Thematische Bibliographien / Victoria Museum

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Victoria Museum“

Autor: Grafiati
Veröffentlicht am 24. Juni 2021
Zuletzt aktualisiert am 13. Februar 2022

Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an

Wählen Sie eine Art der Quelle aus:

Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Victoria Museum" bekannt.

Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.

Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.

Zeitschriftenartikel zum Thema "Victoria Museum"

1

McMullen, Gabrielle L. „Noted colonial German scientists and their contexts“. Proceedings of the Royal Society of Victoria 127, Nr. 1 (2015): 9. http://dx.doi.org/10.1071/rs15001.

Der volle Inhalt der Quelle
Annotation:
German scientists made substantial and notable contributions to colonial Victoria. They were involved in the establishment and/or development of some of the major public institutions, e.g. the Royal Society of Victoria, National Herbarium, the Royal Botanic Gardens, Museum Victoria, the Flagstaff Observatory for Geophysics, Magnetism and Nautical Science, the Pharmaceutical Society of Victoria and the Victorian College of Pharmacy. Further, they played a leading role not only in scientific and technological developments but also in exploration – Home has identified ‘science as a German export to nineteenth century Australia’ (Home 1995: 1). Significantly, an account of the 1860 annual dinner of the Royal Society of Victoria related the following comment from Dr John Macadam MP, Victorian Government Analytical Chemist: ‘Where would science be in Victoria without the Germans?’ (Melbourner Deutsche Zeitung 1860: 192). This paper considers key German scientists working in mid-nineteenth century Victoria and the nature and significance of their contributions to the colony.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Fennessy, Kathleen M. „'Industrial Instruction' for the 'Industrious Classes': Founding the Industrial and Technological Museum, Melbourne“. Historical Records of Australian Science 16, Nr. 1 (2005): 45. http://dx.doi.org/10.1071/hr05003.

Der volle Inhalt der Quelle
Annotation:
This paper examines the movement to foster scientific and technical learning in the colony of Victoria during the 1860s. It discusses how the concept of a public museum for 'industrial' and 'technological' instruction emerged, and analyses the events leading to the establishment of the Industrial and Technological Museum, Victoria's first public institution for educating the people in applied science.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

C.-B., P. „The Victoria and Albert Museum: Confrontation of museum ideologies“. Museum Management and Curatorship 8, Nr. 3 (September 1989): 330–33. http://dx.doi.org/10.1016/0260-4779(89)90084-8.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Charman, Helen. „REINVENTING THE V&A MUSEUM OF CHILDHOOD“. Muzealnictwo 61 (30.06.2020): 117–26. http://dx.doi.org/10.5604/01.3001.0014.2637.

Der volle Inhalt der Quelle
Annotation:
In 2018 the Victoria and Albert Museum launched a capital project to transform the Museum of Childhood from a museum of the social and material history of childhood to a powerhouse of creativity for the young. This paper therefore takes the reinvention of the MoC as a case study to explore the process of change and the key drivers for inculcating and realising the transformed museum. In particular, the process of co-design with and for young people is considered as a mechanism for change in creating future facing museums that speak to the needs of young people in a rapidly changing and complex world.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Birch, William D., und Thomas A. Darragh. „George Henry Frederick Ulrich (1830–1900): pioneer mineralogist and geologist in Victoria“. Proceedings of the Royal Society of Victoria 127, Nr. 1 (2015): 17. http://dx.doi.org/10.1071/rs15002.

Der volle Inhalt der Quelle
Annotation:
George Henry Frederick Ulrich (1830–1900) was educated at the Clausthal Mining School in Germany and arrived in Victoria in 1853. After a short period on the goldfields, he was employed on the Mining Commission and then on the Geological Survey of Victoria until its closure in 1868. In 1870 he was appointed Curator and Lecturer at the newly established Industrial and Technological Museum of Victoria. In 1878 he was appointed inaugural Director of the Otago School of Mines, New Zealand, a position he held until his death in 1900. His legacy includes detailed original maps of central Victorian goldfields, the foundation of the state’s geological collections, and among the first accounts of Victorian geology published in German periodicals, until now little known. As the only scientist of his times in Victoria with the qualifications and expertise to accurately identify and properly describe minerals, he provided the first comprehensive accounts of Victorian mineralogy, including the identification of the first new mineral in Australia, which he named maldonite. His contribution to mineralogy is recognised by the species ulrichite. Ulrich was universally respected for his scientific achievements and highly regarded for his personal qualities.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

Hakiwai, Arapata, und Paul Diamond. „Plenary: The legacy of museum ethnography for indigenous people today - case studies from Aotearoa/New Zealand“. Museum and Society 13, Nr. 1 (01.01.2015): 107–18. http://dx.doi.org/10.29311/mas.v13i1.320.

