Thematische Bibliographien / William / Zeitschriftenartikel
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Zeitschriftenartikel zum Thema „William“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 30. Juli 2024

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1

Davies, E. M. „William Hughes Williams“. British Dental Journal 199, Nr. 4 (August 2005): 241. http://dx.doi.org/10.1038/sj.bdj.4812677.

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2

Evans, Elizabeth A., und Dilip V. Jeste. „William Carlos Williams“. American Journal of Geriatric Psychiatry 12, Nr. 2 (März 2004): 129–33. http://dx.doi.org/10.1097/00019442-200403000-00003.

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3

Jones, H. „William Gilbert Williams“. BMJ 325, Nr. 7354 (06.07.2002): 47i—47. http://dx.doi.org/10.1136/bmj.325.7354.47/i.

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4

Lewis, R. „William Owen Williams“. BMJ 325, Nr. 7355 (13.07.2002): 106g—106. http://dx.doi.org/10.1136/bmj.325.7355.106/g.

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5

Lewis, Robert R., Arthur Rich, T. Michael Sanders und Jens C. Zorn. „William L. Williams“. Physics Today 40, Nr. 7 (Juli 1987): 90–92. http://dx.doi.org/10.1063/1.2820130.

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6

Ye, Jinze. „Flow to Unfold: The Fluidness in William Carlos Williamss Poetry“. Communications in Humanities Research 20, Nr. 1 (07.12.2023): 178–83. http://dx.doi.org/10.54254/2753-7064/20/20231344.

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Regarded as one of the greatest American poets in the twentieth century and the prominent poet of the Imagist, William Carlos Williams approaches his poetic world by the special use of images and syntax. In his poems, he invites the common and small things in everyday life as images. By the irregular arrangement of line and stanza breaks, these things are endowed with richer and deeper meanings which is far more than what is shown, open to readers to interpret. The syntax itself in Williams poems is poetic, and the integration of images and syntax in William Carlos Williams poems frames the poets poetic world. This article will review the fluidness of Williams poems approached by flowing images and flowing syntax in William Carlos Williams poems. It attempts to prove that although the images may be seen as accumulative rather than surmounted and the lines and stanzas are broken, the sense is flowing. Concisely but accurately, William Carlos Williams applies the images featuring fluidness to reveal the essence of objects. Through the accumulation of images, the lines and stanzas starts to jump down from one to another, activating the whole scene of the poem to flow. And the flowing syntax which includes the irregular line ends and broken stanzas, the omission of capitalization in each line uplifts the limbs of the poem and make it flow.
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7

Jin-Ho Shim. „William Carlos Williams and Cubism“. New Korean Journal of English Lnaguage & Literature 49, Nr. 3 (August 2007): 23–43. http://dx.doi.org/10.25151/nkje.2007.49.3.002.

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8

Crawford. „Walking with William Carlos Williams“. William Carlos Williams Review 34, Nr. 2 (2017): 93. http://dx.doi.org/10.5325/willcarlwillrevi.34.2.0093.

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9

Trüb. „William Carlos Williams Bibliography 2017“. William Carlos Williams Review 35, Nr. 2 (2018): 196. http://dx.doi.org/10.5325/willcarlwillrevi.35.2.0196.

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10

Trüb. „William Carlos Williams Bibliography 2018“. William Carlos Williams Review 36, Nr. 2 (2019): 139. http://dx.doi.org/10.5325/willcarlwillrevi.36.2.0139.

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11

Trüb. „William Carlos Williams Bibliography 2019“. William Carlos Williams Review 37, Nr. 2 (2020): 234. http://dx.doi.org/10.5325/willcarlwillrevi.37.2.0234.

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12

Clifford, HT. „William Thomas Williams 1913-1995“. Historical Records of Australian Science 12, Nr. 1 (1998): 99. http://dx.doi.org/10.1071/hr9981210099.

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13

Crawford, T. Hugh. „Walking with William Carlos Williams“. William Carlos Williams Review 34, Nr. 2 (2017): 93–109. http://dx.doi.org/10.1353/wcw.2017.0007.

