Thematische Bibliographien / Wedding dresses

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Auswahl der wissenschaftlichen Literatur zum Thema „Wedding dresses“

Autor: Grafiati

Veröffentlicht am 28. Juni 2021

Zuletzt aktualisiert am 27. Januar 2023

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Zeitschriftenartikel zum Thema "Wedding dresses"

Han, Eunkyoung, und Ji Young Lim. „Analysis on Sales Products and Consumer Preference Design for Small Wedding Dresses Planning“. Korean Society of Culture and Convergence 44, Nr. 11 (30.11.2022): 489–507. http://dx.doi.org/10.33645/cnc.2022.11.44.11.489.

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The purpose of this thesis is to consider the wedding dress designs preferred by the Generation MZ who are the core consumers of wedding market, in order to suggest wedding dresses suitable for the changed small wedding culture. For this, this study analyzed the designs of small wedding dresses currently sold in shopping malls, and then conducted a survey on the preferred designs of small wedding dresses targeting the Generation MZ, especially the unmarried women in their 20s-30s. The results showed the necessity to have the designs with practical image besides the dresses with elegant or classical image mostly shown in the existing wedding dresses, to expand the form from one-piece type with full-length & maxi length to various items of two-piece type such as jacket & skirt or jacket & pants, and to expand the color from white color to various colors like light gray, red, or navy color. It would be necessary to develop the design of wedding dress in the form of everyday wear. The results of this study could be working as the criteria of new wedding dresses for the Generation MZ who pursue such individual and practical wedding.

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Galvin, James. „On the Sadness of Wedding Dresses“. Iowa Review 44, Nr. 2 (September 2014): 41–42. http://dx.doi.org/10.17077/0021-065x.7470.

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Bolte, Angela. „Do Wedding Dresses Come in Lavender?“ Social Theory and Practice 24, Nr. 1 (1998): 111–31. http://dx.doi.org/10.5840/soctheorpract199824120.

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Liu, Fanxi. „The Importance of Garment Specification on Formal Dress: The Application of a Perfect Wedding Dress“. Art and Society 1, Nr. 2 (Oktober 2022): 41–55. http://dx.doi.org/10.56397/as.2022.10.07.

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Garment specification plays a critical role in the processing of manufacturing formal dress today, particularly wedding dress. However, wedding dress is usually white for the sake of purity, but today it is free to choose the form of color for wedding dress based on users’ life, status and preferences. Hence, the aim of this study is to illustrate the critical role that fabric and garment specification plays in pursuing practical and aesthetic value of a perfect wedding dress. This study critically reviews the prior studies on the garment specification application in making wedding dress for today’s customers from a few key aspects, including the design, size, measuring, draping and stitching, fabric specification, and textile testing of wedding dress. Furthermore, the case study of a Strapless Tight-fitting and Trailing Welding Dress indicates that garment specification includes requirements of the wedding and provide charting instruments, fabric description, fabric testing to the dress designer to better construct their wedding dresses, and ensure the quality and concept of wedding dress. This study calls on all brands to attach importance to garment specification and fabric testing to ensure sustainable use of wedding dresses.

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Niu, Li, Tingting Xia, Rongrong Cui und Jie Lu. „Emergence of Chinese Han Retro Wedding Dress“. Asian Social Science 12, Nr. 7 (21.06.2016): 42. http://dx.doi.org/10.5539/ass.v12n7p42.

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<p>Social changes led to the gradual disappearance of traditional Han costume. While in the context of national cultural revival, the "Chinese Hanfu movement" has given rise to the appearance and commercialization of Han Retro Wedding Dress, which including "Zhou style", "Han style", "Tang style", "Song Style" and "Ming style." Chinese history and culture, social democratic environment, economical market promotion and diverse aesthetic needs give the soil for these dresses. While contemporary wedding dresses in China are mostly westernized, and these retro dresses bring certain "reverse cultural shock" to Chinese marriage custom. The key of dealing with the "reverse cultural shock" and reviving Chinese costume culture should be following the market rules with sufficient cultural consciousness of the whole Chinese nation.<strong></strong></p>

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Boonphisudsilp, Kornnapha. „A Study on Korean-Thai Traditional Wedding Dresses“. Journal of Multiculture and Education 6, Nr. 2 (31.12.2021): 163–71. http://dx.doi.org/10.31041/jme.2021.6.2.163.

