Zeitschriftenartikel zum Thema „Women in music – england“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-50 Zeitschriftenartikel für die Forschung zum Thema "Women in music – england" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Zeitschriftenartikel für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
Hillsman, Walter. „Choirboys and Choirgirls in the Victorian Church of England“. Studies in Church History 31 (1994): 447–60. http://dx.doi.org/10.1017/s0424208400013048.
Der volle Inhalt der QuelleAustern, Linda Phyllis. „Nature, Culture, Myth, and the Musician in Early Modern England“. Journal of the American Musicological Society 51, Nr. 1 (1998): 1–47. http://dx.doi.org/10.2307/831896.
Der volle Inhalt der QuelleMilsom, John. „Songs and society in early Tudor London“. Early Music History 16 (Oktober 1997): 235–93. http://dx.doi.org/10.1017/s026112790000173x.
Der volle Inhalt der QuelleMcCrone, K. „Review of book. Musical Women in England, 1870-1914: 'Encroaching on all man's privileges'. P Gillett“. Music and Letters 82, Nr. 4 (01.11.2001): 655–59. http://dx.doi.org/10.1093/ml/82.4.655.
Der volle Inhalt der QuelleRohr, Deborah. „Women and the music profession in Victorian England: The Royal Society of Female Musicians, 1839–1866“. Journal of Musicological Research 18, Nr. 4 (Januar 1999): 307–46. http://dx.doi.org/10.1080/01411899908574762.
Der volle Inhalt der QuelleBridge, Dominic James Ruggier. „‘A Musical Bouquet for the Ladies’: Gendered Markets for Printed Music in Eighteenth‐Century England“. Journal for Eighteenth-Century Studies 46, Nr. 4 (Dezember 2023): 499–519. http://dx.doi.org/10.1111/1754-0208.12921.
Der volle Inhalt der QuellePet’ko, Lyudmila. „The Coronation of Anne Boleyn as Queen of England and the British Coronation Ceremony“. Intellectual Archive 12, Nr. 4 (09.12.2023): 77–117. http://dx.doi.org/10.32370/ia_2023_12_8.
Der volle Inhalt der QuelleMendelson (book author), Sara, Patricia Crawford (book author) und Susan C. Frye (review author). „Women in Early Modern England 1550-1720“. Renaissance and Reformation 36, Nr. 2 (01.01.2000): 98–100. http://dx.doi.org/10.33137/rr.v36i2.8615.
Der volle Inhalt der QuelleKimber, Marian Wilson. „Victorian Fairies and Felix Mendelssohn's A Midsummer Night's Dream in England“. Nineteenth-Century Music Review 4, Nr. 1 (Juni 2007): 53–79. http://dx.doi.org/10.1017/s1479409800000069.
Der volle Inhalt der QuelleFara, Patricia. „Book reviews“. Notes and Records of the Royal Society of London 54, Nr. 2 (22.05.2000): 259–72. http://dx.doi.org/10.1098/rsnr.2000.0259.
Der volle Inhalt der QuelleMonta (author, first book), Susannah Brietz, Megan L. Hickerson (author, second book) und Scott N. Kindred-Barnes (review author). „Martyrdom and Literature in Early Modern England Making Women Martyrs in Tudor England“. Renaissance and Reformation 40, Nr. 2 (01.01.2004): 136–37. http://dx.doi.org/10.33137/rr.v40i2.9022.
Der volle Inhalt der QuelleRainwater, Crescent. „Netta Syrett, Nobody’s Fault, and Female Decadence: The Story of a Wagnerite“. Journal of Victorian Culture 25, Nr. 2 (14.12.2019): 185–99. http://dx.doi.org/10.1093/jvcult/vcz057.
Der volle Inhalt der QuelleStevens, Robin S. „Pathfinder and Role Model: Ada Bloxham, Australian Vocalist and Tonic Sol-fa Teacher“. Journal of Historical Research in Music Education 39, Nr. 2 (18.01.2017): 131–47. http://dx.doi.org/10.1177/1536600616669360.