Der volle Inhalt der Quelle
Annotation:
The following plenary took place at the seminar ‘Reassembling the material: A research seminar on museums, fieldwork anthropology and indigenous agency’ held in November 2012 at Te Herenga Waka marae, Victoria University of Wellington, Aotearoa New Zealand. In the papers, indigenous scholars and museum professionals presented a mix of past legacies and contemporary initiatives which illustrated the evolving relations between Māori people, and museums and other cultural heritage institutions in New Zealand. Whereas most of the papers at this seminar, and the articles in this special issue, are focused on the history of ethnology, museums, and government, between about 1900 and 1940, this section brings the analysis up to the present day, and considers the legacy of the indigenous engagement with museums and fieldwork anthropology for contemporary museum practice. What do the findings, which show active and extensive indigenous engagements with museums and fieldwork, mean for indigenous museum professionals and communities today?
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Skolnick, Lee H. „TOWARDS A NEW MUSEUM: By Victoria Newhouse“. Curator: The Museum Journal 42, Nr. 1 (Januar 1999): 58–62. http://dx.doi.org/10.1111/j.2151-6952.1999.tb01129.x.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Young, Peter, Jo Darrah, Jennifer Pilc und James Yorke. „A sienesecassoneat the Victoria and albert museum“. Conservator 15, Nr. 1 (Januar 1991): 45–53. http://dx.doi.org/10.1080/01410096.1991.9995064.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Turner-Vučetić, Flora, und Eric Turner. „Meštrović and the Victoria and Albert Museum“. Sculpture Journal 25, Nr. 2 (Januar 2016): 161–76. http://dx.doi.org/10.3828/sj.2016.25.2.3.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

Baker, Patricia L. „Wrestling at the Victoria and Albert Museum“. Iran 35 (1997): 73. http://dx.doi.org/10.2307/4299960.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Mehr Quellen

Dissertationen zum Thema "Victoria Museum"

1

Kim, Seong Eun. „Artists' intervention in 'universal' museums as traced through the Victoria and Albert Museum, the British Museum and the Pitt Rivers Museum“. Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508580.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

陸慶邦 und Hing-pong Jimmy Luk. „Sports Hall of fame: a sports and museum complex on Victoria Park“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984083.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

Luk, Hing-pong Jimmy. „Sports Hall of fame : a sports and museum complex on Victoria Park /“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956802.

Der volle Inhalt der Quelle
Annotation:
Thesis (M. Arch.)--University of Hong Kong, 1998.
Includes special report entitled: Lighting in sports museum : a question about when, where and how much. Includes bibliographical references (leaves.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Adams, Ruth. „Gentlemen and players : the Victoria and Albert Museum : an institutional case study of the culture and society tradition“. Thesis, Birkbeck (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429387.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Bencatel, Diana Ornellas. „Gestão de risco de dano associado à luz solar : nova exposição de escultura no Victoria & Albert Museum“. Dissertação, Porto : [Edição do Autor], 2010. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000206829.

Der volle Inhalt der Quelle
Annotation:
O risco de dano eventualmente provocado pela luz natural, em objectos de diversas naturezas, é uma questão frequentemente levantada em instituições onde a conservação tem um papel de destaque. Contudo, são mais raros os casos em que se faz uma avaliação profunda deste tipo de risco, avaliação esta que, podendo ser complexa, pode contribuir para a definição de medidas de prevenção da ocorrência acelerada de um tipo de dano que se caracteriza por ser cumulativo e irreversível. No Victoria and Albert Museum, em Londres, encontra-se em processo de preparação o projecto de uma nova exposição permanente de escultura. Tendo em conta a sensibilidade à luz referente a cada peça, assim como as especificidades dos espaços que virão a albergar o conjunto, parte das galerias incluídas no projecto foram alvo de uma avaliação profunda no que diz respeito ao risco de dano associado à luz solar. Neste contexto, foi monitorizada a iluminância externa e interna, tendo por objectivo a identificação das peças que estariam sob maior risco de dano acelerado e a proposta de medidas de mitigação de risco, a partir do cruzamento da informação sobre níveis de luz com o plano da distribuição prevista para as esculturas nas galerias. Este estudo incluiu a avaliação da eficácia da utilização de blackouts nas janelas. Os dados obtidos contribuíram para fundamentar argumentos defendidos pelo Departamento de Conservação, que visam a criação, aplicação e aperfeiçoamento de medidas de mitigação de risco de dano no conjunto de esculturas que se encontrará em exibição no V&A durante cerca de dez anos.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

Bencatel, Diana Ornellas. „Gestão de risco de dano associado à luz solar : nova exposição de escultura no Victoria & Albert Museum“. Master's thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/57335.

