Dissertationen zum Thema „Women in music – england“
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Morgan, Elizabeth Natalie. „The virtuous virtuosa women at the pianoforte in England, 1780-1820 /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835614361&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleCooper, Suzanne Fagence. „Picturing music in Victorian England“. Thesis, Bucks New University, 2005. http://bucks.collections.crest.ac.uk/9932/.
Der volle Inhalt der QuelleBurrows, Donald. „Handel in England: Sacred Music“. Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37211.
Der volle Inhalt der QuelleDaybell, James. „Women letter-writers in Tudor England“. Oxford [u.a.] Oxford Univ. Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780199259915.001.0001.
Der volle Inhalt der QuelleCast, Andrea Snowden. „Women drinking in early modern England“. Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phc346.pdf.
Der volle Inhalt der QuelleArcher, Jayne Elisabeth Euphemia. „Women and alchemy in early modern England“. Thesis, University of Cambridge, 1999. https://www.repository.cam.ac.uk/handle/1810/272292.
Der volle Inhalt der QuelleElias, T. P. „Music and authorship in England, 1575-1632“. Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598807.
Der volle Inhalt der QuelleJourdan, Paul. „Mendelssohn in England, 1829-37“. Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/272810.
Der volle Inhalt der QuelleMarsh, Dana Trombley. „Music, church, and Henry VIII's Reformation“. Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670102.
Der volle Inhalt der QuelleJohnson, Christine M. „Quaker women peace campaigners in England 1820-1915“. Thesis, Staffordshire University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271791.
Der volle Inhalt der QuelleNevill, Marjorie. „Women and marriage breakdown in England, 1832-1857“. Thesis, University of Essex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236462.
Der volle Inhalt der QuelleWelford, Jo. „What's the score? : women in football in England“. Thesis, Loughborough University, 2008. https://dspace.lboro.ac.uk/2134/17447.
Der volle Inhalt der QuelleDevlin, Majella. „Performing women in Early Modern England, 1625-1700“. Thesis, Queen's University Belfast, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517291.
Der volle Inhalt der QuelleColton, Lisa Marie. „Music and sanctity in England, c1260-c.1400“. Thesis, University of York, 2003. http://etheses.whiterose.ac.uk/9839/.
Der volle Inhalt der QuelleBarişeri, Nurtuğ. „Primary music teacher education in England and Turkey“. Thesis, Durham University, 2000. http://etheses.dur.ac.uk/4287/.
Der volle Inhalt der QuelleFleming, Michael. „Viol-making in England, c.1580-1660“. Thesis, Open University, 2001. http://eprints.hud.ac.uk/30793/.
Der volle Inhalt der QuelleMoran, Angela Claire. „Sites of diaspora : the Irish music of Birmingham“. Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609655.
Der volle Inhalt der QuelleProzzillo, Nicholas Stefano. „Organ reform in England : aesthetics and polemics, 1901-1965“. Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:edc38b39-1749-49b6-b35f-1493f605e7e0.
Der volle Inhalt der QuelleWahl, Shelbie L. „By women, for women choral works for women's voices composed and texted by women, with an annotated repertoire list /“. Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/788.
Der volle Inhalt der QuelleMcCreery, Cindy. „Satiric prints of women in late eighteenth-century England“. Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336246.
Der volle Inhalt der QuelleWiskin, Christine. „Women, finance and credit in England, c.1780-1826“. Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/36386/.
Der volle Inhalt der QuelleHough, Carole Ann. „Women and the law in early Anglo-Saxon England“. Thesis, University of Nottingham, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335867.
Der volle Inhalt der QuelleTodd, Selina. „Young women, employment and the family in interwar England“. Thesis, University of Sussex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270354.
Der volle Inhalt der QuelleBentley, Eileen. „Music in schools in England during the twentieth century“. Thesis, University of Manchester, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561210.
Der volle Inhalt der QuelleThomas, Gareth James. „The impact of Russian music in England 1893-1929“. Thesis, University of Birmingham, 2005. http://etheses.bham.ac.uk//id/eprint/260/.
Der volle Inhalt der QuelleCarter, Stephanie. „Music publishing and compositional activity in England, 1650-1700“. Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/music-publishing-and-compositional-activity-in-england-16501700(14b13888-a2be-44d4-9e14-66b0980b3fec).html.
Der volle Inhalt der QuelleStrahle, Graham. „Fantasy and music in sixteenth- and seventeenth-century England /“. Title page, contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phs896.pdf.
Der volle Inhalt der QuelleYou, Xuesheng. „Women's employment in England and Wales, 1851-1911“. Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/283968.
Der volle Inhalt der QuelleCooke, Mary Lee. „Southern women, southern voices Civil War songs by southern women /“. Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1477CookeML/umi-uncg-1477.pdf.
