Auswahl der wissenschaftlichen Literatur zum Thema „Women authors - british - literary criticism“
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Zeitschriftenartikel zum Thema "Women authors - british - literary criticism"
Lehmann, Caitlyn. „Libertine Intrigues: Opera Girls in Eighteenth-Century British Discourse“. Dance Research 37, Nr. 2 (November 2019): 239–56. http://dx.doi.org/10.3366/drs.2019.0275.
Der volle Inhalt der QuelleZou, Yejun. „Female Solidarity as Hope: A Re-Examination of Socialist Feminism in the Literary Works of Ding Ling and Christa Wolf“. British Journal of Chinese Studies 9, Nr. 1 (04.04.2019): 85–116. http://dx.doi.org/10.51661/bjocs.v9i1.27.
Der volle Inhalt der QuelleGavristova, Tatiana M., Natalya A. Zakharova und Nadezhda E. Khokholkova. „Bernadine Evaristo: Horizons of Identity“. Observatory of Culture 19, Nr. 2 (13.04.2022): 202–11. http://dx.doi.org/10.25281/2072-3156-2022-19-2-202-211.
Der volle Inhalt der QuelleSusanto, Dwi. „Pandangan Pengarang terhadap Perempuan dalam Cerpen Tahun 1950-1960-an Karya Pengarang Peranakan Tionghoa-Indonesia“. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 5, Nr. 4 (01.11.2022): 883–96. http://dx.doi.org/10.30872/diglosia.v5i4.526.
Der volle Inhalt der QuelleDu Plessis, J. W., und D. H. Steenberg. „Uit die oogpunt van ’n vrou? Perspektief op feministiese literêre kritiek in die kader van die Airikaanse prosa“. Literator 12, Nr. 3 (06.05.1991): 71–88. http://dx.doi.org/10.4102/lit.v12i3.781.
Der volle Inhalt der QuelleRamos Ramos, María Rocío. „W.F. Deacon and his Revision of Romanticism in Warreniana through Literary Parody and Advertising Campaigns to Promote Blacking“. Miscelánea: A Journal of English and American Studies 65 (13.06.2022): 105–25. http://dx.doi.org/10.26754/ojs_misc/mj.20226849.
Der volle Inhalt der QuelleNikčević-Batrićević, Aleksandra, und Miloš D. Đurić. „Coping With Canon/Canons: Women Poets and the Literary Context“. Armenian Folia Anglistika 11, Nr. 1 (13) (15.04.2015): 135–46. http://dx.doi.org/10.46991/afa/2015.11.1.135.
Der volle Inhalt der QuelleRusli, Herman, Maya Safhida, Nira Erdiana und Wildan Wildan. „Indonesian Female Writers’ Perspective Toward Acehnese Women: A Gynocritic Study“. Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 12, Nr. 1 (30.06.2022): 148. http://dx.doi.org/10.26714/lensa.12.1.2022.148-165.
Der volle Inhalt der QuelleArimbi, Diah Ariani. „Finding Feminist Literary Reading: Portrayals Of Women In The 1920s Indonesian Literary Writings“. ATAVISME 17, Nr. 2 (29.12.2014): 148. http://dx.doi.org/10.24257/atavisme.v17i2.5.148-162.
Der volle Inhalt der QuelleBerensmeyer, Ingo. „Authors of Slender Means? Female Authorship in Mid-Twentieth-Century British Fiction“. Zeitschrift für Anglistik und Amerikanistik 70, Nr. 4 (30.11.2022): 385–402. http://dx.doi.org/10.1515/zaa-2022-2073.
Der volle Inhalt der QuelleDissertationen zum Thema "Women authors - british - literary criticism"
Chung, Wing-yu, und 鍾詠儒. „British women writers and the city in the early twentieth century“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2702409X.
Der volle Inhalt der QuelleKaminski, Margot. „Challenging a literary myth, long poems by early Canadian women“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0024/MQ37562.pdf.
