Dissertationen zum Thema „Water gardens in art“
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Salehi, Mana. „El agua y las simbologías del jardín en el arte contemporáneo“. Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/404325.
Der volle Inhalt der QuelleThis doctoral research aims to reveal the influence of water and garden symbology in contemporary art. It is based on my own artistic practice consisting of a series of visual multimedia projects, whose main focus is the relationship between water and the body, water and emotional landscape and water and gardens. The works and artistic proposals that make up this research project reflect upon ideas of "nothingness" as a source of creation and recreation, and upon "energy of empty space" as energy of absence. Both of these concepts are framed as "appearances and disappearances" occurring in a number of different areas. This research proposes a theoretical and practical study for the creation of a multidisciplinary framework which encompasses nanotechnology, science, philosophy and art, in order to investigate the subjectivity of a new way of thinking and being in relation to implicit temporality and spatiality in artistic projects. This research led me to examine Max Planck's theory of quantum aesthetics (1899), Nishida Kitaro´s concept of pure experience (1892-1927), the mechanics of fluids, Bachelard´s theories on matter and space (1934), Heidegger's thinking on being and the sense of being (1962), Zygmunt Bauman’s concept of liquid gaze in his Liquid Art or Liquid Modernity (1970), Javier Maderuelo’s reflections on art and nature in The Garden as Art (1997), and Akiko Tsukamoto’s Mui Shizen concept of Taoism (2007). I also investigated the writings of mystical-philosophical scholars concerning the Sufism of Ibn Arabi XII and the Taoism of Lao-Tse Zhuangzi, 6th century BC. In parallel, I reviewed the works of Western, Japanese and Iranian artists that are related in some way to water and garden symbology in contemporary art. Throughout this study, the presence of water as matter constitutes the basis of creation and recreation, with characteristics of transparency, smoothness and transience. In this exploration, I have sought the potential of water in different cultures to link the territory of the outer landscape with the emotional landscape that we discover through our bodies. I organized three research stays and created three artistic projects in the United States, Iran and Japan in order to develop and understand this subject matter. The motivation for the creation of experiences in this study is to contribute to the development of a collective consciousness by providing artistic works and ideas that favour a balanced relationship between nature and urban life, the latter understood as artificial. I have found that art consents the exploration of contemporary spirituality, allowing for the blossoming of a personal sensitivity in relation to the contemporary world. My goal is to offer a vision that connects contemporary art, nature and science for the exploration of new ways of integrating the most advanced technologies with heritage and cultural traditions, to lead us towards the global village.
Grant, Laura Jane. „Pleasure Gardens“. Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73680.
Der volle Inhalt der QuelleMaster of Architecture
Monshizade, Arezou. „L'eau, comme élément d'ambiance : le jardin persan, entre rareté et abondance“. Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENH036.
Der volle Inhalt der QuelleWhere water is found it animates a particular landscape by its physical qualities and also by the life and activities it brings forth, however man may be confronted with a context of both scarcity or abundance of this fundamental element in different regions of the world. Water is, for its aesthetic and environmental qualities, perceived as a valuable resource. Through the relation is has with man– perceptual, significant and symbolic – it inspires designers and architects who benefit from this relationship for imagining different spaces or monuments where the liquid and the solid combine or merge. With the developments of modern sciences and the notion of environmental sustainability, water has been turned into “H2O” as a material for use which tends to lose its sensory quality. On the other hand, the threats to this resource make it a major issue in the future. For that reason, "natural" elements such as water deserve special attention: they are both the constitutive elements of an ambience and also fundamental for environmental management in relation to environmental issues of primary concern. In this sense, our research aims at articulating an ecology of natural and physical environments for the aesthetics of architectural and urban ambiences. The research concerns the relationship between material and immaterial, questions of particular importance in the context of a theory of ambience. With respect to this problem of research, we have chosen the Persian garden, originally "paradeiza" (Paradise), to examine the sensory relationships of a resource in a context where it is scarce. Although these "paradises" are located in desert environment, water plays a fundamental and ubiquitous role and it is processed in different forms and devices. Thus, despite its “rarity” in arid regions – especially in the two gardens studied in central Iran – the water is revealed as an element for constructing the space as well as also an element “forming” the ambience. To be more specific, we ask about how visual, auditory, thermique, and dynamic ambiences are formed from a minimum amount of water available in these gardens. We focus on multisensory dimensions of water that awake and make our senses interact by considering mainly the quantitative relationship between the proportion of water used and the quality of the ambiance. The aim of this work is to identify the principles and architectural features using water as an element of ambiance, imagination, spatial structure and support of use in designing gardens in the future. The methods used to evaluate the impact of water on the perception of ambiance of the gardens consists of, in the first place, surveys concerning sensorial memory and based on the memories and narratives of the visitors. This allows us to formulate an initial interpretation of memories of ambiance in relation to water. Secondly, observations of spaces and uses in situ help us to identify the objective dimensions of the presence of water. Finally, we collect comments in situ of perception of motion with a score of visitors who expressed certain sensible effects and practical effects of the water in the gardens
Goldenetz, Jolie A. „Southwest Gardens: Matching Plants with Available Water Resources“. Arizona-Nevada Academy of Science, 2007. http://hdl.handle.net/10150/296683.