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MinYuan Ma, Li Tan Yang Tseng, YuTing Wu, YiLin Tsai und TsaiCi Ren. „Evaluation Attractiveness of Wedding Dresses: Qualitative to Quantitative“. Journal of Convergence Information Technology 7, Nr. 5 (31.03.2012): 263–72. http://dx.doi.org/10.4156/jcit.vol7.issue5.32.

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Zhilisbayeva, R. O., und E. K. Dosanov. „Designing a wedding dress using the transformation method“. Journal of Almaty Technological University, Nr. 3 (16.01.2021): 9–13. http://dx.doi.org/10.48184/2304-568x-2020-3-9-13.

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The article offers several options for a wedding dress developed using the transformation method. The purpose of this article is the artistic design of a women's wedding set. To achieve this goal, a number of interrelated issues and tasks were considered and solved: the study and use of fashion trends, analysis of creative sources, development of a promising collection of clothing models, and execution of a technical sketch of the model. As a result of the research, a set of wedding dresses was developed.

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Soelistyowati, Soelistyowati. „Visual Variety on the Change of Bridal Ornamental Kebaya Clothes for Generation Z in Sumenep, Madura“. Humaniora 13, Nr. 1 (15.02.2022): 73–79. http://dx.doi.org/10.21512/humaniora.v13i1.7672.

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The research discussed one of the problems with Indonesian cultural heritage in this digital world like nowadays. It was the form of decoration on wedding dresses in the Sumenep-Madura area, which was rarely seen in Indonesia, especially wedding dresses. They made some modifications to the traditional Madura wedding dress to look more modern. In this digital world where people could easily access everything, generation Z preferred cultural products from abroad rather than local culture. The research applied a qualitative method with descriptive analysis of document analysis and library sources with Java-Madura boundaries. The interviewes were conducted with cultural experts, young women, especially those who were about to get married, and creative industry players of bridal kebaya. The aim of the research was to determine the interest of young people in the decoration of wedding dresses. The research used the theory of triadic interplay concept analysis of forms, visuals and characters, and ornamentation as a visual object of tradition that was expected to be able to transform not only as an object of decoration but also as an object of education that gave value and meaning to its users. The research finds it important to study the changes in decoration to be maintained by revitalizing it without leaving the old form based on design work that can be applied through creation. By using quantitative methods through experiments with detachable techniques, fashion design concepts with meaning values can be conveyed in each form, motif, and ornament. So that the younger generation accepts and likes changes in decoration with modern forms that can practically be mixed and matched.

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TU, Jui-Che, und Hsing-Tzu CHANG. „A Study on the Attractiveness Factors of Wedding Dresses“. International Journal of Affective Engineering 16, Nr. 3 (2017): 231–41. http://dx.doi.org/10.5057/ijae.ijae-d-16-00046.

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Dissertationen zum Thema "Wedding dresses"

Veselá, Markéta. „Návrh marketingové strategie vybraného českého podniku s expanzí na zahraniční trh“. Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2021. http://www.nusl.cz/ntk/nusl-443136.

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This diploma thesis is focused on the issue of entry of a selected Czech company into the foreign market. This company is based in Znojmo and its main business is the rental of wedding dresses. The work is divided into three main parts. The first part forms a theoretical framework, which consists of basic concepts of the problem. This is followed by an analytical part, which consists of the characteristics of the company and an analysis of the external and internal environment. The last part, following the previous part, consists of own proposals created for the entry of a selected Czech company into the foreign market.

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Jansson, Isabelle. „Dressed like a bride : Being utklädd - performativity and etiquette in the Swedish wedding dress“. Thesis, Stockholms universitet, Modevetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194487.

