabita, und Debajyoti BISWAS. „WOMEN IN GENDERED ENCLOSURE: A COMPARATIVE STUDY OF INDIRA GOSWAMI’S DATAL HATIR UNE KHOWA HOWDAH (THE MOTH-EATEN HOWDAH OF A TUSKER) AND EASTERINE IRALU’S A TERRIBLE MATRIARCHY“. In Synergies in Communication. Editura ASE, 2022. http://dx.doi.org/10.24818/sic/2021/04.05.
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