Dissertationen zum Thema „Woman in religion“
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Mao, Fengping. „Jo March—The Unconventional Woman of Little Women & Good Wives“. Thesis, Kristianstad University College, Department of Teacher Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-4668.
Der volle Inhalt der QuelleLittle Women and Good Wives is a classic children’s novel published in the late nineteenth century by American writer Louise May Alcott. The book concerns the lives, loves and marriages of four sisters growing up during the American Civil War. Alcott portrays four sisters in the book. They are Meg, Jo, Beth and Amy. In this essay, Jo’s characteristics will be compared and contrasted with those of her three sisters. The purpose of this comparison is to demonstrate how Jo shows her non-femininity and to what extent she diverges from the contemporary expectations of women. Furthermore, based on the close reading of the novel and historical research, this essay will discuss whether Jo’s choice of writing, her main meanings of entering the man’s world is realistic.
Aceves, Sara. „Ain't I a Muslim woman?: African American Muslim Women Practicing 'Multiple Critique'“. Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/pomona_theses/38.
Der volle Inhalt der QuelleKamoshida, Satoko. „A woman and a language : in the case of a Yiddish speaker in Israel“. Universität Potsdam, 2008. http://opus.kobv.de/ubp/volltexte/2008/2281/.
Der volle Inhalt der QuelleMcGee, Paula L. „The Wal-Martization of African American Religion: T.D. Jakes and Woman Thou Art Loosed“. Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cgu_etd/70.
Der volle Inhalt der QuelleRaab, Kelley A. „When the priest becomes a woman: A psychoanalytic exploration of the significance of gender for the Catholic Eucharist“. Thesis, University of Ottawa (Canada), 1991. http://hdl.handle.net/10393/7472.
Der volle Inhalt der QuelleJames, Manon Ceridwen. „Women, identity and religion in Wales : a conversation in practical theology“. Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6195/.
Der volle Inhalt der QuelleFlower, Jane. „Divining woman : the waterpourer's lineage“. Thesis, View thesis View thesis, 2001. http://handle.uws.edu.au:8081/1959.7/618.
Der volle Inhalt der QuelleRoos, Beverley. „Women and the Word : issues of power, control and language in social and religious life“. Master's thesis, University of Cape Town, 1988. http://hdl.handle.net/11427/16636.
Der volle Inhalt der QuelleThe intention of this thesis is to offer a perspective on the current debate over women's place in Western religious institutions, i.e. the Judaeo-Christian tradition; and to provide a way of thinking about those issues which will lead to a positive, progressive and realistic vision of co-humanity, and a method of achieving it. The thorny battleground of the "women's debate", as it is inaccurately named, was not my original choice of thesis topic. A lifelong commitment to feminist principles has been matched with an equally lengthy wariness regarding society's attitude towards such matters. Also, the understandable obsession of South African religious studies departments, and journals, with the issue of racism has had the inevitable result of trivializing the related issue of sexism as secondary. The narrowness of such thinking has led to strange distortions, including the belief that evil can somehow be 'ranked' and that there can be a 'hierarchy' of oppression. My intentions changed during a search of religious publications and journals while completing a post-graduate assignment. It was abundantly apparent that the scale of the debate on women's place in religion was fast outstripping most other debates. However, it was not an area which had been treated locally with seriousness. It had unfolded into a comprehensive and highly contentious debate in North American and British campuses and religious institutions, and the proliferation of books and articles on the subject by not only theologians but also sociologists, anthropologists and linguists had greatly extended the platform and the level on which the debate was to be fought. It appeared that women working in many fields were laying claim to religion, and were engaging issues which had previously been left to the handful of articulate women working at least nominally within orthodox structures.
Braga, Eliézer Serra. „Santas e sedutoras: as heroínas na Bíblia hebraica - a mulher entre as narrativas bíblicas e a literatura patrística“. Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-06052008-111605/.
Der volle Inhalt der QuelleThe objective of this study is the analysis, by the socio-literary boarding approach, of the characterization that the Hebrew Bible mentions about three women, or women groups, characters of its narratives. Look foreword to figure out her sexual behavior and her morality in contrast with the requirements made on the woman in other parts of this same Bible, considering the woman importance for the traditions of the Israel\'s formation. It will be also looked foreword to find out some contrasts even superficially, between the judgment that makes the Biblical narrator as the apparent unorthodox behavior of these women and the rabbinical judaism arguments and the first thinkers of the Christianity and their interpretation such as, this kind of feminine behavior. Will they be Lot\'s daughters and their incestuous relation, Tamar, Juda\'s daughter-in-law and her prostitution and Noemi and Rute\'s saga in the episode of the seduction of Boaz. The Hebrew Bible is the main source of inspiration for the three most influential and growing religions in the world since second-century A. D. Part of the east and all through the west have found its socio-cultural basis in them, which are: the Judaism, the Christianity and the Islamism. Considering the feminine social behavior importance for such religions, it will be important to figure out what the Hebrew Bible has to say on which must be the values that bases it. The social attitudes are deeply influenced by the manner in how to conceive the divinity. Therefore, it becomes extremely relevant to the West christianity, to figure out, how especially the judaism and the Christianism 8 interpreted the Biblical texts with regard to the current women into the Biblical narratives, in order to eliminate the differences and injustices motivated by religious mistaken Interpretations. Taking in consideration the notable \"androcentrism\" of the authors, reviewers and Bible editors, witch according to some critics was one of the signs of their devotion, determining the way they wrote their texts, and considering still the misogyny that predominated the Biblical texts interpretation art up to now, it\'s important to find out if the West Christian devotion is not totally supported on a concealed prejudicial basis of religious concepts attributed to the divine revelation, thanks to the interested interpretations even though to the Biblical authors intentions regarding woman.
Hartwell, Jeanette May. „Wisdom, strange or somewhere in between : in search of a real woman in the Book of Proverbs“. Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7593/.
Der volle Inhalt der QuelleHedman, Hanna. „Hindu goddesses as role models for women? : a qualitative study of some middle class women’s views on being a woman in the Hindu society“. Thesis, University of Gävle, Ämnesavdelningen för religionsvetenskap, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-3627.
Der volle Inhalt der QuelleDenna uppsats baseras på en fältstudie genomförd i Faridabad, Indien våren 2007. Syftet är att undersöka vilken roll hinduiska gudinnor spelar för kvinnor. För att uppfylla det syftet studeras också de intervjuade kvinnornas underliggande uppfattningar om jämställdhet.
