Auswahl der wissenschaftlichen Literatur zum Thema „Violiner“
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Zeitschriftenartikel zum Thema "Violiner"
Renat, Maryla. „The synthesis of tradition and avant-garde techniques in selected polish violin sonatas from the second half of the 20th century“. Notes Muzyczny 2, Nr. 12 (13.12.2019): 199–216. http://dx.doi.org/10.5604/01.3001.0013.7175.
Der volle Inhalt der QuelleDondi, Piercarlo, Luca Lombardi, Marco Malagodi und Maurizio Licchelli. „3D modelling and measurements of historical violins“. ACTA IMEKO 6, Nr. 3 (27.09.2017): 29. http://dx.doi.org/10.21014/acta_imeko.v6i3.455.
Der volle Inhalt der QuelleMihălcică, Mircea, Mariana Domnica Stanciu, Silviu Marian Nastac, Florin Dinulică, Alina Maria Nauncef, Ioan Călin Roșca und Adriana Savin. „Signature Modes of Old and New Violins with Symmetric Anatomical Wood Structure“. Applied Sciences 11, Nr. 23 (29.11.2021): 11297. http://dx.doi.org/10.3390/app112311297.
Der volle Inhalt der QuelleStanciu, Mariana Domnica, Mircea Mihălcică, Florin Dinulică, Alina Maria Nauncef, Robert Purdoiu, Radu Lăcătuș und Ghiorghe Vasile Gliga. „X-ray Imaging and Computed Tomography for the Identification of Geometry and Construction Elements in the Structure of Old Violins“. Materials 14, Nr. 20 (09.10.2021): 5926. http://dx.doi.org/10.3390/ma14205926.
Der volle Inhalt der QuelleCaselli, Gabriele, Giovanni Cecchi und Giulio Masetti. „Characteristics, mechanisms, and perceivability of combination tones in violins“. Journal of the Acoustical Society of America 152, Nr. 5 (November 2022): 2513–23. http://dx.doi.org/10.1121/10.0014600.
Der volle Inhalt der QuelleTai, Hwan-Ching, Yen-Ping Shen, Jer-Horng Lin und Dai-Ting Chung. „Acoustic evolution of old Italian violins from Amati to Stradivari“. Proceedings of the National Academy of Sciences 115, Nr. 23 (21.05.2018): 5926–31. http://dx.doi.org/10.1073/pnas.1800666115.
Der volle Inhalt der QuelleMahmudin, Mohammad. „ANALISIS TEKNIK PERMAINAN VIOLIN II PADA LAGU CONCERTO FOR TWO VIOLINS, 1st MOVEMENT KARYA J.S. BACH“. Repertoar Journal 2, Nr. 2 (09.07.2022): 295–311. http://dx.doi.org/10.26740/rj.v2n2.p295-311.
Der volle Inhalt der QuelleWidyaswara, Silvana Nada, und Slamet Haryono. „Bamboo Violin Innovation in Japan Village Kudus Regency“. Jurnal Seni Musik 12, Nr. 1 (30.06.2023): 60–70. http://dx.doi.org/10.15294/jsm.v12i1.68111.
Der volle Inhalt der QuelleWang, Qi, und Changchun Bao. „Individual Violin Recognition Method Combining Tonal and Nontonal Features“. Electronics 9, Nr. 6 (08.06.2020): 950. http://dx.doi.org/10.3390/electronics9060950.
Der volle Inhalt der QuelleFlašar, Martin. „MIDI housle v umění – od hudebního zvuku k multimediálnímu ovladači“. Musicologica Brunensia, Nr. 2 (2022): 177–86. http://dx.doi.org/10.5817/mb2022-2-9.
Der volle Inhalt der QuelleDissertationen zum Thema "Violiner"
Lischka, Rainer. „Violin-Samba: für 2 Violinen“. Rainer Lischka, 2013. https://slub.qucosa.de/id/qucosa%3A23416.
Der volle Inhalt der QuelleKäbisch, Renate. „Musik für Violine und Klavier“. Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-22968.
Der volle Inhalt der QuelleBenjumea, Natalia Londoño. „Posicionamento na mão esquerda do violino : um estudo experimental com iniciantes“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/115660.
Der volle Inhalt der QuelleThe aim of this investigation was to develop a plan of actions for teaching and/or improving left hand positioning of beginner violin students. The goal was to have a teaching alternative that could help solving musculoskeletal tension, derived from inadequate positioning of fingers, and hand. An experimental study was conducted with six students from the Conservatory of Music and undergraduates of the University of Caldas, Colombia. The investigation was based on four topics: (1) analysis of the initial position of hand, fingers and left arm; (2) teaching of the proposed alternative motor and movement patterns; (3) comparison of the left hand before and after the action plan; and (4) evaluation of the action plan. For data collection during this study, video recording were done before and after the actions. This study was based on the writings of Paul Rolland (1911-1981), Ivan Galamian (1903-1981), Carl Flesch (1873- 1944), Yehudi Menuhin (1916-1999) among others.
