Zeitschriftenartikel zum Thema „Women in war – Fiction“
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Owens, Alison, und Donna Lee Brien. „Australian women writers’ popular non-fiction prose in the pre-war period: Exploring their motivations“. Australasian Journal of Popular Culture 11, Nr. 1 (01.12.2022): 63–80. http://dx.doi.org/10.1386/ajpc_00051_1.
Der volle Inhalt der QuelleRose, Ellen Cronan, und Lorna Sage. „Women in the House of Fiction: Post-War Women Novelists“. Tulsa Studies in Women's Literature 13, Nr. 1 (1994): 189. http://dx.doi.org/10.2307/463873.
Der volle Inhalt der QuelleMatthews, Jodie. „Daughters of Cyprus: Women, Contemporary Romance Fiction, and 1974“. Synthesis: an Anglophone Journal of Comparative Literary Studies, Nr. 10 (01.05.2017): 10. http://dx.doi.org/10.12681/syn.16241.
Der volle Inhalt der QuelleKardum, Marijana. „Life Writing between Fact and Fiction: Croatian World War II Women Diarists“. Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 55, Nr. 1 (20.12.2023): 319–32. http://dx.doi.org/10.17234/radovizhp.55.17.
Der volle Inhalt der QuelleChattarji, Subarno. „Poetry by american women veterans“. Alea : Estudos Neolatinos 16, Nr. 2 (Dezember 2014): 300–316. http://dx.doi.org/10.1590/s1517-106x2014000200004.
Der volle Inhalt der QuelleBernardi, Debra. „(Un)Like Subjects: Women, Theory, Fiction, and: Women in the House of Fiction: Post-War Women Novelists (review)“. MFS Modern Fiction Studies 40, Nr. 2 (1994): 432–34. http://dx.doi.org/10.1353/mfs.0.0597.
Der volle Inhalt der QuelleDonawerth, Jane. „Body Parts: Twentieth-Century Science Fiction Short Stories by Women“. PMLA/Publications of the Modern Language Association of America 119, Nr. 3 (Mai 2004): 474–81. http://dx.doi.org/10.1632/003081204x20532.
Der volle Inhalt der QuelleMorgan, Elizabeth. „Combat at the Keys: Women and Battle Pieces for the Piano during the American Civil War“. 19th-Century Music 40, Nr. 1 (2016): 7–19. http://dx.doi.org/10.1525/ncm.2016.40.1.7.
Der volle Inhalt der QuelleMortimer, Mildred. „Zoulikha, the Martyr of Cherchell, in Film and Fiction“. Publications of the Modern Language Association of America 131, Nr. 1 (Januar 2016): 134–39. http://dx.doi.org/10.1632/pmla.2016.131.1.134.
Der volle Inhalt der QuellePHILIPS, DEBORAH. „Healthy Heroines: Sue Barton, Lillian Wald, Lavinia Lloyd Dock and the Henry Street Settlement“. Journal of American Studies 33, Nr. 1 (April 1999): 65–82. http://dx.doi.org/10.1017/s0021875898006070.
Der volle Inhalt der QuelleBhattacharyya, Nitusmita. „Existential Crisis of the Japanese American Woman: A Study of Post War Japanese American Fiction“. ENSEMBLE 2, Nr. 2 (04.05.2021): 51–56. http://dx.doi.org/10.37948/ensemble-2020-0202-a006.
Der volle Inhalt der QuelleArmitage, Shelley. „American Women Writing Fiction by Mickey Pearlman“. Western American Literature 24, Nr. 3 (1989): 284–85. http://dx.doi.org/10.1353/wal.1989.0081.
Der volle Inhalt der QuelleLadygina, Yuliya. „Beyond the Trenches: Ol'ha Kobylians'ka’s Literary Response to the First World War“. East/West: Journal of Ukrainian Studies 2, Nr. 2 (08.09.2015): 111. http://dx.doi.org/10.21226/t2s888.
