Thematische Bibliographien / Twentieth Century European Literarure

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Twentieth Century European Literarure“

Autor: Grafiati
Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Twentieth Century European Literarure"

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Czerwinski, E. J., und Brian Docherty. „Twentieth-Century European Drama“. World Literature Today 68, Nr. 2 (1994): 438. http://dx.doi.org/10.2307/40150348.

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Vadelorge, Loïc. „European Museums in the Twentieth Century“. Contemporary European History 10, Nr. 2 (Juli 2001): 307–16. http://dx.doi.org/10.1017/s0960777301002077.

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James D. Herbert, Paris 1937: Worlds on Exhibition (Ithaca: Cornell University Press, 1998), 207 pp., £31.50, ISBN 0-801-43494-7. Andrea Kupfer Schneider, Creating the Musée d'Orsay. The Politics of Culture in France (University Park, PA: Pennsylvania State University Press, 1998), 150 pp., $25.00, ISBN 0-271-01752-X. Juan Pedro Lorente, Cathedral of Urban Modernity. The First Museums of Contemporary Art, 1800–1930 (Aldershot: Ashgate, 1998), £47.50, ISBN 1-859-28383-7. Ministère de la Culture et de la Communication, Direction des Musées de France, Centre national de la Recherche Scientifique, Centre de Sociologie des Organisations, Musée National du Moyen Age, Publics et projets culturels. Un enjeu des musées en Europe. Actes des Journées d'étude 26 et 27 octobre 1998, Paris, Musée national du Moyen Age (Paris: L'Harmattan, 2000), price not given, ISBN 2-738-48645-2. Paul Rasse, Les Musées à la lumière de l'espace public. Histoire, évolution, enjeux (Paris: L'Harmattan, Logiques Sociales, 1999), 238 pp., price not given, ISBN 2-738-47769-0. Selma Reuben Holo, Beyond the Prado. Museums and Identity in Democratic Spain (Liverpool University Press, 1999), 222 pp., price not given, ISBN 0-853-23535-X. Brandon Taylor, Art for the Nation. Exhibitions and the London Public 1747–2001 (Manchester University Press, 1990), 314 pp., price not given, ISBN 0-719-05452-4.
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Yosypenko, Serhii. „The long twentieth century?“ Filosofska dumka (Philosophical Thought) -, Nr. 3 (03.11.2022): 83–97. http://dx.doi.org/10.15407/fd2022.03.083.

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The paper describes the historical and intellectual foundations on which the European political system was built after the Second World War; this system pursued the goal to prevent any war in Europe, but proved unable to prevent the russian-Ukrainian war. The paper shows that this system was built not only because of the trauma of the First and Second World Wars, but also in accord- ance with the liberal attitude to war, which M. Vatter called «war with “war”»; at the same time, such a clear attitude does not refer to real wars, but to an imaginary «war of all against all». Based on the analysis of the principles and results of the research project “War and Society” under the direction of J. Baechler, the author outlines the principles of liberal Realpolitik as the implementation of the mentioned attitude in the realm of wars: it consists in their rationalization both at the level of goals and at the level of means of warfare; such a rationalization finally makes war irrational and unacceptable. From the point of view of such Realpolitik, war is only an extraordinary means of politics, and the russian-Ukrainian war is only an excess of violence, while in the opinion of the author, it is an inevitable consequence of the irrational and violent russian-Ukrainian extrapolitical conflict, whose stakes is the existence self of Ukraine. The author believes that one of the reasons for the inability of the European political system to prevent the russian-Ukrainian war is the belief that with the end of the Cold War, the “century of total war” in Europe also ended, and that the economic and cultural integration of post-communist countries into the European space makes such conflicts impossible. The author refers to the description of the own logic of wars of the 20th century, proposed in R. Aron’s book «The century of total war», and suggests considering the russian-Ukrainian war as a continuation of these wars. In the perspective pro- posed by R. Aron, the mentioned «century of total war» can be considered as a «long 20th century», which continues to this day.
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King, Charles. „Eastern European nationalism in the twentieth century“. International Affairs 72, Nr. 4 (Oktober 1996): 836. http://dx.doi.org/10.2307/2624201.