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14

Trüb, Simon D. „William Carlos Williams Bibliography 2017“. William Carlos Williams Review 35, Nr. 2 (2018): 196–97. http://dx.doi.org/10.1353/wcw.2018.0012.

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15

Trüb, Simon D. „William Carlos Williams Bibliography 2018“. William Carlos Williams Review 36, Nr. 2 (2019): 139–41. http://dx.doi.org/10.1353/wcw.2019.0012.

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16

Ahuja, Nitin K., Christina Crumpecker und Chris Marett. „William Carlos Williams Poetry Winners“. Journal of Medical Humanities 31, Nr. 4 (21.07.2010): 319–20. http://dx.doi.org/10.1007/s10912-010-9116-2.

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17

Meeropol, Michael. „William Appleman Williams: Public Historian“. Monthly Review 48, Nr. 2 (07.06.1996): 49. http://dx.doi.org/10.14452/mr-048-02-1996-06_7.

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18

Trüb, Simon D. „William Carlos Williams Bibliography 2021“. William Carlos Williams Review 39, Nr. 2 (01.12.2022): 242–46. http://dx.doi.org/10.5325/willcarlwillrevi.39.2.0242.

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19

Stone, John. „William Carlos Williams Commemorative Issue“. JAMA: The Journal of the American Medical Association 253, Nr. 12 (22.03.1985): 1800. http://dx.doi.org/10.1001/jama.1985.03350360126040.

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20

Moss, Brian. „Emeritus Professor William David Williams“. Aquatic Conservation: Marine and Freshwater Ecosystems 12, Nr. 3 (2002): 313–14. http://dx.doi.org/10.1002/aqc.518.

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21

Trüb, Simon D. „William Carlos Williams Bibliography 2022“. William Carlos Williams Review 40, Nr. 2 (01.12.2023): 262–64. http://dx.doi.org/10.5325/willcarlwillrevi.40.2.0262.

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22

Atashi, Laleh. „The Status of William Carlos Williams in American Modernism“. Messages, Sages and Ages 3, Nr. 2 (01.11.2016): 54–63. http://dx.doi.org/10.1515/msas-2016-0015.

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Abstract William Carlos Williams was an American poet who renounced poetic diction in favor of the unpoetic, establishing himself in American Modernism as a powerful voice distinct from such canonical contemporaries as T.S. Eliot and Ezra Pound. His attitude towards literary production was different from many of his contemporaries in that he believed ‘the idea is in the thing’ and therefore the presence of objects rather than abstractions is strongly felt in his poems. A critical survey of Williams’ poems indicates that the poet/physician observes, describes and levels criticism at his society where modernism has transformed the American identity in significant ways. In this article, American icons and popular culture are retraced in the poetry of William Carlos Williams in an effort to explain the seeming opacity of his poems.
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23

Wagner-Martin, Linda W. „A Poetry of Presence: The Writing of William Carlos Williams. Bernard Duffey , William Carlos Williams“. Modern Philology 85, Nr. 3 (Februar 1988): 341–43. http://dx.doi.org/10.1086/391647.

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24

Käck, Elin. „Spring and All No Longer in Peril“. William Carlos Williams Review 41, Nr. 1 (Juli 2024): 1–11. http://dx.doi.org/10.5325/willcarlwillrevi.41.1.0001.

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Abstract This article revisits a talk at a William Carlos Williams panel that would come to have a major impact on discussions of poetry and poetics, but which also made clear the problematic critical divide between the Williams of the short lyric and the Williams of genre-defying, experimental work, such as Spring and All. The panel took place at the 1983 MLA Convention in New York City, and the speaker was Charles Bernstein. This introductory article to this special issue discusses the original event as well as the talk itself—“The Academy in Peril: William Carlos Williams Meets the MLA”—which has since been published in essay form. In addition, this introduction considers the lasting importance of Spring and All, which was also the topic of a 2023 MLA Williams panel in which Bernstein participated with Bob Perelman and Juliana Spahr to provide their perspectives on the 100th anniversary of Spring and All and the fortieth anniversary of “The Academy in Peril.”
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25

Lensing, George S., und Carl Rapp. „William Carlos Williams and Romantic Idealism“. South Atlantic Review 50, Nr. 2 (Mai 1985): 139. http://dx.doi.org/10.2307/3199254.

