Thematische Bibliographien / Whitman`s

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Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Whitman`s"

Davidson, Ryan J. „Transatlantic Intersections: The Role of Ralph Waldo Emerson in the Dissemination of Blakean Thought into the Poetry of Walt Whitman“. Hawliyat 17 (11.07.2018): 33–50. http://dx.doi.org/10.31377/haw.v17i0.66.

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Whitman quoted no one in his poetry, at least not directly, as Matt Miller convincingly mgues in Collage of Myself However, Whitman was not above making use of the work of other writers in his poetry. It is through Whitman's early reading in conjunction with his collage approach to composition that he came to create Leaves of Grass as something which appears wholly original, but which resonates with so many echoes. It is often argued that Ralph Waldo Emerson is one of the most important influences on Whitman 's Leaves of Grass. The extent and significance of Emerson 's influence has been a subject of inquiry' since the advent of Whitman scholarship. This text will focus on Emerson's essays and lectures as the main influences on Whitman which can be read as providing a mediating influence between Blake and Whitman.

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Goryachok, K. L. „Dziga Vertov and Walt Whitman: Poetic Image in Documentary Films“. Discourse 8, Nr. 1 (25.02.2022): 51–63. http://dx.doi.org/10.32603/2412-8562-2022-8-1-51-63.

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Introduction. The article is devoted to the little-studied issue of the influence of the American poet Walt Whitman on the work of the Soviet film director Dziga Vertov. The creative world of films and literary experiences of the documentary filmmaker is largely inspired by the images of American poet.Methodology and sources. On the basis of Vertov`s scripts, poems and archival documents, author analyzes the phenomenon of the director`s dialogue with Whitman and his poetry. In a comparative analysis of the aesthetics of the two artists, revealed that the philosophical ideas and imaginative system of the American poet were objects of artistic reflection on Vertov`s documentary films.Results and discussion. The article analyzes the leitmotifs of the work of Dziga Vertov, which, according to the author, were born under the great influence of the poetry of Walt Whitman. The imagery and ideas of the American poet`s works emerged in the director`s texts in the early 1920s. In his first manifestos Vertov introduced the image of an “electric man”, which in many ways correlates with the analogous one in Whitman`s lyrics. The author also points out that the Old Testament Adam appears in the texts and verses of Vertov under the direct influence of the American. The article examines the model of state and society in the works of Vertov and Whitman. The author finds similarities between the two artists in relation to the individual, the desire for equality and emancipation, the search for a spiritual principle in collectivism. The images of Lenin and Lincoln are analyzed separately. The semantic parallels between them in the poetics of the Vertov and Whitman are revealed and shows their direct comparisons in the genre, imagery and approaches.Conclusion. Analysis and comparison of images and motives of the work of Dziga Vertov and Walt Whitman allows to reveal new facets of the artistic world of the Soviet film director. The author notes that the ideological basis of his paintings often hid genuine creative intensions to search for intertextuality, to reveal the poetic image in documentary film.

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Aspiz, Harold. „Reynolds, David S. Walt Whitman [review]“. Walt Whitman Quarterly Review 22, Nr. 4 (01.04.2005): 203–4. http://dx.doi.org/10.13008/2153-3695.1775.

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M. Lazić-Gavrilović, Aleksandra. „CRNJANSKI – FREILIGRATH – WHITMAN: CONNECTIONS AND INFLUENCES“. Филолог – часопис за језик књижевност и културу 12, Nr. 24 (30.12.2021): 342–57. http://dx.doi.org/10.21618/fil2124342l.

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This paper seeks to shed light on Ferdinand Freiligrath`s and Walt Whitman`s impact upon Miloš Crnjanski`s early political and poetological reﬂections. It is interesting that the Serbian poet and writer, who rarely and reluctantly spoke about his literary role models, mentions the German poet Ferdinand Freiligrath twice in his autobiographical work Ithaca and Comments, claiming he identified with him during his youth. Although obvious connections can be found in political ideas and revolutionary aspirations shared by the two poets, Freiligrath's significance seems to lie in the fact that he introduced Walt Whitman to the German literary audience and thus undoubtedly inﬂuenced the development of modern poetry.

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Tuma, J. „A New Proof of Whitman′s Embedding Theorem“. Journal of Algebra 173, Nr. 2 (April 1995): 459–62. http://dx.doi.org/10.1006/jabr.1995.1097.

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Miller, Matt. „Walt Whitman and Abram S. Hewitt: A Previously Unknown Connection“. Walt Whitman Quarterly Review 29, Nr. 2-3 (01.01.2012): 96–99. http://dx.doi.org/10.13008/2153-3695.2013.

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Chandran, K. Narayana. „T. S. Eliot's Ghostly Compound: Coleridge and Whitman inLittle GiddingII“. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 10, Nr. 1 (Januar 1997): 26–31. http://dx.doi.org/10.1080/08957699709600308.

