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1

Atasoy, Seda Nur. „Visual perception management in advertisements“. New Trends and Issues Proceedings on Humanities and Social Sciences 2, Nr. 1 (19.02.2016): 397–409. http://dx.doi.org/10.18844/gjhss.v2i1.324.

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2

Cooper, John, Nicholas J. Wade und Michael Swanston. „Visual Perception“. Leonardo 24, Nr. 5 (1991): 631. http://dx.doi.org/10.2307/1575684.

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3

Ng, Jason S. „Visual Perception“. Optometry and Vision Science 95, Nr. 12 (Dezember 2018): 1166–67. http://dx.doi.org/10.1097/opx.0000000000001332.

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4

KEARINS, JUDITH. „Visual Perception“. Australian Occupational Therapy Journal 14, Nr. 1 (27.08.2010): 5–20. http://dx.doi.org/10.1111/j.1440-1630.1967.tb00189.x.

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5

Boselie, F. „Visual perception“. Acta Psychologica 75, Nr. 2 (November 1990): 174–75. http://dx.doi.org/10.1016/0001-6918(90)90088-w.

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6

Sahan, Melek. „On three dimensional perceptions in the visual age“. Global Journal of Arts Education 5, Nr. 1 (14.04.2015): 10. http://dx.doi.org/10.18844/gjae.v5i1.14.

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Aim of the study is to examine the values of the three dimensional perception and collect information about that. Starting point is the observation of differences in two and three dimensional perception abilities of individuals having education in visual arts. It has been observed that some students, who have high level of competency in two dimensional perception, do not have the same competency in three dimensional perception. This is considered important since it creates two and three dimensional perceptions and differences of expression between them. We tried to emphasize the importance of the subject particularly in terms of visual arts education in the current visual age. The study is a document review. In this study we addressed the characteristics of the age we are living in, perception, visual perception, and two and three dimensional perception. We summarized the differences in visual perception and included three dimensional comprehension. By examining the related literature, we came to the conclusion that the two and three dimensional perception processes and their requirements are different. Keywords: sculpture, three dimensional perceptions, visual perception, visual age.
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7

Taneja, MK. „Visual speech perception“. Indian Journal of Otology 25, Nr. 2 (2019): 49. http://dx.doi.org/10.4103/indianjotol.indianjotol_67_19.

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8

McSorley, Eugene. „Review: Visual Perception“. Perception 30, Nr. 4 (April 2001): 523–24. http://dx.doi.org/10.1068/p3004rvw.

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9

Klingenhoefer, Steffen, und Bart Krekelberg. „Perisaccadic visual perception“. Journal of Vision 17, Nr. 9 (24.08.2017): 16. http://dx.doi.org/10.1167/17.9.16.

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10

Albright, T. D., und G. R. Stoner. „Visual motion perception.“ Proceedings of the National Academy of Sciences 92, Nr. 7 (28.03.1995): 2433–40. http://dx.doi.org/10.1073/pnas.92.7.2433.

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11

Mascalzoni, Elena, und Lucia Regolin. „Animal visual perception“. Wiley Interdisciplinary Reviews: Cognitive Science 2, Nr. 1 (20.08.2010): 106–16. http://dx.doi.org/10.1002/wcs.97.

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12

Revonsuo, Antti. „Visual perception and subjective visual awareness“. Behavioral and Brain Sciences 21, Nr. 6 (Dezember 1998): 769–70. http://dx.doi.org/10.1017/s0140525x98461752.

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Pessoa et al. fail to make a clear distinction between visual perception and subjective visual awareness. Their most controversial claims, however, concern subjective visual awareness rather than visual perception: visual awareness is externalized to the “personal level,” thus denying the view that consciousness is a natural biological phenomenon somehow constructed inside the brain.
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13

Hardcastle, Valerie Gray. „Visual perception is not visual awareness“. Behavioral and Brain Sciences 24, Nr. 5 (Oktober 2001): 985. http://dx.doi.org/10.1017/s0140525x01360119.

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O'Regan & Noë mistakenly identify visual processing with visual experience. I outline some reasons why this is a mistake, taking my data and arguments mainly from the literature on subliminal processing.
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14

Torales, Julio, Enrique De Doménico Meyer und Eliana Duarte Fariña. „Schizophrenia and visual perception disturbances“. Revista Virtual de la Sociedad Paraguaya de Medicina Interna 7, Nr. 2 (30.09.2020): 96–104. http://dx.doi.org/10.18004/rvspmi/2312-3893/2020.07.02.96.