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26

Lundquist, Sara, und T. Hugh Crawford. „Modernism, Medicine, and William Carlos Williams.“ American Literature 68, Nr. 1 (März 1996): 256. http://dx.doi.org/10.2307/2927572.

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27

Williams. „Williams and His Contemporaries: William Inge“. Tennessee Williams Annual Review, Nr. 9 (2007): 108. http://dx.doi.org/10.2307/45343731.

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28

Kleinzahler. „Thom Gunn and William Carlos Williams“. William Carlos Williams Review 34, Nr. 1 (2017): 1. http://dx.doi.org/10.5325/willcarlwillrevi.34.1.0001.

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29

Chang und Broome. „William Carlos Williams Bibliography 2015–16“. William Carlos Williams Review 34, Nr. 2 (2017): 153. http://dx.doi.org/10.5325/willcarlwillrevi.34.2.0153.

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30

Giorcelli. „St. Francis in William Carlos Williams“. William Carlos Williams Review 37, Nr. 1 (2020): 4. http://dx.doi.org/10.5325/willcarlwillrevi.37.1.0004.

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31

Gilman, Sander L. „Modernism, Medicine, and William Carlos Williams“. Configurations 3, Nr. 2 (1995): 267–68. http://dx.doi.org/10.1353/con.1995.0011.

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32

Todd Giles. „Fall 2007 William Carlos Williams Bibliography“. William Carlos Williams Review 27, Nr. 2 (2009): 203–7. http://dx.doi.org/10.1353/wcw.0.0021.

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33

Walkiewicz, E. P. „William Carlos Williams: Selected Poems (review)“. William Carlos Williams Review 26, Nr. 1 (2006): 102–4. http://dx.doi.org/10.1353/wcw.2007.0006.

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34

Giles, Todd. „Fall 2009 William Carlos Williams Bibliography“. William Carlos Williams Review 29, Nr. 2 (2009): 217–19. http://dx.doi.org/10.1353/wcw.2009.0022.

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35

Kleinzahler, August. „Thom Gunn and William Carlos Williams“. William Carlos Williams Review 34, Nr. 1 (2017): 1–11. http://dx.doi.org/10.1353/wcw.2017.0000.

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36

Chang, Yi-Ting, und Judith Broome. „William Carlos Williams Bibliography 2015–16“. William Carlos Williams Review 34, Nr. 2 (2017): 153–57. http://dx.doi.org/10.1353/wcw.2017.0010.

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37

Canning, Sally Schwer. „Two poems after William Carlos Williams.“ Families, Systems, & Health 32, Nr. 1 (2014): 129. http://dx.doi.org/10.1037/fsh0000007.

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38

Markel, Howard. „The Autobiography of William Carlos Williams“. Academic Medicine 76, Nr. 1 (Januar 2001): 48. http://dx.doi.org/10.1097/00001888-200101000-00014.

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39

Williams, William Carlos. „The Autobiography of William Carlos Williams“. Academic Medicine 76, Nr. 1 (Januar 2001): 49. http://dx.doi.org/10.1097/00001888-200101000-00015.

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40

Schwartz, Andrea Wershof, Jordan Paul Amadio und Joanna Ruth Cranston. „William Carlos Williams Poetry Contest Winners“. Journal of Medical Humanities 29, Nr. 4 (24.07.2008): 261–63. http://dx.doi.org/10.1007/s10912-008-9067-z.

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41

Sullivan, Mercer L. „Growing Up Poor.Terry Williams , William Kornblum“. American Journal of Sociology 92, Nr. 6 (Mai 1987): 1570–71. http://dx.doi.org/10.1086/228702.