För att kunna uppfylla syftet med uppsatsen har en kvalitativ metod använts och 19 intervjuer har genomförts. Informanterna har fått svara på frågor som handlar om att vara kvinna i det hinduiska samhället och deras åsikter om hur kvinnors situation bör ändras. När resultaten från intervjuerna analyserats har jag inspirerats av tidigare forskning om genus och Hinduism.
I den hinduiska mytologin finns både gudar och gudinnor. Att dyrka gudinnor kan ses som en källa till makt och inspiration för kvinnor. Därför har jag studerat om informanterna ser på gudinnorna som förebilder. Resultaten visar att det är svårt att avgöra om så är fallet. Ungefär hälften av informanterna sade att det ser gudinnorna som förebilder. I motsats till tidigare forskning nämnde inte informanterna de gudinnor som representerar de egenskaper som den ideala hustrun ska besitta, istället nämndes stridsgudinnan Durga. Tidigare forskning visar dock att även de självständiga gudinnorna som beskrevs av informanterna som förebilder är en del av den patriarkala strukturen. Under intervjuerna framgick att rollen att vara en bra hustru och mor värdesätts högt av informanterna. Detta kan, enligt mig, kopplas till det mest framträdande resultatet som framkom i synen på vad jämställdhetsuppfattningen baseras på. Det gäller uppfattningen om att män och kvinnor föds med olika egenskaper. I motsats till genusteori förstås inte skillnader mellan män och kvinnor som främst socialt konstruerade.
This report is based on a field study that was carried out in Faridabad, India in the spring of 2007. The aim is to study what role the Hindu goddesses play for Hindu women. To fulfil this purpose I am also studying the interviewed women’s underlying understanding regarding gender equality.
To fulfil the aim a qualitative method was chosen and 19 interviews were completed. The informants answered questions about being a woman in the Hindu society and their opinions on how to change women’s situation. While analysing the results I was inspired by previous research on gender and Hinduism.
In the Hindu mythology there are both gods and goddesses. Worshipping goddesses can be seen as a source of power and inspiration for women. Therefore I wanted to study if the informants look at the goddesses as role models. The results show that it is difficult to determine whether or not that is the case. Approximately half of the informants said that they looked at the goddesses as role models. In contrast to previous research the informants did not mention the goddesses that are represented with qualities that the ideal wife should posses, instead Durga, the fight goddess, was mentioned. However, previous research also shows that the independent goddesses that were described as role models by the informants are a part of a patriarchal structure. During the interviews the role of being a good wife and a mother is described as the most important thing for the informants. This can, according to me, be related to the most significant result on what the understanding of gender equality is based on. This is the opinion that men and women are born with different qualities. In contrast to the gender theory, the differences between men and women are not understood as primarily socially constructed.
Refael, Shmuel. „Hebrew Poetic Manifesto Kotzo shel yod (1878) by Y.L.Gordon translated into Ladino La punta de la yod (1901). On the oppressed state of the Jewish woman (between Ashkenaz and Sefarad)“. Universität Potsdam, 2013. http://opus.kobv.de/ubp/volltexte/2013/6710/.
Der volle Inhalt der QuelleKotzo shel yod von Y. L. Gordon (1832–1892) – einem wichtigen Intellektuellen der jüdischen Aufklärung – ist ein bekanntes hebräisches Gedicht. Dieses Gedicht zeichnet sich durch eine kühne, scharfe Kritik an den traditionellen jüdischen Einrichtungen aus, welche nach Meinung des Autors ein unbedingtes Überdenken erforderten. Gordons literarisches Werk ist von der jüdisch-aschkenasischen Welt inspiriert. Dieses einzigartige und innovative Gedicht wurde ins Judenspanische (Ladino) übersetzt. Der Artikel möchte die sephardische Version von Gordons Gedicht vorstellen. Es soll versucht werden, die Hintergründe für die Übersetzung dieses Werks in Ladino zu analysieren, die Rezeption der Übersetzung durch die Leserschaft und die Herausforderungen, denen sich der anonyme Übersetzer stellen musste, der das Werk der ladino-lesenden Öffentlichkeit im vollen Bewusstsein zugänglich machen wollte, dass diese Version sich deutlich vom zugrundeliegenden aschkenasischen Original unterscheidet.
Peralías, Isabel Ortega. „PARTICIPAÇÃO E AUTONOMIA DAS MULHERES NAS COMUNIDADES ECLESIAIS DE BASE (CEBs)“. Pontifícia Universidade Católica de Goiás, 2005. http://localhost:8080/tede/handle/tede/932.
Der volle Inhalt der QuelleThis dissertation deals with the women at Base s Eclesial Communities (CEBs), in Goiânia and investigates if the women find at CEBs a favorable space to participation, autonomy and equality relationship. The CEBs, understood as a socialreligious phenomenon that emphasizes the democratic participation and the liberator commitment, appear in the same decade in which emerge the new feminist movements, that define themselves by freedom and equality ideals and criticize the inequality and subordination relationships between women and men. The investigation of the reasons that boost the women to look for CEBs, the gains obtained and the challenges found has fundamental importance to understand the meaning of this Brazilian social-religious phenomenon. The present paper allows the CEBs actresses tell their word about the reasons, the gains obtained and the transformations happened in the relationships from their participation in them, so the difficulties and challenges found. They show the process of becoming autonomy people and able to fight for their rights in equality and alterative relation with men. This process advances with challenges, because the patriarchalism still persists in the Church and society as a whole.
Esta dissertação aborda as mulheres nas Comunidades Eclesiais de Base (CEBs), em Goiânia e investiga se as mulheres encontram nas CEBs um espaço favorável à participação, à autonomia e às relações de igualdade. As CEBs, entendidas como um fenômeno sócio-religioso que enfatiza a participação democrática e o compromisso libertador, surgem na mesma década em que emergem os novos movimentos feministas, que se definem pelos ideais de liberdade e igualdade e criticam as relações de desigualdade e subordinação entre mulheres e homens. A investigação das motivações que impulsionam as mulheres a procurarem as CEBs, os ganhos obtidos e os desafios encontrados é de fundamental importância para se entender o significado deste fenômeno sócio-religioso brasileiro. O presente trabalho permite que as atrizes das CEBs digam a sua palavra sobre as motivações, os ganhos obtidos, as transformações acontecidas nas relações a partir de sua participação nas mesmas, assim como as dificuldades e desafios encontrados. Elas mostram o processo de como tornam-se pessoas autônomas e capazes de lutar por seus direitos numa relação de igualdade e alteridade com os homens. Este processo avança com desafios, pois o patriarcalismo ainda persiste na Igreja e na sociedade como um todo.
