Thematische Bibliographien / Uneven productions of space

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Uneven productions of space“

Autor: Grafiati
Veröffentlicht am 30. Juni 2021
Zuletzt aktualisiert am 13. Februar 2022

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Zeitschriftenartikel zum Thema "Uneven productions of space"

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Sack, Robert David, and Neil Smith. "Uneven Development: Nature, Capital and the Production of Space." Geographical Review 77, no. 1 (1987): 130. http://dx.doi.org/10.2307/214692.

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Smith, David M., and Neil Smith. "Uneven Development: Nature, Capital and the Production of Space." Transactions of the Institute of British Geographers 11, no. 2 (1986): 253. http://dx.doi.org/10.2307/622014.

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Carless, Tonia. "Producing space, the confrontation between abstract space and everyday life: ‘I wunder if heaven got a ghetto”." Architectural Research Quarterly 17, no. 2 (2013): 139–47. http://dx.doi.org/10.1017/s1359135513000493.

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This paper is intended as a contribution to current debates about the changing conditions of urban space and uneven development. It will analyse the functions of the architectural professions in this process and how their productions prefigure the social and economic arrangement of space. It will examine these notions through analysis of Cardiff Bay and will analyse the changes occurring under late capitalism in the shift to Post-Fordist modes of accumulation. While the paper will examine the local space of Cardiff Bay, the analytical ground will be extended to the ongoing restructuring of space under the new global economies at a macro scale.Urban restructuring is most evident in the decentred metropolis of the post-modern city, the new cities for consumption. The growth or collapse of multinational capital needs to be seen as framing the occupation of space, its investment and disinvestment, and as an ongoing process, part of a systematic reprogramming of space that can and should be examined at every stage of its operations.Relocating the economic, political and social into considerations of space means that the paper will also incorporate historical analysis of modes of production and social formations. To consider space as ideological means that transfigured space must also be considered. The paper will therefore raise ideas that are directed towards the transformation of social and political space, and will examine that which identifies Lefebvre's distinction between appropriated and dominated space.
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Winchell, Dick G. "Book Review: Uneven Development: Nature, Capital and the Production of Space." Humanity & Society 11, no. 2 (1987): 266–67. http://dx.doi.org/10.1177/016059768701100212.

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Hall, Billy, and Daniella Santoro. "Learning Race through Place and Time: Critical Geographic Approaches to Antiracist Collaborative Ethnography." Practicing Anthropology 37, no. 4 (2015): 18–22. http://dx.doi.org/10.17730/0888-4552-37.4.18.

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In the summer of 2013, as part of an ethnographic methods training program in Tallahassee, Florida, field school students were critically engaged in collaborative participatory research on experiences of race and racism. This article reflects on some of the many connections between race, space, place, and time we saw unfold in Tallahassee and advances a methodology that melds participatory ethnography with critical geographic approaches. Here, we present two cartographic practices through which an ethnographic space was articulated for understanding how social archives of racial histories accumulate over time and are mapped onto urban space. In attending to a palimpsest of racial relations in space and time, we see new potentials for a critical geographic approach to antiracist ethnography. We suggest ethnographers can better research, rewrite, and redress the uneven productions of space by rescaling our investigations into the material and remembered worlds lived by those bound up in racial struggles.
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Paasi, Anssi. "Globalisation, Academic Capitalism, and the Uneven Geographies of International Journal Publishing Spaces." Environment and Planning A: Economy and Space 37, no. 5 (2005): 769–89. http://dx.doi.org/10.1068/a3769.

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Geographers have been arguing recently that the idea of what is ‘international’ in this field has been occupied by the hegemonic discourses of Anglo-American geography and journals. This paper takes this lively debate as an indicator of the global challenges facing higher education and research and provides an analysis of the changing conditions of knowledge production, characterised by internationalisation and competition. Knowledge production is governed to an increasing degree through practices based on market-like operations. The author argues that this may lead to the homogenisation of social science publication practices, which are known to be heterogeneous and context dependent. One indicator of this homogenisation is the demand for publishing in international journals that is arising in social sciences and humanities round the world. Both ‘international’ and ‘quality’ are increasingly being connected with the journals noted in the Institute of Scientific Information's (ISI) databases. Starting with an analysis of the changing conditions of knowledge production in general and in human geography in particular, the author scrutinises the spatial patterns of the international journal publishing spaces constituted by the ISI. The results show specific geographies: not only the manner in which the Anglo-American journals dominate the publishing space in science but also how the publishing spaces of the natural sciences, social sciences, and humanities are very different. The publication space of social science journals is particularly limited to the English-speaking countries, and this is especially the case with human geography.
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Mosciaro, Mayra, and Alvaro Pereira. "Reinforcing uneven development: The financialisation of Brazilian urban redevelopment projects." Urban Studies 56, no. 10 (2019): 2160–78. http://dx.doi.org/10.1177/0042098019829428.