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This thesis investigates the wedding dress in the 21st century in Sweden. Interviews provided the main material for the analysis of the wedding dress and its connotations. Erving Goffman’s theory on performances in everyday life and Efrat Tsëelon’s thoughts on modesty connected to the female body is used as a theoretical framework in this thesis. The wedding dress is also analyzed as an object, and thoughts from material culture are implemented when discussing the cultural connotations of the dress. The wedding dress is only worn during the wedding ceremony, and it evokes thoughts on performances and identity due to cultural values and expressions that the bride either identifies with or not. Being dressed as a bride is deemed less authentic than being dressed in everyday clothes and is compared to a masquerade garment. The Swedish word utklädd, which means being dressed out in different ways, is a common factor and description of wearing a wedding dress in Sweden in the 21st century.

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Clayton, Tamara. „World War II wedding dress as presented in United States high fashion magazines, 1939-1945 /“. Connect to this title online, 2007. http://hdl.handle.net/1957/4540.

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Wagner, Carolyn. „Material Memories: The Parachute Wedding Gowns of American Brides, 1945-1949“. University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428065407.

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Cardeira, Ana Filipa Fialho. „Draping como processo criativo do vestido de noiva“. Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2019. http://hdl.handle.net/10400.5/18412.

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Dissertação de Mestrado em Design, com a especialização em Moda apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
Com o gosto e o interesse pela área do design de vestidos de noiva, bem como a ambição de obter experiência no ramo, tive oportunidade de realizar um estágio curricular no atelier de Iza Van. Iza Van dedica-se à criação e confeção de vestidos de noivas feitos por medida, com atendimento personalizado. A designer cria vestidos exclusivos para cada uma das suas clientes / noivas – não criando dois vestidos iguais. A técnica mais utilizada pela designer é o draping aplicado ao design. Esta técnica consiste no processo de criar diretamente no manequim com tecido. De imediato, o designer visualiza tridimensionalmente o que idealizou. Esta técnica e/ou este processo de criar é um dos motivos fulcrais para ter realizado o estágio académico neste atelier. Ao longo de três meses, aprofundei o modo como Iza Van trabalha diretamente no manequim. Deste modo, o tópico investigativo recaiu no processo de design do vestido de noiva e na envolvência do cliente no processo criativo, de modo a concluir se o draping oferece benefícios para a criação e porventura para a confeção. O enquadramento teórico começa por entender a importância do vestido de noiva e o seu papel em Portugal, bem como o Branco, enquanto cor tradicional e simbólica do vestido usado pela noiva. De seguida, fez-se um breve estudo sobre as “Modistas e Costureiras – As artesãs da moda”. Foram elas que constituíram uma parte importante da história da moda em Portugal, acrescentando à evolução do draping uma prática preciosa, no que diz respeito ao processo. Por último relatei o meu percurso durante o estágio académico – o meu acompanhamento e observação dos métodos de trabalho, a relação com o cliente e a chegada ao resultado final: o vestido de noiva.
ABSTRACT: I had the chance to complete an internship in Iza Van’s atelier, something that was fuelled by my passion and interest for the design of wedding dresses area, as well as my ambition to improve my overall knowledge in the subject. Iza Van is a designer who works in creating and making female wedding dresses custom made. The designer creates unique dresses for each one of their clients/brides – not creating two equal dresses. The most used technique by the designer is draping applied to design. This technique consists in creating directly in the manikin with fabric. With this technique, the designer can also have an immediate three-dimensional view of the project. This technique/process of creating is one of the main reasons why I chose this academical internship in Iza Van’s atelier. Throughout three months I deepened my knowledge in the way Iza Van works directly in the manikin. Therefore, my research topic was focused on the process of wedding dress and in wrapping the clients in the creative process, in order to conclude if the draping offers benefits for the creation as well as for the making. The theorical framework begins by understanding the importance of the wedding dress and its role in Portugal, as well as the White, as traditional and symbolic colour used by brides. After this, a brief study about “Dressmakers and Seamstresses – fashion artisans”. It was them who had a huge contribute for the fashion history in Portugal, adding to the evolution of draping a valuable practice. Lastly, I reported my course throughout the academical internship – my thoughts and opinions about the working methods, my relationship with the client and the reaching of the result: the wedding dress.
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Nwokiea, Obinna. „Traditional marriage of the igbo's and it's significance in cultural identity and interaction“. Thesis, Вид-во Сум-ДПУ імені А.С. Макаренка, 2016. http://essuir.sumdu.edu.ua/handle/123456789/45196.