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Jones, Philip N. „European migration in the late Twentieth Century“. Political Geography 16, Nr. 7 (September 1997): 618–20. http://dx.doi.org/10.1016/s0962-6298(97)86325-1.

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GROSS, STEPHEN G. „Introduction: European Integration across the Twentieth Century“. Contemporary European History 26, Nr. 2 (Mai 2017): 205–7. http://dx.doi.org/10.1017/s096077731700011x.

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This forum explores continuities and transformations in the way Europeans thought about integrating their continent politically, economically and ideologically across the twentieth century. It questions the idea of aStunde Null, which sees European integration primarily as a response to the destruction of the Second World War. Instead, the forum shows how mentalities, ideologies, challenges and constraints that arose before 1945 shaped the way European elites conceptualised and pursued unification in the post-war decades. The European leaders who orchestrated integration after 1945 were looking both backward and forward, trying to revive older visions for a unified continent and overcome long-standing problems while simultaneously aspiring to a new, supranational regional order that would preserve Europe's position as a global power. In exploring such continuities, this forum adds a regionalist dimension to the burgeoning literature – by Patricia Clavin, Daniel Gorman, Mark Mazower and others – on the connections between interwar internationalism and the post-1945 global order, and on the continuity of intellectuals, experts and politicians through the middle half of the twentieth century.
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Broadberry, S. N., und N. F. R. Crafts. „EUROPEAN PRODUCTIVITY IN THE TWENTIETH CENTURY: INTRODUCTION“. Oxford Bulletin of Economics and Statistics 52, Nr. 4 (01.05.2009): 331–41. http://dx.doi.org/10.1111/j.1468-0084.1990.mp52004001.x.

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Ene D-Vasilescu, Elena. „Twentieth Century Developments in European Icon Painting“. IKON 9 (Januar 2016): 335–42. http://dx.doi.org/10.1484/j.ikon.4.00029.

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KLAUTKE, EGBERT. „ANTI-AMERICANISM IN TWENTIETH-CENTURY EUROPE“. Historical Journal 54, Nr. 4 (07.11.2011): 1125–39. http://dx.doi.org/10.1017/s0018246x11000276.

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ABSTRACTSince the beginning of the twentieth century, European observers and commentators have frequently employed the term ‘Americanization’ to make sense of the astonishing rise of the USA to the status of a world power. More specifically, they used this term to describe the social changes brought about by industrialization and urbanization. In this context, European intellectuals have often used ‘America’ as shorthand for ‘modernity’; across the Atlantic, they believed, it was possible to learn and see the future of their own societies. Criticism of ‘the Americanization of Europe’ – or the world – easily led to outright anti-Americanism, i.e. a radical and reductionist ideology which held the USA responsible for the economic, political, or cultural ills of modern societies. The war in Iraq in 2003 and the alienation between the USA and France and Germany that followed provided a new impetus for studying the history of European perceptions of America. A large number of studies have since been published that deal with the history of the ‘Americanization of Europe’ and anti-Americanism, and several monographs, which are based on original research and promise new insights, will be the focus of this historiographical review.
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Luciuk, Lubomyr, und Michael R. Marrus. „The Unwanted: European Refugees in the Twentieth Century.“ International Migration Review 19, Nr. 4 (1985): 775. http://dx.doi.org/10.2307/2546111.

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Dissertationen zum Thema "Twentieth Century European Literarure"

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Sarkar, Jayjit. „Poetics of Pathology: modernity, illness and a select reading of Twentieth-Century European literature (1910-1960)“. Thesis, University of North Bengal, 2018. http://ir.nbu.ac.in/handle/123456789/2680.

