Auswahl der wissenschaftlichen Literatur zum Thema „Whitman, walt, 1819-1892, concordances“
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Zeitschriftenartikel zum Thema "Whitman, walt, 1819-1892, concordances"
Sohaib, Sidra, und Prof Sami Rafiq. „Poetic Perceptions of Childhood: Insights from Select Works of Walt Whitman and Muhammad Iqbal“. International Journal of English Literature and Social Sciences 9, Nr. 1 (2024): 322–26. http://dx.doi.org/10.22161/ijels.91.44.
Der volle Inhalt der QuelleBarreto Júnior, Manoel. „Poéticas modernas em expressão anglófona: destroços, fissuras e replicâncias“. Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras 4, Nr. 2 (30.12.2014): 12–25. http://dx.doi.org/10.69969/revistababel.v4i2.1402.
Der volle Inhalt der QuelleWitthaus, Michael, Laena Hines, Eric Mathews, Marni Rabinowitz, Steven Hudak und Ronald Rabinowitz. „Walt Whitman, John Mahay, and Urotrauma in the American Civil War“. International Journal of Urologic History 3, Nr. 1 (24.09.2023). http://dx.doi.org/10.53101/ijuh.3.1.092401.
Der volle Inhalt der QuelleDissertationen zum Thema "Whitman, walt, 1819-1892, concordances"
Nautiyal, Nandita. „"This self is Brahman" : Whitman in the light of the Upanishads“. Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26747.
Der volle Inhalt der QuellePreston, Nathaniel H. „Passage to India and back again : Walt Whitman's democratic expression of vedantic mysticism“. Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/902498.
Der volle Inhalt der QuelleDepartment of English
Janssen, David. „Walt Whitman's Poetics of Labor“. PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/4593.
Der volle Inhalt der QuelleFillard, Claudette. „Walt Whitman, poète des éléments“. Paris 4, 1987. http://www.theses.fr/1987PA040072.
Der volle Inhalt der QuelleWhile many critics have stressed the importance of the four elements in Whitman's works, a thorough study of their influence on his imagination, sensitivity and theory of poetry has long been overdue. Whitman's use of "elements" and some cognate words shows how easily "elements" become "aliments" and "aliments", and unsettles the traditional vision of the poet's unruffled optimism. Trying to assess the specific role of each of the four elements in his writings, one realizes that if water is equal to its reputation, air, earth and fire are worth rehabilitating. Fire, above all, seems to have a peculiar, disturbing status which has been unduly minimized. But the exploration becomes much more rewarding when one gets rid of the straitjacket of the elementary "quaternion" and resorts to a more variegated approach. A careful perusal of the part played by the elements in Whitman's celebration of the "body electric", in his conception of space and time and variable
Choay-Lescar, Pauline. „Formes de l'absence chez Walt Whitman“. Paris 3, 2000. http://www.theses.fr/2000PA030099.
Der volle Inhalt der QuelleBrown, Bryce Dean. „Whitman's Failures: "Children of Adam" in the Light of Feminist Ideals“. Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc503937/.
Der volle Inhalt der QuelleGambarotto, Bruno. „Walt Whitman e a formação da poesia norte-americana (1855-1867)“. Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-21052007-145634/.
Der volle Inhalt der QuelleThe purpose of this dissertation is to analyze some of the decisive moments in the making of North American poetry, determined by the development, from 1855 to 1867, of the four initial editions of Walt Whitman\'s Leaves of Grass. The choice of these remarkable moments serves to underline the engaged feature of Whitman´s poetical accomplishment, which implied not the mere transposition of European literary thought into the New World, but mainly the formal constitution of a national poetry fit for the social environment of the United States. In this sense, the analysis of these four Leaves of Grass´ editions (1855, 1856, 1861, 1867) presupposes two complementary ways: firstly the acknowledgment of Whitman´s poetry as a response to the social tensions in North American midnineteenth century, when modernity, led by free labor and industrialization, collides with colonial and pre-modern social structures, based upon slavery and the very descentralized commercial Republic constitution; secondly the literary configuration of these tensions, in which we observe elements of the literary Romanticism dialetically linked to local forms of expression, some of them alien to the literary achievements of the Old World, but reinforced by the founding project of a national literature. To attend these questions, this dissertation recovers the long tradition of Walt Whitman studies - dedicated in the present time to the historical revisioning of the poet´s works centered almost exclusively in the North American social experience - by the light of the Brazilian critical tradition, in which very important concepts and debates over the periferical position of New World literatures were consolidated. This theoretical perpective allows us not only to place Leaves of Grass in a wider perspective of New World literatures but also to build a indirect comparative view that rests upon some important questions to the North American and Brazilian literary traditions, as the engaged ethos of their literary elites; the search for new literary forms; the lyrical affirmative representation of national individuals; the economical and ethical responses to slavery; and the ambiguous and contradictory relation with European literary movements.
Lundy, Lisa Kirkpatrick. „Reverberating Reflections of Whitman: A Dark Romantic Revealed“. Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc279061/.