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42

Hsiao, I. „Early William Carlos Williams-'Bad Keats'?“ Cambridge Quarterly 37, Nr. 2 (01.06.2008): 195–223. http://dx.doi.org/10.1093/camqtly/bfn015.

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43

Linden, A. A. M. Van Der. „William Appleman Williams and American history“. Diplomacy & Statecraft 2, Nr. 3 (November 1991): 253–80. http://dx.doi.org/10.1080/09592299108405836.

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44

Kuklick, Bruce. „William Appleman Williams and His Interpreters“. Diplomatic History 21, Nr. 4 (Oktober 1997): 663–66. http://dx.doi.org/10.1111/1467-7709.00096.

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45

Coulehan, John L. „Modernism, Medicine, and William Carlos Williams“. JAMA: The Journal of the American Medical Association 274, Nr. 12 (27.09.1995): 991. http://dx.doi.org/10.1001/jama.1995.03530120085052.

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46

Gargaillo, Florian. „Invisible Labor in William Carlos Williams“. William Carlos Williams Review 40, Nr. 2 (01.12.2023): 165–85. http://dx.doi.org/10.5325/willcarlwillrevi.40.2.0165.

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Abstract Although Williams has been praised for depicting working-class life in verse, many of his poems on the subject are marked by curious evasions. This essay considers three aspects of his approach that have received little attention. First, Williams minimizes or erases working-class people in settings where they would presumably be central. Second, he avoids depicting manual labor entirely or treats it as a metaphor for other forms of work. Third, he opposes any attempts to read his poems about the working class politically, by evoking and then quickly revoking the potential for political allegory. These evasions can be traced back to Williams’s distaste for poetry that places politics over form, as well as his objections to Marxist thought. But the poems also betray doubts about his ability to understand and represent working-class life in light of his more privileged social situation. By close reading a range of canonical and lesser-known poems, this article demonstrates that Williams’s portrayal of the working class is far more slippery, avoidant, and conflicted than the scholarship has acknowledged.
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47

KOLIN, PHILIP C. „An Unpublished Tennessee Williams Letter to William Carlos Williams“. Resources for American Literary Study 28, Nr. 1 (01.01.2002): 159–62. http://dx.doi.org/10.2307/26366937.

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48

KOLIN, PHILIP C. „An Unpublished Tennessee Williams Letter to William Carlos Williams“. Resources for American Literary Study 28, Nr. 1 (01.01.2002): 159–62. http://dx.doi.org/10.2307/resoamerlitestud.28.2002.0159.

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49

KAMPMARK, BINOY. „WILLIAM A. WILLIAMS'S TRAGEDY FIFTY YEARS ON“. Historical Journal 53, Nr. 3 (17.08.2010): 783–94. http://dx.doi.org/10.1017/s0018246x10000154.

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ABSTRACTFifty years have passed since the publication of The tragedy of American Diplomacy, the seminal work by New Left scholar William Appleman Williams. The work fired off one of the most important salvos of historical revisionism, heralding the arrival of the ‘Wisconsin School’ of American historiography. In examining the expansionist and consuming tendencies of American power and capital, Williams ushered in a movement which has left an enduring mark. Despite attacks on its credibility and an assortment of drawbacks, Tragedy remains a strong antidote to triumphalist narratives of American history, and pressingly important in the current political climate.
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50

Broomhall, Susan, und Jacqueline Van Gent. „In the Name of the Father: Conceptualizing Pater Familias in the Letters of William the Silent's Children*“. Renaissance Quarterly 62, Nr. 4 (2009): 1130–66. http://dx.doi.org/10.1086/650025.

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AbstractFor much of their childhood and adult life, the twelve surviving children of William the Silent were separated linguistically and geographically. Many of the children forged important relationships with male primary carers who were not their biological parents. This paper explores the children's correspondence with their biological father William and with paternal figures to understand competing forms of familial authority among William's children. This paper places particular interest on analysis of the gendered negotiation of paternal bonds in the letters of William's sons and daughters, as they established multiple relationships with father figures during their childhood.
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