Der volle Inhalt der QuelleSellers, Catherine Clabby. „Botanical gardens the influence of Islam, arid lands, and water in the Middle East /“. Thesis, The University of Arizona, 1988. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu_e9791_1988_201_sip1_w.pdf&type=application/pdf.
Der volle Inhalt der QuelleAnsari, Shaghayegh Moalemzadeh. „An Investigation into Water Usage and Water Efficient Design for Persian Gardens“. Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/595836.
Der volle Inhalt der QuelleKosmerl, Paul F. „Water Balance of Retrofit, Right-of-way Rain Gardens“. The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1337347745.
Der volle Inhalt der QuelleByrne, Joshua. „Mains Water Neutral Gardening: An integrated approach to water conservation in sustainable urban gardens“. Thesis, Byrne, Joshua (2016) Mains Water Neutral Gardening: An integrated approach to water conservation in sustainable urban gardens. PhD thesis, Murdoch University, 2016. https://researchrepository.murdoch.edu.au/id/eprint/35055/.
Der volle Inhalt der QuelleRude, Peter Heinz 1961. „Water management and crop selection for intensive gardens in arid regions“. Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/192004.
Der volle Inhalt der QuelleDavis, Rachel H. „Changing social norms| California friendly gardens in Long Beach, CA“. Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1604877.
Der volle Inhalt der QuelleThe Lawn to Garden Program incentivizes replacing front yard turf grass with California Friendly gardens in Long Beach, CA. The Long Beach Water Department introduced the program in 2009 as a means of water conservation and since that time 2% of the City’s single-family homes have successfully completed the program. As of the end of 2014, 3,461 applications had been submitted, but only 1,849 Lawn to Garden projects had been completed, a success rate of 53% and withdrawal rate of 47%. This study seeks to identify some of the factors that contribute to the program’s high withdrawal rate, exploring the resources available to participants as well as the barriers to success. Methods used include geographic analysis in the form of density mapping, analysis of survey responses submitted by participants who withdrew from the program, and my professional observations. This study considers which neighborhoods display greater rates of success and withdrawn applications as well as what resources would have most aided those who did not complete their projects.
Gharipour, Mohammad. „Pavilion structure in Persianate gardens: reflections in the textual and visual media“. Diss., Georgia Institute of Technology, 2009. http://hdl.handle.net/1853/33831.
Der volle Inhalt der QuelleGood, Joseph Francis. „Water quality treatment and hydraulic efficacy of laboratory and field rain gardens“. Thesis, University of Canterbury. Department of Civil and Natural Resources Engineering, 2011. http://hdl.handle.net/10092/5895.
Der volle Inhalt der QuelleRamlo, Lydia Daphne. „The Effectiveness of Rain Gardens in regard to Water Management & Infiltration“. Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1588177770421048.
Der volle Inhalt der QuelleEger, Caitlin Genet. „Nutrient Retention in Roadside Retrofit Rain Gardens“. The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343837490.
Der volle Inhalt der QuelleGarman, Keli L. „The Art of Designing a Meaningful Landscape through Storytelling“. Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/32181.
Der volle Inhalt der QuelleMaster of Landscape Architecture
Du, Toit Victoria. „Mastering myths and wandering wallflowers : botanical illustrations, gardens and the "mastery of nature"“. Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2990.