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Mannering, Hildegard Kirsten. „European stylistic influence on early twentieth century South African painters“. Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002207.

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South African artists, d i ssatisfied with the staid environment in local circles, felt the need to travel abroad for fresh stimulation. This need allowed for a historical investigation into the results, beneficial or otherwise, of the influence of European modernism on early twentieth century South African painters. Because of the numerous practising artists in South Africa at the time, it was found necessary to give cohesion to the artists discussed and, therefore the most pertinent were grouped into artistic movements. Thus, H.Naude, R . G. Goodman and H.S. Caldecott are discussed in conjunction with Impressionism. B. Everard, R. Everard-Haden and J.H. Pierneef are compared to the post-Impressionists and finally, I.Stern and M. Laubser are equated with the Fauves and Expressionists. To ascertain the true effect of European stylistic influence, a comparative analysis of work executed before European visits and upon the artists' return was imperative. Simultaneously, as part of the analysis, reference was also made to any work executed by these artists while in Europe. European movements of the period are also reviewed, enabling precise grouping and better understanding of t he styles adopted by the chosen group of early twentieth century South African artists. Some attention is given to the impact these artists had on South African art upon their return, as this confirms the degree of European influence and facilitates the classification of styles adopted by the selected group. In conclusion, to establish the extent to which European art was influential, a brief synopsis shows the changes in local groups, once these artists had re-established themselves in South Africa.
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Lee, Sai-chong Jack. „Painting in western media in early twentieth century Hong Kong /“. Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19668296.

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Williams, James. „Polyglot passages : multilingualism and the twentieth-century novel“. Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/25985.

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This thesis reads the twentieth-century novel in light of its engagement with multilingualism. It treats the multilingual as a recurring formal preoccupation for writers working predominantly in English, but also as an emergent historical problematic through which they confront the linguistic and political inheritances of empire. The project thus understands European modernism as emerging from empire, and reads its formal innovations as engagements with the histories and quotidian realities of language use in the empire and in the metropolis. In addition to arguing for a rooting of modernism in the language histories of empire, I also argue for the multilingual as a potential linkage between European modernist writing and the writing of decolonisation, treating the Caribbean as a particularly productive region for this kind of enquiry. Ultimately, I argue that these periodical groupings - the modernist and the postcolonial - can be understood as part of a longer chronology of the linguistic legacy of empire. The thesis thus takes its case studies from across the twentieth century, moving between Europe and the Caribbean. The first chapter considers Joseph Conrad as the paradigmatic multilingual writer of late colonialism and early modernism, and the second treats Jean Rhys as a problematic late modernist of Caribbean extraction. The second half of the thesis reads texts more explicitly preoccupied with the Caribbean: the third chapter thus considers linguistic histories of Guyana and the Americas in the works of the experimental novelist Wilson Harris, and the fourth is concerned with the inventive and polemical contemporary Dominican-American novelist, Junot Díaz.
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Tsang, Wing-yi. „Jewish imagery and orientalism in nineteenth and early twentieth century European art“. Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B40040355.

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Tsang, Wing-yi, und 曾穎怡. „Jewish imagery and orientalism in nineteenth and early twentieth century European art“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B40040355.

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Pappas, Robin Brooke. „Varieties of consciousness : nineteenth- and early twentieth-century poetics of "altered" states /“. view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113022.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 263-277). Also available for download via the World Wide Web; free to University of Oregon users.
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Chattopadhyay, Sayan. „Foreign selves : Indian self-fashioning as European and twentieth-century Indian English literature“. Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648897.

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Lee, Sai-chong Jack, und 李世莊. „Painting in western media in early twentieth century Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31214344.

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Renner-Fahey, Ona. „Mythologies of poetic creation in twentieth-century Russian verse“. The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1056554664.

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Bücher zum Thema "Twentieth Century European Literarure"

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Docherty, Brian, Hrsg. Twentieth-Century European Drama. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0.