Mühler, Kurt. „Religiosität und häusliche Arbeitsteilung“. Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-221929.
Der volle Inhalt der QuelleHutton, Nancy Sue. „“I am going to do it": The Complex Question of Action in Theology and Science in the Life of America's First Woman Minister, Rev. Antoinette Brown Blackwell (1825-1921)“. Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:15821955.
Der volle Inhalt der QuelleBechtel, Abigail A. „Unruly: Essays from a Woman Evolving“. University of Akron / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=akron1491347435570709.
Der volle Inhalt der QuelleByrne, Natalie Elizabeth. „Parental cognitions, stress and coping in parents of children with developmental disabilities“. Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/4928/.
Der volle Inhalt der QuelleRamji, Rubina. „The centrality of veiling and invisibility: The construction of the Muslim woman identity in contemporary discourses and media“. Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/29064.
Der volle Inhalt der QuelleFlower, Jane. „Divining woman : the waterpourer's lineage : establishing woman's spiritual genealogy through the emergence of her sexual and spiritual specificity after deconstruction of the grand narrative on woman as 'misbegotten male' and cause of 'original sin' /“. View thesis View thesis, 2001. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030409.103053/index.html.
Der volle Inhalt der QuelleDaun, Martin. „"What's the Matter? You Can't Stand the Sight of a Strong Nord Woman?" : En analys av fornnordisk kultur, religion och samhälle idatorspelet The Elder Scrolls V: Skyrim“. Thesis, Högskolan Kristianstad, Sektionen för lärande och miljö, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-12120.
Der volle Inhalt der QuelleMyler, John T. „Mary, the U.S. Bishops and the decade of silence: the 1973 pastoral letter "Behold Your Mother Woman of Faith"“. IMRI - Marian Library / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1509977485444077.
Der volle Inhalt der QuelleUgljanin, Mirela. „Muslimska kvinnor i det svenska samhället : En kvalitativ intervjustudie om fem muslimska kvinnors upplevelser av det svenska samhällets bemötande“. Thesis, Högskolan i Jönköping, Högskolan för lärande och kommunikation, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-38890.
Der volle Inhalt der QuellePy, Fatima. „Le surnaturel dans le roman féminin guadeloupéen contemporain“. Thesis, Antilles, 2017. http://www.theses.fr/2017ANTI0139/document.
Der volle Inhalt der QuelleThis thesis studies the occurrences of supernatural in Guadeloupe’s feminine novel. The writers are all women from Guadeloupe: they were born there (Lacrosil, Conde) or their parents come from Guadeloupe and they grew up there (Schwarz-Bart, Pineau). Every novel evokes a literary period of the 20th century: demain jab-herma (1960-1970), Pluie et vent sur Telumée miracle (1970-1980), moi, tituba, sorciere… (1980-1990) and la Grande drive des esprits (1990-2000).Every novel is based on supernatural: demain, jab-herma's hero is a sorcerer, such as Schwarz-Bart and Conde’s heroes. La Grande drive des esprits describes a family through the 20th century in Guadeloupe and a few characters have supernatural powers. We first made an inventory of contemporary feminine novels: it rises at the 20th century, thanks to our writers and through this supernatural theme. Then, we studied supernatural, religious magical, sacred's role in Guadeloupe: where it comes from, its place in Caribbean, its popular role. Finally, we studied fantastic imaginary's place: how it allows unpowerful slaves and slaves' children to think themselves powerful, the novel shows the social role of magical religious.We wanted to show how supernatural partly defines Guadeloupe’s novel. In conclusion, this study reveals how supernatural makes part of the weltanshauung, the way the people from Guadeloupe can see the world; the characters' whole life is made of supernatural, from birth to death; supernatural shows women's fundamental role, and appears as well in speaking, customs and public life
Navarro, André Renato de Barros. „A imagem do impossível: análise de um fenômeno religioso em Cássia - MG“. Universidade Presbiteriana Mackenzie, 2008. http://tede.mackenzie.br/jspui/handle/tede/2489.
Der volle Inhalt der QuelleFundo Mackenzie de Pesquisa
The present work aims to comprehend, based on Santa Rita de Cássia s life and trajectory, how the modern women identity has been built and socially appropriated by the medieval religion. During Santa Rita de Cassia s life, her body and desires never belonged to her since she wished to be a nun but her parents obliged her to get married. Once married, she subjected to her husband because of her children. As a widow, she preferred to see her own children dead than see them seek revenge. She committed herself to a religious life demonstrating clearly that, tormented by flesh desire, needed to fight against the devil that presented himself as a desired man. The desire of her existence was denied by her parents, her husband, her family and in the Coventry, where her toughest struggle happened, her search to become a acceptable woman for God. This research is committed to understanding a phenomenon that happens in the countryside of Minas Gerais in a city called Cassia. In this city there are people devoted to the saint, mostly females, and all of them live a life that is a sequence of facts related to the history of Santa Rita de Cassia: a life of acceptance and subjection to the fatality of the Holy. Their main reason of existence is the belief and the miracles, elements that facilitate both the acceptance and the subjection of the life they have.
O presente trabalho busca compreender como a identidade da mulher moderna foi sendo construída e apropriada socialmente pela religião medieval, a partir da história de Santa Rita de Cássia. Em sua trajetória de vida, seu corpo e seu desejo nunca lhe pertenceram, uma vez que, desejando entrar para a vida religiosa, seus pais optaram por lhe darem em casamento. Casada, se sujeitou aos caprichos de seu marido por causa dos filhos. Viúva, não conseguiu conter o ímpeto de vingança que brotava no coração dos filhos, preferindo vê-los mortos a serem vingadores. Abraçou a vida religiosa numa clara demonstração que, atormentada pelo desejo, precisava lutar contra o demônio que se apresentava na forma de um homem a ser desejado. O desejo de sua existência lhe foi negado pelos pais, pelo marido, pela família e na clausura pois, ali travou uma de suas lutas mais ferrenhas, numa busca evidente de ser o objeto de desejo do seu Deus. Sem tal compreensão não seria possível mergulhar numa cidade do interior de Minas Gerais, Cássia, no sudoeste mineiro, para compreender o fenômeno sobre o qual a pesquisa se detém. Nesta cidade há alguns personagens masculinos e, em sua grande maioria, personagens femininas, sendo todos devotos de Santa Rita. Todos estes trazem inscritas em sua trajetória de vida uma seqüência de fatos e ocorrências tal qual o descrito naquela história medieval: uma vida de aceitação e sujeição à fatalidade do divino. O existir é calcado na crença e no milagre, elementos que atenuam essa sujeição e facilitam sua aceitação.