Der volle Inhalt der QuelleThis thesis investigates the historical roots of botanical illustration. It argues that far from being simply scientific representations of plants and flowers, empty of artistic comment and only accompaniments to a scientific text, botanical illustrations assisted in presenting plants brought to Europe from the colonies, in ways that influenced the easy assimilation and appropriation of these plants into European culture. The "mastery of nature", which implies an attitude of dominance by humans over nature, is discussed as symptomatic of the European colonial period. European acts and attitudes of dominance are manifest in scientific approaches toward botany, botanical illustrations and gardens. This thesis proposes that attitudes of dominance have resulted in humans being spiritually and physically separated from nature. This thesis proposes that associations of botany, flowers and botanical illustrations with the feminine have assisted in human domination over nature. In much the same way as female is dominated by male, in a human sense, so plants and flowers were pictured as feminine − replete with feminine associations of subservience, weakness and vulnerability − making a human domination of the plant world possible. The artworks produced in conjunction with this thesis, for the degree Master of Philosophy (Illustration), aim to promote a sense of human attachment to and identification with the plants painted, in opposition to the separateness from nature that is promoted by the "mastery of nature". While traditional botanical illustration, in service to modern science, promoted the supremacy of vision as a way of knowing nature, the artworks draw attention to the unseen issues around plants and the human spiritual connections with them. This thesis proposes that, in a contemporary context characterized by an environmental crisis, there is a new role to be played by botanical illustration: it is felt that botanical illustrations should emphasize human connections with the plant world, thus alerting humans to the necessity of nature for our physical, as well as spiritual, survival.
Ketcham, Barbara. „The use of water in the gardens of the Villa d'Este at Tivoli, Italy“. Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/22726.
Der volle Inhalt der QuelleKindall, Emma. „Learning that you have to let yourself rot in order to grow into new gardens“. The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492697281633044.
Der volle Inhalt der QuelleWallenstein, Sven-Olov. „Nihilism, Art, and Technology“. Doctoral thesis, Stockholms universitet, Filosofiska institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-38737.
Der volle Inhalt der QuelleThe chapters 5, 6 and 7 in the monograph Essays, Lectures for a part of the Ph.D.thesis.
Zhang, Linying. „Study on Environmental Mitigation Function of the Rain Gardens in Japan“. Doctoral thesis, Kyoto University, 2020. http://hdl.handle.net/2433/253454.
Der volle Inhalt der Quelle0048
新制・課程博士
博士(地球環境学)
甲第22618号
地環博第197号
新制||地環||38(附属図書館)
京都大学大学院地球環境学舎地球環境学専攻
(主査)教授 柴田 昌三, 准教授 田中 周平, 准教授 深町 加津枝
学位規則第4条第1項該当
Doctor of Global Environmental Studies
Kyoto University
DGAM
Pearce, Ariel Leah. „Fresh Water Scenes in Minoan Art“. Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/451958.
Der volle Inhalt der QuellePh.D.
The goal of this dissertation is to provide a comprehensive study of scenes of fresh water in Minoan art from the Middle Minoan II (MM II) through the Late Minoan I (LM I) periods. This dissertation addresses and fills the gap in the scholarship regarding the depiction of riparian environments and the special place of these depictions in Aegean art. It also attempts to clarify the use and function of riverscapes across chronological periods. Rivers, marshes, streams, and springs, appear on a variety of media and fulfil multiple functions from MM II onward. Images of fresh water were used as topographical markers, ornamentation and decoration, and for religious purposes. Moreover, several images suggest that the Minoans may have believed that the realm for the goddess (or one of the goddesses) was a lush, riverscape. A second goal of this dissertation is to clarify and dispose of the term “Nilotic” as a label for images of fresh water in the Aegean. Since its introduction into the literature of Aegean studies in the beginning of the 20th century, the term “Nilotic” has been used inconsistently to describe Aegean scenes of fresh water that may or may not contain Egyptian elements. This assumption has led some scholars to state that Aegean riverscapes are ultimately derived from Egyptian scenes of fishing and fowling because they share similar iconographic elements. Unfortunately, the process of synthesis is important to the understanding of Aegean riverscapes, and iconographic similarities are somewhat superficial. Furthermore, the term has been used without regard for a long-standing tradition of the depiction of riparian environments in Bronze Age Aegean art. To fully address both goals of this project, the origin of individual iconographic elements has been traced through various media, including glyptic art, pottery, and wall painting. Wall paintings from the Cyclades and some Late Helladic IA scenes have been included when appropriate. Whenever possible, categories of riverscapes have been grouped together, but each wall painting, has been examined and interpreted individually. Some unique, highly pictorial, and detailed images in other media have also been addressed separately. Parallels in Egyptian and, in some cases, Near Eastern art have been sought to determine the validity of the term “Nilotic,” and a special study of Egyptian scenes of hunting in the marshes has been conducted in comparison to Aegean scenes. Iconography, synthesis, and context have all been taken into consideration.
