Thematische Bibliographien / Vittoriano

Auswahl der wissenschaftlichen Literatur zum Thema „Vittoriano“

Autor: Grafiati
Veröffentlicht am 27. Juli 2024
Zuletzt aktualisiert am 29. Juli 2024

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Zeitschriftenartikel zum Thema "Vittoriano"

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Muzzarelli, Federica. „Album di famiglia e scrapbook vittoriani. Fotografia e femminismo nella seconda metà dell’Ottocento“. L'uomo nero. Materiali per una storia delle arti della modernità 20, Nr. 21 (19.10.2023): 8–25. http://dx.doi.org/10.54103/2974-6620/uon.n21_2023_pp8-25.

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Nel contesto vittoriano di metà Ottocento, la possibilità di acquistare e collezionare piccoli ed economici ritratti fotografici diede vita alla moda di realizzare album di famiglia e scrapbook giustapponendo fotografie a disegni a scritture. Le donne aristocratiche che sperimentarono queste pratiche gli attribuirono la forza di uno strumento identitario e di gender politics in cui corpo, performatività e azione costituirono la possibilità di manipolare in modo trasgressivo le dimensioni dello spazio e del tempo. Il saggio approfondisce queste esperienze di tipo fotografico prendendo in esame due casi studio principali: l’album di Lady Charlotte Milles (1835-1927), e quello di Georgina Berkeley (1831-1919), per darne una lettura in cui la storia della fotografia e dell’arte contemporanea intrecciano i gender e i feminist studies. In quest’ottica, il recupero di attività marginali e amatoriali permette di valorizzare sperimentazioni extra-artistiche, quali furono gli scrapbook vittoriani, nel loro aurorale uso concettuale della fotografia. Pur trattandosi di un esercizio circoscritto storicamente e socialmente, gli album realizzati dalle donne vittoriane mostrarono la forza della fotografia nelle sue implicazioni autobiografiche, identitarie e dell’immaginario, con l’obiettivo di negoziare l’invisibilità a cui erano state destinate ma, al tempo stesso, dando vita ad azioni, esperienze e idee che solo l’arte contemporanea avrebbe reso praticabili.
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Scichilone, Giorgio. „Il costituzionalismo vittoriano tra libertà e impero“. Diacronìa, Nr. 2 (2020): 185–207. http://dx.doi.org/10.12871/97888333934767.

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3

Voldman, Daniele, und Catherine Brice. „Monumentalite publique et politique a Rome. Le Vittoriano“. Vingtième Siècle. Revue d'histoire, Nr. 64 (Oktober 1999): 163. http://dx.doi.org/10.2307/3770421.

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Vial, Eric, und Catherine Brice. „Monumentalite publique et politique a Rome. Le Vittoriano“. Le Mouvement social, Nr. 195 (April 2001): 154. http://dx.doi.org/10.2307/3780021.

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Pick, Daniel, Catherine Brice und Catharine Edwards. „Monumentalite publique et politique a Rome: Le Vittoriano“. American Historical Review 105, Nr. 4 (Oktober 2000): 1417. http://dx.doi.org/10.2307/2651582.

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Colombo, Rosa Maria, Maria Teresa Chialant und Carlo Pagetti. „La Citta e il Teatro: Dickens e l'immaginario vittoriano“. Modern Language Review 85, Nr. 3 (Juli 1990): 703. http://dx.doi.org/10.2307/3732227.

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Danièle, Voldman. „Brice Catherine, Monumentalité publique et politique à Rome. Le Vittoriano“. Vingtième Siècle. Revue d'histoire 64, Nr. 4 (01.10.1999): 163–64. http://dx.doi.org/10.3917/ving.p1999.64n1.0163.

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Longo, Olivia. „L’influenza della Guerra fredda sull’architettura italiana. Due Maestri a confronto: Giancarlo De Carlo e Vittoriano Viganò“. Restauro Archeologico 30, Nr. 1 (24.07.2022): 90–113. http://dx.doi.org/10.36253/rar-12137.