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The entrepreneurial city discourse has been adopted around the globe by policymakers, with the urban redevelopment project as one of its most representative symbols. The predominantly favourable discourse revolving around this new political economy of urban space is supported by claims that newly regenerated areas bring multiple benefits to the city and its citizens. These narratives have been used in Brazil to justify increasing reliance on an urban planning tool known as Urban Operations. This planning tool, developed in the 1990s, seeks to facilitate cooperation between public and private actors in the production of new urban spaces. While projected by some as a ‘magic formula’ that enables major urban redevelopment projects without public expenditure, the outcomes of Urban Operations often differ significantly from expectations. The cases of Água Espraiada (São Paulo) and Porto Maravilha (Rio de Janeiro) are used to demonstrate that regenerated areas, as preferred spaces for the penetration of financialised practices into the built environment, have brought forward new dynamics that are serving to reinforce pre-existing social inequalities and to exacerbate uneven development in Brazil’s main cities.
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Sakagami, Kimihiro, Takeshi Okuzono, Hirotaka Suzuki, Nao Koyanagi, and Masahiro Toyoda. "Application of Paper Folding Technique to Three-Dimensional Space Sound Absorber with Permeable Membrane: Case Studies of Trial Productions." International Journal of Acoustics and Vibration 25, no. 2 (2020): 243–47. http://dx.doi.org/10.20855/ijav.2020.25.21657.

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The authors propose a space sound absorber made of a permeable membrane (PM), including woven or non-woven fabrics in three-dimensional shapes, e.g., cylinder, rectangle, etc. The proposed absorbers are examined by experimental measurements and boundary element analyses, and it is found that they can be effectively used especially for middle and high frequencies. In order to develop these absorbers for wider applications, it would be desirable to give them additional values and functions, particularly to elaborate on their design. Supposing that they could also be used for lighting equipment, such as lampshades as one of the applications, pilot studies on pseudo-cylindrical, and pseudo-spherical PM space absorbers with uneven surfaces produced by paper-folding (origami technique) are carried out. The pseudo-cylindrical concave curves (PCCC) shell shape has been proven as a suitable form for a lampshade, and the pseudo-spherical concave curves (PSCC) shell shape is an application of PCCC. In this paper, PCCC and PSCC shell shapes are applied to three-dimensional PM space absorbers, and trials are conducted using PMs selected by flow resistance measurements and preliminary simulations. The sound absorptivity of the specimens is measured in a reverberation chamber, and their absorptivity is 0.6 (PCCC case) and 0.4 (PSCC case) at mid-high frequencies.
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Das, Raju J. "David Harvey’s theory of uneven geographical development: A Marxist critique." Capital & Class 41, no. 3 (2017): 511–36. http://dx.doi.org/10.1177/0309816816678584.

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The Marxist geographer, David Harvey, has written extensively and influentially about the production of space under capitalism and, in particular, uneven geographical development. This article is a Marxist critique of Harvey’s theory of uneven geographical development. It presents his theory around six interconnected theses: spatial concentration thesis, spatial dispersal thesis, surplus absorption or spatial fix thesis, uneven geographical development-as-ideology thesis, the uneven geographical development and the state connection thesis, and uneven geographical development–associated political thesis. His theory has shed light on certain aspects of the internal relation between capitalist accumulation and uneven geographical development, giving due emphasis to uneven geographical development’s contradictory character. It is, however, problematic on multiple grounds. It under-stresses the class relation, including the value-relation, between capital and labour, and correlatively fetishizes the power of spatial relations. While Harvey connects uneven geographical development to capitalist crisis, his theory of crisis is deeply inadequate. His theory also fails to systematically integrate the insights of state theory into it, and to the extent that the state is present, its essential class character remains under-emphasized. Finally, Harvey draws some conclusions about anti-capitalist political practice from his theory of uneven geographical development which are problematic from a Marxist vantage point. In particular, his view of the concept of the proletariat in Marxism and his scepticism towards the role of the proletariat in the fight against capital are contestable.
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Pitas, John-Henry, and Mariya Shcheglovitova. "Discourses, bodies, and the production of space: Challenging the (re)production of more-than-human deathscapes." Human Geography 12, no. 2 (2019): 18–35. http://dx.doi.org/10.1177/194277861901200202.

