Auswahl der wissenschaftlichen Literatur zum Thema „William Painter“
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Zeitschriftenartikel zum Thema "William Painter"
Bogardus, Ralph F. „The Twilight of Transcendentalism: Ralph Waldo Emerson, Edward Weston, and the End of Nineteenth-Century Literary Nature“. Prospects 12 (Oktober 1987): 347–64. http://dx.doi.org/10.1017/s0361233300005639.
Der volle Inhalt der QuelleSuciu, Silvia. „Afacerea artei. Piața de artă în Marea Britanie în secolele XVII -XVIII“. Anuarul Muzeului Etnograif al Transilvaniei 35 (20.12.2021): 105–45. http://dx.doi.org/10.47802/amet.2021.35.06.
Der volle Inhalt der QuelleCora, Dominika. „Miniature Painting in Eighteenth-Century England: The Case of William Pether (1739–1821)“. Arts 11, Nr. 3 (27.05.2022): 61. http://dx.doi.org/10.3390/arts11030061.
Der volle Inhalt der QuelleNaini, Farhard B. „William Hogarth's The Painter and His Pug“. Archives of Facial Plastic Surgery 12, Nr. 2 (01.03.2010): 136. http://dx.doi.org/10.1001/archfaci.2009.136.
Der volle Inhalt der QuelleKusserow, Karl. „William Sidney Mount: Painter of American Life“. Journal of American History 87, Nr. 1 (Juni 2000): 172. http://dx.doi.org/10.2307/2567922.
Der volle Inhalt der QuelleDr. Dharmendra Kumar Singh. „Painting in Poetry and Poetry in Painting: Aesthetic Reflections in D.G. Rossetti“. Creative Launcher 7, Nr. 3 (30.06.2022): 58–75. http://dx.doi.org/10.53032/tcl.2022.7.3.08.
Der volle Inhalt der QuellePalmer, Sheridan, und Harriet Parsons. „Tuhituhi: William Hodges, Cook's painter in the South Pacific“. Journal of Pacific History 48, Nr. 2 (Juni 2013): 238–39. http://dx.doi.org/10.1080/00223344.2013.774738.
Der volle Inhalt der QuelleIrving, Howard. „Empiricism, Ideology and William Crotch's Specimens“. Nineteenth-Century Music Review 9, Nr. 2 (Dezember 2012): 237–53. http://dx.doi.org/10.1017/s1479409812000298.
Der volle Inhalt der QuelleVan Der Merwe, Pieter. „William Pratt of Greenwich (1717–95): Ship’s carpenter and painter“. Mariner's Mirror 107, Nr. 3 (03.07.2021): 370–73. http://dx.doi.org/10.1080/00253359.2021.1940526.
Der volle Inhalt der QuelleBallantyne, Margo. „STUART DAVIS: AMERICAN PAINTER. Lowery Stokes Sims , William C. Agee“. Art Documentation: Journal of the Art Libraries Society of North America 11, Nr. 3 (Oktober 1992): 156–57. http://dx.doi.org/10.1086/adx.11.3.27948468.
Der volle Inhalt der QuelleDissertationen zum Thema "William Painter"
Jacobi, Carol. „Painter, painting, paint : a reappraisal of the work of William Holman“. Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286207.
Der volle Inhalt der QuelleSpencer, Susan Ambler Ziskin Rochelle. „William Hogarth's The Painter and his pug intent and interpretation /“. Diss., UMK access, 2008.
Den vollen Inhalt der Quelle finden"A thesis in art history." Typescript. Advisor: Rochelle Ziskin. Vita. Title from "catalog record" of the print edition Description based on contents viewed Sept. 12, 2008. Includes bibliographical references (leaves 68-72). Online version of the print edition.
Painter, William [Verfasser], und J. [Akademischer Betreuer] Blümer. „Development of a SiPM camera for detection and measurement of fluorescence emission from extensive air-showers generated by ultra high energy cosmic rays / William Painter ; Betreuer: J. Blümer“. Karlsruhe : KIT-Bibliothek, 2019. http://d-nb.info/1197138757/34.
Der volle Inhalt der QuelleFuga, Béatrice. „Buona Novella, Cattiva Reputazione. Domesticating Matteo Bandello's Novelle in Early Modern England“. Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030021.