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In 2019, during the centenary of De Carlo’s birth, Massimo Cacciari spoke about immaterial architecture as a possible new frontier of architectural research of our time. During the Cold War, new networks were created in Italy, beyond national borders, based on international dialogues and artistic collaborations. After the analysis of some phenomena that characterized the Cold War and the creative processes of architectural production in the twentieth century, this research describes some projects and writings of Giancarlo De Carlo and Vittoriano Viganò. The contribution outlines the influence of Cold War policies on the works of these Masters under the banner of two slogans: “Anarchist Architecture” and “Interrupted Sign”. According to these aspects, it is possible to emphasize the presence of a root of architectural design that tends to the formal disintegration of architecture.
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Guarrera, Fabio. „El Monumento como instrumento de identidad nacional“. Arquitextos, Nr. 33 (17.02.2019): 49–60. http://dx.doi.org/10.31381/arquitextos.v0i33.1859.

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Entre 1860 y 1950 la arquitectura italiana tuvo la tarea de construir la imagen moderna de una nación joven. Se les pedía a los arquitectos de apoyar la política para construir, a través de la arquitectura, edificios que transmitieran mensajes de identidad, sociales y colectivos. Este proceso ha sido particularmente fuerte en el período del fascismo (1922-1943), o sea, la época de Benito Mussolini. A través de mensajes fuertes y profundamente unidos a la antigua tradición romana, el fascismo buscaba construir una identidad compartida para garantizar la duración del régimen. Los elementos básicos sobre los cuales construir esta identidad eran los monumentos, lugares donde la masa de las personas sentía la necesidad de reconocerse para expresar el culto de la patria. El artículo analiza varios monumentos, desde la construcción del Vittoriano por Giuseppe Sacconi, hasta el monumento Ardeatine del grupo Fiorentino-Perugini: una evolución histórica que se une profundamente a la piedad del pueblo italiano
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Guarrera, Fabio. „monumento como instrumento de identidad nacional“. Arquitextos, Nr. 33 (28.02.2023): 49–60. http://dx.doi.org/10.31381/arquitextos33.1859.

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Entre 1860 y 1950 la arquitectura italiana tuvo la tarea de construir la imagen moderna de una nación joven. Se les pedía a los arquitectos de apoyar la política para construir, a través de la arquitectura, edificios que transmitieran mensajes de identidad, sociales y colectivos. Este proceso ha sido particularmente fuerte en el período del fascismo (1922-1943), o sea, la época de Benito Mussolini. A través de mensajes fuertes y profundamente unidos a la antigua tradición romana, el fascismo buscaba construir una identidad compartida para garantizar la duración del régimen. Los elementos básicos sobre los cuales construir esta identidad eran los monumentos, lugares donde la masa de las personas sentía la necesidad de reconocerse para expresar el culto de la patria. El artículo analiza varios monumentos, desde la construcción del Vittoriano por Giuseppe Sacconi, hasta el monumento Ardeatine del grupo Fiorentino-Perugini: una evolución histórica que se une profundamente a la piedad del pueblo italiano
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Dissertationen zum Thema "Vittoriano"

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LEPRONI, CHIARA. „Henry Sidgwick e il dibattito tardo-vittoriano sull'idea di libertà“. Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/107.

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Il presente lavoro mira a collocare il pensiero di Henry Sidgwick (1838-1900) sul diritto alla libertà all'interno del background culturale inglese dell'epoca tardo-vittoriana, dedicando una particolare attenzione ad un confronto con la speculazione, il metodo ed i risultati ottenuti di due eminenti filosofi della medesima generazione, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).
The study aims to connect the thought of Henry Sidgwick (1838-1900) about liberty with British intellectual background of the late-Victorian age, paying a special attention to a comparison of it with the philosophy, the methods and goals of two important philosophers of his generation, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).
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LEPRONI, CHIARA. „Henry Sidgwick e il dibattito tardo-vittoriano sull'idea di libertà“. Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/107.

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Il presente lavoro mira a collocare il pensiero di Henry Sidgwick (1838-1900) sul diritto alla libertà all'interno del background culturale inglese dell'epoca tardo-vittoriana, dedicando una particolare attenzione ad un confronto con la speculazione, il metodo ed i risultati ottenuti di due eminenti filosofi della medesima generazione, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).
The study aims to connect the thought of Henry Sidgwick (1838-1900) about liberty with British intellectual background of the late-Victorian age, paying a special attention to a comparison of it with the philosophy, the methods and goals of two important philosophers of his generation, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).
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Paterlini, Riccardo <1985&gt. „Vittorini americano. La traiettoria americanistica di Elio Vittorini“. Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amsdottorato.unibo.it/7836/1/paterlini_riccardo_tesi.pdf.

