Auswahl der wissenschaftlichen Literatur zum Thema „Women, Black, in popular culture“
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Zeitschriftenartikel zum Thema "Women, Black, in popular culture"
Johnson, Adeerya. „Hella Bars: The Cultural Inclusion of Black Women’s Rap in Insecure“. Open Cultural Studies 6, Nr. 1 (01.01.2022): 76–87. http://dx.doi.org/10.1515/culture-2022-0144.
Der volle Inhalt der QuelleHerbert, Emilie. „Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-Presentations of Black Womanhood“. Open Cultural Studies 2, Nr. 1 (01.09.2018): 191–202. http://dx.doi.org/10.1515/culture-2018-0018.
Der volle Inhalt der QuelleNeal, Ronald B. „Shayne Lee: Erotic Revolutionaries: Black Women, Sexuality, and Popular Culture“. Journal of African American Studies 17, Nr. 3 (16.05.2012): 402–4. http://dx.doi.org/10.1007/s12111-012-9223-4.
Der volle Inhalt der QuelleNogueira, Martha Maria Brito. „Empowerment of Black Women: Culture, Tradition and Protagonism of Dona Dió do Acarajé in the "Washing the Alley"“. Mosaico 10, Nr. 2 (19.12.2017): 174. http://dx.doi.org/10.18224/mos.v10i0.5855.
Der volle Inhalt der QuelleRodriguez, Mario. „“Blame it on the Black Star”: Black Holes in Culture“. IAFOR Journal of Cultural Studies 8, Nr. 2 (30.12.2023): 5–30. http://dx.doi.org/10.22492/ijcs.8.2.01.
Der volle Inhalt der QuelleThompson Moore, Katrina. „The Wench: Black Women in the Antebellum Minstrel Show and Popular Culture“. Journal of American Culture 44, Nr. 4 (Dezember 2021): 318–35. http://dx.doi.org/10.1111/jacc.13299.
Der volle Inhalt der QuelleBoylorn, Robin M. „Dark-Skinned Love Stories“. International Review of Qualitative Research 5, Nr. 3 (November 2012): 299–309. http://dx.doi.org/10.1525/irqr.2012.5.3.299.
Der volle Inhalt der QuelleFarrugia, Rebekah, und Kellie D. Hay. „Wrecking rap's conventions: the cultural production of three daring Detroit emcees“. Popular Music 37, Nr. 1 (08.12.2017): 63–80. http://dx.doi.org/10.1017/s0261143017000575.
Der volle Inhalt der QuelleRóżalska, Aleksandra. „Transgressing the Controlling Images of African-American Women? Performing Black Womanhood in Contemporary American Television Series“. EXtREme 21 Going Beyond in Post-Millennial North American Literature and Culture, Nr. 15 (Autumn 2021) (20.11.2021): 273–90. http://dx.doi.org/10.7311/pjas.15/2/2021.07.
Der volle Inhalt der QuelleBailey, Moya. „Misogynoir in Medical Media: On Caster Semenya and R. Kelly“. Catalyst: Feminism, Theory, Technoscience 2, Nr. 2 (21.09.2016): 1–31. http://dx.doi.org/10.28968/cftt.v2i2.28800.
Der volle Inhalt der QuelleDissertationen zum Thema "Women, Black, in popular culture"
Johnson, Lakesia Denise. „The Iconography of the Black Female Revolutionary and New Narratives of Justice“. The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1213127495.
Der volle Inhalt der QuellePacheco, Tâmara. „Desconstruindo estereótipos: narrativas da mulher negra no batuque de umbigada paulista“. Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/100/100134/tde-11122017-155233/.