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Twentieth-century European history. St. Paul: West Pub. Co., 1993.

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Brian, Docherty, Hrsg. Twentieth-century European drama. Basingstoke: Macmillan, 1994.

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Brian, Docherty, Hrsg. Twentieth-century European drama. New York: St. Martinʼs Press, 1994.

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Pronoti, Sinha, Agashe Mohan, Visva-Bharati. Dept. of English and other Modern European Languages. und Eastern Zonal Cultural Centre (India), Hrsg. Twentieth century European drama. Santiniketan: Visva-Bharati, 1997.

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Paul, Hansom, Hrsg. Twentieth-century European cultural theorists. Detroit: Gale Group, 2001.

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George, Stade, Hrsg. European writers: The Twentieth century. New York: Scribner's, 1989.

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Steven, Serafin, Hrsg. Twentieth-century Eastern European writers. Detroit: Gale Group, 1999.

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George, Stade, Hrsg. European writers: The twentieth century. New York: Scribner, 1990.

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George, Stade, Hrsg. European writers: The twentieth century. New York: Scribner, 1990.

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Buchteile zum Thema "Twentieth Century European Literarure"

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Bondebjerg, Ib. „Introduction: Mediating European History“. In Screening Twentieth Century Europe, 1–21. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-60496-7_1.

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Docherty, Brian. „Introduction: Thirteen Essays in Search of a Reader“. In Twentieth-Century European Drama, 1–12. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_1.

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Day, Gary. „Artaud and Genet’s The Maids“. In Twentieth-Century European Drama, 146–61. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_10.

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Holderness, Graham. „Weiss/Brook: Marat/Sade“. In Twentieth-Century European Drama, 162–71. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_11.

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Majer, Peter. „Time, Identity and Being“. In Twentieth-Century European Drama, 172–82. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_12.

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Taylor, Anna-Marie. „The Germans in Britain“. In Twentieth-Century European Drama, 183–202. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_13.

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Montgomery, Angela. „The Theatre of Dario Fo and Franca Rame“. In Twentieth-Century European Drama, 203–20. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_14.

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Bassnett, Susan. „Female Masks: Luigi Pirandello’s Plays for Women“. In Twentieth-Century European Drama, 13–25. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_2.

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Speirs, Ronald. „The Theatre of Bertolt Brecht: Theory and Practice“. In Twentieth-Century European Drama, 26–41. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_3.

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Howard, Roger. „Witkiewicz and the Theatre of Death“. In Twentieth-Century European Drama, 42–62. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_4.

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Konferenzberichte zum Thema "Twentieth Century European Literarure"

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Belov, Vladimir, und Julia Karagod. „The Crisis of European Culture in the Works of Russian Philosophers of the Twentieth Century. Around the Ideas of Spengler“. In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.168.

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Тарханов, Юрий Николаевич. „THE PHENOMENON OF INTUITION IN THE WESTERN EUROPEAN PHILOSOPHICAL TRADITION“. In Наука. Исследования. Практика: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Июнь 2022). Crossref, 2022. http://dx.doi.org/10.37539/srp303.2022.45.17.009.

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Рассмотрены этапы развития философских учений об интуиции и интуитивном познании в рамках западноевропейской традиции с античности до начала ХХ столетия. Отмечается, что интуитивизм использует рациональные методы обоснования права на существования как методологии познания. В своём развитии интуитивизм оформился в отдельное направление, обосновывающее возможность постигать мир во всей его целостности и непостижимости. The stages of the development of philosophical doctrines about intuition and intuitive cognition within the framework of the Western European tradition from antiquity to the beginning of the twentieth century are considered. It is noted that intuitionism uses rational methods of substantiating the right to exist as a methodology of cognition. In its development, intuitionism has taken shape in a separate direction, justifying the possibility of comprehending the world in all its integrity and incomprehensibility.
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Vilcu, Dina. „The Integralism of Eugenio Coseriu’s Linguistics“. In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.50.