Der volle Inhalt der QuelleCollins, Margo. „Wayward Women, Virtuous Violence: Feminine Violence in Restoration and Eighteenth-Century British Literature by Women“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2474/.
Der volle Inhalt der QuelleHoffman, Megan. „Women writing women : gender and representation in British 'Golden Age' crime fiction“. Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/11910.
Der volle Inhalt der QuellePickard, Claire. „Literary Jacobitism : the writing of Jane Barker, Mary Caesar and Anne Finch“. Thesis, University of Oxford, 2006. http://ora.ox.ac.uk/objects/uuid:85514fc9-6f0c-4992-ae8c-2666dc1f7ede.
Der volle Inhalt der QuelleHawkins, Judith Bernadette. „A difference in women's and men's academic prose“. CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/854.
Der volle Inhalt der QuelleCompion, Marlette. „'n Ondersoek na Scheherazade as moontlike voorganger in 'n vroulike verteltradisie in enkele Afrikaanse literêre tekste“. Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/2024.
Der volle Inhalt der QuelleThe aim of this study is to investigate the position that has been allocated to women authors by literary theorists. Some literary theorists are of the opinion that the action of writing can be compared to fatherhood, ownership and being a creator, all of which are male dominated images. Women writers have historically been marginalized by literary theorists, since there is a perception that women cannot write because they are not male. Harold Bloom has postulated that a male writer looks to a precursor in order to write and find his own voice. Before the writer can claim his own, original voice, he must enter into an Oedipal battle with the precusor, and, figuratively speaking, ‘kill’ him in his writing. According to Gilbert & Gubar, who serve here as representatives of the feminist literary theorists, women writers make use of monsterlike figures which serve as metaphors for the inner battle they have to endure to put pen to paper. The problem, however, is that women writers have no (female) precursors to look to. Elaine Showalter postulates 4 models that women writers may use in search of a female precursor or female body of writing, but she does not offer a clear solution. I am of the opinion that women writers can identity with a female figure or role model. The figure that I propose is Scheherazade, a storytelling character from the Thousand and One Nights, who told stories for a thousand and one nights in order for escape death. I identify a few texts from international literature that make use of this figure, whether as a character in the text, a metaphor for the female character who tells stories or as a metaphor for the author herself. This study focuses on texts from 3 genres in Afrikaans literature, namely children’s stories, short stories and a novel. It appears from the analysis of the texts that women writers have successfully made use of the Scheherazade character, to address issues concerning the social role and position allocated to women by a patriarchial society. Along with this women writers’ search and longing for a voice of their own and their own identity gets highlighted with the use of a Scheherazade-like female character who tells stories. Lastly it became clear that this figure is also being used by women writers to contemplate the dynamics of writing and to contextualise the role that self-doubt and self-actualisation play in telling and writing stories. Scheherazade thus becomes a vehicle for finding a voice as well as agency.
Slagle, Judith Bailey. „Literary Activism: James Montgomery, Joanna Baillie, and the Plight of Britain’s Chimney Sweeps“. Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/720.
Der volle Inhalt der QuelleMuus, Elaine Janice. „Articulate bodies, or, Encore, en corps, sense-ing the body as (re)presentation of women's subjectivities“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ26934.pdf.
Der volle Inhalt der QuelleCompion, Marlette. „'n Ondersoek na Scheherazade as moontlike voorganger in 'n vroulike verteltradisie in enkele Afrikaanse literêre tekste /“. Link to the online version, 2005. http://hdl.handle.net/10019/998.
Der volle Inhalt der QuelleBücher zum Thema "Women authors - british - literary criticism"
1954-, Waters Mary A., Hrsg. British women writers of the Romantic period: An anthology of their literary criticism. New York: Palgrave Macmillan, 2009.
Den vollen Inhalt der Quelle findenP, Werlock Abby H., Hrsg. British women writing fiction. Tuscaloosa: University of Alabama Press, 2000.