Der volle Inhalt der QuelleThe Paulista Umbigada Batuque is set in the city as a cultural practice related to the terreiro, or sacred land. It has been kept under the care of elder black women and men, wherein the tambu (a kind of drum) is the tool of communication between the living and the dead, following the African-Bantu teachings that manifests in this region known by Oeste Paulista (Western of Sao Paulo State). In this study, we are concern about how the black women from batuque reflect on the relation between their life experiences and the black culture. In the context of a mass media consume society, and by criticizing the folkloric perspective about the batuqueira (the batuque women), we reflect on how these women deconstruct the controlling images that surround and curtail them. Among the eldest and most representative women of this tradition, three black women commit themselves to narrate their stories for this research, laying out elements of their experience in confronting racism and sexism, and in disclosing the symbolic violence infringed against them by the standardized and socially imposed roles. Besides the narratives concerned the deconstruction of stereotypes, our analysis also looks for theories about social production and reproduction in modernity, the post-modernism debate, and the role fulfilled by the black women since the XIX century, after the abolition of slavery, until nowadays in a neoliberal and globalized world context, as well as in the context of the black feminist thinking.Through the analysis of these narratives and contexts, our work aims to identify the daily strategies of resistance in batuque, which can be considered as well a political action against racism and sexism
Silva, Bianca Dantas Alves Gomes da Silva. „Existir e resistir - mulheres negras no graffiti : a produção cultural de Negahamburguer e Nenesurreal /“. Araraquara, 2019. http://hdl.handle.net/11449/183248.
Der volle Inhalt der QuelleBanca: Claudete Camargo Pereira Basaglia
Banca: Valquíria Pereira Tonório
Resumo: Essa dissertação tem como objetivo compreender de que modo as mulheres negras atuam no mundo do graffiti e quais as possíveis transformações presentes nesse campo majoritariamente ocupado por representações masculinizadas. Buscamos verificar como as relações de gênero se apresentam na prática de graffiti, sob a perspectiva das categorias de raça/etnia, a fim de compreender o lugar das mulheres negras nesse universo. Para tanto, nos atemos à produção cultural de duas grafiteiras negras: a Negahamburguer, de São Paulo/SP e a NeneSurreal, de Diadema/SP. Ambas são referências no universo do graffiti e iniciaram a prática por meio de afinidades com o Movimento Hip-Hop. Orientada pelas reflexões dos Estudos de Gênero, partimos do referencial teórico proposto pela historiadora e pesquisadora brasileira Lélia Gonzalez, que se constitui no desenvolvimento de estudos debruçados a compreender as mulheres negras enquanto agentes do processo de construção e transformação cultural.
Resumen: Esta disertación tiene como objetivo comprender cómo actúan las mujeres negras actúan en el mundo del graffiti y cuáles son las posibles transformaciones presentes en ese campo mayoritariamente ocupado por representaciones masculinizadas. Buscamos verificar cómo las relaciones de género se presentan en la práctica de graffiti, bajo la perspectiva de las categorías de raza/etnia, a fin de comprender el lugar de las mujeres negras en este universo. Nos atemos a la producción cultural de dos grafiteras negras: la Negahamburguer, de São Paulo / SP y la NeneSurreal, de Diadema / SP. Ambas son referencias en el universo del graffiti y iniciaron la práctica por medio de afinidades con el Movimiento Hip-Hop. Orientada por las reflexiones de los Estudios de Género, partimos del referencial teórico propuesto por la historiadora e investigadora brasileña Lélia González, que se constituye en el desarrollo de estudios dedicados a comprender a las mujeres negras como agentes del proceso de construcción y transformación cultural.
Mestre
Cochran, Shannon M. Phd. „Corporeal (isms): Race, Gender, and Corpulence Performativity in Visual and Narrative Cultures“. The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281917081.
Der volle Inhalt der QuelleHahlin, Sanna. „"This is my father and he's a woman" : En undersökning av framställningar av transpersoner i tv-serierna Orange Is the New Black och Transparent“. Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-134684.
Der volle Inhalt der QuelleHowell, Danielle Marie. „Cloning the Ideal? Unpacking the Conflicting Ideologies and Cultural Anxieties in "Orphan Black"“. Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460059315.