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15

Teraoka, Ryo, und Wataru Teramoto. „Touch-contingent visual motion perception: tactile events drive visual motion perception“. Experimental Brain Research 235, Nr. 3 (03.12.2016): 903–12. http://dx.doi.org/10.1007/s00221-016-4850-y.

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16

Shao, Lingfang, Pengfei Ma und Zijin Zhou. „Research on the Impact of Landscape Planning on Visual and Spatial Perception in Historical District Tourism: A Case Study of Laomendong“. Land 13, Nr. 8 (25.07.2024): 1134. http://dx.doi.org/10.3390/land13081134.

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Exploring the impact of landscape planning on visual and spatial perception is particularly significant for historical district tourism. The existing literature offers limited insight into which historical landscapes most effectively influence tourists’ visual and spatial perceptions. Our study investigates this relationship within the cultural heritage context of Laomendong, a historical district in Nanjing, China. Utilizing the Stimulus–Organism–Response (SOR) theoretical framework, this research explored how the stylistic, symbolic, and spatial dimensions of historical landscapes influence tourists’ visual and spatial perceptions. Structural equation modeling (SEM) was used to test hypotheses concerning the relationships between historical landscapes, visual perception, spatial perception, and individual predispositions. The findings revealed that stylistic factors (material, color, and ornament), symbolic factors (landmark, relic, and sign), and spatial factors (openness, scale, and layout) significantly enhance visual perception and subsequently spatial perception. Visual perception plays a mediating role in the influence of historical landscapes on spatial perception. Individual predispositions, like sensation-seeking, intensify spatial perception, while destination familiarity surprisingly shows a negative effect, suggesting that over-familiarity might diminish the novelty and excitement of a spatial experience. These insights provide practical implications for the sustainable development of landscape planning in historical district tourism.
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17

Legrain, Valéry, Louise Manfron, Marynn Garcia und Lieve Filbrich. „Does Body Perception Shape Visuospatial Perception?“ Perception 47, Nr. 5 (15.03.2018): 507–20. http://dx.doi.org/10.1177/0301006618763269.

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How we perceive our body is shaped by sensory experiences with our surrounding environment, as witnessed by poor performance in tasks during which participants judge with their hands crossed the temporal order between two somatosensory stimuli, one applied on each hand. This suggests that somatosensory stimuli are not only processed according to a somatotopic representation but also a spatiotopic representation of the body. We investigated whether the perception of stimuli occurring in external space, such as visual stimuli, can also be influenced by the body posture and somatosensory stimuli. Participants performed temporal order judgements on pairs of visual stimuli, one in each side of space, with their hands uncrossed or crossed. In Experiment 1, participants’ hands were placed either near or far from the visual stimuli. In Experiment 2, the visual stimuli were preceded, either by 60 ms or 360 ms, by tactile stimuli applied on the hands placed near the visual stimuli. Manipulating the time interval was intended to activate either a somatotopic or a spatiotopic representation of somatic inputs. We did not obtain any evidence for an influence of body posture on visual temporal order judgment, suggesting that body perception is less relevant for processing extrabody stimuli than the reverse.
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18

Cuijpers, R. H., A. M. L. Kappers und J. J. Koenderink. „Visual perception of collinearity“. Perception & Psychophysics 64, Nr. 3 (April 2002): 392–404. http://dx.doi.org/10.3758/bf03194712.

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19

Duchesneau, André P. „Alexithymia and Visual Perception“. Perceptual and Motor Skills 83, Nr. 1 (August 1996): 291–98. http://dx.doi.org/10.2466/pms.1996.83.1.291.

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60 subjects were administered the Toronto Alexithymia Scale-20, a screening test for alexithymia, and categorized by the usual scoring procedure. Each subject was then given the six Performance subtests of the Wechsler Adult Intelligence Scale-Revised which address aspects of visual perception, organization, and construction. Analysis indicated that the alexithymic group scored significantly lower on two tests of visual perception, Picture Completion and Digit Symbol of the Wechsler Adult Intelligence Scale–Revised.
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20

Ittelson, William H. „Visual perception of markings“. Psychonomic Bulletin & Review 3, Nr. 2 (Juni 1996): 171–87. http://dx.doi.org/10.3758/bf03212416.

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21

Heider, Daniel. „Suárez on Visual Perception“. Scientia et Fides 5, Nr. 1 (19.04.2017): 61. http://dx.doi.org/10.12775/setf.2017.003.

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22

NAGAMACHI, Mibuo. „Visual Perception and Visualization.“ Journal of the Visualization Society of Japan 11, Nr. 43 (1991): 201–7. http://dx.doi.org/10.3154/jvs.11.201.

