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Thematische Bibliographien / Vibration period / Bücher

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Bücher zum Thema „Vibration period“

Autor: Grafiati

Veröffentlicht am 24. Juni 2021

Zuletzt aktualisiert am 4. Februar 2022

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1

Mei, C. Component mode synthesis and large deflection vibration of complex structures: Final report for the period ended January 31, 1987. [Washington, DC: National Aeronautics and Space Administration, 1987.

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2

Britcher, Colin P. Large angle magnetic suspension test fixture: Final report for the period ended October 31, 1995. Norfolk, Va: Old Dominion University Research Foundation, 1995.

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3

Barbieri, Enrique. Momentum management in redundant manipulators for vibration suppression: Final report, NASA research grant NAG-1-1270 : report period June 1, 1992 - August 31, 1993. [Washington, D.C: National Aeronautics and Space Administration, 1993.

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4

Britcher, Colin P. Large angle magnetic suspension test fixture: Progress report for the period November 1, 1995 through May 1, 1996. Norfolk, Va: Dept. of Aerospace Engineering, Dept. of Mechanical Engineering, College of Engineering & Technology, Old Dominion University, 1996.

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5

Britcher, Colin P. Large angle magnetic suspension test fixture: Progress report for the period November 1, 1992 to May 31, 1993. Norfolk, Va: Dept. of Mechanical Engineering & Mechanics, College of Engineering & Technology, Old Dominion University, 1993.

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6

Britcher, Colin P. Large angle magnetic suspension test fixture: Final report for the period 11-1-95 thru 10-31-96. [Washington, D.C: National Aeronautics and Space Administration, 1997.

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7

Meirovitch, Leonard. A progress report on identification and control of structures in space: NASA research grant NAG-1-225, covering the period July 1 - June 31, 1985. Blacksburg, Va: Virginia Pollytechnic Institute and State University , Engineering Science and Mechanics Dept., 1985.

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8

Meirovitch, Leonard. A progress report on identification and control of structures in space: NASA research grant NAG-1-225, covering the period January 1 - June 30, 1985. [Washington, D.C.?: National Aeronautics and Space Administration?], 1985.

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9

Pierre, Christophe. Localized free and forced vibrations of nearly periodic disordered structures. New York: American Institute of Aeronautics and Astronautics, 1987.

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10

Heinbockel, J. H. Nozzle flow with vibrational nonequilibrium: Final report for the period ended August 31, 1995. Norfolk, Va: Old Dominion University Research Foundation, Dept. of Mathematics & Statistics, College of Sciences, 1995.

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11

Townsend, John S. Dynamic characteristics of a vibrating beam with periodic variation in bending stiffness. [Washington, D.C.]: National Aeronautics and Space Administration, Scientific and Technical Information Branch, 1987.

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12

United States. National Aeronautics and Space Administration, Hrsg. Vibration and structureborne noise in space station: Progress report for NASA grant NAG-1-541 for the period January 1, 1986 - June 30, 1986. [Washington, D.C.?: National Aeronautics and Space Administration, 1986.

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13

United States. National Aeronautics and Space Administration., Hrsg. Vibration and structureborne noise in space station: Progress report for NASA grant NAG-1-541 for the period January 1, 1986 - June 30, 1986. [Washington, D.C.?: National Aeronautics and Space Administration, 1986.

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14

United States. National Aeronautics and Space Administration., Hrsg. Vibration isolation technology: Sensitivity of selected classes of experiments to residual accelerations : final report ... period of performance 7/1/88 - 6/30/91. Huntsville, Ala: Center for Microgravity and Materials Research, University of Alabama in Huntsville, 1991.

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15

Jen-Kuang, Huang, und Langley Research Center, Hrsg. Large angle magnetic suspension test fixture: Final report for the period 11-1-95 thru 10-31-96. [Washington, D.C: National Aeronautics and Space Administration, 1996.

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16

Murphet, Julian, Helen Groth und Penelope Hone, Hrsg. Sounding Modernism. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474416368.001.0001.

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Annotation:

This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. By attending carefully to the dynamics and aesthetics of mediation, the essays in this collection explore the transformations of the rhythmic or metrical patterning of sound in a range of modern literary and cinematic forms produced from the 1890s through to the mid-twentieth century. The essays ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection addresses that lack through a wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.

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17

G, Landry J., und United States. National Aeronautics and Space Administration., Hrsg. Nozzle flow with vibrational nonequilibrium: Final report for the period ended August 31, 1995. Norfolk, Va: Old Dominion University Research Foundation, Dept. of Mathematics & Statistics, College of Sciences, 1995.

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18

Smith, Matthew Wilson. The Nervous Stage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190644086.001.0001.

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Annotation:

Theater and neuroscience: What could these two have in common? What could their historical developments tell us about modernity and the modern subject? The Nervous Stage argues that, to a significant degree, modern theater emerged out of a dialogue with the neurological sciences. Beyond this, the book demonstrates that an understanding of this dialogue sheds new light on the emergence of modern notions of embodiment and subjectivity. This wide-ranging study encompasses artists as diverse as Joanna Baillie, Percy Shelley, Georg Büchner, Charles Dickens, Richard Wagner, Émile Zola, August Strindberg, and Antonin Artaud—and recreates their conversations with a wide range of nineteenth-century neurologists. It is during the nineteenth century that the conception of the subject as essentially nervous went through what was its most intense period of formation and development, and thus it is during the same century that we discover the formation of a subject largely comprehensible, interpretable, and transformable through neurophysiological networks. This subject was magnetic; felt vibrations; was thrilled, electrified, and shocked; became hysterical; succumbed to neurasthenia and was re-energized. It was a site for the influx and efflux of nervous sensations, a site that was also understood as a subjectivity, a personality, and a person. Working between disciplines of theater studies and medical history, the book ultimately describes the formation of a new idea of personhood. We are already neural subjects, the book suggests, and have been for a long time.

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19

Almost Periodic Oscillations and waves. Springer, 2009.

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