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This paper explores the production of urban spaces as deathscapes, or spaces that are defined by death. We probe the ways in which these spaces are produced by the material content of the spaces themselves, and the discursive representations of those spaces found in popular media. We take as our empirical starting point personal encounters with dead animal bodies in Baltimore, Maryland, USA. Combining qualitative and quantitative methodologies, we juxtapose personal experiences with death in the city with popular representations of Baltimore, as well as a spatial analysis of the geographies of non-human death. Using mixed methodologies, we tease out and highlight the ways in which death, dying, bodies, and violence are used to produce urban deathscapes. Our analysis shows how the production of death and deathscapes are inherently uneven spatial processes, which work in tandem to (re)produce certain spaces as deadly. Furthermore, we illustrate how these spaces are produced in part by discourse, politics, representation, and the material presence of non-human death, challenging what we might think of as being capable of producing space, and broadening the concept of deathscapes. Ultimately we conclude that producing urban spaces as deadly is a means by which capital seeks to reproduce itself, and, through harnessing the power of the non-human dead to produce space, utilize nature to produce new forms of urban capital.
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Dissertationen zum Thema "Uneven productions of space"

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Andersen, Amalie. "Pushing the Agenda : Struggles Towards Feminist Approaches to Urban Planning in Denmark." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-42408.

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Holdar, Magdalena. "Scenography in Action : Space, Time and Movement in Theatre Productions by Ingmar Bergman." Doctoral thesis, Stockholm : Konstvetenskapliga institutionen, Stockholms universitet, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-427.

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Lawrence, Kate. "Up, down and amongst : perceptions and productions of space in vertical dance practices." Thesis, University of Surrey, 2017. http://epubs.surrey.ac.uk/845092/.

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Vertical dance is a new and collaborative form of dance that typically utilises rock climbing equipment to suspend dancers against a range of vertical surfaces in public spaces. Its effects are to alter familiar systems we use to orientate ourselves in space and to produce or change social spaces. My pedagogical practice (2002 – the present day) and a portfolio of choreographic outputs (created and performed between 2009 and 2015) are of primary importance in my investigation into how I perceive space when dancing on a tilted floor and how this vertical stage and its location in social space influences my choreographic practice. The thesis begins with a manifesto for vertical dance that condenses the central arguments into a set of instructions. There follows a categorization of the form using prototype theory (Wittgenstein, 1953; Rosch, 1978; Lakoff, 1987) applied to a set of vertical dance case studies from the 1970s to the present day. I discuss how the specific spatial parameters of vertical dance affect how a dancer orientates herself on a vertical floor, and how a choreographer on the ground communicates with a dancer on a wall above, drawing on spatial theories in dance and cognitive linguistics (Laban, 1966; Levinson et al., 2002 and Lakoff and Johnson, 1980). Lefebvre’s (1974) work on the production of social space as an intersecting triad of spatial practice, representation of space and representational spaces, and recent site-specific discourse (Kwon, (2004), Kester (2004)), (e.g. Kaye (2001), Hunter et al. (2015), Pearson (2010), Kloetzel and Pavlik (2009)) are used to analyse how space is produced and changed, and how the built environment is reminded of nature through the vertical dancing body at diverse locations such as Belfast City Hall, Welsh Government offices, a WW2 German submarine station in France and Guildford Cathedral.
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Nielsen, Hanne Elliot Fønss. "The Wide White Stage: Representations of Antarctica in Theatrical Productions (1930-2011)." Thesis, University of Canterbury. Gateway Antarctica, 2013. http://hdl.handle.net/10092/8812.

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This project examines representations of Antarctica in the theatre and analyses these in terms of space and place in order to chart the development of awareness of the continent. As examples of cultural production, plays and their treatment of imagined Antarctic space can provide insights into how attitudes towards the continent have developed and been expressed by revealing the dominant narratives at various points in time. A close reading of nine plays from 1930 – 2011 focuses on the use of mimetic and diegetic space within the theatre, examining the language used, stories told and attitudes present. Such analysis reveals the factors determining the choice of an Antarctic setting, be they ecological, political or metaphorical, whilst shedding light on how attitudes towards place, space and representation have changed within the theatre context. These plays can be grouped under four thematic headings, namely “In Scott’s Footsteps,” “Retelling,” “Reimagining,” and “Returning.” While Antarctica remains a backdrop in earlier plays, where Heroic Era narratives are foregrounded, more recent productions have seen the continent come to the fore, where it is treated as part of a global web of connections. These plays illustrate a progression in how Antarctica has been represented upon the stage, a progression that parallels how we have thought about Antarctica in general.
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Banasick, Shawn Michael. "Beyond the workplace the uneven development of the Japanese space-economy and the role of labor, 1965-1994 /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2089.

