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Bücher zum Thema „Virus de microbes“

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1

Zimmerman, Barry E. Killer germs: Microbes and diseases that threaten humanity. Chicago, Ill: Contemporary Books, 1996.

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2

A, Oldstone Michael B., Hrsg. Molecular mimicry: Cross-reactivity between microbes and host proteins as a cause of autoimmunity. Berlin: Springer-Verlag, 1989.

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3

Krasner, Robert I. 20th century microbe hunters. Sudbury, MA: Jones and Bartlett Publishers, 2008.

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4

Zimmer, Carl, 1966- writer of introductory text, Hrsg. Virus: An illustrated guide to 101 incredible microbes. Princeton University Press, 2016.

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5

Zimmer, Carl. Virus: An Illustrated Guide to 101 Incredible Microbes. Princeton University Press, 2016.

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6

Roossinck, Marilyn. Virus: 101 Incredible Microbes from Coronavirus to Zika. Ivy Press, The, 2025.

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7

Roossinck, Marilyn. Virus: An Illustrated Guide to 100 Incredible Microbes. Ivy Press, The, 2016.

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8

Harper, D. R. Of Mice, Men and Microbes. SPCK Publishing, 1999.

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9

Oliveira, Ana, Carlos São-José, Diana Priscila Penso Pires, Hugo Alexandre Mendes Oliveira, Ivone M. Martins, Joana Azeredo, Krystyna Dabrowska et al., Hrsg. Viruses of Microbes: the latest conquests. CEB UMinho, 2022. http://dx.doi.org/10.21814/1822.79403.

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This book covers abstracts from the most recent advances in ecology and evolution of microbial viruses, virus structures and function, virus-host interaction, agro-food, veterinary and environmental biotechnology applications and phage therapy.
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10

Harper, D. R., und Andrea S. Meyer. Of Mice, Men, and Microbes: Hantavirus. Elsevier Science & Technology Books, 1999.

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11

Crawford, Dorothy H. Deadly Companions: How Microbes Shaped our History. Oxford University Press, 2018.

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12

Crawford, Dorothy H. Deadly Companions: How Microbes Shaped Our History. Tantor Audio, 2018.

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13

Crawford, Dorothy H. Deadly Companions: How Microbes Shaped Our History. Ebsco Publishing, 2007.

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14

Crawford, Dorothy H. Deadly Companions: How Microbes Shaped Our History. Tantor Audio, 2018.

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15

Crawford, Dorothy H. Deadly Companions: How Microbes Shaped Our History. Oxford University Press, 2007.

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16

Garrigue, Roland, Marc Giraud und Marc-André Selosse. Mille milliards de microbes ! Virus, bactéries et autres minuscules alliés de notre corps. DELACHAUX, 2021.

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17

Fong, I. W. The Role of Microbes in Common Non-Infectious Diseases. Springer, 2014.

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18

Of Mice, Men, and Microbes: Hantavirus. Academic Press, 1999.

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19

Book about Microbiology: Facts about Bacteria, Microbes, Virus, and How Do They Live. Amazing Informations of This Book. Independently Published, 2022.

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20

Sparks, L., und Michael B. A. Oldstone. Molecular Mimicry: Cross-Reactivity Between Microbes and Host Proteins as a Cause of Autoimmunity. Springer, 2011.

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21

Carton, James. Infectious diseases. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780198759584.003.0002.

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This chapter describes infectious diseases, including common types of microbes (bacteria, viruses, fungi, protozoa, helminths) and antimicrobial agents (antibacterial, antiviral, and antifungal agents), as well as some common systemic infectious diseases such as human immunodeficiency virus (HIV), tuberculosis (TB), infectious mononucleosis, malaria, syphilis, Lyme disease, and leishmaniasis.
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22

Virus Adult Coloring Book of Germs, Bacteria, Microbes: Creative Stay-At-Home Activity for Adults and Teens, Creepy and Weird Coloring Book. Independently Published, 2020.

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23

Carton, James. Infectious diseases. Oxford University Press, 2012. http://dx.doi.org/10.1093/med/9780199591633.003.0002.

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Microbes 16Antimicrobial agents 17Human immunodeficiency virus 18Tuberculosis 20Infectious mononucleosis 21Malaria 22Syphilis 24Lyme disease 25Leishmaniasis 26• Single-celled organisms with their double-stranded DNA lying free in cytoplasm surrounded by a cell membrane and cell wall.• Most grow in air (aerobes), but can grow without it (facultative anaerobes). Some only grow in the absence of oxygen (strict anaerobes)....
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24

Stop the Stop the virus. Stop the Virus: How to Stay Healthy and Clean Coloring Book with Educational Messages /Germs and Microbes Coloring Book for Kids / Child Ages 2-10. Independently Published, 2020.

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25

Oldstone, Michael B. A. Molecular Mimicry: Cross-Reactivity between Microbes and Host Proteins as a Cause of Autoimmunity. Current Topics in Microbiology and Immunology, Volume 145. Springer, 1989.

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26

Bouckaert, Geert, Gustau Raluy, Sebastiaan Van Doninck und Marc Van Ranst. Microbis monstruosos. Tot sobre bacteris útils i virus dolents. No ficción, 2020.