Der volle Inhalt der QuelleLosseff, Nicky. „Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges" (review)“. Notes 57, Nr. 4 (2001): 905–7. http://dx.doi.org/10.1353/not.2001.0098.
Der volle Inhalt der QuelleBassnett (book author), Madeline, und David B. Goldstein (review author). „Women, Food Exchange, and Governance in Early Modern England“. Renaissance and Reformation 41, Nr. 4 (01.04.2019): 203–5. http://dx.doi.org/10.33137/rr.v41i4.32464.
Der volle Inhalt der QuellePickles, Vernon. „Music and the Third Age“. Psychology of Music 31, Nr. 4 (Oktober 2003): 415–23. http://dx.doi.org/10.1177/03057356030314006.
Der volle Inhalt der QuelleRussell, Dave. „Key Workers: Toward an Occupational History of the Private Music Teacher in England and Wales, c.1861–c.1921“. Royal Musical Association Research Chronicle 47 (2016): 145–72. http://dx.doi.org/10.1080/14723808.2016.1140369.
Der volle Inhalt der QuelleParker, Mary Ann. „Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)“. University of Toronto Quarterly 80, Nr. 2 (2011): 348–49. http://dx.doi.org/10.1353/utq.2011.0096.
Der volle Inhalt der QuellePerry, Ruth. „Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)“. Eighteenth-Century Fiction 23, Nr. 2 (2010): 434–38. http://dx.doi.org/10.1353/ecf.2010.0036.
Der volle Inhalt der QuelleEllen T. Harris. „Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)“. Eighteenth-Century Studies 43, Nr. 4 (2010): 538–40. http://dx.doi.org/10.1353/ecs.0.0174.
Der volle Inhalt der QuelleLingas, Ann. „Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance - By Leslie Ritchie“. Journal for Eighteenth-Century Studies 35, Nr. 2 (24.05.2012): 263–64. http://dx.doi.org/10.1111/j.1754-0208.2010.00359.x.
Der volle Inhalt der QuelleGowing (book author), Laura, und Helen Berry (review author). „Common Bodies. Women, Touch and Power in Seventeenth-Century England“. Renaissance and Reformation 39, Nr. 3 (01.01.2003): 118–20. http://dx.doi.org/10.33137/rr.v39i3.8911.
Der volle Inhalt der QuelleBOZIWICK, GEORGE. „“My Business is to Sing”: Emily Dickinson's Musical Borrowings“. Journal of the Society for American Music 8, Nr. 2 (Mai 2014): 130–66. http://dx.doi.org/10.1017/s1752196314000054.
Der volle Inhalt der QuelleParapar, Cristina. „Black Music and Desublimation: Contravening Expectations in Marcusean Aesthetics“. Artefilosofia 19, Nr. 35 (21.06.2024): 1. http://dx.doi.org/10.69640/raf.v19i35.7264.
Der volle Inhalt der QuelleELLIS, BRONWYN. „LESLIE RITCHIE WOMEN WRITING MUSIC IN LATE EIGHTEENTH-CENTURY ENGLAND: SOCIAL HARMONY IN LITERATURE AND PERFORMANCEAldershot: Ashgate, 2008 pp. x + 269, isbn978 0 7546 6333 1“. Eighteenth Century Music 7, Nr. 2 (30.07.2010): 289–91. http://dx.doi.org/10.1017/s1478570610000126.
Der volle Inhalt der QuelleGoldstein, David B. „Bassnett, Madeline. Women, Food Exchange, and Governance in Early Modern England“. Renaissance and Reformation 41, Nr. 4 (2018): 203. http://dx.doi.org/10.7202/1061928ar.
Der volle Inhalt der QuelleJohnson (book author), Sarah E., und Mark Albert Johnston (review author). „Staging Women and the Soul-Body Dynamic in Early Modern England“. Renaissance and Reformation 37, Nr. 3 (05.03.2015): 296–98. http://dx.doi.org/10.33137/rr.v37i3.22477.