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Il lavoro di tesi indaga il percorso intellettuale del Vittorini americanista, dai primi anni ’30 al dopoguerra. Al centro dell’indagine si colloca la vicenda dell’antologia “Americana”, pubblicata nell’ottobre del ’42 dopo due anni di travagliate contrattazioni con il MinCulPop.
The thesis investigates the intellectual contribution of Elio Vittorini to the American Literature, from the early 30s to the postwar period. The research focuses on the anthology "Americana", published in October 1942, after two years of troubled negotiations with MinCulPop.
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Belvedere, Antonio. „Pratiche dell'architettura in Vittorio Ugo“. Versailles-St Quentin en Yvelines, 2014. http://www.theses.fr/2014VERS009S.

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Vittorio Ugo (Palerme, 1938-2005) est un architecte italien, connu en Italie et en France en tant que théoricien et critique d’architecture. Beaucoup moins connu est son œuvre architecturale, de 1957 à 1987, en tant que auteur de projets aux différentes échelles: architecture, urbanisme, design. En quelque manière, ces années préparent la deuxième phase de la biographie de Ugo, exclusivement consacré à la théorie de l'architecture. Pourtant, les projets et les réalisations de cette période dévoilent une personnalité d’architecte fort intéressant. Né d'une famille d'artistes et d’Ugo refuse bien tôt le chemin tracé par ses ancêtres, à la recherche d’une manière originelle d’être architecte, marquée par l’enracinement de l’architecture à son statut de « chose », de « fabrica », contre toute réduction à son « image » extérieure. En 1978, il s’installe à Paris pour assister aux débats qui ont lieu au sein de la prestigieuse Ecole des hautes études en sciences sociales, en suivant les séminaires dirigés par Louis Marin et Hubert Damisch. «[…] Que venait chercher Vittorio Ugo auprès de cette école de pensée sémiologique ?», se demandait Philippe Potié il y a quelques années. Comment expliquer le choix de Ugo de se consacrer exclusivement à la théorie, après vingt ans de fébrile activité dans le domaine de la conception architecturale? Par les moyens d’une étude de terrain tout à fait originelle et d’une recherche systématique dans les archives privées de l’architecte – jamais fouillées auparavant - la thèse trace un portrait inédit de Vittorio Ugo tout en retrouvant, dans la pratique du projet et du chantier, les racines majeures de sa pensée théorique
Vittorio Ugo (Palermo, 1938-2005) is an Italian architect, mostly known in Italy and France as theorist and a critic as well, Professor at University of Palermo from 1964 to 1987. Much less known is his architectural work as author of projects on different scales: architecture, urban-planning, design. The years from 1957 to 1987 represent a sort of long training period, which prepare the second phase of Ugo’s biography, devoted exclusively to the Theory of Architecture. Born from a family of artists - his grandfather was a sculptor, his father an architect - he was looking for an original way to be an architect, feeling an ethical need to see architecture from a scientific point of view. The main argument of this research, starts from the belief that the fame of Vittorio Ugo as a theorist, together with his open International impulse - France and Japan were his second homeland – conceals a complex "apprenticeship ", yet to be revealed. Many of his former pupils wondered who he was, where he came from, what had determined his passion of teaching and the care he devoted to his students. In 1978, he was living in Paris attending the heated debates that took place at the prestigious Ecole des hautes études en sciences sociales, inside the courses of Louis Marin and Hubert Damisch. «[. . . ] Que venait chercher Victor Hugo auprès de cette école de pensée sémiologique?» What was Vittorio Ugo looking for in that school of semiological thought? Philippe Potié was asking a few years ago. How to explain the choice of Ugo to devote himself to the Theory, after twenty years of designing?
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Cedrati, C. „LE RIME DI VITTORIO ALFIERI“. Doctoral thesis, Università degli Studi di Milano, 2011. http://hdl.handle.net/2434/153114.