Der volle Inhalt der QuelleHarris, John Rogers. „The performance of black masculinity in contemporary black drama“. Columbus, OH : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054742668.
Der volle Inhalt der QuelleTitle from first page of PDF file. Document formatted into pages; contains vii, 233 p. Includes abstract and vita. Advisor: Stratos E. Constantinidis, Dept. of Theatre. Includes bibliographical references (p. 214-233).
Kajikawa, Loren Yukio. „Centering the margins black music and American culture, 1980-2000 /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930277371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleRobinson, Penelope A. „A postfeminist generation : young women, feminism and popular culture“. Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/37397.
Der volle Inhalt der QuelleRobinson, Penelope A. „A postfeminist generation young women, feminism and popular culture /“. View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/37397.
Der volle Inhalt der QuelleA thesis submitted to the University of Western Sydney, College of Arts, School of Social Sciences, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.
Bücher zum Thema "Women, Black, in popular culture"
Assumpção, Michelle de. Lia de Itamaracá: Nas rodas da cultura popular. Recife: Cepe Editora, 2020.
Den vollen Inhalt der Quelle findenParks, Sheri. Fierce angels: The strong black woman in American life and culture. New York: One World Books, 2010.
Den vollen Inhalt der Quelle findenGreene, Jasmin S. Beyond money, cars and women: Examining black masculinity in hip hop culture. Newcastle: Cambridge Scholars, 2008.
Den vollen Inhalt der Quelle finden1962-, Wallace-Sanders Kimberly, Hrsg. Skin deep, spirit strong: The Black female body in American culture. Ann Arbor: University of Michigan Press, 2002.
Den vollen Inhalt der Quelle findenBorges, Stephanie. Talvez precisemos de um nome para isso: [ou o poema de quem parte]. Recife, PE: Cepe Editora, 2019.
Den vollen Inhalt der Quelle findenHobson, Janell. Venus in the dark: Blackness and beauty in popular culture. New York, NY: Routledge, 2005.
Den vollen Inhalt der Quelle findenBrown, Jayna. Babylon girls: Black women performers at the threshold of the modern. Durham: Duke University Press, 2008.
Den vollen Inhalt der Quelle findenSharpley-Whiting, T. Denean. Black Venus: Sexualized savages, primal fears, and primitive narratives in French. Durham, N.C: Duke University Press, 1999.
Den vollen Inhalt der Quelle findenYoung, Courtney. From Madea to Michelle. New York: The Feminist Press, 2010.
Den vollen Inhalt der Quelle findenLee, Shayne. Erotic Revolutionaries: Black Women, Sexuality, and Popular Culture. Hamilton Books, 2010.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Women, Black, in popular culture"
Griffiths, John. „'Women in India'“. In Empire and Popular Culture, 324–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351024747-40.
Der volle Inhalt der QuelleGriffiths, John. „'Women Organising for an Active Part'“. In Empire and Popular Culture, 322–23. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351024747-39.
Der volle Inhalt der QuelleBowker, Kelly. „Plasticity in Lexus's Black Panther Commercial“. In Dance in US Popular Culture, 91–93. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003011170-16.
Der volle Inhalt der QuelleRoberts, Shearon. „Naomi Osaka, Racial Hybridity, and Black Femininity in Tennis“. In East Asian Popular Culture, 319–42. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97780-1_13.
Der volle Inhalt der QuelleAnderson, Ronya-Lee. „#Burberry and the Utility of Black Femininity“. In Dance in US Popular Culture, 151–54. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003011170-26.
Der volle Inhalt der QuelleTaylor, Anthea. „Blogging Solo: Women Refiguring Singleness“. In Single Women in Popular Culture, 179–209. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_7.
Der volle Inhalt der QuelleHenry, Britney. „"Red, White, and Black 1 "“. In Black Popular Culture and Social Justice, 181–91. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003308089-16.