Tenchena, Sandra Mara. „O feminino nos mistérios ucranianos da arte e da fé“. Pontifícia Universidade Católica de São Paulo, 2016. http://tede2.pucsp.br/handle/handle/2599.
Der volle Inhalt der QuelleCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This thesis aims to show the strength of the Ukrainian women in the arts and traditions, in particular the city of Prudentópolis in the state of Paraná, extending discussions on the identity to interpret the meanings of a whole to the statement, resistance and identification of its population. Thus, we deal with two perspectives, one that seeks to historically demonstrate the headquarters and the development of art and culture of the city of Prudentópolis and region through socioeconomic situation in which they lived the Ukrainians that region, as well as the context in which it constituted its art and culture. This path is placed face to face with the historical precedents of both the Ukrainian population and the population that arrived as immigrants to Parana. The other perspective follows the anthropological approach to doing ethnography of Ukrainian arts themselves, for an understanding and interpretation of your senses and meanings, for an analysis of possible recreations and reinventions developed by Prudentópolis society and region dominated by Ukrainian immigration. Associated with this approach, it investigated the relationship between these arts and local identity. In the wide world of Ukrainian art Prudentópolis and region, we have chosen for our investigation three: Dancing, Embroidery and Icon. The decision to treat these arts was justified by self-interest and its breadth in social relations in the city, because they, in particular, constitute a unique phenomenon that enables viewers perceived or latent aspects of the culture of the city's population
A presente tese tem como objetivo evidenciar a força da mulher ucraniana nas artes e tradições, em especial, da cidade de Prudentópolis, no estado do Paraná, ampliando as discussões sobre a identidade ao interpretar os sentidos e significados de seu conjunto para a afirmação, resistência e identificação de sua população. Dessa forma, lidam-se com duas perspectivas, uma que procura demonstrar historicamente as matrizes e o desenvolvimento da arte e cultura da cidade de Prudentópolis e região por meio da situação socioeconômica em que viveram os ucranianos daquela região, bem como o contexto em que se constituiu sua arte e cultura. Esse caminho coloca-se frente a frente com os precedentes históricos tanto da população ucraniana como da população que chegou como imigrante ao Paraná. A outra perspectiva segue a abordagem antropológica ao fazer a etnografia das artes ucranianas propriamente ditas, para uma compreensão e interpretação de seus sentidos e significados, para uma análise das possíveis recriações e reinvenções desenvolvidas pela sociedade de Prudentópolis e região onde predomina a imigração ucraniana. Associada a essa abordagem, é investigada a relação entre essas artes e a identidade local. No amplo universo da arte ucraniana de Prudentópolis e região, elegemos para nossa investigação três delas: a Dança, o Bordado e o Ícone. A opção por tratar dessas artes justificou-se pelo interesse pessoal e pela sua amplitude nas relações sociais na cidade, pois elas, de modo especial, constituem-se num fenômeno singular que permite visualizar aspectos percebidos ou latentes da cultura da população da cidade
Tenchena, Sandra Mara. „Memória de mulheres ucranianas: recriação de tradições em Prudentópolis Paraná“. Pontifícia Universidade Católica de São Paulo, 2010. http://tede2.pucsp.br/handle/handle/2166.
Der volle Inhalt der QuelleCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This dissertation deals with the memory of women descendants of Ukrainian living in Prudentópolis, country side of Paraná, and peculiar aspect is the fact that its population consists majorly from Ukrainians . There, traditions and religious festivals keep alive the Ukrainian culture. This led me to know the different ways of appropriation of the specific symbolical tissues of this culture, through gender s clipping associated to specificities of generations responsible by production of own meanings systems this culture. For all this, I resorted to studies of memory through authors as: Brandão (1985), Pollak (1989), Nora (1993), Bosi (1994), Halbwachs (2004), among others that have addressed this problem associating memory to its literary dimension, historical, socio-cultural. The Ukrainians, an important group of immigrants who migrated to Paraná as free workers at the beginning of the 20th century, built important activities for the region's cultural life and to the local economy. They shared their lives with immigrant Pollack s, Italians and Germans, building a strengthened segment of cultural hybridization of own history of Brazil. The choice of ethnographic approach, which not only could describe the culture and traditions, but also the history and socio-economical transformations of Prudentópolis town, in the State of Paraná, aimed to interpret the senses and meanings of actions turned to the assertion, resistance and identification of its population. For that, I resorted to the systematic searching exercise with my observing participation of rites and customs paying so familiar to recover traditional customs, intending to recuperate traditional habits, seeking to produce, initially, an Ethnography that could express, with refinement of details, the ways of living of women and the Ukrainians. The methodology was based on qualitative research because of their importance for studies of complex interpretative phenomenal and by the possibility of immersion on the context and reality of the environment researched. By registration of Prudentópolis daily s life, such as analyzing the history of these women lives, by memorizing as methodological resource, establishing relations by their memories identities formulations. I looked for, by this essay, tried to understand the importance of Ukrainian Women on the preservation of theirs cultural traditions
Esta dissertação trata da memória de mulheres descendentes de ucranianos residentes na cidade Prudentópolis, localizada no interior do Paraná, e tem como aspecto peculiar o fato de sua população ser constituída majoritariamente por descendentes de ucranianos. As tradições e as festas religiosas ali presentes mantêm viva a cultura ucraniana. Esta opção levou-me a conhecer as diferentes maneiras de apropriação dos tecidos simbólicos específicos da cultura, através de recorte de gênero associado a especificidades de gerações responsáveis pela produção dos sistemas de significados próprios dessa cultura. Para tanto, recorri a estudos da memória por meio de autores como: Brandão (1985), Pollak (1989), Nora (1993), Bosi (1994), Halbwachs (2004), dentre outros que abordaram essa problemática associando a memória à sua dimensão literária, histórica, sociocultural. Os ucranianos, importante grupo de imigrantes que rumou para o Paraná como trabalhadores livres no início do século XX, construíram atividades importantes para a vida cultural da região e para a economia local. Partilharam a vida com imigrantes poloneses, italianos e alemães, construindo segmento fortalecedor de hibridização cultural própria da história do Brasil. A escolha de abordagem etnográfica, que não só descrevesse a cultura e as tradições, mas também a história e as transformações socioeconômicos da cidade de Prudentópolis no Estado do Paraná, visou interpretar os sentidos e significados de ações voltadas à afirmação, resistência e identificação de sua população. Para isso, recorri ao exercício da pesquisa sistemática pela participação observante de ritos e costumes tão familiares, com o intuito de recuperar os costumes tradicionais, com vistas a produzir, inicialmente, uma etnografia que evidenciasse, com refinamento de detalhes, os modos de viver das mulheres e do povo ucraniano. A metodologia foi apoiada na pesquisa qualitativa em razão da sua importância para os estudos interpretativos de fenômenos complexos e pela possibilidade de imersão no contexto e na realidade do ambiente pesquisado. Ao registrar o cotidiano da cidade de Prudentópolis, bem como analisar as histórias de vida dessas mulheres utilizei a memória como recurso metodológico, estabelecendo relações por meio de suas lembranças com a construção de suas identidades. Procurei, assim, compreender a importância da mulher ucraniana na preservação de suas tradições culturais
Bezerra, Luis Antônio Alves. „DA ESPIRAL DE VIOLÊNCIA EM DESPROVEITO DA MULHER: SUBMISSÃO BÍBLICA, RELIGIOSA, SOCIAL E JURÍDICA“. Pontifícia Universidade Católica de Goiás, 2018. http://tede2.pucgoias.edu.br:8080/handle/tede/4073.
