Auswahl der wissenschaftlichen Literatur zum Thema „Vyāsa, in fiction, drama, poetry“
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Zeitschriftenartikel zum Thema "Vyāsa, in fiction, drama, poetry"
Hesse, Douglas. „EJ in Focus: Imagining a Place for Creative Nonfiction“. English Journal 99, Nr. 2 (01.11.2009): 18–24. http://dx.doi.org/10.58680/ej20099160.
Der volle Inhalt der QuelleY, Lalitha. „Postmodernism in the Fiction Synchology Summary of Kumaraselvas Fiction“. International Research Journal of Tamil 3, S-1 (14.06.2021): 132–37. http://dx.doi.org/10.34256/irjt21s121.
Der volle Inhalt der QuelleLevay, Matthew, Francesca Bratton, Caroline Krzakowski, Andrew Keese, Sophie Corser, Catriona Livingstone, Mark West et al. „XIV Modern Literature“. Year's Work in English Studies 98, Nr. 1 (2019): 858–1020. http://dx.doi.org/10.1093/ywes/maz011.
Der volle Inhalt der QuelleFernandes, Lilly. „A Survey of Contemporary African American Poetry, Drama, & Fiction“. International Journal of Applied Linguistics & English Literature 2, Nr. 3 (01.05.2013): 134–37. http://dx.doi.org/10.7575/aiac.ijalel.v.2n.3p.134.
Der volle Inhalt der QuelleReyes, Soledad S., Mila Garcia, Marra Pl Lanot und Lilia Santiago. „Filipina I: Poetry, Drama, Fiction by Women Writers in Media Now“. World Literature Today 59, Nr. 4 (1985): 661. http://dx.doi.org/10.2307/40142176.
Der volle Inhalt der QuelleFilewod, Alan. „The Hand that Feeds“. Canadian Theatre Review 51 (Juni 1987): 9–16. http://dx.doi.org/10.3138/ctr.51.002.
Der volle Inhalt der QuelleEarthman, Elise Ann. „The Siren Song That Keeps Us Coming Back: Multicultural Resources for Teaching Classical Mythology“. English Journal 86, Nr. 6 (01.10.1997): 76–81. http://dx.doi.org/10.58680/ej19973435.
Der volle Inhalt der QuelleLong, Maxine M., Cynthia Lewiecki-Wilson und Linda Houston. „REVIEWS“. Teaching English in the Two-Year College 29, Nr. 3 (01.03.2002): 317–25. http://dx.doi.org/10.58680/tetyc20022018.
Der volle Inhalt der QuelleFishman, Ethan. „The Moral of the Story: Literature and Public Ethics. Edited by Henry T. Edmondson III. Lanham, MD: Lexington Books, 2000. 272p. $75.00 cloth, $24.95 paper. Shakespeare's Political Realism: The English History Plays. By Tim Spiekerman. Albany: State University of New York Press, 2001. 208p. $16.95 paper.“ American Political Science Review 96, Nr. 1 (März 2002): 177–78. http://dx.doi.org/10.1017/s0003055402274316.
Der volle Inhalt der QuelleHirth, Paul. „From the Secondary Section: What's the Truth about Nonfiction?“ English Journal 91, Nr. 4 (01.03.2002): 20–22. http://dx.doi.org/10.58680/ej2001900.
Der volle Inhalt der QuelleDissertationen zum Thema "Vyāsa, in fiction, drama, poetry"
Mueller, Thomas. „Historizität-Aktualität-Intertextualität : Kohlhaas in der deutschsprachigen Literatur“. Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/29038.
Der volle Inhalt der QuelleArts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
Foster, Benjamin Thomas. „HISTORICAL INTIMACY: CONTEMPORARY RECLAMATIONS OF AFRICAN AMERICAN HISTORY IN THE DRAMA, POETRY, AND FICTION OF SUZAN-LORI PARKS, NATASHA TRETHEWAY, AND COLSON WHITEHEAD“. OpenSIUC, 2015. https://opensiuc.lib.siu.edu/dissertations/1066.
Der volle Inhalt der QuelleMastag, Horst Dieter. „The transformations of Job in modern German literature“. Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30647.
Der volle Inhalt der QuelleArts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
Kärn, Lina. „‘Creative Writing’: An Efficient Supplementary Tool for Teaching English at Swedish High Schools“. Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-117674.
Der volle Inhalt der QuelleVladimir, Kirda Bolhorves. „Utopija u delu Herberta Džordža Velsa i Gabrijela Kosteljnika“. Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2016. https://www.cris.uns.ac.rs/record.jsf?recordId=101178&source=NDLTD&language=en.