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If you are looking for an ideal marriage for the world to emulate, that has value and significance in our today’s culture, then grab a cup of coffee and relax because this article portrays the stages and significance of Traditional Marriage in Igboland located in eastern part of Nigeria.

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Mowzer, Zeenat. „The impact of electronic word-of-mouth in social networking sites on a high-involvement purchase : an empirical study of South African brides' intention to purchase the "once-in-a-lifetime" wedding dress“. Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/20534.

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South Africa is home to a bourgeoning wedding industry valued at $3.25 billion. Much of the profit generated in this industry is from the sales of wedding dresses, with 57.1% of South African brides having purchased a new wedding dress from a bridal boutique in 2013. Previous research has looked at the effect of social media, in the form of electronic word-of-mouth (eWOM), on purchase intention. However, few studies have analysed this effect for high-risk, "once-in-a-lifetime" products such as wedding dresses. In South Africa alone, social media users increased by 20% in 2014, with 29% of the population using social media applications. However, it is uncertain whether this widespread adoption of social media influences the purchase of high-risk, "once-in-alifetime" products like wedding dresses. The "eWOM in SNS's model" is applied to this context, where the influence of eWOM, trust and value co-creation, on the purchase intention of a wedding dress, is compared using an experimental design. One hundred and fifty-two (n=152) engaged South African females, between the age of 18 and 29 years, partook in an experiment. The experiment involved a control group and an experimental group, who viewed eWOM on the Facebook fan page of a wedding dress vendor. The study showed that while the "eWOM in SNS's model" was both valid and reliable in this context, the influence of eWOM on purchase intention was much diminished and fully mediated through value co-creation. The managerial implications of this study's findings, aimed at wedding dress vendors with Facebook fan pages, were all geared towards stimulating value co-creation, given its effect on the relationship between eWOM and purchase intention. The implications involved maximising visual content, appropriately responding to negative comments, publishing posts at suitable times and frequencies, observing the available Facebook reports and posting customer testimonials.

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Шпетна, Анастасія Володимирівна. „Розробка дидактичного проєкту підготовки кравців на прикладі проєктування весільної колекції“. Магістерська робота, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/19288.

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В дипломному проєкті розроблено дидактичний проєкт підготовки кравців 2-3 кваліфікаційного розряду на прикладі проєктування весільної колекції. Розглянуто тенденції сучасних весільних суконь у відповідності до напряму моди та історичних фактів. Проведено маркетингові дослідження та функціональний аналіз об’єкту проєктування. Проаналізовано споживчі вимоги жінок молодшої вікової групи віком від 18-30 років, які ведуть активний спосіб життя та мають середній рівень достатку. Сформовано варіанти композиційно-конструктивного рішення аналогів форми весільних суконь. Створено ескізний ряд та базова символ-форма колекції. Виконано конструкторську розробку моделей весільних суконь. Обрано та проаналізовано пакет матеріалів колекції. Проведено аналіз функціональної структури професійної діяльності та навчального плану кравців 2-3 кваліфікаційного розряду. Розглянуто та сформовано тематичний план дисципліни "Технології виготовлення одягу". За результатами аналізу навчальної літератури було визначено основний та допоміжні підручники, які є доцільними для використання під час вивчення дисципліни. Було наведено характеристику теми "Оздоблення одягу", розроблено її структурно-логічну схему, сформовано базовий матеріал та поурочно-тематичний план. В якості дидактичних засобів навчання було запропоновано інструкційну карту "Оформлення краю виробу косою бейкою". Розроблено план-конспект двох уроків теоретичного навчання з дисципліни "Технологія виготовлення одягу".
In the diploma work, the didactic project of training of tailors of 2-3 qualification categories on an example of a wedding collection designing is developed. The tendencies of modern wedding dresses in accordance with the direction of fashion and historical facts are considered. Marketing research and functional analysis of the design object were conducted. The consumer requirements of younger women aged 18-30 who lead an active lifestyle and have an average level of affluence are analyzed. Variants of compositional and constructive solutions of analogues of wedding dresses shape are formed. A croquis series and a basic symbol-form of the collection have been created. Design development of models of wedding dresses is executed. The package of materials of the collection was selected and analyzed. The analysis of the functional structure of professional activity and the curriculum of tailors of 2-3 qualification categories is carried out. The thematic plan of the discipline "Clothing Manufacturing Technologies" is considered and formed. Based on the results of the analysis of the educational literature, the main and auxiliary textbooks that are appropriate for use in the study of the discipline were identified. The description of the topic "Clothing decoration" was given, its structural and logical scheme was developed, the basic material and lesson-thematic plan were formed. As a didactic mean, the instructional card "Decoration of the edge of the product with oblique inlay" was proposed. The plan-synopsis of two lessons of theoretical training on discipline "Technology of manufacturing of clothes" is developed.