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Dugan, Frank M., und Dean A. Glawe. „First Report of Powdery Mildew on Dipsacus sylvestris Caused by Sphaerotheca dipsacearum in North America“. Plant Health Progress 7, Nr. 1 (Januar 2006): 54. http://dx.doi.org/10.1094/php-2006-0607-02-br.

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Common teasel (Dipsacus sylvestris) is a European species introduced into North America, and is now widely established and regarded as a noxious weed. In October 2005, a powdery mildew was observed on D. sylvestris in two locations in Pullman, Whitman Co., WA. Examination of diseased material confirmed that the causal agent was S. dipsacearum. This report provides the first documentation of S. dipsacearum on D. sylvestris in North America. Accepted for publication 20 April 2006. Published 7 June 2006.

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Bauerlein, Mark. „Reynolds, David S., ed., A Historical Guide to Walt Whitman [review]“. Walt Whitman Quarterly Review 18, Nr. 3 (01.01.2001): 147–49. http://dx.doi.org/10.13008/2153-3695.1648.

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Heryford, Ryan. „Book Review: Jane Bennett s influx efflux: writing up with Walt Whitman“. Ecocene: Cappadocia Journal of Environmental Humanities, Cappadocia University 1, Nr. 1 (2) (29.12.2020): 109–13. http://dx.doi.org/10.46863/ecocene.7.

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Dissertationen zum Thema "Whitman`s"

Banerjee, G. S. „Transcendental and democratic trends in Whitman`s poetry“. Thesis, University of North Bengal, 1985. http://hdl.handle.net/123456789/1148.

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Lin, Eanne Yeanne, und 林盈吟. „Reexamining Walt Whitman''s Views on Manifest Destiny“. Thesis, 2018. http://ndltd.ncl.edu.tw/handle/rs59t4.

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碩士
國立中山大學
外國語文學系研究所
106
“Manifest Destiny” is an American philosophy which emphasizes that America is predestined to expand and occupy the whole continent. Manifest destiny is such an interesting ideology because there is no legal documentation that obliges Americans to comply to this idea nor think this way. But fascinatingly, when one looks back to the history of America, this ideology of Manifest Destiny is written all over it. This thesis seeks to establish the fact that the idea of Manifest Destiny has been deeply embedded in American history. However, this thesis does not only aim to highlight the impressive contributions of Manifest Destiny in making the United States a great nation that we know today, but it also aims to emphasize the negative implications that it had inflicted over the years. Given the fact that the ideology of Manifest Destiny was a predominant belief especially during the 19th century, this thesis aspires to investigate the extent of its influence by exploring the effects of Manifest Destiny on America’s most important poet of the 19th century, Walt Whitman, by doing a textual analysis on some of his poems. It is known to many that Whitman is a nationalist and a believer of Manifest Destiny. Therefore, the extensive effects of the belief of Manifest Destiny had influenced Walt Whitman as it is highly evident in his poems. However, this thesis argues that Whitman is ambivalent towards Manifest Destiny as he has also recognized the negative consequences it came with.

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Koerner, Michelle Renae. „The Uses of Literature: Gilles Deleuze's American Rhizome“. Diss., 2010. http://hdl.handle.net/10161/3033.

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"The Uses of Literature: Gilles Deleuze's American Rhizome" puts four writers - Walt Whitman, Herman Melville, George Jackson and William S. Burroughs - in conjunction with four concepts - becoming-democratic, belief in the world, the line of flight, and finally, control societies. The aim of this study is to elaborate and expand on Gilles Deleuze's extensive use of American literature and to examine possible conjunctions of his philosophy with contemporary American literary criticism and American Studies. I argue that Deleuze's interest in American writing not only productively complicates recent historical accounts of "French Theory's" incursion into American academia, but also provides a compelling way think about the relationship between literature and history, language and experience, and the categories of minor and major that organize national literary traditions. Beginning with the concept of the "American rhizome" this dissertation approaches the question of rhizomatic thought as a constructivist methodology for engaging the relationship between literary texts and broader social movements. Following an introduction laying out the basic coordinates of such an approach, and their historical relevance with respect to the reception of "French Theory" in the United States, the subsequent chapters each take an experimental approach with respect to a single American writer invoked in Deleuze's work and a concept that resonantes with the literary text under consideration. In foregrounding the question of the use of literature this dissertation explores the ways literature has been appropriated, set to work, or dismissed in various historical and institutional arrangements, but also seeks to suggest the possibility of creating conditions in which literature can be said to take on a life of its own.

Dissertation

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Bücher zum Thema "Whitman`s"

Bowers, Q. David. Whitman encyclopedia of U. S. paper money. Atlanta, GA: Whitman Pub., 2009.