Temple University--Theses
Moyer, Matthew E. Clarke Bede. „Monuments to water and air systems“. Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6576.
Der volle Inhalt der QuelleSchlea, Derek Alan. „Retention and management of stormwater runoff with rain gardens and rainwater harvesting systems“. The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306853271.
Der volle Inhalt der QuelleTate, Charmie. „GardenScapes : a harmonious approach to 3D art /“. Online version of thesis, 2007. http://hdl.handle.net/1850/5670.
Der volle Inhalt der QuelleDiaz, Heather. „Ploughshares as swords: gardening for victory and meaning“. Thesis, Boston University, 2007. https://hdl.handle.net/2144/28561.
Der volle Inhalt der QuellePLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02
Buechler, Stephanie. „Gendered vulnerabilities and grassroots adaptation initiatives in home gardens and small orchards in Northwest Mexico“. Springer, 2016. http://hdl.handle.net/10150/622829.
Der volle Inhalt der QuelleNichols, David, und david nichols@deakin edu au. „Leading lights: The promotion of garden suburb plans and planners in interwar Australia“. Deakin University. School of Australian and International Studies, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061208.082527.
Der volle Inhalt der QuelleLundberg, Lukas. „Art Directed Fluid Flow With Secondary Water Effects“. Thesis, Linköpings universitet, Medie- och Informationsteknik, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81808.
Der volle Inhalt der QuelleBrendel, Maria Lydia. „Rubens and the humanistic garden“. Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59957.
Der volle Inhalt der QuelleHis preference for the humanistic hortus over the garden traditions of other countries reveals Rubens' admiration, shared with other humanists for the ancients and their culture which provided personal models for poise and enlightenment.
The result of this study focuses on a new dimension to our understanding of Rubens' oeuvre, his involvement with villeggiatura and the ars hortulorum.
Conklin, Lorraine C. „Recycling and reusing a restaurant's waste : creating a sustainable small-scale urban farm“. Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1355593.
Der volle Inhalt der QuelleDepartment of Landscape Architecture
Fazel, Anvaryazdi Shaghayegh. „WALK INTO A HEAVENLY ART WORLD“. Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/103812.
Der volle Inhalt der QuelleMaster of Architecture
Living in the new and unreal world of technology and computers, we realize how much humans are separated from nature, which means the actual connection between our soul, brain, and body to the real and touchable environment and experiencing in-person connections. Since birth, we have a special connection with nature and so we realize that nature gives us feelings of peace and happiness. Staying close to nature makes us feel alive from the inside and it reduces stress, depression and, negative emotions and it improves our mental, physical, and spiritual health condition., Ultimately, it gives us motivation and hope in life. To explore the architectural implications of these ideas, I have designed a Museum of Art in Washington DC, beside the Kenilworth Aquatic Gardens of water lilies. In my project, I propose how to stay in touch with nature as a visitor who is walking through each part of the museum. From each exhibition room to the next, there is a break to a special view of nature and water to take a deep breath of fresh air. This also makes the viewer understand the artwork inside before entering each room. Bringing outside nature to the inside and creating a connection between the viewer, view, and artwork gives the visitors a break from the world of technology and makes them connect to the blue and green world which is integral with human nature. The connection between the site and the building makes the viewers feel at home when they are exploring the exhibition rooms to see the artworks since nature is our first home. This is how my design explains my thesis as you are walking through this heavenly art world.
Fazel, Anvaryazdi Shaghayegh. „Walk into a Heavenly Art World“. Thesis, Virginia Tech, 2021. http://hdl.handle.net/10919/103812.