Der volle Inhalt der QuelleIssued only a decade after Matteo Bandello’s Novelle (1554), William Painter’s ThePalace of Pleasure (1566-1567) and Geoffrey Fenton’s Certain Tragicall Discourses(1567) can be seen as catalysts for the development of later Elizabethan fiction and drama.However, Fenton and Painter need to be situated more finely within a wider European translating process, as they mostly based their own endeavours upon the work of Bandello’s French translators, Pierre Boaistuau and François de Belleforest. Indeed, in1559, these two writers published a collection of Histoires tragiques, drawing on the Italian source. In the English translation of the Italian novella, the domestication of Italian culture is operated through a moralisation and a redemption of‘Italianated’ corrupted manners. The present study, which seeks to situate itself within thefield of early modern translation studies, will necessarily be comparative, taking into account the different strata leading up to the final cultural and literary output in English,with a distinct focus on Fenton’s Bandellian monography
Sjöberg, Viktoria. „Lifting the Veils in William Somerset Maugham's The Painted Veil“. Thesis, Karlstad University, Division for Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1742.
Der volle Inhalt der QuelleNovels with love as a theme often deal with a passionate or forbidden love. In 1925 William Somerset Maugham wrote a different version of the typical love story we have read so many times. It tells a story about a married couple who never really shares the same love for each other. Maugham mentions that he was inspired by Dante when he wrote The Painted Veil. Indeed, he uses different sources of inspirations, such as poems from Shelley and Goldsmith. The aim of this essay is to investigate what these intertextual references bring to the novel and what their functions are. The method I use is looking at the different references used by Maugham and stating their purpose and significance to the novel. The result of my investigation illustrates how the use of Shelley’s theme of veiling signifies hiding, as well as not wanting to see the truth, while Goldsmith’s poem shows the true relationship between the married couple and how corrupted society is. Maugham also lets Dante’s Purgatorio demonstrate how Kitty, the wife, gets the chance to change her life for the better.
Rowe, Karen D. „Painted Sermons: Explanatory Rhetoric and William Holman Hunt's Inscribed Frames“. Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1118717402.
Der volle Inhalt der QuelleTarantino, Clelia. „Razionalizzazione delle politiche di gestione prodotti nel settore Paints: il caso Sherwin Williams“. Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.
Den vollen Inhalt der Quelle findenLamb, Robert. „Egalitarian political thought in the 1790s : equality in the moral philosophies of Thomas Paine and William Godwin“. Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438753.
Der volle Inhalt der QuelleMicchinelli, Matilde. „Analisi e razionalizzazione delle politiche di gestione prodotti nel settore paint: il caso Sherwin-Williams Company“. Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.
Den vollen Inhalt der Quelle findenBotha, Werner. „Investigating the Sherwin Williams Sales Model : towards developing a similar model in South Africa“. Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/97279.
Der volle Inhalt der QuelleENGLISH ABSTRACT: Retailing is a common modern day phenomenon for which there are many angles of research widely and easily available. Retailing in the context of the global paint and coatings industry however, is a more specified and unique field of study of which resources for research are few. Having had the opportunity of a first-hand close-up inside look into, not only one of the world’s leading paint and coatings companies, but also the global leader in company-owned paint and coatings retailing. This global leader not only led to the origin of my research, but also rekindled the passion within for the global paint and coatings industry and trade. Prior to my employment by PPG, towards the end of 2013, I intentionally embarked on a journey with The Sherwin Williams Company during 2011 to 2013, in collaboration with my current employer at the time, Duraline paints, who afforded me the opportunity only a few people had or ever will.. During the course of four years, I had the opportunity to not only meet a series of wonderful people across the various segments, as well as internal departments of the Sherwin Williams Company globally. Additionally I also had the opportunity to visit the company’s headquarters, 101 Prospector Avenue, Cleveland, Ohio, on numerous occasions whilst staying in close proximity for the duration of the training and strategic planning sessions, in preparation to duplicate the SHW in South Africa. During my involvement with The Sherwin Williams Company, it was evident that the backbone of the company’s sales model, was the consistency as well as continuous growth of the Paint Stores Group; which is the leading North American retail segment of SHW. Since 2011, in an effort to establish the best method of implementation of this sales model in South Africa, various concepts were explored from several angles. It became evident that much research was required to establish feasibility of the SHW sales model in South Africa. Preliminary research however, would have had to be conducted of what the SHW sales model entailed and how it would benefit the company in being a global leader, thereby also exploring the possibility of it being an industry best practice as foundation to what was precisely required to be implemented in South Africa, prior to establishing feasibility in South Africa. The preliminary research became the primary and sole focus of this research project, not only fulfilling the research needs as explained above, but also to serve as evidence of what I perceived the SHW company and the Paint Stores Group to be whilst dealing with the company.
Bücher zum Thema "William Painter"
Jacobi, Carol. William Holman Hunt: Painter, painting, paint. Manchester, UK: Manchester University Press, 2006.