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This thesis aims at assessing violence to the detriment of women in the Old Testament, which served as a religious amalgam for her elimination in the social environment of male domination, but not before proceeding with an approach to Hebrew history, in addition to the contextualization of the ancient Hebrew codes : Covenant, Deuteronomy and Leviticus, with the intercalation and paradox of violence exercised against her in each of the Old Testament codices, which have been transfused into all societies, even the most modern, in the West. It contributed, therefore, the feminist historical oppression, by the patriarchal connotation biblical, religious and social for the enactment of laws that, notoriously, inhibited in the human genesis the devaluation by the feminine condition. Its recrudescence, in the social context, in Brazil needed to establish equality between the sexes, by the Federal Constitution of 1988 and specific punishment for gender violence, due to the publication of the Laws of Maria da Penha (Lei nº 11.340 / 2006), besides the Feminicide Law no. 13.104 / 2015), to reduce the existing androcentric intolerance in Brazilian society, still pending social re-signification, to reduce contempt, humiliation, monetization and domestic violence, so common in Brazilian homes.
Esta tese tem por fito aquilatar a violência em detrimento da mulher, no Antigo Testamento, que serviu de amálgama religioso para alijamento dela, no meio social de dominação masculina, não sem antes proceder uma abordagem da história hebraica, além da contextualização dos códigos antigos hebreus: Aliança, Deuteronômico e Levítico, com a intercalação e paradoxo da violência exercitada contra ela em cada qual dos códices veterotestamentários, que se transfundiram para todas as sociedades, até mesmo as mais modernas, no Ocidente. Contribuiu, assim, a opressão histórica feminina, pela conotação patriarcal bíblica, religiosa e social para a promulgação de leis que, notoriamente, inibiram na gênese humana o desvalor pela condição feminina. Seu recrudescimento, no contexto social, no Brasil necessitou estabelecer igualdade entre sexos, pela Constituição Federal de 1988 e punição específica pra a violência de gênero, em virtude da edição das Leis Maria da Penha (Lei nº 11.340/2006), além do Feminicídio (Lei nº 13.104/2015), para amainar a intolerância androcêntrica existente na sociedade brasileira, ainda pendente de ressignificação social, para diminuição do desprezo, humilhação, monetarização e da violência doméstica, tão comum nos lares brasileiros.
OSHIRO, CLAUDIA MARIA POLETI. „VIOLÊNCIA DE GÊNERO E RELIGIÃO: UMA ANÁLISE DA INFLUÊNCIA DO CRISTIANISMO EM RELAÇÕES FAMILIARES VIOLENTAS A PARTIR DE MULHERES ACOLHIDAS NAS CASAS ABRIGO REGIONAL GRANDE ABC E DE HOMENS AUTORES DE VIOLÊNCIA DOMÉSTICA“. Universidade Metodista de Sao Paulo, 2017. http://tede.metodista.br/jspui/handle/tede/1655.
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Domestic violence is a worrying phenomenon. In a concrete or symbolic way, it pervades the daily lives of many women who have experienced domestic violence situations. Once socially constructed, man is placed in an unequal position of power, these actions are often trivialized and reinforced by a society that is marked by patriarchy. Gender inequalities reinforce violence against women. My practice shows that many of these women seek help in religion, more specifically with their religious leaders who, in addition to agreeing with the violence that woman has lived, reinforce it through their religious beliefs. The cases seen at Casas Abrigo Regional Grande ABC attest that many women do not break the violence cycle because they belong to some religious institution and hear from their leaders discourses that legitimize submission and violence against women. This research intends to identify and analyze the Christianity influence in the violent family relations of Catholic and Evangelical women hosted in Casas Abrigo Regional Grande ABC and the same religious groups' perpetrators of violence against women. We will try to understand the violence consequences in these women's life, as well as to identify religion's influence in the masculine exercise of aggression and in the subjection of women to aggression. To approach these women, we chose two Reference Centers for Women's Care: “Marcia Dangremon” and “Vem Maria” as a field of this research. In order to approach the perpetrators of violence against women, we chose Centro de Referência Especializado de Assistência Social – CREAS de São Bernardo do Campo.
A violência doméstica é um fenômeno que nos preocupa. De forma concreta ou simbólica, ela perpassa o cotidiano de muitas mulheres que vivenciam situações de violência doméstica. Uma vez que construída socialmente, ao homem é posta uma posição desigual de poder, e estas ações muitas vezes são banalizadas e reforçadas por uma sociedade que é marcada pelo patriarcalismo. As desigualdades de gênero reforçam a violência contra as mulheres. A minha prática demonstra que muitas destas mulheres buscam ajuda na religião, mais especificamente com seus líderes religiosos, que, em sua maioria, além de compactuar com a violência vivida, a reforçam através de suas crenças religiosas. Os casos atendidos nas Casas Abrigo Regional Grande ABC atestam que muitas mulheres não rompem com o ciclo da violência, pelo fato de pertencerem a uma instituição religiosa e ouvirem de seus líderes discursos que legitimam a submissão e a violência contra as mulheres. Esta pesquisa pretende identificar e analisar a influência do cristianismo nas relações familiares violentas de mulheres católicas e evangélicas religiosas acolhidas nas Casas Abrigo Regional Grande ABC e de autores da violência contra as mulheres dos mesmos grupos religiosos. Procuraremos compreender as consequências da violência na vida dessas mulheres, bem como identificar a influência da religião no exercício masculino da agressão e na sujeição feminina à agressão. Como campo desta pesquisa escolhemos dois Centros de Referência de Atendimento à Mulher: “Marcia Dangremon” e “Vem Maria”, para abordagem com as mulheres. E o Centro de Referência Especializado de Assistência Social – CREAS de São Bernardo do Campo, para a abordagem com os autores de violência contra as mulheres.