Der volle Inhalt der QuelleSchleiner (author, first book), Louise, Jean R. Brink (editor, second book) und Jean LeDrew Metcalfe (review author). „Tudor and Stuart Women Writers;Privileging Gender in Early Modern England“. Renaissance and Reformation 32, Nr. 1 (01.02.2009): 87–89. http://dx.doi.org/10.33137/rr.v32i1.11781.
Der volle Inhalt der QuelleJohnson, Bruce. „Deportation Blues <br> doi:10.5429/2079-3871(2010)v1i1.5en“. IASPM Journal 1, Nr. 1 (08.04.2010): 1–13. http://dx.doi.org/10.5429/297.
Der volle Inhalt der QuelleKramer, Lawrence. „Fin-de-siècle fantasies: Elektra, degeneration and sexual science“. Cambridge Opera Journal 5, Nr. 2 (Juli 1993): 141–65. http://dx.doi.org/10.1017/s0954586700003967.
Der volle Inhalt der QuelleCampbell, Heather. „Women, Beauty and Power in Early Modern England: A Feminist Literary History“. Renaissance and Reformation 42, Nr. 3 (11.12.2019): 259–61. http://dx.doi.org/10.7202/1066397ar.
Der volle Inhalt der QuelleAbate (author, first book), Corinne S., Mihoko Suzuki (author, second book) und Sylvia Brown (review author). „Privacy, Domesticity, and Women in Early Modern England; Subordinate Subjects: Gender, the Political Nation, and Literary Form in England, 1588-1688“. Renaissance and Reformation 38, Nr. 3 (01.01.2002): 38–41. http://dx.doi.org/10.33137/rr.v38i3.8803.
Der volle Inhalt der QuelleHunt, T. L. „Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges." By Paula Gillett and Women Performing Music: The Emergence of American Women as Instrumentalists and Conductors. By Beth Abelson Macleod“. Journal of Social History 36, Nr. 1 (01.09.2002): 223–27. http://dx.doi.org/10.1353/jsh.2002.0082.
Der volle Inhalt der QuelleWoodfield, Ian. „The ‘Hindostannie Air’: English Attempts to Understand Indian Music in the Late Eighteenth Century“. Journal of the Royal Musical Association 119, Nr. 2 (1994): 189–211. http://dx.doi.org/10.1093/jrma/119.2.189.
Der volle Inhalt der QuelleCampbell, Heather. „Snook, Edith. Women, Beauty and Power in Early Modern England: A Feminist Literary History“. Renaissance and Reformation 42, Nr. 3 (04.12.2019): 259–61. http://dx.doi.org/10.33137/rr.v42i3.33431.
Der volle Inhalt der QuelleRgwan Abdalhameed Shuash, Researcher, und Rese Rana Ali Mhoodar. „Gender and Authority in Caryl Churchill’s Vinegar Tom (1976)“. لارك 2, Nr. 50 (30.06.2023): 1011–992. http://dx.doi.org/10.31185/lark.vol2.iss50.3201.
Der volle Inhalt der QuelleLogan, Jeremy. „Synesthesia and feminism: A case study on Amy Beach (1867-1944)“. New Sound, Nr. 46 (2015): 130–40. http://dx.doi.org/10.5937/newso1546130l.
Der volle Inhalt der QuellePope, Rebecca A. „Musical Women in England, 1870-1914: "Encroaching on All Men's Privileges", and: Women Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home (review)“. Victorian Studies 45, Nr. 1 (2002): 186–88. http://dx.doi.org/10.1353/vic.2003.0060.
Der volle Inhalt der QuelleWayal, Sonali, Catherine Mercer, Victoria L. Gilbart, Emma Garnett, Lorna J. Sutcliffe, Peter Weatherburn und Gwenda Hughes. „O25 ‘Side chicks’, and ‘side dicks’: understanding typologies and drivers of concurrent partnerships to prevent sti transmission among people of black caribbean ethnicity in england“. Sexually Transmitted Infections 93, Suppl 1 (Juni 2017): A9.2—A9. http://dx.doi.org/10.1136/sextrans-2017-053232.25.