Der volle Inhalt der QuelleWorkman, Simon. „Maeve Kelly: Women, Ireland, and the Aesthetics of Radical Writing“. Irish University Review 49, Nr. 2 (November 2019): 304–21. http://dx.doi.org/10.3366/iur.2019.0408.
Der volle Inhalt der QuelleSteffen, Ana Cristina. „Dinah Silveira de Queiroz, Literatura e História: algumas concepções“. Revista Criação & Crítica, Nr. 38 (14.06.2024): 102–27. http://dx.doi.org/10.11606/issn.1984-1124.i38p102-127.
Der volle Inhalt der QuelleAllaberganov, Sherali Yu. „Activities of Khoresm women on the fronts of the World War II“. Alma mater. Vestnik Vysshey Shkoly, Nr. 3 (März 2024): 101–8. http://dx.doi.org/10.20339/am.03-24.101.
Der volle Inhalt der QuelleHanley, Jane. „Memory, War, and Dictatorship in Recent Spanish Fiction by Women, by Sarah Leggott“. Journal of Iberian and Latin American Research 21, Nr. 3 (02.09.2015): 424–26. http://dx.doi.org/10.1080/13260219.2015.1135853.
Der volle Inhalt der QuelleBrown, Margaret Lynn. „Faust, Mothers Of Invention - Women Of The Slaveholding South In The American Civil War“. Teaching History: A Journal of Methods 22, Nr. 2 (01.09.1997): 109–10. http://dx.doi.org/10.33043/th.22.2.109-110.
Der volle Inhalt der QuelleDas, Jyotirmoy. „The British Lion’s Triumph over the Bengal Tiger: The Royal Combat and the Allegory of Imperial Dominance“. Praxis International Journal of Social Science and Literature 6, Nr. 9 (25.09.2023): 1–12. http://dx.doi.org/10.51879/pijssl/060901.
Der volle Inhalt der QuelleSharma, Ms Shikha. „Doris Lessing’s Science Fiction“. SMART MOVES JOURNAL IJELLH 8, Nr. 7 (27.07.2020): 167–76. http://dx.doi.org/10.24113/ijellh.v8i7.10673.
Der volle Inhalt der QuelleOramus, Dominika. „Strangers in Togetherville – Women, Physics and Popular Culture“. Prague Journal of English Studies 9, Nr. 1 (01.07.2020): 133–53. http://dx.doi.org/10.2478/pjes-2020-0007.
Der volle Inhalt der QuelleJaber, Maysaa Husam. „A “Burlesque Queen in Bobby Socks”: Domesticity, Criminality, and Suspense in Charles Williams’s Noir Fiction“. Canadian Review of American Studies 52, Nr. 1 (01.04.2022): 35–52. http://dx.doi.org/10.3138/cras-2021-004.
Der volle Inhalt der QuelleValentová, Kateřina, und Marc Macià Farré. „Giving a Voice to the Silenced Women of Francoist Spain“. AUC STUDIA TERRITORIALIA 23, Nr. 1 (07.11.2023): 11–29. http://dx.doi.org/10.14712/23363231.2023.8.
Der volle Inhalt der QuelleCavallin, Anna. „Författarens välklädda lik“. Tidskrift för litteraturvetenskap 43, Nr. 3-4 (01.01.2013): 59–73. http://dx.doi.org/10.54797/tfl.v43i3-4.10816.
Der volle Inhalt der QuelleGelfant, Blanche H. „Beauty and Nightmare in Vietnam War Fiction“. Prospects 30 (Oktober 2005): 751–78. http://dx.doi.org/10.1017/s0361233300002258.
Der volle Inhalt der QuelleHartman, Michelle. „“Zahra’s Uncle, or Where Are Men in Women’s War Stories?”“. Journal of Arabic Literature 51, Nr. 1-2 (06.04.2020): 83–107. http://dx.doi.org/10.1163/1570064x-12341401.