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23

Zahorik, Pavel. „Auditory/visual distance perception“. Journal of the Acoustical Society of America 137, Nr. 4 (April 2015): 2374. http://dx.doi.org/10.1121/1.4920626.

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24

Stryker, Michael P. „Elements of visual perception“. Nature 360, Nr. 6402 (November 1992): 301–2. http://dx.doi.org/10.1038/360301a0.

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25

Mirabel, Sylvie. „Visual function and perception“. Current Opinion in Ophthalmology 3, Nr. 5 (Oktober 1992): 581–91. http://dx.doi.org/10.1097/00055735-199210000-00005.

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26

Schomaker, Judith, und Martijn Meeter. „Novelty Enhances Visual Perception“. PLoS ONE 7, Nr. 12 (05.12.2012): e50599. http://dx.doi.org/10.1371/journal.pone.0050599.

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27

Zhang, J., und S. Y. Wu. „Structure of visual perception.“ Proceedings of the National Academy of Sciences 87, Nr. 20 (01.10.1990): 7819–23. http://dx.doi.org/10.1073/pnas.87.20.7819.

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28

Brown, Angela M. „Visual Perception: Essential Readings.“ Optometry and Vision Science 79, Nr. 5 (Mai 2002): 283. http://dx.doi.org/10.1097/00006324-200205000-00005.

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29

Celesia, Gastone G. „Visual Perception and Awareness“. Journal of Psychophysiology 24, Nr. 2 (Januar 2010): 62–67. http://dx.doi.org/10.1027/0269-8803/a000014.

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The study of visual processing and abnormalities due to lesions of cortical structures sheds light on visual awareness/consciousness and may help us to better understand consciousness. We report on clinical observations and psychophysical testing of achromatopsia/prosopagnosia, visual agnosia, and blindsight. Achromatopsia and prosopagnosia reveal that visual cortices have functionally specialized processing systems for color, face perception, and their awareness, and that furthermore these systems operate independently. Dysfunction is limited to some aspects of visual perception; someone with achromatopsia, although not conscious of color, is aware of the objects’ form, motion, and their relationship with sound and other sensory percepts. Perceptual awareness is modular, with neuronal correlates represented by multiple separate specialized structures or modules. Visual agnosia shows that awareness of a complete visual percept is absent, though the subject is aware of single visual features such as edges, motion, etc., an indication that visual agnosia is a disruption of the binding process that unifies all information into a whole percept. Blindsight is characterized by the subject’s ability to localize a visual target while denying actually seeing the target. Blindsight is mediated by residual islands of the visual cortex, which suggests that sensory modules responsible for awareness can function only when structurally intact. We conclude (1) that perceptual awareness (consciousness?) is modular, and (2) that perceptual integration is also modular, which suggests that integration among distinct cortical regions is a parallel process with multiple communication pathways. Any hypothesis about consciousness must include these observations about the presence of multiple parallel, but spatially and temporally different, mechanisms.
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30

Beauchamp, Ross. „THEORIES OF VISUAL PERCEPTION“. Optometry and Vision Science 68, Nr. 9 (September 1991): 758. http://dx.doi.org/10.1097/00006324-199109000-00019.

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31

Griffin, John R., Todd F. Birch, Gordon F. Bateman und Paul N. De Land. „Dyslexia and Visual Perception“. Optometry and Vision Science 70, Nr. 5 (Mai 1993): 374–79. http://dx.doi.org/10.1097/00006324-199305000-00006.

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32

Jolij, Jacob, und Maaike Meurs. „Music Alters Visual Perception“. PLoS ONE 6, Nr. 4 (21.04.2011): e18861. http://dx.doi.org/10.1371/journal.pone.0018861.

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33

Stuchlíková, Iva, Pavel Kindlman und Frantisek Man. „Anxiety in visual perception“. Anxiety, Stress & Coping 9, Nr. 1 (Januar 1996): 87–103. http://dx.doi.org/10.1080/10615809608249394.

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34

Troscianko, Tom, Christopher P. Benton, P. George Lovell, David J. Tolhurst und Zygmunt Pizlo. „Camouflage and visual perception“. Philosophical Transactions of the Royal Society B: Biological Sciences 364, Nr. 1516 (06.11.2008): 449–61. http://dx.doi.org/10.1098/rstb.2008.0218.