Der volle Inhalt der QuelleMaster of Architecture
Living in the new and unreal world of technology and computers, we realize how much humans are separated from nature, which means the actual connection between our soul, brain, and body to the real and touchable environment and experiencing in-person connections. Since birth, we have a special connection with nature and so we realize that nature gives us feelings of peace and happiness. Staying close to nature makes us feel alive from the inside and it reduces stress, depression and, negative emotions and it improves our mental, physical, and spiritual health condition., Ultimately, it gives us motivation and hope in life. To explore the architectural implications of these ideas, I have designed a Museum of Art in Washington DC, beside the Kenilworth Aquatic Gardens of water lilies. In my project, I propose how to stay in touch with nature as a visitor who is walking through each part of the museum. From each exhibition room to the next, there is a break to a special view of nature and water to take a deep breath of fresh air. This also makes the viewer understand the artwork inside before entering each room. Bringing outside nature to the inside and creating a connection between the viewer, view, and artwork gives the visitors a break from the world of technology and makes them connect to the blue and green world which is integral with human nature. The connection between the site and the building makes the viewers feel at home when they are exploring the exhibition rooms to see the artworks since nature is our first home. This is how my design explains my thesis as you are walking through this heavenly art world.
Dao, Juliane [Verfasser]. „Effects of irrigation water quality on soil properties and crops in urban gardens of Ouagadougou, Burkina Faso / Juliane Dao“. Kassel : Universitätsbibliothek Kassel, 2018. http://d-nb.info/1180660080/34.
Der volle Inhalt der QuelleBaron, Jacopo. „Gardens of the Mind : a study on Vanuatu sand-drawing“. Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0168.
Der volle Inhalt der QuelleThe present thesis deals with the sand-drawing (French: dessin sur sable; Bislama: sandroing) of Vanuatu, a Melanesian archipelago located in the south-western Pacific. Vanuatu sand-drawings – geometrical figures traced in the sand, very ingenious, and complex – were first systematically documented by British anthropologist Arthur Bernard Deacon in the 1920s. This ‘discovery’ generated great interest among important exponents of the discipline (including the great Alfred Cort Haddon) of the time. However, no dedicated study of these figures followed the first attempts at their interpretation. Over the years, sand drawing has been documented, mentioned in important publications and even proclaimed “Masterpiece of the Oral and Intangible Heritage of Humanity” by UNESCO in 2003, but in spite of this, it has never been the subject of a detailed analysis. This project aims at filling this gap, both in terms of empirical research and theoretical interpretation. In this context, this project has three main objectives. First, to understand and reconstruct the historical and epistemological reasons for this gap. Second, to try to reduce this gap through a renewed study of the practice based on the examination of a regional tradition. Third, to evaluate the consequences of this attempt in the light of recent developments in the field of anthropology of memory, and some classical issues in Melanesian ethnology. With respect to this last point, I refer in particular to the ‘semiotic opacity’ and the ‘quest for ephemeral’ which seem to characterize many traditional communication practices within this region.The definition of these three objectives led me to develop the project along three research axes. The thesis therefore consists of an archival research dedicated to the study of literature related to sand-drawing and the theoretical perspectives that informed its first analysis (Chapter 1), of an ethnographic research carried out in the western and northern regions of the island of Ambrym (Chapters 2, 3), and of an attempt to provide a new interpretation of the practice, based on studies on the history of writing, the anthropology of memory and Melanesian ethnology (Chapter 4).The set of chapters is preceded by an Introduction which deals with the ethnographic context and the methodology used, and is followed by Conclusions which sums up the results of the study. The thesis is closed by two Annexe. Annexe I consists of a catalogue of all the sand drawings I documented in Ambrym and Annexe II presents the research permit signed by the Vanuatu Cultural Centre
Adams, Irena Zdena. „Exploration of water-based inks in fine art screenprinting“. Thesis, University of Ulster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263243.
Der volle Inhalt der QuelleGrünewald, Niclas, und Gabriella Rullander. „Charcoal vertical gardens as treatment of drainwater for irrigation reuse : a performance evaluation in Kibera slum, Nairobi“. Thesis, Uppsala universitet, Uppsala University Sustainability Initiatives (UUSI), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-408805.
Der volle Inhalt der QuelleHujar, Brittany A. „Kozo Miyoshi: An Interpretation of Water Through Photography“. Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1563967017677073.