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Negi, Rohit. "Copper Capitalism Today: Space, State and Development in North Western Zambia." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248715316.

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Stein, Erica Hillary. "An island off the coast of America: New York City symphonies as productions of space and narrative." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1181.

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This dissertation analyzes the group of postwar (1948-1964) independent films known as the New York city symphonies and argues that the films, rather than merely depicting space, produce it. City symphonies combine documentary, experimental, and sometimes fictional techniques to chronicle a paradigmatic day in the life of a given urban environment and its citizenry by concatenating spatially diverse, thematically related phenomena. Produced, distributed, and exhibited outside the commercial system, the New York city symphonies are nevertheless paradigmatic of the nonsynchronous spaces and layered temporalities that characterize late modernity. More important, as late modernist works, they critique this social order and the spaces that constitute it. City symphony films have often been studied as a crucial instance of the intersection of cinema and the urban environment. Previous work in film studies has used the films to argue for the mutual constitution of city and cinema on the grounds that urban modernity is primarily a mode of vision. This dissertation rejects that tradition on the grounds that it reduces space to a concept and cinema to the depiction of a pre-extant built reality. By contrast, this dissertation demonstrates that a city symphony is not a way of seeing but is rather a method for negotiating space - a spatial practice. Through extensive close readings of the films in close conversation with both Henri Lefebvre's theory of the production of space and models of narrative's spatial characteristics, this dissertation concludes that the New York city symphonies comprise a particular practice in which space can be inhabited and abstracted simultaneously, in which experience and language, place and story, are one in the same. That is, the films challenge modernity's dominant relation of production, in which space as a mental thing displaces space as it is lived and perceived. This relation largely depends on space being reduced to a series of metaphors and metonymies - to narrative. Modernity, Lefebvre argues, is constituted by such abstract space. Abstract space is reproduced through the construction of various narrations of space that naturalize or cover over the displacement of space as it is experienced. This dissertation identifies two such narratives, both of which employ microcosmic logic to produce the city as a unified, perfectly ordered, legible text to be read. Against the microcosmic narration of space, the New York city symphonies produce spaces that narrate. The films challenge the fantasy of "New York City" as a proper name that can refer to a single, knowable entity. Instead, they narrate an asynchronous multitude of sometimes overlapping, sometimes mutually exclusive New Yorks that are inhabited and invented by diverse populations as they perform their daily routines. They do this by narrating marginal areas as a series of secret passages that relate to the center through the time of the festival, and the center itself as a collective work. That is, the films not only produce space as an experience, but in doing so suggest an alternative concept of space. This dissertation proposes the New York films as a cinematic discourse capable of enunciating the multiple, contradictory meanings of given locations and from them positing an otherwise unfigurable, radically different social order characterized by both the perfect harmony of space as it is lived, perceived, and conceived as well as unlimited freedom. This dissertation claims the New York city symphonies as immanent utopias.
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Yildiz, Alican. "Reclaiming Equity in a Contested and Uneven Space: Evidence-based Reformulations for Planning Practice in the Context of Urban Food Access in Cincinnati, OH." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491227621142843.

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Vouri-Richard, Derek S. "A Spatial Plane of Immanence: American Cinema in Late Capitalism." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443712775.

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Fiamor, Anne-Emmanuelle. "Changement dans la construction sociale de la production alimentaire localisée : analyse à partir du cas drômois." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20078/document.