Den vollen Inhalt der Quelle findenLawrence, Karen. Penelope voyages: Women and travel in the British literary tradition. Ithaca, N.Y: Cornell University Press, 1994.
Den vollen Inhalt der Quelle finden1951-, Lau Beth, Hrsg. Fellow romantics: Male and female British writers, 1790-1835. Aldershot, Hants, England: Ashgate Pub., 2009.
Den vollen Inhalt der Quelle findenFerguson, Moira. Subject to others: British women writers and colonial slavery, 1670-1834. New York: Routledge, 1992.
Den vollen Inhalt der Quelle findenWomen writing the home tour, 1682-1812. Aldershot, Hants, England: Ashgate, 2008.
Den vollen Inhalt der Quelle findenWollstonecraft, Mary. A vindication of the rights of woman: An authoritative text backgrounds and contexts criticism. 3. Aufl. New York: W.W. Norton, 2009.
Den vollen Inhalt der Quelle findenWollstonecraft, Mary. A vindication of the rights of woman: An authoritative text, backgrounds, the Wollstonecraft debate, criticism. 2. Aufl. New York: Norton, 1987.
Den vollen Inhalt der Quelle findenWollstonecraft, Mary. A vindication of the rights of woman: An authoritative text, backgrounds, the Wollstonecraft debate, criticism. 2. Aufl. New York: Norton, 1988.
Den vollen Inhalt der Quelle finden1970-, Richardson Angelique, und Willis Chris 1960-, Hrsg. The new woman in fiction and fact: Fin-de-siècle feminisms. Houndmills, Basingstoke, Hampshire: Palgrave, 2002.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Women authors - british - literary criticism"
Waters, Mary A. „The British Common Reader: Critical Prefaces by Anna Letitia Barbauld“. In British Women Writers and the Profession of Literary Criticism, 1789–1832, 28–56. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_2.
Der volle Inhalt der QuelleWaters, Mary A. „The Next Generation: Harriet Martineau’s Literary Reviews for the Monthly Repository“. In British Women Writers and the Profession of Literary Criticism, 1789–1832, 151–77. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_6.
Der volle Inhalt der QuelleWaters, Mary A. „Introduction“. In British Women Writers and the Profession of Literary Criticism, 1789–1832, 1–23. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_1.
Der volle Inhalt der QuelleWaters, Mary A. „Renouncing the Forms: The Case of Elizabeth Inchbald“. In British Women Writers and the Profession of Literary Criticism, 1789–1832, 57–81. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_3.
Der volle Inhalt der QuelleWaters, Mary A. „“The first of a new genus —”: Mary Wollstonecraft, Mary Hays, and The Analytical Review“. In British Women Writers and the Profession of Literary Criticism, 1789–1832, 86–120. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_4.
Der volle Inhalt der QuelleWaters, Mary A. „Periodicals and Middle-Class Dissent: Anna Letitia Barbauld and Elizabeth Moody at the Monthly Review“. In British Women Writers and the Profession of Literary Criticism, 1789–1832, 121–50. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_5.
Der volle Inhalt der QuelleBanerjee, Argha Kumar. „Authors“. In The Edinburgh Companion to First World War Periodicals, 115–29. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474494717.003.0008.
Der volle Inhalt der QuelleFein, Susanna. „Literary Scribes“. In Insular Books. British Academy, 2015. http://dx.doi.org/10.5871/bacad/9780197265833.003.0004.
Der volle Inhalt der QuelleHuenemann, Karyn. „Flora Annie Steel : A Voice for Indian Women?“ In Faces of the Feminine in Ancient, Medieval, and Modern India, 234–50. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195122299.003.0016.
Der volle Inhalt der QuelleCasal, Rodrigo Cacho. „Writing in the New World“. In The Places of Early Modern Criticism, 125–42. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198834687.003.0009.
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