Der volle Inhalt der Quelle
Annotation:
O risco de dano eventualmente provocado pela luz natural, em objectos de diversas naturezas, é uma questão frequentemente levantada em instituições onde a conservação tem um papel de destaque. Contudo, são mais raros os casos em que se faz uma avaliação profunda deste tipo de risco, avaliação esta que, podendo ser complexa, pode contribuir para a definição de medidas de prevenção da ocorrência acelerada de um tipo de dano que se caracteriza por ser cumulativo e irreversível. No Victoria and Albert Museum, em Londres, encontra-se em processo de preparação o projecto de uma nova exposição permanente de escultura. Tendo em conta a sensibilidade à luz referente a cada peça, assim como as especificidades dos espaços que virão a albergar o conjunto, parte das galerias incluídas no projecto foram alvo de uma avaliação profunda no que diz respeito ao risco de dano associado à luz solar. Neste contexto, foi monitorizada a iluminância externa e interna, tendo por objectivo a identificação das peças que estariam sob maior risco de dano acelerado e a proposta de medidas de mitigação de risco, a partir do cruzamento da informação sobre níveis de luz com o plano da distribuição prevista para as esculturas nas galerias. Este estudo incluiu a avaliação da eficácia da utilização de blackouts nas janelas. Os dados obtidos contribuíram para fundamentar argumentos defendidos pelo Departamento de Conservação, que visam a criação, aplicação e aperfeiçoamento de medidas de mitigação de risco de dano no conjunto de esculturas que se encontrará em exibição no V&A durante cerca de dez anos.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Kjellström, Charlotta. „Museum Gustavianumssamling från utgrävningarna i Sedment : En efterforskning av de föremål som Museum Gustavianum förvärvade efter Petries och Bruntons utgrävningar i Sedment vintern 1920 - 1921“. Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446929.

Der volle Inhalt der Quelle
Annotation:
One aim of this essay is to conduct a thorough investigation into the origins of the objects inthe Victoria Museum, Gustavianum, collection VM 346–362 (the sequence expanded, later inthe project, also to include VM 346) and how they got there. This will be achieved byfollowing the paper trail back to the excavation in Egypt. The other is to describe how objectsfrom digs were spread between museums and different countries by W.M. Flinders Petrie.Questions have been raised about the perceived origins of the objects in the Gustavianumcollection VM 346–362. The collection has until recently been believed to be the funeraryobjects of the First Intermediate Period man Wadjet-hetep. In 1921 this collection was mostlikely bought by the Victoria Museum through Pehr Lugn, from W.M. Flinders Petrie, somemonths after Petrie and Brunton ended their excavation season of 1920/21 in Sedment, Egypt.However, the collection as a whole cannot be the funerary objects of Wadjet-hetep, since themajority of those are owned by and exhibited at Ny Carlsberg Glyptotek, Denmark.The one confirmed belonging of Wadjet-hetep in the Gustavianum VM-collection is the innercoffin which has his name on it. The collective memory of the museum claims that fivewalking sticks, also currently in the VM-collection, were found with the mummy inside theinner coffin at the excavation site. Unfortunately, the museum archive is extensively damagedand contains nothing that can tell us about the collection's origins.By investigating external sources, Petrie and Brunton’s accounts of the excavation, as well asonline catalogues and archives, the VM collection can be backtracked to Sedment. The resultsconclude that the objects in the collection derive from different tombs and periods.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Waite, Julia. „Under construction : national identity and the display of colonial history at the National Museum of Singapore and the Museum of New Zealand Te Papa Tongarewa : a thesis submitted to the Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Museum and Heritage Studies /“. ResearchArchive@Victoria e-Thesis, 2009. http://hdl.handle.net/10063/1039.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Amsellem, Rebecca. „Les stratégies d'internationalisation des musées et les nouveaux modèles d'affaires“. Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01E037/document.

