Dissertationen zum Thema „Women authors - british - literary criticism“
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Chung, Wing-yu, und 鍾詠儒. „British women writers and the city in the early twentieth century“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2702409X.
Der volle Inhalt der QuelleKaminski, Margot. „Challenging a literary myth, long poems by early Canadian women“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0024/MQ37562.pdf.
Der volle Inhalt der QuelleCollins, Margo. „Wayward Women, Virtuous Violence: Feminine Violence in Restoration and Eighteenth-Century British Literature by Women“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2474/.
Der volle Inhalt der QuelleHoffman, Megan. „Women writing women : gender and representation in British 'Golden Age' crime fiction“. Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/11910.
Der volle Inhalt der QuellePickard, Claire. „Literary Jacobitism : the writing of Jane Barker, Mary Caesar and Anne Finch“. Thesis, University of Oxford, 2006. http://ora.ox.ac.uk/objects/uuid:85514fc9-6f0c-4992-ae8c-2666dc1f7ede.
Der volle Inhalt der QuelleHawkins, Judith Bernadette. „A difference in women's and men's academic prose“. CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/854.
Der volle Inhalt der QuelleCompion, Marlette. „'n Ondersoek na Scheherazade as moontlike voorganger in 'n vroulike verteltradisie in enkele Afrikaanse literêre tekste“. Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/2024.
Der volle Inhalt der QuelleThe aim of this study is to investigate the position that has been allocated to women authors by literary theorists. Some literary theorists are of the opinion that the action of writing can be compared to fatherhood, ownership and being a creator, all of which are male dominated images. Women writers have historically been marginalized by literary theorists, since there is a perception that women cannot write because they are not male. Harold Bloom has postulated that a male writer looks to a precursor in order to write and find his own voice. Before the writer can claim his own, original voice, he must enter into an Oedipal battle with the precusor, and, figuratively speaking, ‘kill’ him in his writing. According to Gilbert & Gubar, who serve here as representatives of the feminist literary theorists, women writers make use of monsterlike figures which serve as metaphors for the inner battle they have to endure to put pen to paper. The problem, however, is that women writers have no (female) precursors to look to. Elaine Showalter postulates 4 models that women writers may use in search of a female precursor or female body of writing, but she does not offer a clear solution. I am of the opinion that women writers can identity with a female figure or role model. The figure that I propose is Scheherazade, a storytelling character from the Thousand and One Nights, who told stories for a thousand and one nights in order for escape death. I identify a few texts from international literature that make use of this figure, whether as a character in the text, a metaphor for the female character who tells stories or as a metaphor for the author herself. This study focuses on texts from 3 genres in Afrikaans literature, namely children’s stories, short stories and a novel. It appears from the analysis of the texts that women writers have successfully made use of the Scheherazade character, to address issues concerning the social role and position allocated to women by a patriarchial society. Along with this women writers’ search and longing for a voice of their own and their own identity gets highlighted with the use of a Scheherazade-like female character who tells stories. Lastly it became clear that this figure is also being used by women writers to contemplate the dynamics of writing and to contextualise the role that self-doubt and self-actualisation play in telling and writing stories. Scheherazade thus becomes a vehicle for finding a voice as well as agency.
Slagle, Judith Bailey. „Literary Activism: James Montgomery, Joanna Baillie, and the Plight of Britain’s Chimney Sweeps“. Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/720.
Der volle Inhalt der QuelleMuus, Elaine Janice. „Articulate bodies, or, Encore, en corps, sense-ing the body as (re)presentation of women's subjectivities“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ26934.pdf.
Der volle Inhalt der QuelleCompion, Marlette. „'n Ondersoek na Scheherazade as moontlike voorganger in 'n vroulike verteltradisie in enkele Afrikaanse literêre tekste /“. Link to the online version, 2005. http://hdl.handle.net/10019/998.
Der volle Inhalt der QuelleHartig, Andrea S. „Literary Landscaping: Re-reading the Politics of Places in Late Nineteenth-Century Regional and Utopian Literature“. Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1133485531.
Der volle Inhalt der QuelleTitle from second page of PDF document. Document formatted into pages; contains [3], iv, 143 p. Includes bibliographical references (p. 132-143).
Rukavina, Alison Jane. „Cultural Darwinism and the literary canon, a comparative study of Susanna Moodie's Roughing it in the Bush and Caroline Leakey's The broad arrow“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ61491.pdf.
Der volle Inhalt der QuelleDavis, K. Octavia. „Geographies of the (M)other : narratives of geography and eugenics in turn-of-the-century British culture /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9835399.
Der volle Inhalt der QuelleClarke, Patricia, und n/a. „Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia“. Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.150756.
Der volle Inhalt der QuelleClarke, Patricia. „Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia“. Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365578.
Der volle Inhalt der QuelleThesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
School of Arts, Media and Culture
Full Text
Becker, Charity Dawn. „Constructing the mother-tongue, language in the poetry of Dionne Brand, Claire Harris, and Marlene Nourbese Philip“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/MQ54604.pdf.
Der volle Inhalt der QuelleDowling, Finuala Rachel. „Subversive narrative and thematic strategies : a critical appraisal of Fay Weldon's Fiction“. Thesis, 1995. http://hdl.handle.net/10500/16680.