Der volle Inhalt der QuelleMathers, Kathryn. „Becoming American in Wakanda or Black is Queen“. In White Saviorism and Popular Culture, 70–98. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003223818-4.
Der volle Inhalt der QuelleHorn, Katrin. „Beyond Gay Men and After the Closet: Camp’s New Politics and Pleasures“. In Women, Camp, and Popular Culture, 1–13. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64846-0_1.
Der volle Inhalt der QuelleHorn, Katrin. „The History and Theory of Camp“. In Women, Camp, and Popular Culture, 15–33. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64846-0_2.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Women, Black, in popular culture"
Zhou, Ting-ting. „On the Status and Effect of Women in Popular Entertainment Culture“. In 3d International Conference on Applied Social Science Research (ICASSR 2015). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icassr-15.2016.177.
Der volle Inhalt der QuelleYulianto, Nanang, Narsen Afatara, Bani Sudardi und Warto Warto. „Various Images of Contemporary Women in Popular-Culture Perspectives on Luna Dian Setya's Painting“. In Proceedings of the Third International Conference of Arts, Language and Culture (ICALC 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icalc-18.2019.8.
Der volle Inhalt der QuelleSewell, Christopher. „Representations of Black Male Collegiate Activism at Predominantly White Institutions in Popular Culture (Poster 15)“. In AERA 2022. USA: AERA, 2022. http://dx.doi.org/10.3102/ip.22.1888683.
Der volle Inhalt der QuelleSewell, Christopher. „Representations of Black Male Collegiate Activism at Predominantly White Institutions in Popular Culture (Poster 15)“. In 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1888683.
Der volle Inhalt der QuelleOliveira, Cynthya Letícia Teles de, und Isadora Garcia Ferrão. „Help Me: Evaluation of Applications to Support Women Victims of Domestic Violence“. In Women in Information Technology. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/wit.2024.2628.
Der volle Inhalt der QuelleMedar, Filip. „The Woman in the Bathtub: Elderly Women and Sexuality as a Horror Trope“. In 10th Annual Conference of the Croatian Association for American Studies: Breaking Stereotypes in American Popular Culture. University of Zagreb Faculty of Humanities and Social Sciences; Croatian Association for American Studies, 2023. http://dx.doi.org/10.17234/9789533791258.06.
Der volle Inhalt der QuelleŠesnić, Jelena. „How to Nurture (Little) Men and (Little) Women: New Directions in Louisa May Alcott’s Educational Novels“. In 10th Annual Conference of the Croatian Association for American Studies: Breaking Stereotypes in American Popular Culture. University of Zagreb Faculty of Humanities and Social Sciences; Croatian Association for American Studies, 2023. http://dx.doi.org/10.17234/9789533791258.02.
Der volle Inhalt der QuellePaulo, Avner, Carlos Eduardo Oliveira De Souza, Bruna Guimarães Lima e Silva, Flávio Luiz Schiavoni und Adilson Siqueira. „Black Lives Matter“. In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10459.
Der volle Inhalt der QuelleKhorramrouz, Adel, Mahbeigom Fayyazi und Ashiqur R. KhudaBukhsh. „A Survival Guide for Iranian Women Prescribed by Iranian Women: Participatory AI to Investigate Intimate Partner Physical Violence in Iran“. In Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}. California: International Joint Conferences on Artificial Intelligence Organization, 2024. http://dx.doi.org/10.24963/ijcai.2024/808.
Der volle Inhalt der QuelleDremel, Anita. „BOURDIEU ON POWER, CULTURE AND SOCIOLOGY OF TASTE: THE CASE OF MARIJA JURIĆ ZAGORKA“. In European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/lbxg3157.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Women, Black, in popular culture"
Berrian, Brenda F. Chestnut Women: French Caribbean Women Writers and Singers. Inter-American Development Bank, Juli 2001. http://dx.doi.org/10.18235/0007945.
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