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Olney, James. The language(s) of poetry: Walt Whitman, Emily Dickinson, Gerard Manley Hopkins. Athens: University of Georgia Press, 1993.

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Unreal cities: Urban figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams. Baltimore: Johns Hopkins University Press, 1990.

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Thomas, M. Wynn. Transatlantic Connections: Whitman U. S. , Whitman U. K. University of Iowa Press, 2009.

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Hall, Judith. Melted in American Air. Herausgegeben von Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0011.

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Think, when we talk of poetry, you see Shakespeare? Here, in proud America? This chapter traces how his various treasures have been turned, generation by generation, into often contradictory practices—by Emily Dickinson and Walt Whitman, by T. S. Eliot and Gertrude Stein, by Cole Porter and Louis Zukofsky, by Frederick Seidel and Susan Howe, and others. Such poets have done more with his texts than gild a single monologue with one of his admired characters, and although his name is now no more analogous to poetry than power, Shakespeare continues to figure in American poetry and how it is imagined.

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Honor Roll Containing a Pictorial Record of the Loyal and Patriotic Men from Whitman County, Washington, U. S. A. , Who Served in the World War, 1917-1918-1919. Creative Media Partners, LLC, 2018.

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Honor Roll Containing a Pictorial Record of the Loyal and Patriotic Men from Whitman County, Washington, U. S. A. , Who Served in the World War, 1917-1918-1919. Creative Media Partners, LLC, 2022.

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Honor Roll Containing a Pictorial Record of the Loyal and Patriotic Men from Whitman County, Washington, U. S. A. , Who Served in the World War, 1917-1918-1919. Creative Media Partners, LLC, 2022.

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Caplan, David. American Poetry: A Very Short Introduction. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780190640194.001.0001.

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American Poetry: A Very Short Introduction proposes a new theory of American poetry showing that two characteristics mark the vast, contentious literature. On the one hand, several of its major poets and critics claim that America needs a poetry equal to the country’s own distinctiveness. On the other hand, American poetry welcomes techniques, styles, and traditions that originate from outside the country. Its influences range far beyond America’s borders. The force of these two competing characteristics drives both individual accomplishment and the broader field. The story moves through historical periods and honors the poets’ artistry by paying close attention to the verse forms, meters, and styles they employ. Its examples range from Anne Bradstreet, writing a century before America’s establishment, to the poets of the Black Lives Matter movement. Individual chapters consider how other major figures such as T. S. Eliot, Phillis Wheatley, Walt Whitman, and Emily Dickinson emphasize convention or idiosyncrasy and turn to American English as an important artistic resource.

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Haines, Christian P. A Desire Called America. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286942.001.0001.

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A Desire Called America examines the relationship between American exceptionalism and U.S. literature. It focuses on how literary works by Walt Whitman, Emily Dickinson, William S. Burroughs, and Thomas Pynchon draw on the utopian energies of American exceptionalism only to overturn exceptionalism’s investments in capitalism and the nation-state. The book analyzes what it terms the excluded middle between American exceptionalism and its critique, or the conceptual and libidinal space in which critique and complicity mutually determine one another. The book also offers a theory of the relationship between biopolitics and utopia, arguing that in the context of American literature, bodies become figures for alternative forms of social life. It pays particular attention to how these figures contribute to a literary commons, or the imagination of non-capitalist forms of cooperation and non-sovereign forms of democratic self-governance. In doing so, it articulates a model of literary history linking nineteenth-century literature to contemporary literature by way of the rise and decline of American hegemony. The book draws on and contributes to the fields of American Studies, American literary history, Marxist criticism, queer theory, political theory, continental philosophy, and utopian studies.

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Buchteile zum Thema "Whitman`s"

Barnat, Dara. „Walt Whitman in Jewish American Poetry“. In The Oxford Handbook of Walt Whitman, 627–44. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780192894847.013.30.

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Abstract This essay examines the adoption of Walt Whitman’s poetics and ethos in the work of the Jewish American poet Charles Reznikoff, and the influence of both on Allen Ginsberg. Apart from Ginsberg—whose embrace of Whitman is widely recognized—Whitman’s significance in the writing of other Jewish American poets is often overlooked. Reznikoff, of the Jewish objectivist group, was linked to high modernist figures like Ezra Pound and William Carlos Williams. Poets of the era, including Pound, expressed uncertain views of Whitman; moreover, anti-Jewish sentiments were promoted by Pound, T. S. Eliot, and others. In keeping with high modernist sensibilities, Reznikoff’s poetry does not appear to be Whitmanian in style. This essay illuminates Reznikoff’s frequent allusions to Whitman and argues that Ginsberg’s later adoption of Whitman is informed by his interpretation of Reznikoff’s poetics. Together, Reznikoff and Ginsberg are a case study within the genealogy of Jewish poets in America, who turn to the non-Jewish Whitman.