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This study pleads for the use of the term “integral linguistics” for the theory of language created and developed by the Romanian linguist Eugenio Coseriu starting with the middle of the twentieth century. The term was proposed by Coseriu himself only in 1981, when he contributed in the second edition of the National Congress of Linguistics in San Juan with a presentation named “Fundamentas y tareas de la lingüistica integral (Basis and tasks of integral linguistics)”. The term was not so much used in the world of linguistics, except for some of Eugenio Coseriu’s disciples, who clearly understood the amplitude of his vision on language (like Johannes Kabatek in Germany or Mircea Borcilă and all his followers in the linguistic school from Cluj-Napoca, Romania). The rationale for promoting the name of “integral linguistics” for the theory created by Eugenio Coseriu is based on some arguments listed and detailed in this study: integral linguistics has a unitary object, the language as a cultural object, studied from all relevant perspectives; it is based on a solid and well integrated philosophy of language (with ideas from Aristotle, Humboldt and Hegel and many other philosophers fundamenting Coseriu’s vision on language); it includes most relevant ideas from linguists who preceded Coseriu’s theory, in a constant integrative effort; it relates to other theories of language, clarifying its position in connection with different lines of study opened especially in the second half of the twentieth century; it proposes extremely valuable instruments and concepts adequate for the study of language and it offers the perspective of continuation and development of the study of language.
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Rutsinskaya, Irina, und Galina Smirnova. „TEA PARTIES IN RUSSIAN PAINTING IN THE SECOND HALF OF THE NINETEENTH – BEGINNING OF THE TWENTIETH CENTURY: REFLECTIONS OF EVERYDAY LIFE AND SOCIAL HISTORY“. In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/33.

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"Tea in Russia is not only the drink loved by millions of people but also a national symbol closely and inseparably connected with Russian culture. The dominance of realism in Russian fine art in the second half of the nineteenth – beginning of the twentieth century gave birth to the widespread popularity of genre painting which started playing a very special role in the country. It is not surprising that tea parties became common themes in these works. Over a cup of tea, the characters in the paintings perform everyday activities: chatting, contemplating, indulging in memories, while taking the opportunity to enjoy their favourite drink. Paintings are a unique and rarely used source for social history and culture studies as they allow us not only to reconstruct the everyday life of past eras, but also to study how contemporaries saw, perceived, and evaluated a variety of everyday practices. The research undertaken is descriptive and analytical with reference to the principles of historicism, academic reliability and objectivity that help to determine important trends and patterns and characterize the various social phenomena and developments that took place in Russia during the period under study. Unlike Western European painting, the representation of tea ceremonies on the canvases of Russian artists romanticizes both the philosophical aspect and the harmonizing function of the ceremony, but at the same time focuses attention on social issues, which obviously reflects the specifics of national consciousness. The present research is based on the analysis of eighty-two genre painting works by Russian artists (among them there are the well-known ones by: Ivan Bogdanov, Vasiiy Makovsky, Konstantin Makovsky, Vasily Perov, Konnstantin Korovin, etc.). They not only provide the audience with information about different aspects of everyday culture in Russia from the second half of the nineteenth to the beginning of the twentieth century but also trace the trends in the development of public consciousness and help to determine the main social problems that characterize the historical period and the attitude of society to them. The process of the democratization of society in the second half of the nineteenth century is reflected in the depiction of the ambiguous relationship between society and the church. The canvases draw attention to the place of tradition in the life of an individual and a family, the changing social role of the nobility which exemplifies the passing era, increasing interest in the way of life of the intelligentsia, and creating the image of the merchant as a new social class with a specific culture. At the beginning of the twentieth century, the nostalgic description of the tea party as a symbol of a bygone era of prosperity and a lost past prevails."
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Старикова, Н. Н. „Литература в контексте социально-политических трансформаций конца ХХ в.: словенский опыт“. In Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна). Институт славяноведения РАН, 2021. http://dx.doi.org/10.31168/0459-6.42.