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How does an animal conceal itself from visual detection by other animals? This review paper seeks to identify general principles that may apply in this broad area. It considers mechanisms of visual encoding, of grouping and object encoding, and of search. In most cases, the evidence base comes from studies of humans or species whose vision approximates to that of humans. The effort is hampered by a relatively sparse literature on visual function in natural environments and with complex foraging tasks. However, some general constraints emerge as being potentially powerful principles in understanding concealment—a ‘constraint’ here means a set of simplifying assumptions. Strategies that disrupt the unambiguous encoding of discontinuities of intensity (edges), and of other key visual attributes, such as motion, are key here. Similar strategies may also defeat grouping and object-encoding mechanisms. Finally, the paper considers how we may understand the processes of search for complex targets in complex scenes. The aim is to provide a number of pointers towards issues, which may be of assistance in understanding camouflage and concealment, particularly with reference to how visual systems can detect the shape of complex, concealed objects.
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35

Boynton, Geoffrey M. „Attention and visual perception“. Current Opinion in Neurobiology 15, Nr. 4 (August 2005): 465–69. http://dx.doi.org/10.1016/j.conb.2005.06.009.

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36

Hartmann, Joel A., William A. Wolz, David P. Roeltgen und Felice L. Loverso. „Denial of visual perception“. Brain and Cognition 16, Nr. 1 (Mai 1991): 29–40. http://dx.doi.org/10.1016/0278-2626(91)90083-k.

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37

Slater, Alan M. „Visual perception at birth“. Infant Behavior and Development 9 (April 1986): 346. http://dx.doi.org/10.1016/s0163-6383(86)80352-6.

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38

Hel, Francois. „Visual Perception Entropy Measure“. SMPTE Motion Imaging Journal 128, Nr. 10 (November 2019): 51–57. http://dx.doi.org/10.5594/jmi.2019.2941361.

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39

Zakia, Richard D. „Photography and Visual Perception“. Journal of Aesthetic Education 27, Nr. 4 (1993): 67. http://dx.doi.org/10.2307/3333501.

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40

Langley, Keith. „Visual perception and encoding“. Spatial Vision 18, Nr. 4 (2005): 375–77. http://dx.doi.org/10.1163/1568568054389598.

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41

Matthews, Julia. „Neurobiology of Visual Perception“. Psychoanalytic Quarterly 63, Nr. 2 (April 1994): 392–403. http://dx.doi.org/10.1080/21674086.1994.11927419.

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42

Nakayama, K. „Binocular visual surface perception.“ Proceedings of the National Academy of Sciences 93, Nr. 2 (23.01.1996): 634–39. http://dx.doi.org/10.1073/pnas.93.2.634.

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43

Faubert, Jocelyn. „Visual perception and aging.“ Canadian Journal of Experimental Psychology/Revue canadienne de psychologie expérimentale 56, Nr. 3 (2002): 164–76. http://dx.doi.org/10.1037/h0087394.

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44

ffytche, D. H., J. D. Blom und M. Catani. „Disorders of visual perception“. Journal of Neurology, Neurosurgery & Psychiatry 81, Nr. 11 (22.10.2010): 1280–87. http://dx.doi.org/10.1136/jnnp.2008.171348.

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45

Doi, S. A. R. „Visual perception — A hypothesis“. Medical Hypotheses 35, Nr. 2 (Juni 1991): 148–50. http://dx.doi.org/10.1016/0306-9877(91)90039-2.

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46

Vos, P. G. „Theories of visual perception“. Acta Psychologica 75, Nr. 1 (Oktober 1990): 91–92. http://dx.doi.org/10.1016/0001-6918(90)90068-q.

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47

Wagemans, Johan. „Visual perception: An introduction“. Acta Psychologica 81, Nr. 1 (Oktober 1992): 91–93. http://dx.doi.org/10.1016/0001-6918(92)90016-7.

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48

Johnson, Scott P. „Development of visual perception“. Wiley Interdisciplinary Reviews: Cognitive Science 2, Nr. 5 (22.11.2010): 515–28. http://dx.doi.org/10.1002/wcs.128.

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49

Intraub, Helene. „Rethinking visual scene perception“. Wiley Interdisciplinary Reviews: Cognitive Science 3, Nr. 1 (06.05.2011): 117–27. http://dx.doi.org/10.1002/wcs.149.

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50

Porto, André. „SINGULARITY AND VISUAL PERCEPTION“. Revista Dissertatio de Filosofia 58 (13.03.2024): 218–46. http://dx.doi.org/10.15210/dissertatio.v58i.26546.

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This paper deals with the mutations in Wittgenstein’s treatment of the notions of “generality”and of “singularity”, from his first philosophy, in the Tractatus Logico-Philosophicus, to his later maturephilosophy represented by the Philosophical Investigations. As we shall see, Wittgenstein’s philosophicalhandling of the notion of “visual perception” plays a key role in those conceptual transformations.
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