Auswahl der wissenschaftlichen Literatur zum Thema „Women artists – history – 20th century“
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Zeitschriftenartikel zum Thema "Women artists – history – 20th century"
Bell, Janis C., und Wendy Slatkin. „Women Artists in History: From Antiquity to the 20th Century“. Woman's Art Journal 7, Nr. 2 (1986): 50. http://dx.doi.org/10.2307/1358308.
Der volle Inhalt der QuellePark, Hyesung. „Rethinking the 20th-Century Korean Embroidery from Gender Perspectives“. Korean Journal of Art History 320 (31.12.2023): 65–98. http://dx.doi.org/10.31065/kjah.320.202312.003.
Der volle Inhalt der QuelleŠeparović, Ana. „Feministički iskazi u kritičkoj recepciji skupnih izložbi hrvatskih umjetnica“. Ars Adriatica 8, Nr. 1 (28.12.2018): 195–210. http://dx.doi.org/10.15291/ars.2762.
Der volle Inhalt der QuelleSirica, Inese. „Art Academy of Latvia Graphic Arts Alumnae Who Established the Principles of Latvian National Textile Art, 1931–1943“. Acta Academiae Artium Vilnensis, Nr. 112 (09.01.2024): 314–49. http://dx.doi.org/10.37522/aaav.112.2024.206.
Der volle Inhalt der QuelleSun, Dian. „The Awakening of Feminist Artistic Expression: A Comparative Study of the Self-Portrait of Frida Kahlo and the Self-Portrait of Élisabeth Vigée Le Brun“. Journal of Education, Humanities and Social Sciences 27 (05.03.2024): 337–42. http://dx.doi.org/10.54097/fgmhf957.
Der volle Inhalt der QuelleAcsády, Judit. „Construction of the Modern Woman Thinker’s Identity: Valéria Dienes (1879-1987), the Philosopher and Founder of the Art of Movement School and her Contribution to Women’s Emancipation“. Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 55, Nr. 1 (20.12.2023): 199–221. http://dx.doi.org/10.17234/radovizhp.55.12.
Der volle Inhalt der QuelleLabi, Kanni. „Muuseumikogudes ja suulises ajaloos säilib ajalik looming / Transient treasures are kept in museums and memories“. Studia Vernacula 13 (18.11.2021): 198–209. http://dx.doi.org/10.12697/sv.2021.13.198-209.
Der volle Inhalt der QuelleLabi, Kanni. „Muuseumikogudes ja suulises ajaloos säilib ajalik looming / Transient treasures are kept in museums and memories“. Studia Vernacula 13 (18.11.2021): 198–209. http://dx.doi.org/10.12697/sv.2021.13.198-209.
Der volle Inhalt der QuelleVincent, Aude. „Reclaiming the memory of pioneer female geologists 1800–1929“. Advances in Geosciences 53 (04.08.2020): 129–54. http://dx.doi.org/10.5194/adgeo-53-129-2020.
Der volle Inhalt der QuelleMartynova, Daria O. „Formation and Development of the Iconography of the Mesmeric Seance in the Second Half of the 18th — Late 19th Centuries“. Vestnik of Saint Petersburg University. Arts 11, Nr. 2 (2021): 224–42. http://dx.doi.org/10.21638/spbu15.2021.204.
Der volle Inhalt der QuelleDissertationen zum Thema "Women artists – history – 20th century"
Tvardovskas, Luana Saturnino 1983. „Dramatização dos corpos : arte contemporânea de mulheres no Brasil e na Argentina“. [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280015.