Der volle Inhalt der Quelle
Annotation:
L'internationalisation des musées est une tendance illustrant les stratégies de développement des activités ces institutions hors du marché national d'origine. Comment peut-on définir ce phénomène ? Une analyse des correspondances multiples d'une base de données, créée à partir d'une enquête réalisée dans le cadre de cette recherche, fait apparaître une typologie des musées : les «élites», les «entrepreneurs innovateurs», les «entrepreneurs conservateurs» et les «artisans». Les acteurs ont deux stratégies d'internationalisation complémentaires : la stratégie de rentabilité économique et la stratégie patrimoniale. Par ailleurs, les musées voient leurs modèles d'affaire et de gouvernance évoluer. Les modèles historiques (le modèle dépendant, le modèle affranchi, le modèle mixte) semblent être remis en cause par une baisse historique des subventions publiques, une incertitude quant aux donations privées et des ressources en billetterie qui n'augmentent pas. L'internationalisation des pratiques a un impact sur ces modèles et permet de les faire évoluer. Enfin, les caractéristiques et les pratiques des musées à l'international sont illustrées par deux études de cas : le Victoria & Albert Museum et le Musée des arts et métiers (Paris, France)
Museums are increasingly developing international strategies to raise their profiles outside of home markets. How can we define this trend? A multiple correspondence analysis of a database, which is populated by the results of a survey that we conducted among international museums, reveals that museums fall into four categories regarding their internationalization strategies: "elite", entrepreneur-innovator", "entrepreneur-curator" and "artisan" museums. Museums can have two complementary international strategies: one geared toward economic profitability or one geared toward the preservation of heritage. Traditional business models (dependent, independent, and mixed) face challenges from a decline in public subsidies, uncertainty surrounding private donations and stagnant ticket sales. The internationalization of museums have an impact on the historical models and contributes to the evolution of these business models. Two case studies illustrate the international characteristics and practices of museums: the Victoria & Albert Museum and the Musée des Arts et Métiers (Paris, France)
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

Ariza, Mariana Guedes. „Democratização do acesso ao museu Victor Meirelles“. Universidade do Estado de Santa Catarina, 2014. http://tede.udesc.br/handle/handle/113.

Der volle Inhalt der Quelle
Annotation:
Made available in DSpace on 2016-12-01T19:18:37Z (GMT). No. of bitstreams: 1 116137.pdf: 2231121 bytes, checksum: 5992854272beb34faa067c101cf7ad04 (MD5) Previous issue date: 2014-02-27
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The current work aims to create and select the best options according to the criteria of low cost and high impact as a way to make more democratic the visitation in the Victor Meirelles Museum, a federal museum located at the historical downtown of Florianópolis/SC. The theme is relevant because Victor Meirelles Museum, like many other small and medium size Brazilian museums, have to face a range of difficulties to implement the policies related to the democratization of public access to the museum, mostly because of limited human resources and small budget. Find a good way to overcome these limitations is a challenge that cultural institutions must confront and the solutions may be to seek creative alternatives that are simple and easy to implement. The theoretical fundaments were based on the public policy issue, idea generation, the context of Brazilian museums and the main ideas around the concept of participatory museum. The alternatives were created through interview techniques, benchmarking, brainstorming and, after that, they were evaluated from a one to ten grade according to the criteria mentioned above. As a result, it was presented a graphic divided into four quadrants in which is possible to visualize the best alternatives to be prioritized for the implementation in the Victor Meirelles Museum. The alternatives are not exclusive for the VMM, but they can also be adapted and implemented by other museums as well.
Esta dissertação tem por objetivo gerar e selecionar as melhores alternativas, segundo os critérios de menor custo e alto impacto, para tornar mais democrática a visitação no Museu Victor Meirelles, museu público federal localizado no centro histórico de Florianópolis/SC. A pesquisa se justifica porque o Museu Victor Meirelles, como muitos museus brasileiros de pequeno ou médio porte, enfrenta problemas na implementação das políticas públicas dedicadas à democratização do acesso do público ao museu, por conta das limitações físicas, de recursos humanos e de orçamento. Pensar em como ultrapassar essas limitações é um desafio que as instituições culturais devem enfrentar e as soluções podem estar em buscar alternativas criativas, que sejam simples e de fácil implementação. A fundamentação teórica se deu em torno do tema políticas públicas, geração de ideias, contexto dos museus brasileiros e as principais ideias em torno do conceito de museu participativo. As alternativas foram geradas por meio das técnicas de entrevista, benchmarking, brainstorming e, logo após, avaliadas por meio dos critérios de custo e impacto, dentro de uma escala de um a dez. Com o resultado final da avaliação, foi construída um gráfico dividido em quatro quadrantes onde é possível visualizar as alternativas que foram melhores avaliadas, sendo estas as mais indicadas para serem priorizadas para a implementação pelos funcionários do Museu Victor Meirelles. Nem todas as alternativas são exclusivas do MVM, podendo ser adaptadas e implementadas também por outros museus brasileiros.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Mehr Quellen

Bücher zum Thema "Victoria Museum"

1

Victoria and Albert museum. Victoria & Albert Museum guide. London: The Museum, 1986.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Treasures of the Museum, Victoria, Australia. Melbourne: Museum Victoria, 2004.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