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27

Scortichini, Marco, und Elvira Fiallo-Olivé, Hrsg. Insights in Microbe and Virus Interactions With Plants: 2021. Frontiers Media SA, 2022. http://dx.doi.org/10.3389/978-2-88976-936-0.

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28

Bouckaert, Geert, Gustau Raluy, Sebastiaan Van Doninck und Marc Van Ranst. Microbios monstruosos. Sobre bacterias útiles y virus dañinos. No ficción, 2020.

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29

Microbios monstruosos: : todo sobre bacterias útiles y virus dañinos. Barcelona: Takatuka, 2020.

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30

Microbe hunters, then and now. Bloomington, Ill: Medi-Ed Press, 1996.

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31

Krasner, Robert I. 20th Century Microbe Hunters: This Title Is Print on Demand. Jones & Bartlett Learning, LLC, 2012.

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32

Kirchman, David L. The ecology of viruses. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198789406.003.0010.

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In addition to grazing, another form of top-down control of microbes is lysis by viruses. Every organism in the biosphere is probably infected by at least one virus, but the most common viruses are thought to be those that infect bacteria. Viruses come in many varieties, but the simplest is a form of nucleic acid wrapped in a protein coat. The form of nucleic acid can be virtually any type of RNA or DNA, single or double stranded. Few viruses in nature can be identified by traditional methods because their hosts cannot be grown in the laboratory. Direct count methods have found that viruses are very abundant, being about ten-fold more abundant than bacteria, but the ratio of viruses to bacteria varies greatly. Viruses are thought to account for about 50% of bacterial mortality but the percentage varies from zero to 100%, depending on the environment and time. In addition to viruses of bacteria and cyanobacteria, microbial ecologists have examined viruses of algae and the possibility that viral lysis ends phytoplankton blooms. Viruses infecting fungi do not appear to lyse their host and are transmitted from one fungus to another without being released into the external environment. While viral lysis and grazing are both top-down controls on microbial growth, they differ in several crucial respects. Unlike grazers, which often completely oxidize prey organic material to carbon dioxide and inorganic nutrients, viral lysis releases the organic material from hosts more or less without modification. Perhaps even more important, viruses may facilitate the exchange of genetic material from one host to another. Metagenomic approaches have been used to explore viral diversity and the dynamics of virus communities in natural environments.
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33

Barnard, Paolo, Angus Dalgleish und Steven Quay. Origin of the Virus: The Hidden Truths Behind the Microbe That Killed Millions of People. Clinical Press Ltd, 2021.

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34

Nettleton, Claire Correo, Ellen K. Levy, Molly Duggins, Jane Prophet, Marie-Pier Boucher, Louise Mackenzie, Charissa N. Terranova et al., Hrsg. Art and Biotechnology. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350376069.

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This interdisciplinary anthology examines the relationship between developments in biotechnology and both artistic and literary innovation, focussing in particular on how newfound molecular technologies and knowledge regimes, such as CRISPR gene editing, alter conceptions of what it means to be human. The book presents 21 essays, split across five parts, from a coterie of artists, scientists, and theorists, which examine the symbiotic relationship between humans, animals, and viruses as well as the impossibility of germ-free existence. The essays in this volume are urgent in their topicality, embodying the exhilarating yet alarming zeitgeist of contemporary nonhuman-to-human viral transmission and gene editing technologies. Ultimately, Art and Biotechnology reveals how art has influenced biotechnological innovation and has shaped the discussion around gene editing and the socio-cultural aspects of the Covid-19 pandemic. It is essential reading for students and researchers focussing on science and art, environmental humanities, and ethics. In the age of biotechnology, is it possible to conceive of microbes as our new paintbrush, DNA as our typewriter and organic tissue as our new clay? Through an interdisciplinary approach, we examine how newfound molecular technologies and knowledge regimes, such as CRISPR-Cas9 genome editing and the recent COVID-19 pandemic, alter understandings of the human experience. We ask: Where do the arts, which have been at the forefront of technological innovation, sit in relation to our ongoing viral and biomedical entanglement? How have the arts shaped discussion and ethical considerations around genome editing and COVID-19? How have the pandemic and biotechnological innovation—from CRISPR to vaccines with messenger RNA (mRNA)—transformed what it means to be human? To answer these inquiries, we assembled interdisciplinary artists and scholars with a keen interest or background in biology to examine interconnections between artistic and literary and biotechnological innovation. Whether studies, reflections, or artistic practice engaging with biotechnology or COVID-19, the chapters draw inspiration from one another and the practices of fellow artists, scientists, humanists and from the non-humans inside and around us. Their narratives complement research by the medical community—especially those who documented personal experiences with COVID-19 or engaged directly with the virus in their creative work. Artists are particularly suited to making the seemingly imperceptible visible, including microscopic entities, thus contributing to our collective understanding of public health. Manipulating genetic sequences has had a transformative impact on both scientific and artistic narratives. The humanities are a method of thinking critically and ethically about emerging biotechnologies, especially in the realms of genetics and disease control and their societal impact at a time of rapid acceleration. In an era of mass extinction and global heating, biotechnological arts offer hope for ecological restoration while cautioning against the technological dominance of the planet. Art can also aid us in processing the vast racial and economic disparities surrounding the pandemic and the profound loss of millions of lives. This anthology is urgent in its topicality, epitomizing the zeitgeist of contemporary nonhuman-to-human viral transmission and genome editing technologies.
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