Der volle Inhalt der QuelleTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-22T21:58:15Z (GMT). No. of bitstreams: 1 Tvardovskas_LuanaSaturnino_D.pdf: 48560551 bytes, checksum: 319fe4c4f559ca8407db46edd5d574eb (MD5) Previous issue date: 2013
Resumo: Esta tese aborda a poética visual de artistas brasileiras e argentinas, cujas obras de arte empreendem um discurso critico a violência material e simbólica de gênero, por meio de imagens do corpo. São focalizadas, a partir de uma perspectiva feminista, as artistas contemporâneas brasileiras Ana Miguel, Rosana Paulino e Cristina Salgado, e também as argentinas Silvia Gai, Claudia Contreras e Nicola Costantino que se utiliza de transfigurações, dramatizações e manipulações sobre imagens corporais como manobras transgressivas e de resistência. O trabalho será norteado teórica e metodologicamente pelos estudos feministas e pelo "pensamento da diferença", sobretudo por Michel Foucault e Gilles Deleuze
Abstract: This research approaches the visual poetics of Brazilian and Argentinian artists whose artworks undertake a critical discourse of violence of gender (material and symbolic) through images of the body. From a feminist perspective, we focus on the Brazilian contemporary artists Ana Miguel, Rosana Paulino and Cristina Salgado and also the Argentinian Silvia Gai, Claudia Contreras and Nicola Costantino. Their work deals with transfigurations, dramatizations and manipulations on body's images as transgressive maneuvers of resistance. The methodology of this work will be guided by the Feminist studies and by the Difference theory, especially by Michel Foucault and Gilles Deleuze
Doutorado
Historia Cultural
Doutora em História
Lewis, Joanne Rebecca. „Women artists in Botswana in the late 20th century“. Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525246.
Der volle Inhalt der QuelleFrantz, Susanne K. „ARTISTS AND GLASS: A HISTORY OF INTERNATIONAL STUDIO GLASS (SCULPTURE)“. Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/291668.
Der volle Inhalt der QuelleBaguley, Margaret Mary. „The deconstruction of domestic space“. Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35896/1/35896_Baguley_1998.pdf.
Der volle Inhalt der QuelleSharp, Leslie N. „Women shaping shelter“. Diss., Georgia Institute of Technology, 2004. http://hdl.handle.net/1853/7268.
Der volle Inhalt der QuelleWillis, Avery Tinch. „Euripides' Trojan women : a 20th century war play in performance“. Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:bb57e1d3-b560-45f2-8cd9-64befab97bba.
Der volle Inhalt der QuelleMartyn, Elizabeth 1968. „Gender and nation in a new democracy : Indonesian women's organisations in the 1950s“. Monash University, Dept. of Politics, 2001. http://arrow.monash.edu.au/hdl/1959.1/9112.
Der volle Inhalt der QuelleChoi, Hoi-sze Elsie. „Working women in China and Japan in 20th century history : a comparative analysis /“. Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23425556.
Der volle Inhalt der Quelle葉翠蓮 und Chui-lin Yip. „Women's movement in Tianjin during the May Fourth Era=“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31641453.
Der volle Inhalt der QuelleWernitznig, Dagmar. „No documents, no history : a political biography of Rosika Schwimmer (1877-1948)“. Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711810.
Der volle Inhalt der QuelleBücher zum Thema "Women artists – history – 20th century"
Uta, Grosenick, und Becker Ilka, Hrsg. Women artists in the 20th and 21st century. Köln: Taschen, 2003.
Den vollen Inhalt der Quelle findenSlatkin, Wendy. Women artists in history: From antiquity to the 20th century. Englewood Cliffs, N.J: Prentice-Hall, 1985.
Den vollen Inhalt der Quelle findenSlatkin, Wendy. Women artists in history: From antiquity to the 20th century. 2. Aufl. Englewood Cliffs, N.J: Prentice Hall, 1990.
Den vollen Inhalt der Quelle findenSlatkin, Wendy. Women artists in history: From antiquity to the 20th century. New Jersey: Prentice Hall, 1985.
Den vollen Inhalt der Quelle finden1972-, Brown Karen, Hrsg. Women's contributions to visual culture, 1918-1939. Aldershot, Hants, England: Ashgate Pub, 2008.
Den vollen Inhalt der Quelle findenGillian, Perry, Hrsg. Difference and excess in contemporary art: The visibility of women's practice. Oxford: Blackwell, 2004.
Den vollen Inhalt der Quelle findenLahs-Gonzales, Olivia. Defining eye: Women photographers of the 20th century : selections from the Helen Kornblum collection. St. Louis, MO: Saint Louis Art Museum, 1997.
Den vollen Inhalt der Quelle findenBlum, Paul Von. Other visions, other voices: Women political artists in greater Los Angeles. Lanham, Md: University Press of America, 1994.