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Les productions alimentaires régionales, dites « de terroir » ou « localisées » se sont remarquablement développées à partir du tournant des années 80, selon des modes de valorisation variés allant du petit producteur à l’industriel labélisé. A l’aune d’une enquête de terrain portant sur la diversité des modalités de valorisation des nombreuses productions du département de la Drôme, nous nous sommes rendus compte que la diversité des modes de valorisation sur ce territoire n’était pas seulement de nature organisationnelle et stratégique. En effet, le terrain nous a conduit à supposer l’existence d’une diversité de significations sociales associées à la production localisée. Cette diversité s’incarnait dans le fait que la référence à la tradition n’était plus le seul vecteur de légitimation pour une production localisée. C’est ainsi que nous avons cherché à analyser la diversité organisationnelle mais aussi symbolique des différents processus de valorisation. Au vu de la fonction sociale d’aliment identifié dans un contexte industrialisé qu’ont les productions localisées, nous avons alors compris, qu’un nouveau sens social associé à la production locale serait signifiant d’un rapport nouveau au besoin d’identification de l’alimentation dans un contexte industrialisé et mondialisé. Pour analyser cette diversité organisationnelle et symbolique, nous avons pensé les processus de valorisation comme des systèmes de domination, au sens où l’entend Max Weber. Ainsi, le système et la stratégie de valorisation ont été mis au jour, de même que la forme de la légitimation sur laquelle repose la signification sociale de la production. Dans ce cadre, nous avons analysé six variations de localisation par référence à la tradition ainsi qu’une manière de localiser émergente. Dans cette dernière, l’ancrage local de la production s’effectue par le fait d’avoir été produite, transformée et vendue localement par le petit fermier local, souvent néo-rural, selon des savoirs et des savoir-faire de production, de transformation et d’organisation de vente construits à travers les réseaux de partage et de vente existants entre ces exploitants. Ces réseaux, formels et informels, sont créés soit par le biais du monde associatif agricole soit en toute autonomie. Dans ce cadre, chaque exploitant a pour objectif de produire et de vendre mais aussi de « faire groupe » tout en gardant son indépendance face à ses pairs et face aux acteurs institutionnels. Ainsi, ces producteurs, dans leur rapport à la production et au groupe, permettent l’émergence de savoirs et de savoir-faire de production localisée ancrés dans un « ici et maintenant » culturel associé à leur figure de petits fermiers locaux<br>This research emanates from a field survey we conducted in the Department of Drôme, France, which deals with the analysis of a variety of valorization methods of local food productions we sought to explain. Local food productions are a traditional production rooted in time and space, regardless the organizational and strategic variety of valorization methods. In the Drôme territory, we found a variety of productions and a variety of organizational and strategic valorization methods. But those patterns are not sufficient to explain what we observed in the field. We observed also another form of reference to location of these productions than only the reference to tradition. From there, in addition to the analysis of the organizational diversity of valorization methods of local food production in Drôme, the characterization of a new form of reference to location of production we spotted is the main issue of this research. To analyze the organizational and symbolic diversity, we conceptualize the valorization methods as systems of domination (in the sense of Max Weber). Indeed, the system and the strategy of valorization are pointed out as well as the shape of the legitimacy on which the social significance of the production is expressed. In this framework, we analyzed six variations of localization types by reference to tradition and one emergent way of localizing productions. This last is assessed through the fact that productions are produced, processed and sold locally by small local farmers, often neo-rural, according to production knowledge and expertise, processing and selling organization built through sharing and selling networks constructed among these farmers. These networks, either formal or informal, are either created through agricultural associations, or either were built autonomously. In this framework, each farmer aims to produce and sell, but also to “build a community” while keeping its independence from peers and institutional actors. Therefore, these farmers, through their relationships to the production and to their community, induce the emergence of knowledge and know-how rooted in “here and now” cultural bedrock crystallized in the representation of the small local farmer
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Bücher zum Thema "Uneven productions of space"

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Uneven re-production: Industry, space, and society. Pergamon, 1994.

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Uneven development: Nature, capital, and the production of space. B. Blackwell, 1991.

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Uneven development: Nature, capital, and the production of space. 3rd ed. University of Georgia Press, 2008.

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Uneven development: Nature, capital, and the production of space. B. Blackwell, 1990.

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Uneven development: Nature, capital, and the production of space. 3rd ed. Verso, 2010.

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Peck, Jamie. Time, space, flexibility: Uneven development in regulation theory. University of Leeds, School of Geography, 1992.

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Shakespeare in space: Recent Shakespeare productions on screen. Peter Lang, 2002.

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CEFRESS (Center : Université de Picardie), ed. Représentations et productions de l'espace dans les sociétés contemporaines. L'Harmattan, 2009.

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Richard, Dennis. Cities in modernity: Representations and productions of metropolitan space, 1840-1930. Cambridge University Press, 2008.