Der volle Inhalt der QuelleEnglish Studies
D.Litt. et Phil. (English)
Masuku, Norma. „Images of women in some Zulu literary works : a feminist critique“. Diss., 1997. http://hdl.handle.net/10500/18156.
Der volle Inhalt der QuelleAfrican Languages
M.A. (African Languages)
Seaton, Dorothy. „Balancing discourse and silence : an approach to First Nations women’s writing“. Thesis, 1993. http://hdl.handle.net/2429/1806.
Der volle Inhalt der QuellePasi, Juliet Sylvia. „Theorising the environment in fiction: exploring ecocriticism and ecofeminism in selected black female writers’ works“. Thesis, 2017. http://hdl.handle.net/10500/23789.
Der volle Inhalt der QuelleThis thesis investigates the relationship between humans and the nonhuman world or natural environment in selected literary works by black female writers in colonial and post-colonial Namibia and Zimbabwe. Some Anglo-American scholars have argued that many African writers have resisted the paradigms that inform much of global ecocriticism and have responded to it weakly. They contend that African literary feminist studies have not attracted much mainstream attention yet mainly to raise some issues concerning ecologically oriented literary criticism and writing. Given this unjust criticism, the study posits that there has been a growing interest in ecocriticism and ecofeminism in literary works by African writers, male and female, and they have represented the social, political (colonial and anti-colonial) and economic discourse in their works. The works critiqued are Tsitsi Dangarembga’s Nervous Conditions (1988) and The Book of Not (2006), Neshani Andreas’ The Purple Violet of Oshaantu (2001) and No Violet Bulawayo’s We Need New Names (2013). The thrust of this thesis is to draw interconnections between man’s domination of nature and the subjugation and dominance of black women as depicted in different creative works. The texts in this study reveal that the existing Anglo-American framework used by some scholars to define ecocriticism and ecofeminism should open up and develop debates and positions that would allow different ways of reading African literature. The study underscored the possibility of black female creative works to transform the definition of nature writing to allow an expansion and all encompassing interpretation of nature writing. Contrary to the claims by Western scholars that African literature draws its vision of nature writing from the one produced by colonial discourse, this thesis argues that African writers and scholars have always engaged nature and the environment in multiple discourses. This study breaks new ground by showing that the feminist aspects of ecrocriticism are essential to cover the hermeneutic gap created by their exclusion. On closer scrutiny, the study reveals that African women writers have also addressed and highlighted issues that show the link between African women’s roles and their environment.
English Studies
D. Litt. et Phil. (English)
Nortje, Sandra. „Die vrou as outobiograaf: die Suid-Afrikaanse konteks“. Thesis, 2007. http://hdl.handle.net/10500/1703.
Der volle Inhalt der QuelleAFRIKAANS & THEORY OF LIT
MA (AFRIKAANS)
Burkhart, Claire Lovell. „Reading and writing women : representing the femme de lettres in Stendhal, Balzac, Girardin and Sand“. Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2836.
Der volle Inhalt der Quelletext
Glisson, Silas Nease. „Cultural nationalism and colonialism in nineteenth-century Irish horror fiction“. Thesis, 2000. http://hdl.handle.net/10500/16852.
Der volle Inhalt der QuelleEnglish
M. Lit. et Phil. (English)
Morguson, Alisun. „All the Pieces Matter: Fragmentation-as-Agency in the Novels of Edwidge Danticat, Michelle Cliff, and Shani Mootoo“. Thesis, 2013. http://hdl.handle.net/1805/3218.
Der volle Inhalt der QuelleThe fragmented bodies and lives of postcolonial Caribbean women examined in Caribbean literature beget struggle and psychological ruin. The characters portrayed in novels by postcolonial Caribbean writers Edwidge Danticat, Michelle Cliff, and Shani Mootoo are marginalized as “Other” by a Western patriarchal discourse that works to silence them because of their gender, color, class, and sexuality. Marginalization participates in the act of fragmentation of these characters because it challenges their sense of identity. Fragmentation means fractured; in terms of these fictive characters, fragmentation results from multiple traumas, each trauma causing another break in their wholeness. Postcolonial scholars have identified the causes and effects of fragmentation on the postcolonial subject, and they argue one’s need to heal because of it. Danticat, Cliff, and Mootoo prove that wholeness is not possible for the postcolonial Caribbean woman, so rather than ruminate on that truth, they examine the journey of the postcolonial Caribbean woman as a way of making meaning of the pieces of her life. This project contends that fragmentation – and the fracture it produces – does not bind these women to negative existences; in fact, the female subjects of Danticat, Cliff, and Mootoo locate power in their fragmentation. The texts studied include Danticat’s "Breath, Eyes, Memory" (1994) and "The Farming of Bones" (1999), Cliff’s "Abeng" (1984) and "No Telephone to Heaven" (1987), and Mootoo’s "Cereus Blooms at Night" (1996) and "He Drown She in the Sea" (2005).
Cooper, Lucille. „Is there a woman in the text? : a feminist exploration of Katherine Mansfield's search for authentic selves in a selection of short stories“. Diss., 2008. http://hdl.handle.net/10500/2410.
Der volle Inhalt der QuelleEnglish Studies
M.A. (English)
Hiebert, Luann E. „Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetry“. 2016. http://hdl.handle.net/1993/31201.
Der volle Inhalt der QuelleMay 2016