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This dissertation focuses on the Rime of Vittorio Alfieri (1749-1803), aiming to enlighten, through a thematic, stylistic and philological commentary of the lyrical works in their entirety, the most significant aspects of the corpus, which counts more than 450 texts, composed during the poet's entire life and included for the most part in the two collections of Rime (1789) and Parte seconda (1799) prepared by the author himself. Although selections of Alfieri's poems have been repeatedly and effectively investigated from several perspectives, little has, however, been done to provide an encompassing commentary of the Rime, a lack which can be mainly ascribed to the problematical state of the critical edition, largely outdated by further discoveries of unknown poems after its first publication in 1933 and prepared by collating together only a few of the surviving manuscripts and the editiones principes. The chronological method of analysis, allowed by the constant presence in the autographs of date and time of composition for each poem, and the renewed study of the manuscripts and the first editions have resulted in the overcoming of the issues connected with the complex tradition and in the developing of a wide and detailed analysis of the whole lyrical production, which thus has been profitably read as a diary in verses, a lyrical autobiography formed by fragments written day by day before the Vita scritta da esso.
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Aecherli, Claire-Line. „L'opera di Vittorini : uno studio strutturale“. Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66020.

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Marek, Heidi. „Elio Vittorini und die moderne europäische Erzählkunst : 1926-1939 /“. Heidelberg : C. Winter, 1990. http://catalogue.bnf.fr/ark:/12148/cb366496644.

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Berriel, Nádia Jorge 1983. „Antigone de Vittorio Alfieri : uma tradução“. [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270172.

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Orientador: Suzi Frankl Sperber
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-22T02:08:04Z (GMT). No. of bitstreams: 1 Berriel_NadiaJorge_M.pdf: 849852 bytes, checksum: c58e0a274adf4d28a2ea692d6cd8ce13 (MD5) Previous issue date: 2012
Resumo: este trabalho consiste numa tradução da peça Antigone, do tragediógrafo italiano Vittorio Alfieri, escrita em 1776 em Florença, Itália. Esta tragédia revela inquietações artísticas e particularidades linguísticas que refletem o período que antecede o Risorgimento, tanto no âmbito político quanto no que se refere à cultura e ao idioma italiano. A presente dissertação apresenta também um perfil biográfico de Vittorio Alfieri, autor até o momento pouco conhecido no Brasil, a partir de estudo de sua autobiografia e de estudos publicados na Itália sobre sua obra e seu envolvimento com movimentos políticos que culminaram na Revolução Francesa
Abstract: this work consists on a translation of the play Antigone, by the Italian tragedy writer Vittorio Alfieri. The play was written in 1776 in Florence, Italy. This tragedy reveals artistic concerns and linguistic particularities that reflect the period of time that precedes the Risorgimento, both in a political extent as in where the Italian culture and language is concerned. The present dissertation presents also a biographic profile of Vittorio Alfieri, author until this moment little known in Brazil, based on the study of his autobiography and texts published in Italy about the author's work and involvement in political movements that led to the French Revolution
Mestrado
Teoria e Critica Literaria
Mestra em Teoria e História Literária
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Duarte, Adriana Cristina Vieira. „Frontiera: uma introdução a Vittorio Sereni“. Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-17112015-115719/.

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O poeta italiano Vittorio Sereni (1913-1983) é ainda inédito e pouco conhecido no Brasil. A fim de introduzir o autor ao público brasileiro, este trabalho tem como objeto de estudo seu livro de estreia, Frontiera, de 1941. A partir de um panorama que percorre de maneira sucinta o surgimento dos poetas modernos da Itália, e que situa o leitor acerca da posição ocupada por Vittorio Sereni nesse cenário, esta pesquisa investiga os caminhos cursados pelo poeta em sua juventude, no início de sua produção literária. Tal percurso, conforme se demonstrará, foi determinante para sua completa formação humana, cultural e intelectual, abrangendo, por exemplo, as aulas do filósofo Antonio Banfi na Universidade de Milão, a experiência como redator da revista \"Corrente di vita giovanile\", e a admiração e amizade com os poetas Eugenio Montale, Giuseppe Ungaretti e Umberto Saba. Ademais, este trabalho discute o polêmico tema do pertencimento ou não de Sereni ao movimento hermético italiano dos anos 30/40. Finalmente, por meio de análises de quatro poemas do livro selecionado, \"Inverno\", \"Inverno a Luino\", \"Strada di Zenna\" e \"Ecco le voci cadono\", serão especificadas algumas linhas temáticas centrais de Frontiera recorrentes em outras composições de sua primeira publicação.
Italian poet Vittorio Sereni (1913-1983) is still unpublished and relatively unknown in Brazil. In order to introduce the author to the Brazilian public, this research studies his debut book, Frontiera, 1941. Through a brief overview of the history of the Italian modern poets, the present study investigates the path followed by Vittorio Sereni during his youth, at the beginning of his literary career. Such path, as will be shown later, was of the utmost importance for the poets humanitarian, cultural and intellectual development, and includes the philosophy lectures given by Antonio Banfi at the University of Milan, the time spent as a writer at the magazine \"Corrente di vita giovanile\" and the admiration of and friendship with fellow poets Eugenio Montale, Giuseppe Ungaretti and Umberto Saba. Moreover, this research addresses the controversial debate on whether Sereni integrated or not the Italian hermetic movement in the 1930s and 40s. Lastly, through the study of four poems from the selected book, \"Inverno\", \"Inverno a Luino\". \"Strada di Zenna\" e \"Ecco le voci cadono\", recurrent central themes in Frontiera will be presented and analyzed.
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Bortolini, Chiara <1987&gt. „Mario Luzi/Vittorio Sereni:incontro nella realtà“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3513.