Der volle Inhalt der QuelleTitle from PDF t.p. (viewed Feb. 29, 2008). Directed by Nancy Walker; submitted to the School of Music. Includes bibliographical references (p. 160-176).
Dertinger, Noreen. „Instrumental ensemble settings of In Nomines composed in England (1550-1650)“. Thesis, University of Ottawa (Canada), 1991. http://hdl.handle.net/10393/7895.
Der volle Inhalt der QuelleStiles, Kenton M. „Feminism and Methodism a study of six Methodist women in eighteenth-century England /“. Theological Research Exchange Network (TREN), 1993. http://www.tren.com.
Der volle Inhalt der QuelleLee, Becky R. „Women ben purifyid of her childeryn, the purification of women after childbirth in medieval England“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0015/NQ53915.pdf.
Der volle Inhalt der QuelleHelbing, Rachel. „Women and Steel Bands in Trinidad“. Miami University Honors Theses / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1111087466.
Der volle Inhalt der QuelleDaniel, Linda Jean. „Singing out!, Canadian women in country music“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0022/NQ49995.pdf.
Der volle Inhalt der QuelleDunlap, Amy L. „Women with Addictions' Experience in Music Therapy“. Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1483647124948226.
Der volle Inhalt der QuelleHume, James Cameron. „The Chapel Royal partbooks in eighteenth-century England“. Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/the-chapel-royal-partbooks-in-eighteenthcentury-england(18b3a468-67ea-42b8-a9a1-1aa51505d33f).html.
Der volle Inhalt der QuelleMcCarty, Elizabeth. „Attitudes to women and domesticity in England, c. 1939-1955“. Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259984.
Der volle Inhalt der QuelleLillie, Mark. „Drugs prescribed to pregnant women in England, 1977 to 1996“. Thesis, University of York, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488735.
Der volle Inhalt der QuelleBurton, Susan Karen. „Japanese women residents in England : a methodological and cultural study“. Thesis, University of Sussex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270506.
Der volle Inhalt der QuelleMorrison, Bronwyn Louise. „Ordering disorderly women : female drunkenness in England c.1870-1920“. Thesis, Keele University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412992.
Der volle Inhalt der QuelleHolden, Katherine. „The shadow of marriage : single women in England 1919-1939“. Thesis, University of Essex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247566.
Der volle Inhalt der QuelleMills, Katherine Louise Carleton University Dissertation History. „Wills in later medieval England, with special reference to women“. Ottawa, 1992.
Den vollen Inhalt der Quelle findenCatty, Jocelyn. „Writing rape, writing women in early modern England : unbridled speech /“. Basingstoke [GB] : New York : Macmillan press ; St. Martin's press, 1999. http://catalogue.bnf.fr/ark:/12148/cb371073063.
Der volle Inhalt der QuelleMurray, Teresa Ann. „Thomas Morley and the business of music in Elizabethan England“. Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/1247/.
Der volle Inhalt der QuelleWild, Chris. „Charles Ives' Three Places in New England| An Interpretation and a Conductor's Guide“. Thesis, Northwestern University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10929197.
Der volle Inhalt der QuelleMy personal journey through Ives? music is currently focused on version 4 of his Three Places in New England (the version that is the truest realization of his original instrumentation and orchestration), through the second edition of said version, published in 2008 with editing by conductor James Sinclair and engraving by Thomas Brodhead, both of whom represent the Charles Ives Society. Despite being more than a century old, the ideas contained within Three Places in New England are as contemporary and pressing as ever, and the duality of its scope is impressive: it gazes outward with worldly ambition alongside intimate reflections. Whereas Aaron Copland?s oeuvre frequently meditates on the possibility of the American Dream, elusive as that may be, Ives? mature works reflect an American reality, where an array of cultures meet as the American experiment, and the ensuing mix of sounds is equal parts dissonant and beautiful. With this inspiration in mind, I set forth to gather ideas pertaining to Charles Ives? Three Places in New England, intending to build a thorough guide to interpreting and realizing it.
Bashynska, Lyudmyla. „Gentry women and their networks in fifteenth-century Norfolk“. Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708585.
Der volle Inhalt der QuelleÖhman, Mårten. „En studie av punkens uppsving i England under mitten av 70-talet“. Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-173695.
Der volle Inhalt der QuelleLang, Frederick David. „The Anglican organist in Victorian and Edwardian England (c.1800 - c.1910)“. Thesis, University of Hull, 2004. http://hydra.hull.ac.uk/resources/hull:5589.
Der volle Inhalt der QuelleStanfield, Norman. „Rough music, rough dance, rough play : misrule and Morris dance“. Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/1056.
Der volle Inhalt der QuelleMiserandino-Gaherty, Cathryn J. „The rastrology of English music manuscripts, c. 1575-c. 1642“. Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670220.
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