Lee, Kyung Ha. „A comparative study of selected violin works of Isang Yun Gasa für Violine und Klavier (1963) and Sonate für Violine und Klavier Nr. 1 (1991) /“. Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243887615.
Der volle Inhalt der QuelleReinert, Gina. „Fantasia do Concerto para violino e orquestra de Octávio Meneleu Campos : uma proposta pedagógica“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/12220.
Der volle Inhalt der QuelleThis essay aimed at presenting a pedagogical proposal for the work Fantasia de Concerto by Meneleu Campos - a Brazilian composer, born in Bélem do Pará. A study of the work paved the way for a comparison with the standard violin repertoire, thus establishing common technical issues which in turn served as the starting point for the pedagogical proposal. The comparison with the standard repertoire was based on the article “Ousadia e convenção do Segundo Concerto para violino e Orquestra de Camargo Guarnieri” Alvarenga (2000). The pedagogical proposal was based on the book “Practice” (2004) by Simon Fischer. This author offers suggestions on how to work and solve problems found in the standard violin repertoire. Therefore, once the technical difficulties of the Fantasia de Concerto were identified, exercises of a similar nature were devised.
Santos, Juliano Buosi dos 1976. „Consort de violinos : música instrumental germânica para mais de quatro vozes na segunda metade do século XVII“. [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285234.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-26T00:34:41Z (GMT). No. of bitstreams: 1 Santos_JulianoBuosidos_M.pdf: 5944297 bytes, checksum: 6493cd8b9254b752c233881a86712f71 (MD5) Previous issue date: 2014
Resumo: Esta pesquisa tem o propósito de divulgar um repertório pouco conhecido e interpretado atualmente: a música germânica escrita para consort de violinos para mais de quatro vozes, na segunda metade do século XVII. Um estudo histórico e estilístico nos possibilita aproximar desse repertório, identificando as influências que recebeu, seus antecedentes e seu desenvolvimento. Constataremos que a composição para este tipo de ensemble não foi um movimento isolado e nem raro, mas sim uma forma de instrumentação e escrita musical explorada em sua época, dada a sua rica e sofisticada possibilidade inventiva
Abstract: This research wishes to unveil a repertoire, which is little known and very seldom played nowadays: the music written for consort of more than four violins in the seventeenth-century in germanic lands. An historical and stylistic study shall allow us to improve our knowledge of this repertoire, identifying its origins, its influences and development. We will realize that this type of music was neither a peculiar nor a remote one, but rather that it was a particular form of instrumentation, customarily used by composers in that period, given its beautiful and sophisticated aesthetics
Mestrado
Praticas Interpretativas
Mestre em Música
Gebel, der Jüngere Georg. „Sonata Es-Dur“. Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-70100.
Der volle Inhalt der QuelleNaumann, Johann Gottlieb. „Par che di giubbilo“. Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-70131.
Der volle Inhalt der QuelleNaumann, Johann Gottlieb. „Par che di giubbilo“. Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-149649.
Der volle Inhalt der QuelleGebel, der Jüngere Georg. „Sonata Es-Dur“. Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-149779.
Der volle Inhalt der QuelleBücher zum Thema "Violiner"
Bolt, Nina. Passionsspil: Roman. Kbh: Tiderne Skifter, 2005.
Den vollen Inhalt der Quelle findenKilian, Dietrich. Konzerte für Violine, für zwei Violinen, für Cembalo, Flöte und Violine: Kritischer Bericht. Kassel: Bärenreiter, 1989.
Den vollen Inhalt der Quelle findenRinaldi, Benedetto Gioffredo. Classica fabbricazione di violini in Piemonte =: Klassische Violinen-Fabrikation in Piemont = Classic violin-making in Piedmonte. Bologna: Florenus, 1992.
Den vollen Inhalt der Quelle findenBach, Johann Christian. Quintett D-Dur für Querflöte (Violine), Oboe (Violine), Violine, Viola, Violoncello und Basso continuo, op. 11/6 =: Quintet in D major for flute (violin), oboe (violin), violin, viola, violoncello and basso continuo. Kassel: Bärenreiter, 1989.
Den vollen Inhalt der Quelle findenFalkner, John Meade. The lost Stradivarius. Oxford: Oxford University Press, 1991.
Den vollen Inhalt der Quelle findenMatthews, Augustus F. Violin acoustics: A new look at the old art. New York: Vantage Press, 1988.
Den vollen Inhalt der Quelle findenGlazunov, Aleksandr Konstantinovich. Albumblatt: Für Violine und Klavier = Album leaf : for violin and piano. Frankfurt/M: M.P. Belaieff, 1997.
Den vollen Inhalt der Quelle findenGabrielli, Domenico. Quattro balletti für Violine und Basso continuo (Violine II ad libitum) op. I/3, 4, 5, 8 =: For violin and basso continuo (violin II ad libitum). Budapest: Editio Musica, 1989.
Den vollen Inhalt der Quelle findenMendelssohn-Bartholdy, Felix. Leichte Stücke für Violine und Klavier =: Easy pieces for violin and piano. Wien: Universal Edition, 1993.