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Holdar, Magdalena. Scenography in action: Space, time and movement in theatre productions by Ingmar Bergman. Konstvetenskapliga institutionen, 2005.

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Buchteile zum Thema "Uneven productions of space"

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Andermann, Jens. "Productions of space/places of construction." In The Routledge Companion to Latin American Cinema. Routledge, 2017. http://dx.doi.org/10.4324/9781315720449-16.

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Paasi, Anssi. "“Hot Spots, Dark-Side Dots, Tin Pots”: The Uneven Internationalism of the Global Academic Market." In Knowledge and Space. Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9960-7_12.

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Neculai, Catalina. "Uneven City: Brightness Falls and the Ethnography of Fictitious Finance." In Urban Space and Late Twentieth-Century New York Literature. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137340207_6.

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Wills, Jane. "Uneven Geographies of Capital and Labour: The Lessons of European Works Councils." In Place, Space and the New Labour Internationalisms. Blackwell Publishers, 2012. http://dx.doi.org/10.1002/9781444397529.ch10.

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He, Canfei, and Shengjun Zhu. "How to Jump Further? Path Dependence and Path-Breaking in an Uneven Industry Space." In Economic Geography. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3447-4_12.

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Li, Jianghao, Weihong Bi, and Mingda Li. "Hybrid Reinforcement Learning and Uneven Generalization of Learning Space Method for Robot Obstacle Avoidance." In Lecture Notes in Electrical Engineering. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-38460-8_20.

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Clavin, Alma. "Is urban gardening a source of wellbeing and just freedom? A Capability Approach based analysis from the UK and Ireland." In Urban gardening and the struggle for social and spatial justice. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526126092.003.0008.

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The production of urban space and associated neoliberalisation of urban governance limits opportunities for individual and collective freedoms. Such a socio-spatial approach to uneven urban development has influenced a number of authors in their examination of urban community gardens. The research has shown both positive agency and wellbeing benefits of these spaces and also more critical accounts of how the spaces are limited in their ability to truly enhance political freedoms, overcoming asymmetric power relations. In addition to ongoing issues of insecurity of tenure, such well-intentioned community garden initiatives may be seen as light green, weak approaches to urban sustainability rather than a true oppositional discourse of practice, therefore seen to continue neoliberal forms of both unsustainable and uneven development. Using qualitative, visual methods, the chapter focuses on the potential of community gardens to enhance both human agency and ecological sustainability of passive adult users, and active youth and child users in urban areas. The sites chosen are specifically designed with ecological principles and associated features. In order to examine the freedoms valued within these sites, Amartya Sen’s Capability Approach (CA) is operationalized in five such sites in the UK and Ireland. Various critiques of the CA are addressed, and a particular approach to evaluating human wellbeing, linking the sustainable and just use of urban resources is developed. Such a re-conceptualisation of the CA is significant in realizing the potential role of the sites in enhancing a more expressive mode of being for individuals, along with the enhancement of participative and critical capacity in urban areas.
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Eller, Jonathan R. "Abandon in Place." In Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0013.

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After returning home from Europe in 1978, Bradbury was unable to come to agreement with the Smithsonian over “The Ghosts of Forever,” an animated film fantasy tour of the various Smithsonian museums. Chapter 12 goes on to document how the Voyager 1 and Voyager 2 journeys to the outer solar system prompted NASA’s Jet Propulsion Laboratory at Caltech to bring Bradbury back together with his “Mars and the Mind of Man” colleagues Arthur C. Clarke, Carl Sagan, and JPL director Bruce Murray to form the symposium “Jupiter and the Mind of Man.” The chapter also describes the uneven production and mixed reception of the NBC miniseries of The Martian Chronicles, and Bradbury’s Emmy-winning ABC collaboration with Malcolm Clarke on “Infinite Horizons: Space Beyond Apollo.”
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Ronda, Margaret. "North Central, South Side." In Remainders. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503603141.003.0002.

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The opening chapter reads two mid-century poets, Lorine Niedecker and Gwendolyn Brooks, as chroniclers of socioecological transition in the immediate postwar period. While environmental historians have recently turned attention to the suburbs as the key site of inquiry into changing postwar conditions, the chapter emphasizes the rural and urban peripheries as locales that reveal many of the emerging characteristics of the Great Acceleration. Turning first to Lorine Niedecker, the chapter describes her development of a poetics attentive to uneven development, residual forms of life, and ecosystemic degradation in the mixed economy of rural Wisconsin. The second half of the chapter moves from Niedecker’s rural Wisconsin to Brooks’s urban Chicago. Brooks explores the production of space in relation to the forms of environmental racism emerging in South Side housing and neighborhood conditions after 1945.
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Brace, Laura. "Glimpses of Slavery." In The Politics of Slavery. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474401142.003.0010.