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Bücher zum Thema "Vittoriano"

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Stocchi, Attilio. Vittoriano Viganò: Etica brutalista. Torino: Testo & immagine, 1999.

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Viganò, Vittoriano. A come architettura: Vittoriano Viganò. Milano: Electa, 1992.

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Cao, Antonio Piva Elena. Vittoriano Viganò: A come asimmetria. Roma: Gangemi, 2008.

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Graf, Franz. L'Istituto Marchiondi Spagliardi di Vittoriano Viganò. Mendrisio: Mendrisio Academy Press, 2009.

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Catterina, Paolo. Il contributo lombardo alla nascita del Vittoriano: Cultura e lavoro nella Brescia tra Otto e Novecento. Brescia: Liberedizioni, 2010.

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Antellini, Simona. Il liberty al Vittoriano: Pitture e mosaici. [Roma]: Artemide, 2000.

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Giacomo, Martines, und Geremia Francesca, Hrsg. Il Vittoriano: Un Valhalla per il Re galantuomo. Roma: Carocci editore S.p.A., 1992.

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Brice, Catherine. Monumentalité publique et politique à Rome: Le Vittoriano. Rome: Ecole française de Rome, 1998.

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Brice, Catherine. Le Vittoriano: Monumentalité publique et politique à Rome. [Rome]: Ecole française de Rome, 1998.

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Viganò, Vittoriano. Vittoriano Viganò: Una ricerca e un segno in architettura. Milano: Electa, 1994.

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Buchteile zum Thema "Vittoriano"

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Wild, Gerhard. „Vittorini, Elio“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18362-1.

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Kohlhaas, Peter. „Elio Vittorini“. In Kindler Kompakt Italienische Literatur 20. Jahrhundert, 116–18. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_18.

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Rech, Giulia, Stefano Arieti, Matilde Iorizzo und Antonella Tosti. „Vittorio Mibelli“. In Pantheon of Dermatology, 742–48. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-33224-1_124.

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Wild, Gerhard. „Alfieri, Vittorio“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2307-1.

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Wild, Gerhard. „Colonna, Vittoria“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3207-1.

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Carinci, Eleonora. „Colonna, Vittoria“. In Encyclopedia of Renaissance Philosophy, 1–4. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-02848-4_93-1.

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Carinci, Eleonora. „Colonna, Vittoria“. In Encyclopedia of Renaissance Philosophy, 776–80. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_93.

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Dazzi, Nino. „Benussi, Vittorio.“ In Encyclopedia of psychology, Vol. 1., 403–4. Washington: American Psychological Association, 2000. http://dx.doi.org/10.1037/10516-144.

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Barahona, Jorge, und Guido Pablo Korman. „Guidano, Vittorio“. In The Palgrave Biographical Encyclopedia of Psychology in Latin America, 1–3. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-38726-6_583-1.

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Veronesi, Vittoria, und Martina Schiavello. „Da Vittorio“. In The Evolution of Made in Italy, 99–108. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-15667-0_10.

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Konferenzberichte zum Thema "Vittoriano"

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Dabiri, Hamed, Jessica Clementi, Roberta Marini, Paolo Mazzanti, Gabriele Scarascia Mugnozza, Francesca Bozzano und Dan Bompa. „Finite Element analysis of Vittoriano building based on InSAR data“. In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.005.

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Dabiri, Hamed, Jessica Clementi, Roberta Marini, Paolo Mazzanti, Gabriele Scarascia Mugnozza, Francesca Bozzano und Dan Bompa. „Finite Element analysis of Vittoriano building based on InSAR data“. In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.005.