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The problem of changing the role of literature in the modern world is especially acute in the former socialist European countries, survived at the end of the twentieth century fundamental social and political changes. Slovenia, which gained sovereignty during the disintegration of the SFRY, is one of the typical examples. For a long time, Slovenian literature developed under the sign of the struggle for national independence, going through many severe trials along the way. The first decades of independence created the preconditions for qualitative changes within literature and led to the transformation of its role in public life.
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Catereva, Irina. „Eugenio Barba: the movement to theater universality“. In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.20.

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Eugenio Barba is the founder and director of the Norwegian theater Odin, pedagogue, theorist of contemporary theater. She is part of the cohort of directors who have contributed to the creation of the modern lexicon of acting expressiveness. Revealing the cross-cultural aspects and based on contemporary research, Barba aims to reveal the universal acting components, the origins of which he finds in the unity of their spiritual and psychophysiological aspect. He tends to the expressiveness of the actor born of his full human potential. The formation of the language of acting expressiveness in Barba’s creation is indispensable for one of the brilliant tendencies of the development of European theatrical art in the second half of the twentieth century — the movement to theatrical universality.
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Cevik, Gulen. „A Problematic Construct: ‘Islamic Architecture’“. In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.27.

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This paper interrogates the origins and provenance of the term ‘Islamic Architecture,’ making the argument that it is misleading. The term reflects nineteenth- century Orientalist discourse and diminishes the remarkable diversity of architectural traditions found in the predominantly Muslim countries of Asia and North Africa. The paper will survey the early terminology used to discuss the architecture of European colonies in the nineteenth and twentieth centuries, and then discuss the reasons for rejecting the term ‘Islamic architecture.’ A major point will be to note how local traditions of architecture tend to trump the importance of religious function, so that the continuities between the architecture before and after the introduction of Islam are stronger than the similarities that emerged subsequent to conversion to Islam.
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Zamperini, Emanuele, Angelo Giuseppe Landi und Alberto Grimoldi. „MENSIOCHRONOLOGICAL TECHNIQUES FOR TIMBER ELEMENTS: LIMITS AND SPECIFICITIES THROUGH A CASE STUDY“. In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12126.

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In Italy, studies on wooden structural elements in masonry buildings, from the Middle Ages throughout the Modern Age to the twentieth century, are few in number compared to other European countries and present no systematic approach. It is necessary to carry out progressively, but systematically, high-detailed surveys and to correlate them with the existing discontinuous documentation. Diachronic comparisons – referring to significant geographical areas in which evident constructive constants are recognizable – would highlight the variation over time of the models and their diffusion, while the comparison, especially synchronic, between solutions evidently different or apparently similar, would allow to better understand both the constructive choices and their static behaviour. A series of models – including the structural ones – should be elaborated, for directing design in a sector, often seriously flawed, prone to simplification and the introduction of high safety factors essentially motivated by summary and inadequate surveys of the actual situation. It is also interesting to evaluate the application of mensiochronological techniques to the analysis of timber structures, especially floors. The significant measures for dating are various: dimensions and centre distances of beams and joists, width and thickness of the boards, dimension of the accessory elements (e.g. joint laths), but the working processes and tree species have a decisive impact on the measures of the artefacts. Mensiochronological techniques usually detect slow but evident variations; however, a centuries-old constancy is equally significant. More general information about the context is useful, in particular which choices are not determined by mere technical reasons. A better historical knowledge serves to understand the qualities and limitations of existing structures, and the features – including decay – in which they appear. The floors of Palazzo Magio in Cremona, dating from the fifteenth century to the end of the eighteenth century, allow to reflect on how and what to examine.
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Kovaleva, M. V., und O. V. Mikhailov. „Search for Ways to overcome the Crisis by Representatives of Russian Religious Thought“. In General question of world science. Наука России, 2021. http://dx.doi.org/10.18411/gq-31-03-2021-61.