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LI，YUCH-CHAN und 李月貞. „Hakkanese culture elements used in the creation of modern wedding dresses“. Thesis, 2018. http://ndltd.ncl.edu.tw/handle/zk5768.

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碩士
嶺東科技大學
流行設計系碩士班
106
In recent years, Hakkanese culture elements are commonly used in various cultural industry products. Hakkanese culture elements have not only appeared in cloth quality products, but also communicated with buildings, lanterns, tea sets, and gift boxes in multiple media, presenting new visual effects and cultural creativity. The bright colors of the Hakkanese culture elements symbolize the rich and noble, happy symbol of happiness, but also show the happiness and simple spiritual culture. The image of Hakkanese culture brought to the people of Taiwan is a kind of native art and culture. It is also the root of Hakka cultural creativity. This study utilize traditional hakkanese cultural elements in Taiwan, by using Hakkanese cultural imagery as an element, and re-integration of modern fashion style for a series of ideas and development, which creates aproduction of modern brides fashion modeling dresses. Cultural goods not only satisfies the demands of function and promotes the values, but also develpoes the cultural inheritance. This study uses Hakkanese cultural elements in modern wedding dresses to demonstrate the elegant side of Hakkanese culture. In addition to the economic benefits of the developments, it can also enhance the Hakkanese wedding dressese display in the entire wedding industry. In this study focuses on： (1)By understanding the origins of the Hakkanese culture wedding industry and collecting the evolutionary elements of the Hakkanese culture and wedding dresses, the various elements of the Hakka culture are used in the creation of wedding dresses. (2)Study the evolution of the Hakkanese cultural elements combined with the history of wedding dresses to create a modern fashion wedding dress suitable for fashion. (3)Transform Hakka culture elements into modern cultural new fashions, use pattern design, combine imagery with modern wedding trends, creating six sets of wedding dresses, with stylish aesthetic works, allowing Hakka cultural elements to demonstrate the exquisite fashion of Taiwan’s cultural industry in modern weddings

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FENG-E﹐HSIEH und 謝鳳娥. „The study of consumer preferences on total fashion of Ethnic wedding dresses“. Thesis, 2011. http://ndltd.ncl.edu.tw/handle/58416876481205840759.