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Bringing the slaves back into our conversations about freedom and modernity, and giving slavery a history and a politics of its own, alters our conceptual frames much more radically than the discourse of new slavery allows. Racial and gendered domination and violence, and the production of vulnerability, are structured and constituted through the complicated pasts, presents and futures of slavery. The freedom and status of personhood and its roots in property, possession and exchange can only be understood through the lens of slavery and the uneven distribution of the category of the human. In order to understand how it is that our ideas of universal human freedom can separate some people whose liberties matter from others who are not to included in the category of full personhood, we need to step into the space between personhood, subpersonhood and humanity and confront the ways in which the zone of freedom is rooted in property rights, and in the codification of persons as property.
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Konferenzberichte zum Thema "Uneven productions of space"

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Moiseev, N., A. Stoklitsky, I. Abramov, J. Kosmo, D. Eppler, and E. Hodgson. "Space Suit Foot and Ankle Mobility in Walking on Uneven Terrain." In International Conference On Environmental Systems. SAE International, 1999. http://dx.doi.org/10.4271/1999-01-1965.

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2

Guijun Zhang, Li Yu, Qike Shao, and Yuanjing Feng. "A Clustering Based GA for Multimodal Optimization in Uneven Search Space." In 2006 6th World Congress on Intelligent Control and Automation. IEEE, 2006. http://dx.doi.org/10.1109/wcica.2006.1712944.

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3

Leonov, V. V., and V. S. Zarubin. "Uneven heating of the anisotropic spherical layer of the heat-protective coating." In XLIII ACADEMIC SPACE CONFERENCE: dedicated to the memory of academician S.P. Korolev and other outstanding Russian scientists – Pioneers of space exploration. AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5133170.

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4

Afonin, K. N., A. U. Olisovec, Y. V. Ryapolova, V. S. Soldatkin, D. G. Starosek, and V. I. Tuev. "Optimizing the design of LED lamps for the minimum of uneven light distribution in space." In 2016 13th International Scientific-Technical Conference on Actual Problems of Electronics Instrument Engineering (APEIE). IEEE, 2016. http://dx.doi.org/10.1109/apeie.2016.7806906.

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5

Dragomir Jora, Octavian. "The Space Economy: Freedom and Fairness above the Skies." In 2nd International Conference on Business, Management and Finance. Acavent, 2019. http://dx.doi.org/10.33422/2nd.icbmf.2019.11.771.

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The space economy encompasses the totality of activities resulting from and in the presence of humankind in space and, in addition to its governmental and research components, it also features a critical and crescent business and market-oriented segment. The number of space systems, especially those in Earth orbit, has augmented significantly, leading to a surge in satellite services that has strikingly outstripped global economic growth. The huge demand for communications, data gathering, navigation, positioning and timing services grows exponentially with the development of new applications with terrestrial debouche and encouraged by state actors seeing this field as a strategic force multiplier and area for competition/competitiveness. This research observes that even if costs continue to fall (on the technological “supply-side”) and reliance on circum-terrestrial space-based facilities continues to rise (on the “demand-side”), there are international institutional hurdles against the unleash of space quest for fear that uneven chances to accede in space will ignite old terrestrial conflicts. Special attention will be drawn on the reasons for the potential prolongation of the image of cosmic space as a “museum” rather that a “laboratory”, and a “laboratory” rather than an “workshop”, discussing whether the just / efficient paradigm in the outer space governance / ownership / sovereignty is “entrepreneurial liberal capitalism”, “egalitarian social democracy” or “reactionary conservatism”.
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Sreenivasan, S. V., and P. Nanua. "Force Distribution Characteristics of Actively Reconfigurable Wheeled Vehicle Systems." In ASME 1996 Design Engineering Technical Conferences and Computers in Engineering Conference. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/96-detc/mech-1138.

