Thematische Bibliographien / Walter Van Beirendonck

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile

Auswahl der wissenschaftlichen Literatur zum Thema „Walter Van Beirendonck“

Autor: Grafiati
Veröffentlicht am 30. Juni 2021
Zuletzt aktualisiert am 4. Februar 2022

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Zeitschriftenartikel zum Thema "Walter Van Beirendonck"

1

Park, So Hyoung, und Eun-Hyuk Yim. „Design Aesthetics of Walter Van Beirendonck“. Journal of the Korean society of clothing and textiles 39, Nr. 3 (30.06.2015): 353. http://dx.doi.org/10.5850/jksct.2015.39.3.353.

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2

Brajato, Nicola. „Queer(ing) tailoring: Walter Van Beirendonck and the glorious bastardization of the suit“. Critical Studies in Fashion & Beauty 11, Nr. 1 (01.06.2020): 45–72. http://dx.doi.org/10.1386/csfb_00009_1.

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Belgian designer Walter Van Beirendonck is internationally known for his original and critical approach to menswear, using fashion as an arena to discuss social and political issues. This ‘Antwerp Six’ member, however, still seems to be under-represented in fashion studies scholarship. Therefore, this article aims to offer an investigation of Van Beirendonck’s sartorial practices through an analysis of his queer approach to tailoring. Consequently, the article focuses on the historical and material meanings of the suit in the making of normative and hegemonic masculinity, and how the designer has been capable of opening up a material critical discussion of these meanings through the queering of the suit’s design, surface and styling. Beyond being the first academic investigation on Walter Van Beirendonck’s tailoring, the article aims to contribute to broadening the knowledge on Belgian fashion, particularly the Antwerp fashion scene and its ways of dealing with the concepts of fashion, body and gender identity.
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3

Lee, Sangrye. „Fun Motifs Represented in Walter Van Beirendonck's Fashion“. Fashion business 18, Nr. 5 (30.12.2014): 171–83. http://dx.doi.org/10.12940/jfb.2014.18.5.171.

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4

Brajato, Nicola, und Alexander Dhoest. „Practices of resistance: The Antwerp fashion scene and Walter Van Beirendonck’s subversion of masculinity“. Critical Studies in Men’s Fashion 7, Nr. 1-2 (01.12.2020): 51–72. http://dx.doi.org/10.1386/csmf_00017_1.

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The existing literature on the evolution of the Antwerp fashion scene is mainly concerned with the development of the Fashion Academy pedagogy from tradition to avant-garde, the role of the famous ‘Antwerp Six’ in putting the city under the international fashion spotlight, and the making of a specific cultural heritage which up to today continues to inspire young fashion designers. However, less has been said about its contribution to the redefinition of gender, and more specifically of masculinity. Consequently, the aim of the article is to contextualize Antwerp as a site for ‘creative resistance’ against the middle-class ideas of fashion, body and identity through the figure of Belgian designer Walter Van Beirendonck, articulating his contribution in deconstructing the normative understanding of the relationship between fashion and masculinity, providing a new metaphor to think about the process of body fashioning in everyday life. Therefore, Van Beirendonck’s creative practices as a sartorial form of resistance against the bourgeois understanding of masculinity and sexuality will be investigated through a qualitative analysis of visual and audio-visual archive materials generously provided by MoMu, the Antwerp fashion museum, showing how his creations are successful in stretching bodily borders and forming non-conventional masculinities. Far from offering an exhaustive overview of the field, the article constitutes a starting point for the understanding of a particular way of seeing the relationship between fashion, body and gender identity in the Antwerp fashion scene. Furthermore, it aims to stress the urgency to analyse the relevance of fashion in tackling issues of masculinity and the clothed body.
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Avelar, Suzana, und Maurício Ayer. „Um estranho través na moda na virada do milênio“. deSignis, Nr. 32 (01.01.2020): 133–43. http://dx.doi.org/10.35659/designis.i32p133-143.

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Na virada do segundo para o terceiro milênio, percebem-se no campo da moda elementos peculiares da cultura atravessada pelo digital, que possibilitam traçar aproximações no que concerne o funcionamento daquela como desta. As hibridações intensi cadas pelos formatos digitais promovem a dissolução de fronteiras e nos colocam diante do “estranho”, tal como o concebem Bauman e Zizek. Propõe-se aqui um revisão pontual de um través da moda sensível a esse estranho, sugerindo uma possível leitura de contribuição e questionamento para a atualidade da moda. Traça-se um o em que se per lam lado a lado os trabalhos de criadores como o brasileiro Alexandre Herchcovitch, os japoneses Yohji Yamamoto e Rei Kawakubo, os belgas Walter van Beirendonck e Martin Margiela, e de centros de pesquisa como o MIT (EUA), Textile Future Research Group (University of Arts, Reino Unido) e o grupo SymbioticA (Austrália), entre outros.
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Dissertationen zum Thema "Walter Van Beirendonck"

1

Suman, Iulian. „Scruffy Masculinities : A visual analysis of gay bear representations in Walter Van Beirendonck’s runways“. Thesis, Stockholms universitet, Modevetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194692.

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Despite the vast research regarding non-conformative bodies, there is little material on the gay bear representation in fashion modelling. This thesis investigates the bear embodiment in the runway shows of Walter Van Beirendonck, respectively W&LT Autumn/Winter 1995–1996 Paradise Pleasure Productions, W&LT Autumn/Winter 1996-1997 Wonderland, Walter Van Beirendonck Spring/Summer 2010 Wonder, and Walter Van Beirendonck Spring/Summer 2011 Read My Skin. Critical visual analysis follows the gay bear symbolism in the video recordings of the runways, revealing how it challenges the fashion industry’s body standards and, in a broader frame, the dictates of hegemonic masculinity. The concepts of gender performativity and biopower provide the theoretical frame of the study, while Madison Moore’s theory of ‘fabulousness’ and José Esteban Muñoz’s understanding of ‘utopia’ lead to the articulation of performances both masculine and queer.  The findings lead to the discovery of non-dual and body-inclusive gay bear embodiments that challenge the relationship between body and dress and can extends beyond the limits of the runway.
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Bücher zum Thema "Walter Van Beirendonck"

1

Walter Van Beirendonck: De controversieelste van de Antwerpse modeontwerpers. Antwerpen: Houtekiet, 2009.

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2

Walter Van Beirendonck: Dream the World Awake. Lannoo Publishers (Acc), 2012.

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3

te, Duits Thimo, Van Beirendonck Walter und Museum Boijmans Van Beuningen (Rotterdam, Netherlands), Hrsg. Believe: Walter Van Beirendonck & Wild and Lethal Trash! Rotterdam: Museum Boijmans Van Beuningen, 1998.

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4

Orlan, Hrsg. Believe: Walter van Beirendonck & wild and lethal trash! : [publication to accompany exhibition "Kiss the future!" Walter van Beirendonck & WL&T at Boijmans van Beunigen museum, Rotterdam from Sept 10 to Nov 15, 1998]. Rotterdam: Boijmans van Beunigen Museum, 1998.

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Buchteile zum Thema "Walter Van Beirendonck"

1

„Walter Van Beirendonck“. In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa263.

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