Der volle Inhalt der QuelleMulcahy, F. David, und Melissa Sherman. „A Symbolic View of Cigarette Holders“. Issues in Social Science 3, Nr. 2 (04.10.2015): 1. http://dx.doi.org/10.5296/iss.v3i2.8392.
Der volle Inhalt der QuellePellicer-Ortín, Silvia. „Liminal and Transmodern Female Voices at War: Resistant and Healing Female Bonds in Libby Cone’s War on the Margins (2008)“. Societies 8, Nr. 4 (14.11.2018): 114. http://dx.doi.org/10.3390/soc8040114.
Der volle Inhalt der QuelleHicks, Philip. „Catharine Macaulay's Civil War: Gender, History, and Republicanism in Georgian Britain“. Journal of British Studies 41, Nr. 2 (April 2002): 170–98. http://dx.doi.org/10.1086/386259.
Der volle Inhalt der QuelleMackay, Theresa. „Women at Work: Innkeeping in the Highlands and Islands of Scotland 1790–1840“. Journal of Scottish Historical Studies 37, Nr. 2 (November 2017): 155–76. http://dx.doi.org/10.3366/jshs.2017.0218.
Der volle Inhalt der QuelleKnadler, Stephen. „Miscegenated Whiteness: Rebecca Harding Davis, the "Civil-izing" War, and Female Racism“. Nineteenth-Century Literature 57, Nr. 1 (01.06.2002): 64–99. http://dx.doi.org/10.1525/ncl.2002.57.1.64.
Der volle Inhalt der QuelleChakravarty, Prerana. „Dangerous Femininity: Looking into the Portrayal of Daphne Monet as a Femme Fatale in Walter Mosley’s Devil in a Blue Dress“. IAFOR Journal of Arts & Humanities 9, Nr. 1 (29.07.2022): 62–72. http://dx.doi.org/10.22492/ijah.9.1.05.
Der volle Inhalt der QuelleBani-Khair, Baker, Ziyad Khalifah Alkhalifah, Mohammad Hilmi Al Ahmad, Majed Abdul Karim und Mahmoud Ali Rababah. „The Correlation Between Art and Death in Willa Cather's Lucy Gayheart: Fatality of Art or Artistic Failure“. Journal of Language Teaching and Research 15, Nr. 1 (31.12.2023): 318–23. http://dx.doi.org/10.17507/jltr.1501.35.
Der volle Inhalt der QuelleZachs, Fruma, und Yuval Ben-Bassat. „WOMEN'S VISIBILITY IN PETITIONS FROM GREATER SYRIA DURING THE LATE OTTOMAN PERIOD“. International Journal of Middle East Studies 47, Nr. 4 (14.10.2015): 765–81. http://dx.doi.org/10.1017/s0020743815000975.
Der volle Inhalt der QuelleKawana, Sari. „The price of pulp: women, detective fiction, and the profession of writing in inter-war Japan“. Japan Forum 16, Nr. 2 (Juli 2004): 207–29. http://dx.doi.org/10.1080/0955580042000222646.
Der volle Inhalt der QuelleLawless, Elaine J. „Prairie Women: Images in American and Canadian Fiction by Carol Fairbanks“. Western American Literature 22, Nr. 2 (1987): 184–85. http://dx.doi.org/10.1353/wal.1987.0050.
Der volle Inhalt der QuelleSultan, Shrouk, Basma Saleh und Asmaa ElSherbini. „Fighters or Victims: Women at War as Depicted in Harry Potter Novels“. International Journal of Language and Literary Studies 4, Nr. 2 (04.06.2022): 229–42. http://dx.doi.org/10.36892/ijlls.v4i2.938.
Der volle Inhalt der QuelleKlikauer, Thomas, Norman Simms, Marcus Colla, Nicolas Wittstock, Matthew Specter, Kate R. Stanton, John Bendix und Bernd Schaefer. „Book Reviews“. German Politics and Society 40, Nr. 1 (01.03.2022): 104–31. http://dx.doi.org/10.3167/gps.2022.400106.