Der volle Inhalt der QuelleMacaulay, Lewis Elizabeth Rodger. „The city in motion : movement and space in Roman architecture and gardens from 100 BC to AD 150“. Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:404995dc-d61f-4c73-9983-a896cb19a248.
Der volle Inhalt der QuellePadullés, Cubino Josep. „Socioeconomic status determines floristic patterns in suburban domestic gardens: implications for water use and alien plant dispersal in the Mediterranean context“. Doctoral thesis, Universitat de Girona, 2015. http://hdl.handle.net/10803/321104.
Der volle Inhalt der QuelleL’augment recent dels espais urbans de baixa densitat a la costa mediterrània ha comportat un increment del nombre de jardins privats. La present tesis estudia la flora, les característiques i les pràctiques de gestió de 258 jardins privats a la comarca de l’Alt Empordà. També es van calcular les necessitats hídriques dels jardins d’acord amb la seva composició i estructura vegetal, i es va determinar si es podien predir a partir de les característiques socioeconòmiques, demogràfiques i culturals de les llars. Dels 635 tàxons identificats, el 68% eren exòtics. A més, 39 espècies han estat considerades com a potencialment invasores a Espanya, encara que només 25 són presents dins dels límits del Parc Natural dels Aiguamolls de l’Empordà. La distribució de la flora del jardins es va relacionar significativament amb diferents gradients socioeconòmics i demogràfics, com ara la taxa d’ocupació, l’origen dels residents, el nivell d’ingressos o el percentatge de membres en atur.
Althoff, Julie. „Il Sacro Bosco d'amore, communication through desire“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq64104.pdf.
Der volle Inhalt der QuelleStewart, Lynn Leslie. „Our people are like gardens" : music, performance and aesthetics among the Lolo, West New Britain Province, Papua, New Guinea“. Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/30917.
Der volle Inhalt der QuelleArts, Faculty of
Anthropology, Department of
Graduate
Adlard, Michelle Catherine. „The garden as a metaphor for paradise“. Thesis, Rhodes University, 2001. http://hdl.handle.net/10962/d1002187.
Der volle Inhalt der QuelleRamsey, Anna Brooks, und Anna Brooks Ramsey. „A Million Metaphors for Love: Mending Posthuman Heartache in the Anthropocene“. Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625681.
Der volle Inhalt der QuelleGaudreau, Roger. „Du temps de la terre au jardinage d'art“. Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1996. http://theses.uqac.ca.
Der volle Inhalt der Quelle"Communication de recherche présentée pour l'obtention du grade de maître es arts (M.A.)" CaQCU Document électronique également accessible en format PDF. CaQCU
Smith, Bernadette. „Translucent Potentialities: From Art Activism to Pure Aesthetics“. Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/21967.
Der volle Inhalt der QuelleMuirhead, Anna. „Evergreen : [thesis] submitted in partial fulfillment of the requirements of the degree of Masters [Ie Master] of Fine Arts at Otago Polytechnic School of Art, Dunedin, New Zealand /“. Conceptual Art Online- Anna Muirhead - About, 2008. http://www.imageandtext.org.nz/anna_m_about.html.
Der volle Inhalt der QuelleThesis typescript. Supervisors: Adrian Hall, Michele Beevors. Otago Polytechnic department: School of Art. "October 2008." Accompanied by a website of the exhibition of the author's artistic.
Sim, Nicola. „'Like oil and water'? : partnerships between visual art institutions and youth organisations“. Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/49612/.
Der volle Inhalt der QuelleJacoby, Jill Beth. „Art, Water, and Circles: In What Ways Do Study Circles Empower Artists to Become Community Leaders around Water Issues“. [Yellow Springs, Ohio] : Antioch University, 2009. http://etd.ohiolink.edu/view.cgi?acc_num=antioch1260285346.
Der volle Inhalt der QuelleTitle from PDF t.p. (viewed March 25, 2010). Advisor: Jon Wergin, Ph.D. "A dissertation submitted to the Ph.D. in Leadership and Change program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2009."--from the title page. Includes bibliographical references (p. 238-245).
Marlow, Gregory. „Week 03, Video 02: Boss Water“. Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/digital-animation-videos-oer/25.
Der volle Inhalt der QuelleWhite, Stephen Kenneth. „A state of the art Cretan water pumping wind turbine using electrical transmission“. Thesis, Imperial College London, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261998.
Der volle Inhalt der Quelle