Den vollen Inhalt der Quelle findenWagner, Anne Middleton. Three artists (three women): Modernism and the art of Hesse, Krasner, and O'Keeffe. Berkeley: University of California Press, 1996.
Den vollen Inhalt der Quelle findenPerry, Gillian. Women artists and the Parisian avant-garde: Modernism and feminine art, 1900 to the late 1920s. Manchester [England]: Manchester University Press, 1995.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Women artists – history – 20th century"
Marcinkeviciene, Dalia. „Gabriele Petkevicaite-Bite and Social Work of Women in Lithuania at the End of 19th and the Beginning of the 20th Century“. In History of Social Work in Europe (1900–1960), 65–69. Wiesbaden: VS Verlag für Sozialwissenschaften, 2003. http://dx.doi.org/10.1007/978-3-322-80895-0_7.
Der volle Inhalt der QuelleLerner, Gerda. „The 20th Century: A Watershed Jor Women“. In Why History Matters, 93–102. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195046441.003.0007.
Der volle Inhalt der Quelle„Pliny the Elder’s Natural History (First Century A.D.): Excerpt on Women Painters“. In Life stories of women artists, 1550–1800, 23–27. Routledge, 2020. http://dx.doi.org/10.4324/9781315091815-3.
Der volle Inhalt der QuelleCreef, Elena Tajima. „Looking at Japanese Picture Brides“. In Shadow Traces, 41–68. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044403.003.0003.
Der volle Inhalt der QuelleLe Court, Isabelle De. „Squares of Colour“. In Under the Skin, 87–100. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.003.0007.
Der volle Inhalt der QuelleKraševac, Irena, und Petra Šlosel. „Networking of Central European Artists’ Associations via Exhibitions. The Slovenian Art Association, Czech Mánes and Polish Sztuka in Zagreb in the Early 20th Century“. In Modern and Contemporary Artists' Networks. An Inquiry into Digital History of Art and Architecture, 16–36. Institute of Art History, 2018. http://dx.doi.org/10.31664/9789537875596.02.
Der volle Inhalt der QuelleEmison, Patricia. „After Eve“. In Moving Pictures and Renaissance Art History. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724036_ch04.
Der volle Inhalt der QuellePavelieva, Yulia Е. „Literary Critics of ‛Grani’ on the Works of Ivan Bunin“. In I.A. Bunin and his time: Context of Life — History of Work, 357–64. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-357-364.
Der volle Inhalt der Quelle„Out of the Depths: Synthetic Colors From the Coal Tar Industry“. In March of the Pigments, 341–64. The Royal Society of Chemistry, 2022. http://dx.doi.org/10.1039/9781837671403-00341.
Der volle Inhalt der QuelleSkehill, Caroline. „Women in the History of Social Work in the Early to Mid-20th Century in the Republic of Ireland:“. In Amid Social Contradictions, 21–34. Verlag Barbara Budrich, 2009. http://dx.doi.org/10.2307/j.ctvddzkn9.4.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Women artists – history – 20th century"
Zhuykova, E. „COMICS AND LITERATURE: THE HISTORY OF FRIENDSHIP“. In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3761.rus_lit_20-21/353-358.
Der volle Inhalt der QuelleSanti, Matej. „Was erzählt Fritz Kreislers Geige?“ In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.109.
Der volle Inhalt der QuelleStrizhkova, Natalia. „Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists“. In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.
Der volle Inhalt der QuelleCarneiro De Carvalho, Vânia. „Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.
Der volle Inhalt der QuelleDremel, Anita. „BOURDIEU ON POWER, CULTURE AND SOCIOLOGY OF TASTE: THE CASE OF MARIJA JURIĆ ZAGORKA“. In European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/lbxg3157.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Women artists – history – 20th century"
Schacht, Kayley, Deidre Gonçalves, Aaron Schmidt und Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), Juni 2023. http://dx.doi.org/10.21079/11681/47184.
Der volle Inhalt der QuelleTwo Visions of El Salvador. Inter-American Development Bank, September 2000. http://dx.doi.org/10.18235/0006436.
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