Buergener, Elisabeth. „'Becoming a true Muslim' : Syrian women's journey to devoutness“. Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4710/.
Der volle Inhalt der QuelleHung, Yung-Ju. „The relationship between Christian daughters-in-law and their non-Christian mothers-in-law in Taiwan : a theological and pastoral challenge“. Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7695/.
Der volle Inhalt der QuelleDavis, Dawn E. „Strong Black Women, Depression, and the Pentecostal Church“. ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/6550.
Der volle Inhalt der QuelleLundin, Camilla. „Kuvad och underlägsen? : bilden av den muslimska kvinnan hos några svenska kvinnor och i ett urval texter om islam och kvinnor“. Thesis, University of Gävle, Ämnesavdelningen för kultur- och religionsvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-6638.
Der volle Inhalt der QuelleSyftet med uppsatsen är att få kunskap om hur svenska icke-muslimska kvinnor ser på muslimska kvinnor, samt på vilket sätt svenska författare har skildrat kvinnan och islam. Med hjälp av kvalitativa intervjuer och textanalys har min vetskap blivit större.
Urvalet svenska akademiska författare som studien bygger på vill visa att kränkningen av kvinnor inte handlar om religion utan om hur Koranen har blivit feltolkad samt hur resten av världen ser på den muslimska kulturen. Bland författarna finns teorier om att kvinnan är ett offer för samhället, feltolkningar och fördomar men även ett offer på grund av bristen på jämlikhet inom islam.
Kunskapen om islam är inte så stor hos intervjupersonerna. De är kluvna i sin bild av den muslimska kvinnan. Dels ses hon som ett offer i slöja, kuvad och underlägsen. Dels påpekas det att hon är en del av religionen likväl som mannen. Det finns en tanke hos intervjupersonerna om att kvinnor kränks men inte på grund av religionen. Den muslimske mannen har en bister framtoning och ses som familjens överhuvud.
The purpose of this paper is to gain insight into how Swedish non-Muslim women look at Muslim women, as well as the manner in which Swedish authors have depicted women and Islam. Through qualitative interviews and text analysis, my knowledge has grown.
The selection of Swedish academic writers included in this study wants to show that the violation of women is not about religion but about how the Quran has been misinterpreted, and how the world looks at the Muslim culture. Among the authors we find theories that the woman is a victim of society, misinterpretations and prejudices but also a victim because of lack of equality in Islam.
The knowledge of Islam is not much developed among the interviewees and they have a split view of the Muslim woman. Partly she is seen as a victim of the veil, subjugated and inferior. Partly it is pointed out that she is a part of Muslim religion in the same way as the man is. There is a view among the interviewees that women are violated because of religion. The Muslim man has a grim image and is seen as the head of the family.
von, Knorring Petra. „Häxor, drottningar, slavinnor och andra kvinnor i Niya : En studie av kvinnans status utifrån Kharosthi-dokument och arkeologiska gravfynd i Niya“. Thesis, Uppsala universitet, Religionshistoria, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444041.
Der volle Inhalt der QuelleMeldolesi, Tommaso. „Sur les traces de Benjamin Gastineau, littérateur révolutionnaire de la seconde moitié du XIXe siècle“. Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA081/document.
Der volle Inhalt der QuelleBenjamin Gastineau’s work was written between 1845 and 1880. Gastineau wrote some theatre pieces, long and short novels, historical and social essays, and newspaper articles. He was influenced by Enlightenment philosophy and connected with Socialist and Republican thinkers. Gastineau considers his writing as a way to join people, and to give him an education, on following the principals of bourgeois moralism. Only in this way, people – he says – will have the possibility one day to make French Revolution again, and establish favourable conditions for the whole society, where justice, freedom and happiness could be guaranteed for everybody. Our work permits, thus, on the one hand, to investigate on diffusion of knowledge though newspaper articles and works written for popular readers. On the other hand, it permits to consider the political engagement of this writer, since the coup by Napoleon the 3th, passing through the Commune of Paris, and until his defence of the Communards when he was exiled in Brussels. In addition, Gastineau express his position against the abuses and the corruption of Roman Church and shows how women are its main victims. The rule of woman in XIX society takes part of a larger speech concerning social critics and including hell, medieval faith and the degradation of habits. As men have obtained intellectual and material freedom against the obligations impositions caused by religion that men could keep on walk together towards future; a material future represented by railway journey that takes men all over the acquisition of new spaces, real as well as imaginary ones, and of a new reality to build on following principals of peace, justice and freedom
Brodin, Emma Victoria. „Sex discrimination in employment within the Church of England“. Thesis, University of Huddersfield, 1997. http://eprints.hud.ac.uk/id/eprint/4753/.
Der volle Inhalt der QuelleAbud, Cristiane de Castro Ramos. „Corpos e(m) imagens na história: questões sobre as mulheres católicas do presente“. Universidade do Estado de Santa Catarina, 2008. http://tede.udesc.br/handle/handle/1477.
Der volle Inhalt der QuelleCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
A presente pesquisa - inscrita como uma História do Tempo Presente - propôs uma reflexão crítica sobre as representações de gênero produzidas a partir das imagens sacras femininas e de como se inscrevem nos corpos das mulheres na contemporaneidade. Com o auxílio de referências teórico-metodológicos foucaultianos e outros suportes teóricos incorporados pela História Cultural, analisou-se, neste trabalho, as formas de atuação do poder exercido e difundido pela Igreja Católica sobre os usos e cuidados dos corpos das mulheres e a relação desses discursos com as práticas, através de depoimentos e entrevistas realizadas com 35 mulheres que freqüentam cotidianamente três igrejas católicas de Florianópolis. O uso da categoria gênero opera aqui, para que sejam analisados os percursos e experiências destas mulheres, desvendando imaginários femininos, identidades fronteiriças, sociais, políticas e culturais. O trabalho procurou problematizar como as mulheres que se autodenominam católicas redefinem valores religiosos e os relacionam a questões como sexualidade, corpo, participação feminina em diferentes dimensões sociais e políticas, forjando novas identidades e metamorfoses sobre a condição feminina na religião católica hoje. Procura-se, assim, evidenciar o caráter histórico, cultural, religioso do corpo produzido pelo discurso religioso católico, demarcando seu poder de criação, saberes, resistências, transformações, materialidade, efeitos, características binárias entre o sagrado e o profano, o permitido e o proibido. E, ainda, perceber nas histórias de fé e religiosidade das mulheres que freqüentam as igrejas, seus papéis, a diversidade de representações , permanências e mudanças na história do presente
Luck, Katherine Adrienne. „Finding Margaret Haughery: The Forgotten and Remembered Lives of New Orleans’s “Bread Woman” In the Nineteenth and Twentieth Centuries“. ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1821.