Der volle Inhalt der QuelleThis thesis researches numerous forms of utopia in several, primarilyliterary segments from complex and comprehensive opus of H. G. Wells, aswell as in several, primarily literary segments of not so comprehensive, butalso complex opus of G. Kosteljnik.The study consists of thirteen chapters.The first chapter is introductory, where the subject matter, aim andmethodology of the research are explained, and the most frequent notionsare considered: general fantasy and science fiction, and, above all, the mainnotion, utopia. Some light is being shed on its genesis, its characteristicsand its functions.In the second chapter, the factors for its emergence, existence anddisappearance are presented, along with exhaustive typology of utopias.The tird and fourth chapter deals with formation of creativepersonalities of H. G. Wells and G. Kosteljnik.The following six chapters include the extracts through which Ithrow light on romanesque, narrative and discursive (essayistic,sociological, politicological, popular scientific and publicistic) artisticcreation of H. G. Wells, as well as poetic, narrative, dramatic anddiscursive (essayistic, theological, literary-critical, linguistic andpublicistic) artistic creation of G. Kosteljnik.The eleventh chapter is conclusion. It once again considers thenotion of utopia in general, and particularly in the works of the twoprotagonists of this thesis: H. G. Wells and G. Kosteljnik.
Cameron, Margaret. „I shudder to think: performance as philosophy“. Thesis, 2012. https://vuir.vu.edu.au/25677/.
Der volle Inhalt der QuelleMncube, Gedion Juba George. „Weather symbolism in DBZ Ntuli's literature“. Thesis, 2006. http://hdl.handle.net/10500/2349.
Der volle Inhalt der QuelleAfrican Languages
M.A. (African Languages)
Bücher zum Thema "Vyāsa, in fiction, drama, poetry"
Bogarad, Carley Rees. Legacies: Fiction, poetry, drama, nonfiction. 2. Aufl. Fort Worth, TX: Harcourt College Publishers, 2002.
Den vollen Inhalt der Quelle findenLynne, Crockett, und Bogarad Carley Rees, Hrsg. Legacies: Fiction, poetry, drama, nonfiction. 4. Aufl. Boston: Wadsworth Cengage Learning, 2009.
Den vollen Inhalt der Quelle finden1936-, Duncan Barry, Hrsg. Transformations: Fiction, poetry, non-fiction, and drama. Toronto: Harcourt Brace Canada, 1996.
Den vollen Inhalt der Quelle findenSchmidt, Jan Zlotnik. Portable legacies: Fiction, poetry, drama, nonfiction. 4. Aufl. Boston, MA: Wadsworth Cengage Learning, 2009.
Den vollen Inhalt der Quelle finden1928-, Hall Donald, Hrsg. To read literature, fiction, poetry, drama. 2. Aufl. New York: Holt, Rinehart, and Winston, 1987.
Den vollen Inhalt der Quelle findenE, Scholes Robert, Hrsg. Elements of literature: Poetry, fiction, drama. 3. Aufl. Don Mills, Ont: Oxford University Press, 2004.
Den vollen Inhalt der Quelle findenDiYanni, Robert. Literature: Reading fiction, poetry, and drama. Boston: McGraw-Hill College, 2000.
Den vollen Inhalt der Quelle findenL, Rico Gabriele, Hrsg. Discovering literature: Fiction, poetry, and drama. Englewood Cliffs, NJ: Prentice-Hall, 1993.
Den vollen Inhalt der Quelle findenDiYanni, Robert. Literature: Reading fiction, poetry, and drama. 5. Aufl. Boston, Mass: McGraw-Hill, 2002.
Den vollen Inhalt der Quelle findenSylvan, Barnet, Berman Morton und Burto William, Hrsg. An Introduction to literature: Fiction, poetry, drama. 8. Aufl. Boston: Little, Brown and Company, 1985.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Vyāsa, in fiction, drama, poetry"
Hipolito, Jeffrey. „And I in Me“. In Owen Barfield’s Poetry, Drama, and Fiction, 155–99. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-6.
Der volle Inhalt der QuelleHipolito, Jeffrey. „Time Is, Time Was“. In Owen Barfield’s Poetry, Drama, and Fiction, 122–54. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-5.
Der volle Inhalt der QuelleHipolito, Jeffrey. „A Life of Sane Despair“. In Owen Barfield’s Poetry, Drama, and Fiction, 96–121. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-4.
Der volle Inhalt der QuelleHipolito, Jeffrey. „A Maze of Awakening“. In Owen Barfield’s Poetry, Drama, and Fiction, 41–95. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-3.
Der volle Inhalt der QuelleHipolito, Jeffrey. „Introduction“. In Owen Barfield’s Poetry, Drama, and Fiction, 1–4. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-1.
Der volle Inhalt der QuelleHipolito, Jeffrey. „A Figured Zodiac“. In Owen Barfield’s Poetry, Drama, and Fiction, 5–40. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-2.
Der volle Inhalt der QuelleMullett, Margaret. „No Drama, No Poetry, No Fiction, No Readership, No Literature“. In A Companion to Byzantium, 225–38. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444320015.ch17.
Der volle Inhalt der QuelleShivel, Gail. „Poetry, Drama, and Fiction“. In Encyclopedia of International Media and Communications, 483–93. Elsevier, 2003. http://dx.doi.org/10.1016/b0-12-387670-2/00089-3.
Der volle Inhalt der Quelle„1. Fiction, Poetry and Drama“. In American Culture in the 1920s, 35–70. Edinburgh University Press, 2009. http://dx.doi.org/10.1515/9780748630851-006.
Der volle Inhalt der Quelle„Exploring poetry and non-fiction through drama conventions“. In Jumpstart! Drama, 64–94. Routledge, 2009. http://dx.doi.org/10.4324/9780203878255-7.
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