Den vollen Inhalt der Quelle finden1838-1921, Walker William Aiken, Toledano Roulhac und Swanson Betsy, Hrsg. William Aiken Walker, southern genre painter. Gretna: Pelican Pub. Co., 2008.
Den vollen Inhalt der Quelle findenM, Townsend Joyce, und Blake William 1757-1827, Hrsg. William Blake: The painter at work. London: Tate, 2003.
Den vollen Inhalt der Quelle findenJoyce, Townsend, Hamlyn Robin und Blake William 1757-1827, Hrsg. William Blake: The painter at work. Millbank, London: Princeton University Press, 2003.
Den vollen Inhalt der Quelle findenPennington, Estill Curtis. William Edward West, 1788-1857: Kentucky painter. City of Washington: National Portrait Gallery, Smithsonian Institution, 1985.
Den vollen Inhalt der Quelle findenNicholson, William. William Nicholson: Painter : landscape and still life. Eastbourne: Towner Art Gallery, 1995.
Den vollen Inhalt der Quelle findenJohnson, Deborah J. William Sidney Mount: Painter of American life. New York: American Federation of Arts, 1998.
Den vollen Inhalt der Quelle findenWilliam, Nicholson. William Nicholson, painter: Paintings, woodcuts, writings, photographs. London: Giles de la Mare, 1996.
Den vollen Inhalt der Quelle findenMount, William Sidney, 1807-1868, ill., Hrsg. William Sidney Mount: Painter of rural America. Worcester, Mass: Davis Publications, 1994.
Den vollen Inhalt der Quelle finden1788-1857, West William Edward, Hrsg. William Edward West, 1788-1857: Kentucky painter. City of Washington: National Portrait Gallery, Smithsonian Institution, 1985.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "William Painter"
Evans, Dorinda. „1. A Secret Inheritance“. In William Rimmer, 1–22. Cambridge, UK: Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.01.
Der volle Inhalt der QuelleEvans, Dorinda. „3. Self-Expression in Flight and Pursuit“. In William Rimmer, 51–80. Cambridge, UK: Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.03.
Der volle Inhalt der QuelleBindman, David. „Blake as a painter“. In The Cambridge Companion to William Blake, 85–109. Cambridge University Press, 2003. http://dx.doi.org/10.1017/ccol0521781477.005.
Der volle Inhalt der Quelle„Chapter 5. Kent the Painter“. In William Kent: Designing Georgian Britain. Bard Graduate Center, 2013. http://dx.doi.org/10.37862/aaeportal.00218.005.
Der volle Inhalt der Quelle„‘The inventions of William Blake, painter and poet’ 1830“. In William Blake, 199–205. Routledge, 2002. http://dx.doi.org/10.4324/9780203199039-42.
Der volle Inhalt der Quelle„SHALL HE BECOME A PAINTER?“ In The Thought and Character of William James, 58–62. Vanderbilt University Press, 2020. http://dx.doi.org/10.2307/j.ctv176kv92.11.
Der volle Inhalt der Quelle„Blake as a Painter, 1779–1827“. In William Blake in the Desolate Market, 45–68. McGill-Queen's University Press, 2014. http://dx.doi.org/10.1515/9780773590298-013.
Der volle Inhalt der QuelleKatritzky, M. A. „Don Quixote in Eighteenth-Century British Book Culture“. In Tobias Smollett After 300 Years:, 59–76. Liverpool University Press, 2024. http://dx.doi.org/10.3828/liverpool/9781638040811.003.0004.
Der volle Inhalt der Quelle„William Bell Scott (1811-90)“. In A Century of Sonnets, herausgegeben von Paula R. Feldman und Daniel Robinson, 212. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0082.
Der volle Inhalt der QuelleStamy, Cynthia. „Precision, Perspective, and the Harnessing of Silence“. In Marianne Moore and China, 136–63. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198184607.003.0006.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "William Painter"
Nistor, Cristina mihaela, und Doina Comanetchi. „THE INCONVENIENTLY CONVENIENT ONLINE EDUCATION“. In eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-031.
Der volle Inhalt der QuelleMontgomery, Louise. „Bush, the Media & the New American Way“. In 2003 Informing Science + IT Education Conference. Informing Science Institute, 2003. http://dx.doi.org/10.28945/2726.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "William Painter"
In-depth survey report: control technology for removing lead-based paint from steel structures: chemical stripping using caustic (Peel Away ST-1) at Williams Pipeline Terminal and Station, Marshall, Minnesota. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, November 1994. http://dx.doi.org/10.26616/nioshectb18315a.
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