Den vollen Inhalt der Quelle findenReger, Max. Three duos for two violins: In A. Boca Raton, Fla: Masters Music Publications, 1995.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Violiner"
Menuhin, Yehudi. „Präludium“. In Die Violine, 7–10. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_1.
Der volle Inhalt der QuelleMenuhin, Yehudi. „Die Violinen der Welt“. In Die Violine, 265–92. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_10.
Der volle Inhalt der QuelleMenuhin, Yehudi. „Vom Entstehen Der Töne“. In Die Violine, 11–42. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_2.
Der volle Inhalt der QuelleMenuhin, Yehudi. „Von der Leere zur Schwingung“. In Die Violine, 43–70. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_3.
Der volle Inhalt der QuelleMenuhin, Yehudi. „Vom Menschen, der die Violine Baut“. In Die Violine, 71–98. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_4.
Der volle Inhalt der QuelleMenuhin, Yehudi. „Vom Menschen, der die Violine Spielt“. In Die Violine, 99–146. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_5.
Der volle Inhalt der QuelleMenuhin, Yehudi. „Vom Menschen, der Violine Unterrichtet“. In Die Violine, 147–86. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_6.
Der volle Inhalt der QuelleMenuhin, Yehudi. „Vom Menschen, der Für die Violine Komponiert“. In Die Violine, 187–224. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_7.
Der volle Inhalt der QuelleMenuhin, Yehudi. „Die Partner“. In Die Violine, 225–50. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_8.
Der volle Inhalt der QuelleMenuhin, Yehudi. „Das Hören“. In Die Violine, 251–64. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04442-6_9.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Violiner"
Kitto, Kathleen L. „Using Violin “Engineering” to Create Innovative Lecture Demonstrations to Actively Engage Materials Science Students“. In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-84945.
Der volle Inhalt der QuelleТянь, Лэй. „The formation of violin art in China“. In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.25.89.081.
Der volle Inhalt der QuelleSaulova, Inessa. „Peculiarities of the performing interpretation of the Sonata for violin and piano by Leonid Gurov“. In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.15.
Der volle Inhalt der QuelleLo, Yu-Hsuan, Shih-Peng Li und Shih-Wei Sun. „Deep Violin: Deep Learning-Based Violin Bowing Training System“. In 2023 International Conference on Consumer Electronics - Taiwan (ICCE-Taiwan). IEEE, 2023. http://dx.doi.org/10.1109/icce-taiwan58799.2023.10227040.
Der volle Inhalt der QuelleIrigon, Guilherme, Maria Lúcia Grillo Perez Baptista und Luiz Roberto Perez Lisbôa Baptista. „COMPARAÇÃO ACÚSTICA ENTRE DIFERENTES VIOLINOS“. In XXVIII ENCONTRO DA SOBRAC. Galoa, 2018. http://dx.doi.org/10.17648/sobrac-87124.
Der volle Inhalt der QuelleHuang, H. H., W. H. Li, Y. J. Chen und C. C. Wen. „Automatic violin player“. In 2012 10th World Congress on Intelligent Control and Automation (WCICA 2012). IEEE, 2012. http://dx.doi.org/10.1109/wcica.2012.6359122.
Der volle Inhalt der QuelleYin, Jun, Ye Wang und David Hsu. „Digital violin tutor“. In the 13th annual ACM international conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1101149.1101353.
Der volle Inhalt der QuelleThorn, Seth Dominicus. „Hybrid Violin Performance“. In MOCO '20: 7th International Conference on Movement and Computing. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3401956.3404251.
Der volle Inhalt der QuelleWang, Zhen J., und Cesar Ortega-Sanchez. „Electronic Assisting Violin Tuner“. In TENCON 2012 - 2012 IEEE Region 10 Conference. IEEE, 2012. http://dx.doi.org/10.1109/tencon.2012.6412214.
Der volle Inhalt der QuelleCharles, J. A., D. Fitzgerald und E. Coyle. „Violin sound quality detection“. In IET Irish Signals and Systems Conference (ISSC 2008). IEE, 2008. http://dx.doi.org/10.1049/cp:20080676.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Violiner"
Brewer, Charles E. Sonata á Violino Solo by Johann Heinrich Schmelzer. Society for Seventeenth-Century Music, Dezember 2022. http://dx.doi.org/10.53610/tkcn2435.
Der volle Inhalt der QuelleCai, Wenjie, und Hwan-Ching Tai. String Theories: Chemical Secrets of Italian Violins and Chinese Guqins. AsiaChem Magazine, November 2020. http://dx.doi.org/10.51167/acm00006.
Der volle Inhalt der QuelleCox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.
Der volle Inhalt der QuelleSprague, Joshua, David Kushner, James Grunden, Jamie McClain, Benjamin Grime und Cullen Molitor. Channel Islands National Park Kelp Forest Monitoring Program: Annual report 2014. National Park Service, August 2022. http://dx.doi.org/10.36967/2293855.
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