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碩士
台南應用科技大學
生活應用科學研究所
99
Abstract With the pace of modern life, emphasizing the style of wearing the colors and internationalization, in line with modern and popular sense of context, capturing the flavor of the apparel design, fashion as a whole through the creation of ingenious design and establish a rich and varied modern example, in the future to continue to show its presence to influence the modern national dress wear trend. The total Fashion of modeling rauging range of packaging art from head to toe, which includes color, style analysis, makeup, hair style, clothing, accessories, etc., can express a special personal style and fashion sense, with suggestion on how to wear all occasions decent clothing, to understand the time, place and occasion of the close relationship between the style. The purpose of this study is the clothing, colors, style fabrics and accessories of different aesthetics opinion for the forces of national custume of the total fashion of a wedding dress for different size, color and clothing differences. To study ways to discuion with scholars and experts as well as questionnaires related issues to achieve the study objective is to clothing, colors, fabric style and accessories of different aesthetics opinion, for the forces of national understanding of the of a wedding total fashion of a dress for different size, color and clothing differences, by the total fashion of the impact of Ergonomics. This study focused on consumer preferences for ethnic wedding dresses, and test demographic variables for the of the preferences of national dress, to create a ethnic of wedding dresses Market Complex demand mode. In this study, the project produced a questionnaire distributed in the Unversity in Tainan student of cosmetics deparment and, fashion design department, southern part of Taiwan China Cup Hairdressing and Beautyechnology competition, International Beauty &; technology competition, the people working on cosmtic jop, a total of 736 data object of study subjects , used questionnaires to the overall national wedding dress style preferences and demographic variables of the data collection, using EXCEL, spss statistical software to the data descriptive analysis, single-factor variance analysis and other methods of analysis tools. The results showed that Taiwan traditional costumes .of the bride do not like ethnic costumes. dress color and consumer choice of color as "dull yellowish who" Taiwan bride prefer gold. to "Indian Jewelry" by the ANOVA analysis to be significantly different blood tape differences. And consumers for different figure and clothing options to "short and fat figure in a different degree of consumers are significantly different.

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Bücher zum Thema "Wedding dresses"

Arch, Nigel. The royal wedding dresses. London: Sidgwick & Jackson, 1990.

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Vogue weddings: Brides, dresses, designers. New York: Knop, 2012.

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author, Reed Claire, Hrsg. Making vintage wedding dresses: Inspiring timeless style. Ramsbury, Marlborough: The Crowood Press, 2017.

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Joanna, Hashagen, Hrsg. Wedding dresses from the Bowes Museum collection. Barnard Castle, County Durham: Bowes Museum, 2003.

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Arch, Nigel. Royal wedding dresses: From the Royal Ceremonial Dress Collection at Kensington Palace. Surrey: Historic Royal Palaces, 2003.

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Black cats and white wedding dresses: Folk customs. Broomall, PA: Mason Crest Publishers, 2012.

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Ilasco, Meg Mateo. You can wear it again: A celebration of bridesmaids' dresses. San Francisco, Calif: Chronicle Books, 2005.

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(Firm), Knot, Hrsg. The Knot complete book of wedding details: More than 1,000 cakes, centerpieces, bouquets, dresses, decorations, and ideas for the perfect day. New York: Clarkson Potter, 2010.

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The wedding dress: A sourcebook. London: Pavilion Books, 2005.

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François, Dischinger, Hrsg. It's all about the dress: Savvy secrets, priceless advice, and inspiring stories to help you find "the one". New York: Grand Central Life & Style, 2011.

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Buchteile zum Thema "Wedding dresses"

de Felice, Annunziata, Isabella Martucci und Dario Antonio Schirone. „Knowledge and Innovation in Manufacturing Sector: The Case of Wedding Dresses in Southern Italy“. In Computational Science and Its Applications – ICCSA 2012, 1–16. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-31075-1_1.

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Renold, Emma, und Gabrielle Ivinson. „Mud, Mermaids and Burnt Wedding Dresses: Mapping Queer Becomings in Teen Girls’ Talk on Living with Gender and Sexual Violence“. In Children, Sexuality and Sexualization, 239–55. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137353399_15.

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Kontou, Tatiana, Victoria Mills und Kara Tennant. „Wedding dress and accoutrements“. In Victorian Material Culture, 169–206. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315399980-47.

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Kontou, Tatiana, Victoria Mills und Kara Tennant. „Image: Edward Killingworth Johnson, Drawing Depicting a Young Widow Holding her Wedding Dress“. In Victorian Material Culture, 191. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315399980-53.

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Martin, Cyd. „Satin Dresses and Caribou Kamiks: Negotiation of Tradition in Northern Alaskan Iñupiaq Weddings“. In Wedding Dress Across Cultures. Berg, 2003. http://dx.doi.org/10.2752/9781847888983/weddrscult0006.

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Zhang, Zhen. „Using Films to Teach Culture in a Flipped Classroom“. In Enhancing Education Through Multidisciplinary Film Teaching Methodologies, 69–88. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-5394-0.ch004.