Der volle Inhalt der QuelleLabontu-Astier, Diana. „L'image du corps féminin dans l'oeuvre de Assia Djebar“. Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENL020/document.
Der volle Inhalt der QuelleAs suggested in the works of Assia Djebar about the body of the woman excluding the cleavage of the flesh and soul and of the body and personality means a vision of a united body encompasses a broad duration and space. This body is constantly connected to the environment that influences it. This has broken its unity up. The thesis puts the emphasis on its continuity, resistance and even the survival of its identity, despite the factors or contexts that have harmed it. Before giving back to the female body its lost unity, we identified the key terms of body and personality through the humanities, while taking into account the specifics of these terms related to the Arab-Muslim identity, to the Berber characteristics and to the French influence. With this starting point, we do not fall into the conventional and strictly social categorizations of the Algerian woman. In order to highlight the fundamental unity of the feminine being, we started with its physical dimension. This is the first aspect that we view and that we can describe. But it goes beyond the appearances since, supported by the language and the imagination, it drives a reflexive dimension. The Djebarien female character transitions from the stage "have a body" to the stage of "being a body" with several dimensions: physical, psychological, intellectual, linguistic and imaginary (I). But that image of unity and harmony is faced with less favorable pictures that appeared because Islam moved away from its original doctrine as presented in the book “Far from Medina”, and the valuation of certain concepts such as honor, modesty and shame. Faced with the male authority that is exercised on the Algerian female body in every moment of life, and which results in confinement, humiliation, arrest to some very well-defined roles (such as mother and wife), orders, beatings, insults, etc.., the female body develops a “micro psychology” (M. Maffesoli) that is transmitted from generation to generation and provides built-in answers to various situations. All actions are impregnated with these, but that doesn't stop preventing the emergence of hidden traces of the female personality in very specific contexts. These traces highlight the cunning, the challenge and even the hatred of women to men, designated in the Algerian female imaginary by the term "e'dou" (enemy). These feelings reveal the strength of the female body made of a silent revolt expressed or debased by shouts, murmurs, attentive listening, a need to share and support each other.(II) So we have in front of our eyes a fragmented body, which has forgotten its qualities due to the internalization of these symbolic prisons. But thanks to the female solidarity, the appreciation of the house as a place to cocoon, the relationships between women, and the return to the first language, the traces of the distant past are renewed by the actions and words of some free women. These pave the way for the release of the Algerian female body that will learn again to watch, to walk outside, to reminisce, to talk about itself and to appreciate the presence of the beloved man. (III) The analysis of body parts visible in our corpus, the feminine posture, the gestures in which the tradition is recorded, the reactions that reveal both the physical and psychic dimension, the terms used by Djebar to talk about his feminine characters, allowed us to reveal a female body with a heart, memories, feelings, personalities and roles that are outside the framework imposed by the society. The female body able to make gestures, which falls within the time and space reclaimed, acquires a performative speech which, in turn, recreates and provides it with the opportunity to perform, while maintaining contact with the origins and the "living word". So we see a body and an identity shifting, constantly trying to form and to write
Amory, Annabelle. „La place des animaux dans la relation mortelles-divinités : le cas d’Artémis et de Déméter“. Thesis, Lille 3, 2017. http://www.theses.fr/2017LIL30032/document.
Der volle Inhalt der QuelleThis thesis is based on literary, epigraphic, archaeological, iconographic and archaeozoological sources and studies the symbolic of the animals in the relationship between women and divinities. Two goddesses have been chosen for this purpose: Artemis and Demeter. They have in common the fact they take care of women at different moments of their lives. Two main parts compose the survey. First, a catalog lists 83 sanctuaries of Artemis and Demeter who have a link with animals, together with offerings found inside and myths and inscriptions associated with. A second index classifies all the animals connected with Artemis and Demeter: offerings of the sanctuaries from the first corpus, imageries and texts no connected with a shrine but showing a link between an animal species and a goddess.A synthetic analysis of information from the catalogs talks about three main interpretations on the presence of animals beside Artemis and Demeter. At first, fertility of women is very important in ancient Greece because it permits to renewing the civic body. The pig has a special relationship with Demeter about fecundity: during the Thesmophoria, the animal is used to assure the fertility of both women and fields. With Artemis, wetland animals are connected with the water and the life. The cattle are also offered to both goddesses in order to assure the perpetuation of the herd and the city at the same time. Then, the woman before her marriage is like a savage animal and she must be domesticated. Artemis takes care of young girls because she is the goddess of passages and transitions. She allows the domestication of the girls with an initiation called arkteia: during this ritual, the little girls make “the bear”. As divinity of the wild nature, Artemis also is assimilated to the Pόtnia Théron and has the power of life and death on both animals and women. She punishes the girls who transgress the rules: Callisto and Atalante. Artemis and Demeter are kourotrophic goddesses taking care of all gender children. However, if the animals with the divinities are close to the women, there are in connection too with the boys: the dog and the horse evoke the citizenship status of the men and the formation of the young boys, especially with Artemis. Some species are also chthonic characteristics, as the snake, the pig and the tortoise and make a link between the life and the death. Other animals incarnate the divinity: the boar of Kalydon has been send by Artemis because she was angry and a lot of animals are victims of ritual sacrifices and permit a communication with the gods and goddesses. Unfortunately, there are also some species with no real connection with Artemis and Demeter: there are offered in small number in the sanctuaries of both divinities or there contrariwise are given to all the gods
Malmsten, Majja. „Traditionell kvinna i medial dräkt : En studie av samtida mediamaterial om haredi-kvinnans roller inom judendomen samt hur skildringarna korrelerar med Halacha“. Thesis, Uppsala universitet, Teologiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-402473.