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Abstract This paper addresses the force distribution issues associated with redundantly actuated wheeled vehicles that are suited for operation on uneven terrain. Basic results relating to the partitioning of motion and force variables in these mechanisms are developed. The redundant actuation scheme allows for the control of force distribution in the system, in addition to motion control. The unique kinematic characteristics of wheeled systems, that makes these vehicles ‘singular’ on even terrain, and ‘near-singular’ on uneven terrain; and the presence of ‘kinematic slipping’ when these vehicles move on uneven terrain make their force distribution mathematics distinct from other systems considered in the literature. In a singular configuration, it is shown here that these active wheeled vehicles possess only a partial control over their internal force distribution. A procedure to partition the ‘force space’ into controllable and uncontrollable spaces is provided based on a geometric approach. Closed-form force space results are included for an actively articulated multi-module system (a generalization of a passive, articulated mobile robot that has been studied extensively in literature). The force distribution in actively reconfigurable wheeled vehicles is closely related to their rate kinematics. Rate kinematics of these vehicles has been studied in a companion paper [SN96].
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Pavlov, Andrei Valerianovich. "Reflection of Functions and Linear Prognosis." In International Research-to-practice conference. TSNS Interaktiv Plus, 2021. http://dx.doi.org/10.21661/r-553927.

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Periodicity of wide class of functions as a result of reflection of even and arbitrary regular functions is proved. By consideration of new scalar work in space of linear shell of initial n vectors the equivalence of values of two different scalar productions is proved. The example of linear transformation is considered on plane for the symmetric case, resulting in possibility to make to use the orthogonal sides of rhombus at projection on the plane of its parties.
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Yoshida, Yoshiki, Hideaki Nanri, Kengo Kikuta, Yusuke Kazami, Yuka Iga, and Toshiaki Ikohagi. "Thermodynamic Effect on Sub-Synchronous Rotating Cavitation and Surge Mode Oscillation in a Space Inducer." In ASME 2009 Fluids Engineering Division Summer Meeting. ASMEDC, 2009. http://dx.doi.org/10.1115/fedsm2009-78102.

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The relationship between the thermodynamic effect and sub-synchronous rotating cavitation was investigated with a focus on cavity fluctuations. Experiments on a three-bladed inducer were conducted with liquid nitrogen at different temperatures (74 K, 78K and 83 K) to confirm the dependence of the thermodynamic effects. Sub-synchronous rotating cavitation appeared at lower cavitation numbers in liquid nitrogen at 74 K, the same as in cold water. In contrast, in liquid nitrogen at 83 K, the occurrence of sub-synchronous rotating cavitation was suppressed because of the increase of the thermodynamic effect due to the rising temperature. Furthermore, unevenness of cavity length under synchronous rotating cavitation at 83 K was also decreased by the thermodynamic effect. However, surge mode oscillation occurred simultaneously under this weakened synchronous rotating cavitation. Cavity lengths on the blades oscillated with the same phase and maintained the uneven cavity pattern. It was inferred that the thermodynamic effect weakened the peripheral cavitation instability, i.e., synchronous rotating cavitation, and thus axial cavitation instability, i.e., surge mode oscillation, was easily induced due to the synchronization of the cavity fluctuation with an acoustic resonance in the present experimental inlet-pipe system.
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Gomez, Helmuth, and Gabriela Antošová. "Sectors and industry regions – Case study italy." In XXIV. mezinárodního kolokvia o regionálních vědách. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9896-2021-21.

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The aim of the article is to describe the tangible and lasting uneven regional distribution of manufacturing in Italy, as the result of a historical reinforcing process. In doing so, we cite the basic parameters typically applied by the New Economic Geography approach and try to relate some global developments in the Italian history, with the seemingly outright influence of such specific theoretical parameters. The method is merely descriptive and uses a map and some manufacturing statistics for spotlight the actual sectorial distribution of employment as an evidence of the divergent process. For underpinning the analytical interpretation, we consult the previous contribution of some Italian economists and historians setting forth the consolidation of Italian manufacturing expansion and its startling spatial concentration. The descriptive style of the article ends up highlighting the pervasive influence of historical inertia on the regional economic development and the pertinence of New Economic Geography framework for interpreting the uneven distribution of manufacturing across the space.
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Nasrallah, Danielle Sami, Jorge Angeles, and Hannah Michalska. "Modeling of an Anti-Tilting Outdoor Mobile Robot." In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-85098.

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This paper reports on the modeling of an anti-tilting outdoor mobile robot moving on an uneven terrain that is modeled as a warped, smooth surface. The dynamics has been derived using the natural orthogonal complement, and takes into account the terrain geometry, which has not been investigated before. The Euler-Rodrigues parameters have been chosen to describe the orientation of bodies in space because of their robustness. Simulation of the robot moving on distinct types of terrain are provided.
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