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Maas, Stephen. „Vittorio Rizzoli and Oscillator Analysis“. In 2022 52nd European Microwave Conference (EuMC). IEEE, 2022. http://dx.doi.org/10.23919/eumc54642.2022.9991873.

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Dima, Gabriela_Eugenia. „Rosmunda: Feminine Illustration of Vittorio Alfieri�s Tyrant“. In 7th SWS International Scientific Conferences on ART and HUMANITIES ISCAH 2020. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.f2020.7.2/s09.14.

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d’Orlando, Vincent. „Uomini e no d’Elio Vittorini : un néoréalisme en trompe-l’oeil“. In L’Histoire en fictions. La Seconde Guerre mondiale dans le néoréalisme italien. Fabula, 2016. http://dx.doi.org/10.58282/colloques.3124.

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Germen, Murat. „Reading the space as an entity - Galleria Vittorio Emanuele, Milan, Italy“. In ACM SIGGRAPH 2006 Sketches. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1179849.1179952.

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Schimiti, Weber. „The Invisible Side Green and the Centro Cultural São Paulo Building“. In ENSUS2023 - XI Encontro de Sustentabilidade em Projeto. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/2596-237x.ensus2023.v11.n1.p344-361.

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The article identifies relations between the design of the Centro Cultural São Paulo (1975-1982) by Eurico Prado Lopes and Luiz Telles, with a new sensibility that emerges from the sixties onwards, driven by criticism of the consumer society, the energy crisis of seventies and the growing ecological awareness. From the identification of these relationships, theoretical and disciplinary propositions by Vittorio Gregotti, Kenneth Frampton and Stan Allen are summoned and discussed as markers of changes in design concepts and postures that progressively incorporate environmental concerns and sustainability issues. Some projects that demonstrate the parallelism of this ecological awareness in Brazil and abroad are selected and the multiple faces of its expression in contemporary architecture are analyze.
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„IMPLEMENTACIÓN DE UN SISTEMA PILOTO DE COSECHA DE AGUA DE NIEBLA PARA SOLUCION UNIFAMILIAR EN EL “RINCON DE LA VITTORIA”“. In 27th International Congress on Project Management and Engineering. Asociación Española de Dirección e Ingeniería de Proyectos (AEIPRO), 2023. http://dx.doi.org/10.61547/3436.

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Stoyanova, I. „The iron-glass roof of the Milan Gallery Vittorio Emanuele II: knowing the past, understanding the present and preservation for the future“. In STREMAH 2015. Southampton, UK: WIT Press, 2015. http://dx.doi.org/10.2495/str150071.

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Young, Sarah, Michael McClure und Ursula Emery McClure. „GATOR House: A Typology of Resilience“. In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.43.

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In the modern era, most buildings in southern Louisiana’s wet, hot, humid, and often volatile climate seek to resist the extreme conditions by creating a presumed impenetrable barrier. Since the advent of HVAC, levees, dams, and surge barriers, a construction culture of resistance has permeated the built environment. This has proven less than resilient and has resulted in billions of dollars in remediation and billions more tons of construction debris. Historically, buildings in this subtropical area were forced to employ every manner of passive systems to mediate their physical environment to the greatest extent possible. The GATOR house resists the false choices of historical vs. modern, man vs. nature, active vs. passive, and celebrates the complex interaction of the built, natural, and cultural systems of southern Louisiana. Geography is the description of how the signs of history have become forms, therefore the architectural project is charged with the task of revealing the essence of the geo-environmental context through the transformation of form. The environment is therefore not a system in which to dissolve architecture. On the contrary, it is the most important material from which to develop the project. - Vittorio Gregotti 1
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Berichte der Organisationen zum Thema "Vittoriano"

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Guidotti, Andrea. Book Review: The Wrecking of the Liberal World Order. European Center for Populism Studies (ECPS), Januar 2024. http://dx.doi.org/10.55271/br0013.

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In his book, “The Wrecking of the Liberal World Order,” Vittorio Emanuele Parsi argues that the neoliberal distortion of democracy has led to its erosion, giving rise to populism. This phenomenon has permeated both public discourse and the political culture of mainstream parties. Faced with this challenge, these parties find themselves at a crossroads, having to decide between a defensive response to the surge of populist movements or adapting and converging with their political platforms to prevent substantial losses in electoral support.
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