Der volle Inhalt der QuelleBlot, Béatrice. „Un corps dans tous ses « états » : « La sœur de Sainte Brigide », religieuse et convulsionnaire de l’Hôtel-Dieu de Paris (1741-1764)“. Electronic Thesis or Diss., Paris 4, 2011. http://www.theses.fr/2011PA040101.
Der volle Inhalt der QuelleHysteries, visionaries, zealot, shammers, simpletons or even sadomasochists are a few words or phrases among others which were or still are used by those in authority, the historians, the theologists, the philosophers including doctors to qualify the 18th century people who miraculously recovered and the Jansenist Convulsionaries from Paris. Unearthed with thousands of documents related to this phenomenum, the compendium of speeches, letters and Sister Brigitte’s visions which come along with her spiritual advisor the oratorian Father Michel Pinel enable us to get to the heart of the convulsionary imagination and to develop many items which used to be left heart or little considered due to narrow investigations. Bodies, gestures, voices give these men and women the opportunity to be accepted in a world seems to wonder from the truth, Their Truth. Reexamined by same subjects which so far had often been left out by historians, this disconcerting and fascinating period of time is part of an eventful history, to the extent it may lose its deepest meanings; this moment gives a real boost to a better understanding of that century which can be restricted, far from it, to the Age of the Enlightenment or “raison triomphante”
Dayil, Plangsat Bitrus. „Ethno-religious conflicts and gender in Nigeria's middle belt“. Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6409/.
Der volle Inhalt der QuelleBlot, Béatrice. „Un corps dans tous ses « états » : « La sœur de Sainte Brigide », religieuse et convulsionnaire de l’Hôtel-Dieu de Paris (1741-1764)“. Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040101.
Der volle Inhalt der QuelleHysteries, visionaries, zealot, shammers, simpletons or even sadomasochists are a few words or phrases among others which were or still are used by those in authority, the historians, the theologists, the philosophers including doctors to qualify the 18th century people who miraculously recovered and the Jansenist Convulsionaries from Paris. Unearthed with thousands of documents related to this phenomenum, the compendium of speeches, letters and Sister Brigitte’s visions which come along with her spiritual advisor the oratorian Father Michel Pinel enable us to get to the heart of the convulsionary imagination and to develop many items which used to be left heart or little considered due to narrow investigations. Bodies, gestures, voices give these men and women the opportunity to be accepted in a world seems to wonder from the truth, Their Truth. Reexamined by same subjects which so far had often been left out by historians, this disconcerting and fascinating period of time is part of an eventful history, to the extent it may lose its deepest meanings; this moment gives a real boost to a better understanding of that century which can be restricted, far from it, to the Age of the Enlightenment or “raison triomphante”
Koen, Elizabeth Theresia. „Women in Ancient Egypt : the religious experiences of the non-royal woman“. Thesis, Stellenbosch : University of Stellenbosch, 2008. http://hdl.handle.net/10019.1/2498.
Der volle Inhalt der QuelleThis thesis explores the importance of the function of religion in the life of the average, non-royal woman in Ancient Egyptian society. As Ancient Egyptian society and the historical documentation thereof were dominated by the male perspective, the extent of religious participation by women was, until recently, underestimated. Recent research has shown that women had taken part in, and in some cases even dominated, certain spheres of Ancient Egyptian religion. This included religious participation in public, as well as the practice of certain religious rituals in the home. The religious lives of ordinary women of non-royal families were studied by looking at their involvement in the public aspects of Egyptian religion, such as temples, tombs and festivals, as well as at the influence of religion on their identities as women and mothers. The research method followed was that of an iconographical analysis of original sources, which were classified and examined in order to establish their religious links to women of the middle and lower classes. A catalogue of sources is given, including sources depicting women participating in public rituals and objects used in a more domestic sphere. The first included tomb paintings and reliefs from tombs and temples, as well as objects given as public offerings to various deities. The second group included objects and visual depictions relating to fertility, birth and death. This thesis attempts better to understand and illuminate to what an extent the ordinary women of Ancient Egypt were involved in religious participation in their daily lives, as well as to illustrate the dimensions of this participation.
Wright, Diana Elizabeth. „The power of religion/the religion of power, religious activities as Upaya for women of the Edo period. the case of Mantokuji“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ27809.pdf.
Der volle Inhalt der QuelleDowning, Marymay. „Pornography as a subject for religious studies: New directions for the field of women and religion“. Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/6523.
Der volle Inhalt der QuelleShuqair, Noura Abdulhameed H. „Living Between Two Worlds: Conflict, Investigation And The Change“. Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5702.
Der volle Inhalt der QuelleM.F.A.
Masters
Visual Arts and Design
Arts and Humanities
Emerging Media; Studio Art and the Computer
Grobot, Anne. „Sociabilités familiales, intellectuelles, artistiques et politiques autour d'une dessinatrice, illustratrice, graveuse et sculpteur : Chana Orloff (1888-1968), entre Paris, l'Amérique et Israël (1916-1968)“. Thesis, Bourgogne Franche-Comté, 2018. http://www.theses.fr/2018UBFCH039/document.
Der volle Inhalt der QuelleSince Germaine Coutard-Salmon's thesis, presented in 1980 and devoted to the monographic study of Chana Orloff (1888-1968), there were not many other works published about this artist. The aim of this thesis is to put an emphasis on the sculpted and graphic works of art (drawings, engravings and illustrations) of the artist, since 1910 until her death, and achieved in both Paris and Israel. This study will deal with the subjects, the technics, the supports, but also the aesthetic orientations of her work which made her a part of history and art history. Started in Paris under the auspices of a cubist's heritage and Art deco's temptation, her work – characterized by many portraits, Maternities and animalist subjects -, developed an aesthetic based on the simplification of shapes, their balancing and their being stretched and on frontal compositions mixed with a decorative ambition, which has often been compared to Modigliani, Archipenko or Nadelman's work. Then, from the end of the Second World War and the time of the creation of Israel's State, her art became more tormented and more expressive. This was also the moment when the Jewish State commissioned her to produce a great number of works of art. From a methodological point of view, this thesis will be based in particular, but not exclusively, on the scientific exploitation of the funds preserved until now, made up of the works and documents of the artist's workshop and will question the critical reception of Chana Orloff's work from the 1920's until now, as well as the conditions of its international diffusion (gallerists, art dealers, collectors.....) from a cultural, social and political point of view of art
Ahmad, Sadaf. „Al-Huda the story of "Islamic" revivalism amongst urban Pakistani women /“. Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.
Der volle Inhalt der QuelleTsang, Po-ling Flora. „Religion and coping: single women inchurch“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B29688838.
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