Rasmussen, Carolyn. A museum for the people: A history of Museum Victoria and its predecessors, 1854-2000. Melbourne: Scribe Publications, 2001.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Victoria and Albert museum. The Victoria and Albert Museum. London: Scala Books in association with the Victoria and Albert Museum, 1991.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

The Victoria Memorial Hall: An overview. Kolkata: R.N. Bhattacharya, 2010.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

Victoria, Museum of. Guide to Victorian aboriginal collections in the Museum of Victoria. [Melbourne]: The Museum, 1990.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Victoria and Albert museum. The research policy of the Victoria and Albert Museum. [London: The Museum], 1993.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Schofield, S. J. [Reports of the Victoria Memorial Museum]. Ottawa: Govt. Print. Bureau, 1997.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Bather, F. A. [Reports of the Victoria Memorial Museum]. Ottawa: Govt. Print. Bureau, 1997.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

Victoria and Albert museum. Introducing the Victoria and Albert Museum. London: Victoria & Albert Museum, 1991.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Mehr Quellen

Buchteile zum Thema "Victoria Museum"

1

Segall, Avner, und Brenda Trofanenko. „The Victoria and Albert Museum“. In Adult Education, Museums and Art Galleries, 53–63. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-687-3_5.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Jones, Mike. „Museums Victoria and the history of museum computing“. In Artefacts, Archives, and Documentation in the Relational Museum, 41–63. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003092704-2-3.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

Legino, Rafeah, David Forrest und Nurhanim Zawawi. „Asian Clothing Collection from Museum Victoria Australia“. In Proceedings of the Art and Design International Conference (AnDIC 2016), 125–33. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_15.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Negri, Massimo. „The British Galleries at the Victoria and Albert Museum“. In Revisiting Museums of Influence, 97–100. Abingdon, Oxon ; New York : Routledge, [2021]: Routledge, 2020. http://dx.doi.org/10.4324/9781003003977-20.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Kennedy, Kirstin. „Sharing and Status: The Design and Function of a Sixteenth-Century Spanish Spice Stand in the Victoria and Albert Museum“. In Re-Thinking Renaissance Objects, 142–55. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396775.ch7.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

Siegel, Jonah. „Art and the Museum“. In Victorian Aesthetic Conditions, 13–32. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230281431_2.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Mills, Victoria. „Museums“. In The Palgrave Encyclopedia of Victorian Women's Writing, 1–3. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_139-1.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Burgio, Lucia, Robin J. H. Clark, Graham Martin, Emmanuel Pantos und Mark A. Roberts. „A Multidisciplinary Approach to Pigment Analysis: King’s Yellow and Dragon’s Blood From the Winsor and Newton Pigment Box at the Victoria and Albert Museum“. In Molecular and Structural Archaeology: Cosmetic and Therapeutic Chemicals, 61–72. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-010-0193-9_6.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Demant, David, und Arthur Tatnall. „Institutional Nostalgia – Museum Victoria’s Cabinet of Computing Curiosities“. In IFIP Advances in Information and Communication Technology, 348–61. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33899-1_20.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

Hill, Kate. „Collecting and the Body in Late-Victorian and Edwardian Museums“. In Bodies and Things in Nineteenth-Century Literature and Culture, 153–74. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283658_8.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen

Konferenzberichte zum Thema "Victoria Museum"

1

Pretzel, Boris. „NDT techniques used at the Victoria and Albert Museum“. In IEE Colloquium on `NDT in Archaeology and Art'. IEE, 1995. http://dx.doi.org/10.1049/ic:19950772.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Evans, Dallas. „THE LEGACY OF VICTOR PORTER AND GEOSCIENCE EDUCATION AT THE CHILDREN’S MUSEUM OF INDIANAPOLIS“. In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-306107.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

Anwar, Sadam, und Aditya Perdana. „Islamic Organization Movement Strategies in the Victory of a Muslim Governor Candidate Pair in the 2017 Governor Election (A Case Study of Islamic Defenders Front)“. In Proceedings of the Third International Conference on Sustainable Innovation 2019 – Humanity, Education and Social Sciences (IcoSIHESS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icosihess-19.2019.55.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Die Auswahlen zum Thema "Victoria Museum" für konkrete Quellenarten können Sie auch interessieren:
Zeitschriftenartikel Dissertationen Bücher
Wir bieten Rabatte auf alle Premium-Pläne für Autoren, deren Werke in thematische Literatursammlungen aufgenommen wurden. Kontaktieren Sie uns, um einen einzigartigen Promo-Code zu erhalten!

Zur Bibliographie