Der volle Inhalt der QuelleDavis, Jim. „Imperial Transgressions: the Ideology of Drury Lane Pantomime in the Late Nineteenth Century“. New Theatre Quarterly 12, Nr. 46 (Mai 1996): 147–55. http://dx.doi.org/10.1017/s0266464x00009970.
Der volle Inhalt der QuellePope, Rebecca A. „BOOK REVIEW: Paula Gillett.MUSICAL WOMEN IN ENGLAND, 1870-1914: ?ENCROACHING ON ALL MEN'S PRIVILEGES,?. and Phyllis Weliver.WOMEN MUSICIANS IN VICTORIAN FICTION, 1860-1900: REPRESENTATIONS OF MUSIC, SCIENCE AND GENDER IN THE LEISURED HOME.“ Victorian Studies 45, Nr. 1 (Oktober 2002): 186–88. http://dx.doi.org/10.2979/vic.2002.45.1.186.
Der volle Inhalt der QuellePhillippy (author, first book), Patricia, Aileen Ribeiro (author, second book), Ann Hollinshead Hurley (author, third book) und Katherine Acheson (review author). „Painting Women: Cosmetics, Canvases & Early Modern Culture; Fashion and Fiction: Dress in Art and Literature in Stuart England; John Donne's Poetry and Early Modern Visual Culture“. Renaissance and Reformation 31, Nr. 2 (01.01.2008): 134–40. http://dx.doi.org/10.33137/rr.v31i2.9192.
Der volle Inhalt der QuelleCherniavska, M. S. „Clara Wieck Schumann in the European scientific discourse“. Aspects of Historical Musicology 17, Nr. 17 (15.09.2019): 213–31. http://dx.doi.org/10.34064/khnum2-17.14.
Der volle Inhalt der QuelleBorwick, Susan. „Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges", and: Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867-1944, and: Ruth Crawford Seeger: A Composer's Search for American Music (review)“. NWSA Journal 13, Nr. 2 (2001): 161–66. http://dx.doi.org/10.1353/nwsa.2001.0029.
Der volle Inhalt der QuelleBorwick, Susan. „BOOK REVIEW: Paula Gillett.MUSICAL WOMEN IN ENGLAND, 1870-1914: ?ENCROACHING ON ALL MAN'S PRIVILEGES?. and Adrienne Fried Block.AMY BEACH, PASSIONATE VICTORIAN: THE LIFE AND WORK OF AN AMERICAN COMPOSER, 1867-1944. and Judith Tick.RUTH CRAWFORD SEEGER: A COMPOSER'S SEARCH FOR AMERICAN MUSIC.“ NWSA Journal 13, Nr. 2 (Juli 2001): 161–66. http://dx.doi.org/10.2979/nws.2001.13.2.161.
Der volle Inhalt der QuelleDavis, William B. „Music Therapy in Victorian England“. Journal of British Music Therapy 2, Nr. 1 (Juni 1988): 10–16. http://dx.doi.org/10.1177/135945758800200103.
Der volle Inhalt der QuelleMCVEIGH, S. „'CHAMBER MUSIC FROM GEORGIAN ENGLAND'“. Music and Letters 69, Nr. 3 (01.07.1988): 448–49. http://dx.doi.org/10.1093/ml/69.3.448.
Der volle Inhalt der QuelleHaggh, Barbara. „Liturgical music in medieval England“. Early Music XXII, Nr. 2 (Mai 1994): 325–28. http://dx.doi.org/10.1093/earlyj/xxii.2.325.
Der volle Inhalt der QuelleLeech, P. „Devotional music from Stuart England“. Early Music 35, Nr. 4 (01.11.2007): 644–47. http://dx.doi.org/10.1093/em/cam065.
Der volle Inhalt der QuelleTrendell, D. „Renaissance vocal music from England“. Early Music 40, Nr. 3 (01.08.2012): 517–20. http://dx.doi.org/10.1093/em/cas091.
Der volle Inhalt der Quelle