Der volle Inhalt der QuelleIngemanson, Birgitta. „The Political Function of Domestic Objects in the Fiction of Aleksandra Kollontai“. Slavic Review 48, Nr. 1 (1989): 71–82. http://dx.doi.org/10.2307/2498686.
Der volle Inhalt der QuelleBranach-Kallas, Anna. „World Travellers: Colonial Loyalties, Border Crossing and Cosmopolitanism in Recent Postcolonial First World War Novels“. Anglica. An International Journal of English Studies, Nr. 27/3 (17.09.2018): 183–200. http://dx.doi.org/10.7311/0860-5734.27.3.09.
Der volle Inhalt der QuelleNgeh, Andrew T., und Sarah M. Nalova. „Rethinking Language and Gender in African Fiction: Towards De-gendering and Re-gendering“. Social Science, Humanities and Sustainability Research 1, Nr. 1 (20.06.2020): p132. http://dx.doi.org/10.22158/sshsr.v1n1p132.
Der volle Inhalt der QuelleHanif, Samia, und Munawar Iqbal Ahmed. „'Half Widows and Half Mothers': Traumatic Voices of Women From the Literary Narratives of Jammu and Kashmir“. Global Language Review V, Nr. IV (30.12.2020): 123–30. http://dx.doi.org/10.31703/glr.2020(v-iv).13.
Der volle Inhalt der QuelleLassner, Phyllis. „Brave new causes: women in british post-war fictions“. Women's History Review 8, Nr. 4 (01.12.1999): 737–62. http://dx.doi.org/10.1080/09612029900200458.
Der volle Inhalt der QuelleBecker, Heike. „Writing Genocide“. Matatu 50, Nr. 2 (13.02.2020): 361–95. http://dx.doi.org/10.1163/18757421-05002002.
Der volle Inhalt der QuelleKucała, Bożena. „Carnage, medicine and "The Woman Question" : representations of the Crimean war in neo-Victorian fiction“. Brno studies in English, Nr. 1 (2022): 175–86. http://dx.doi.org/10.5817/bse2022-1-10.
Der volle Inhalt der QuelleAlief, Vicky Radian, und Dian Farijanti. „Cultural Feminism Found in the Asne Seierstad’s Kabul“. Academic Journal Perspective : Education, Language, and Literature 3, Nr. 2 (14.11.2018): 379. http://dx.doi.org/10.33603/perspective.v3i2.1678.
Der volle Inhalt der QuelleNOVYKOV, ANATOLIY, TETIANA KLEIMENOVA, MARYNA KUSHNIEROVA, DMYTRO MARIEIEV und NATALIIA HOHOL. „GENESIS OF THE «WOMAN’S» WAR IN CREATIVITY OF SVETLANA ALEXIEVICH (BASED ON THE MATERIAL OF THE NOVELS «THE UNWOMANLY FACE OF WAR» AND «ZINKY BOYS»)“. AD ALTA: 11/02 11, Nr. 2 (31.12.2021): 182–87. http://dx.doi.org/10.33543/1102182187.
Der volle Inhalt der QuelleHassler, Donald M. „Where No Man Has Gone Before: Women and Science Fiction, and: Science Fiction, Social Conflict, and War, and: Worlds Apart: Narratology of Science Fiction (review)“. MFS Modern Fiction Studies 38, Nr. 2 (1992): 540–41. http://dx.doi.org/10.1353/mfs.0.1110.
Der volle Inhalt der QuelleNeijmann, Daisy L. „‘Girl Interrupting’: History and Art as Clairvoyance in the Fiction of Vigdís Grímsdóttir“. Scandinavian-Canadian Studies 17 (01.12.2007): 54–68. http://dx.doi.org/10.29173/scancan22.
Der volle Inhalt der QuelleChapman, Mary. „'Living Pictures': Women and Tableaux Vivants in Nineteenth-Century American Fiction and Culture“. Wide Angle 18, Nr. 3 (1996): 22–52. http://dx.doi.org/10.1353/wan.1996.0016.
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