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This chapter discussed incorporating the wedding scenes in Yi-Mou Zhang's Raise the Red Lantern (1991) and Ang Lee's The Wedding Banquet (1993) into a flipped classroom in higher education to teach students traditional Chinese wedding and marriage. The chapter adopted a multimodal perspective, relying on the visual and aural modes to exhibit the traditional Chinese marriage concepts, wedding procedures, activities, participants, decorations, music, colours, and the newlyweds' wedding dresses (attires, makeup, hairstyles) to students. The study demonstrated that films helped the instructor illustrate cultural theories and concepts and promoted students' cultural learning. Students' performance revealed that the flipped model enhances preparatory work and active learning, and embedding films into teaching has benefits and drawbacks.

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„Wedding Dresses in Italy during the Twentieth Century“. In Trending Now: New Developments in Fashion Studies, 59–68. BRILL, 2013. http://dx.doi.org/10.1163/9781848882119_007.

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Church, Kathryn. „Something Plain and Simple? Unpacking Custom-made Wedding Dresses from Western Canada (1950–1995)“. In Wedding Dress Across Cultures. Berg, 2003. http://dx.doi.org/10.2752/9781847888983/weddrscult0005.

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Tu, Jui-Che, und Chi-Ling Hu. „Construction of innovative service system dresses for wedding photography“. In Innovation, Communication and Engineering, 513–16. CRC Press, 2013. http://dx.doi.org/10.1201/b15935-133.

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„Three Wedding Dresses Worn by Turkish Cypriots, and Their Stories“. In In Fashion: Culture, Commerce, Craft, and Identity, 303–23. BRILL, 2021. http://dx.doi.org/10.1163/9789004446595_017.

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Konferenzberichte zum Thema "Wedding dresses"

Liu, Yiwei, Yizhuo Zhang, Yu-Chih Wei und Chi-Hua Chen. „Wedding Dress Question-Answering System“. In 2020 IEEE International Conference on Consumer Electronics - Taiwan (ICCE-Taiwan). IEEE, 2020. http://dx.doi.org/10.1109/icce-taiwan49838.2020.9258264.

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Aini, Iut Nur, Amat Nyoto und Agus Hery Supadmi Irianti. „The Development of Legha Sumenep Madura Bride Wedding Dress“. In 2nd International Conference on Social, Applied Science, and Technology in Home Economics (ICONHOMECS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200218.057.

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Marniati, Marniati, und Biyan Yesi Wilujeng. „The Design of Jombang Putri Arimbi Veiled Wedding Dress“. In Proceedings of the 2nd International Joint Conference on Hospitality and Tourism, IJCHT 2022, 6-7 October 2022, Singaraja, Bali, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.6-10-2022.2325712.

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Luo, Xiaoyuan. „Analysed in western-style wedding dress style design changes“. In 2016 5th International Conference on Social Science, Education and Humanities Research. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ssehr-16.2016.196.

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Berichte der Organisationen zum Thema "Wedding dresses"

Kim, Jongeun. Post-Modern Korean Wedding Dress. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-704.

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Rossol, Evelyn, und Kendra Lapolla. Wine Dyed: Multi-wear Sustainable Wedding Dress. Ames (Iowa): Iowa State University. Library, Januar 2019. http://dx.doi.org/10.31274/itaa.8852.

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Sparks, Diane, und Lizzy Searle. Flora: Dress for a Destination Beach Wedding. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-735.

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Kimble, Sandra, und Karol Blaylock. The Historical Inspiration of Structuring Beauty: An Unconventional Wedding Dress. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1194.

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Cook, Sasikarn Chatvijit, und Seoha Min. Exploring Sociology of Consumption of Wedding Dress Rentals in Thailand. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-385.

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Morgan, Courtney, Jennifer Paff Ogle, Karen H. Hyllegard und Kelly L. Reddy Best. �I Kicked Those Babies Off and Put the Typical Lesbian Birkenstocks on:� Authentic Style-Fashion-Dress Negotiations of Lesbian Married Couples on Their Wedding Day. Ames (Iowa): Iowa State University. Library, Januar 2019. http://dx.doi.org/10.31274/itaa.8417.

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