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Voronova, Olga E. „Sergey Esenin and Walt Whitman: Historical and Literary Parallels and Contexts“. In Sergey Esenin in the Context of the Epoch, 507–26. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0672-7-507-526.

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The article examines the historical and literary contexts indicating Esenin’s interest in the personality and works of Walt Whitman. This is confirmed, in particular, by the constant presence of the name of the American poet in Esenin’s polemics with Mayakovsky. I. Duncan, introducing Esenin to her compatriots, called him “Walt Whitman of Russia”. The names of Esenin and Whitman often appeared in the same line in articles of their contemporary critics (G. Zabezhinsky, F. Hellens, K. Jaworski, Ai Qing etc.). The poets’ articles appeared side by side in journals and anthologies and were reproduced at the same literary evenings. Both of them became symbolic figures who expressed the spirit of their people, the pioneers of new creative ways, combining archaic and modern art. The poets were united by the glorification of natural existence, “flood of the soul” (W. Whitman) and “flood of the feelings” (S. Esenin); the idea of free wandering along the expanses of their native land; interest in the basic elements of life — the grain, the flower, the bee,the ear; a brotherly feeling toward all living things on earth. Like Whitman, Esenin was close to the cyclical model of nature, which can be reflected in the motif of “sprouting” as a universal idea of birth, formation and development of all existing things in Whitman’s program collection “Leaves of Grass”. Esenin’s poems which are especially close to Whitman’s works are the ones of the revolutionary-romantic cycle of 1917–1918 (the images of a new prophet, the titan-creator, the motifs of “cosmic march” of humanity and spiritual transformation of the world, lyrical expression, the intonation of appeal, pathos of inner freedom, resort to Whitman-style of free verse).

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DUSSOL, VINCENT. „Whitman, Dickinson, and Their Legacy of Lists and “It”s“. In Whitman & Dickinson, 187–206. University of Iowa Press, 2018. http://dx.doi.org/10.2307/j.ctt1z27hqz.14.

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„Lesbians and Gay Men at Midlife: Joy S. Whitman“. In Self-Esteem Across the Lifespan, 246–59. Routledge, 2009. http://dx.doi.org/10.4324/9780203884324-26.

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„Walt Whitman to Margaret S. Curtis, October 4, 1863 (letter)“. In "The Million Dead, Too, Summ'd Up", 61–66. University of Iowa Press, 2021. http://dx.doi.org/10.2307/j.ctv1fx4hcd.15.

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Foster, Travis M. „Introduction“. In Genre and White Supremacy in the Postemancipation United States, 1–21. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198838098.003.0005.

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Writing in 1891, Reverend Albery Allson Whitman, known during his lifetime as “Poet Laureate of the Negro Race,” delivered a blunt assessment: emancipation had failed.¹ Delineating the contributing factors, he describes a newly vibrant white nationalism organized through “the common heritage of the Blue and the Gray,” scenes of “[m]utual admiration” between former white enemies, “bonds of Anglo-Saxon brotherhood,” and an invigorated racial capitalism in which industrialists “of the Atlantic seaboard will do nothing to unsettle the labor on the plantations.” First observing that “[s]trife between the white people is at an end,” Whitman then wryly concludes: “Profitable industry is a great peace-maker.”...

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„1. The “Vault at Pfaff ’s”: Whitman, Bohemia, and the Saturday Press“. In Bohemia in America, 1858–1920, 13–69. Stanford University Press, 2020. http://dx.doi.org/10.1515/9780804772549-003.

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Killingsworth, M. Jimmie. „Whitman and the Gay American Ethos“. In A Historical Guide to Walt Whitman, 121–51. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120813.003.0005.

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Abstract Historical critics have gradually come to see that Walt Whit ‘s striking images of the ‘‘body electric”-the human arged with sexual energy, open to entreaties of companions male and female, driven by consuming desire, containing the sources of psychological, as well as political, power-were not exclusively the product and property of an inspired individual but were “socially constructed.” During Whitman’s time, the sexualized body became an increasing source of both anxiety and fascination, fully acknowledged and explicitly voiced in medical writings, social purity pamphlets, self-help books, and popular science, as well as pulp fiction, pornography, and under ground confessional literature. Only a literary history focused entirely on the literature of parlors, schoolrooms, and highbrow literary journals could view Whitman’s “poetry of the body” as unalloyed in its originality.

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„4 The "Thought of the Ensemble": Whitman s Theory of Language, 1856-1892“. In Walt Whitman's Language Experiment, 109–38. Penn State University Press, 1990. http://dx.doi.org/10.1515/9780271073040-007.

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„Walt Whitman to Mr. and Mrs. S. B. Haskell, August 10, 1863 (letter)“. In "The Million Dead, Too, Summ'd Up", 96–101. University of Iowa Press, 2021. http://dx.doi.org/10.2307/j.ctv1fx4hcd.23.

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