Der volle Inhalt der QuelleSaraiva, Junior Gentil. „Re-creating Walt Whitman's Leaves of Grass into portuguese“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15552.
Der volle Inhalt der QuelleThis work focuses on the creative translation of Walt Whitman’s poetry into Portuguese. The term that we use to refer to this process is re-creation, which is a type of translation that goes beyond literal translation (which favors the signified), searching for a work of conjoined reconstruction of signified and signifiers, due to the profound relation that exists between them (chapter 3 explains this method of creative translation; it also discusses the themes that are related to this in poetry, such as free verse, rhythm, meter, etc.). The term re-creation was borrowed from our masters in this type of translation, the Brazilian Concretist poets: Haroldo de Campos, Augusto de Campos and Décio Pignatari. In English, we use this word hyphenated, “re-creation” (and its derivatives), due to the fact that “recreation” indicates only diversion, an activity that is performed for relaxation and pleasure, and not “creating again”. It is necessary to remember that the precursor in this translatorial field, of translation which is also creation, was Ezra Pound, who brought us the idea of constant renewing of poetry via translation, and who is given more attention in sections 3.2 and 3.3. There are other translations of Whitman’s works in Portuguese, including a complete edition of Leaves of Grass by Martin Claret publishing house (2005), of which we provide an account in section 2.2, however, none of them was carried out in a similar way to our own. Thus, the work we present here is original, although it is not complete. In the body of this dissertation, in chapter 4, we present the re-creation of twenty literary pieces, among poems and books, from Leaves of Grass, which is the volume that assembles the complete poetry of Whitman. Within the re-creations presented here, there is the poem “Out of the Cradle Endlessly Rocking”, which is part of Sea-Drift, and which had been added as an annex to our Master’s thesis. This poem has been revised and corrected, and has been included here in order for the Sea-Drift cluster to be complete. In section 2.1 there is an explanation about the publishing history of Leaves of Grass. In addition to the historical context of this publication, chapter 2 presents a critical analysis of the works, author, and a central symbol in the Leaves, which is the calamus root. The re-creation of “Calamus”, as well as of “Children of Adam” and “Song of Myself” appears in our Master’s thesis (SARAIVA, 1995).
Katsaros, Laure. „Le rivage dans la poesie americaine : walt whitman, hart crane, george oppen“. Paris 7, 2000. http://www.theses.fr/2000PA070070.
Der volle Inhalt der QuelleBücher zum Thema "Whitman, walt, 1819-1892, concordances"
Whitman, Walt. Walt Whitman. New York: C.N. Potter, 1987.
Den vollen Inhalt der Quelle findenWhitman, Walt. Walt Whitman. New York: Sterling Pub., 1997.
Den vollen Inhalt der Quelle findenWhitman, Walt. Walt Whitman. London: Phoenix Poetry, 2002.
Den vollen Inhalt der Quelle findenWhitman, Walt. Walt Whitman: Selected poems. London: Bloomsbury, 1993.
Den vollen Inhalt der Quelle findenWhitman, Walt. Walt Whitman: Selected poems, 1855-1892 : a new edition. New York: St. Martin's Press, 1999.
Den vollen Inhalt der Quelle findenWhitman, Walt. The essential Whitman. Hopewell, New Jersey: Ecco Press, 1987.
Den vollen Inhalt der Quelle findenWhitman, Walt. The essential Whitman. New York: Ecco Press, 1987.
Den vollen Inhalt der Quelle findenWhitman, Walt. Walt Whitman's Leaves of Grass. New York: Oxford University Press, 2005.
Den vollen Inhalt der Quelle findenWhitman, Walt. Suð í grasi: Týðingar : Walt Whitman, U.S.A., Federico García Lorca, Spania, Pablo Neruda, Chile. Hoyvík: Tyril, 1986.
Den vollen Inhalt der Quelle findenLoewen, Nancy. Walt Whitman. Mankato, MN: Creative Education, 2015.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Whitman, walt, 1819-1892, concordances"
Kreutzberger, Wolfgang. „Walt Whitman (1819–1892)“. In Frauenliebe Männerliebe, 452–57. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_101.
Der volle Inhalt der Quelle„Walt Whitman (1819–1892)“. In “… The Real War Will Never Get in the Books”, herausgegeben von Louis P. Masur, 253–82. Oxford University Press, 1995. http://dx.doi.org/10.1093/acprof:oso/9780195098372.003.0014.
Der volle Inhalt der Quelle„Walt Whitman (1819–1892)“. In The American Sonnet, 13. University of Iowa Press, 2023. http://dx.doi.org/10.2307/j.ctv32r03gt.8.
Der volle Inhalt der Quelle„Walt Whitman (1819–1892; American)“. In Romanticism: 100 Poems, 162–63. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.052.
Der volle Inhalt der QuelleReynolds, David S. „Walt Whitman 1812-1892: A Brief Biography“. In A Historical Guide to Walt Whitman, 15–42. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120813.003.0002.
Der volle Inhalt der QuelleReynolds, David S. „Introduction“. In A Historical Guide to Walt Whitman, 3–14. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120813.003.0001.
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