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The crisis at the turn of the 19th and 20th centuries affected different countries and different aspects of social life, which was inevitable both due to geographical proximity and cultural, economic, political and other intersections. Addressing the topic of the sociocultural crisis was characteristic of both Russian and Western European philosophers of the early 20th century. The author in the article refers to the understanding of its features and ways to overcome it in the context of the ideas of Russian religious philosophers. An integral feature of Russian philosophical thought in the context of assessing the ongoing social changes and the search for ways out of a crisis situation is an understanding of the special purpose of Russia and an awareness of its role in human history. The works of Russian philosophers are full of anxiety about the future of mankind, about the fate of Russia, a premonition of possible death, therefore it is no coincidence that the appeal to the theme of the Apocalypse, the impending catastrophe, the end of history is perceived as a real threat to the existence of mankind. With all the diversity of approaches to assessing the sociocultural crisis, Russian thinkers are united by common philosophical roots, religion, national and cultural traditions. In the context of understanding the crisis processes of the early twentieth century, Russian religious thinkers raise the question of the role and significance of a person in the transformation of life, thereby actualizing the moral and anthropological problems.
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Kive, Solmaz. „The Order of the World in James Fergusson’s Histories of Architecture“. In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.82.

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James Fergusson created one of the earliest comprehensive narratives that systematically incorporated non-Western traditions within the history of European architecture. Although it was later overshadowed by Banister Fletcher’s A History of Architecture, Fergusson’s work played a significant role in establishing the common structure of future survey books. Fergusson’s history of architecture (first appeared in 1849) was shaped through three different versions. Throughout these three versions, he explored different methods of groupings, exclusions, and distortions in order to create a comprehensive, yet cohesive narrative. From the first book’s chronological arrangement, he moved to a combination of geographical and religious classifications in the second and eventually established his narrative around a central, Eurocentric narrative in the third. Fergusson considered this arrangement his main contribution to architectural history. Nevertheless, this new structure was also supported by a methodological shift from universalism towards ethnography. This paper compares Fergusson’s three surveys to explore the development of his narrative of world architecture. Despite many differences in methods and materials, his work bears many similarities to the mainstream approach to surveys of architecture in the twentieth century. Most significantly, the classificatory system that he gradually developed would eventually establish the binary division between Western and non-Western traditions. While the current desire to go beyond the Western canons in history courses and textbooks has faced many practical, pedagogical, and ideological challenges, this paper explores some of their roots in the early phases of the global history.
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Berichte der Organisationen zum Thema "Twentieth Century European Literarure"

1

Galenson, David. Toward Abstraction: Ranking European Painters of the Early Twentieth Century. Cambridge, MA: National Bureau of Economic Research, August 2005. http://dx.doi.org/10.3386/w11501.

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Stelter, Robert, David De la Croix und Mikko Myrskylä. Leaders and laggards in life expectancy among European scholars from the sixteenth to the early twentieth century. Rostock: Max Planck Institute for Demographic Research, August 2020. http://dx.doi.org/10.4054/mpidr-wp-2020-030.

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Wollner, Craig. The attack on bourgeois society: an introduction to cultural despair in the late nineteenth and twentieth century European thought, with four illustrative studies from traditions of the European intellectual milieu. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.812.

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Zhytaryuk, Marian. Ukraine in the international press in 1930 (on the materials of the Lviv newspaper «Dilo»). Ivan Franko National University of Lviv, Februar 2022. http://dx.doi.org/10.30970/vjo.2022.51.11413.

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In the article of Professor Maryan Zhytaryuk, it is implemented the systematization of publications in the international press of 1930 about Ukraine on the materials of the Lviv newspaper «Dilo». Important political issues, in particular: Bolshevism in Soviet Ukraine, the massacre of the Ukrainian intelligentsia (Union for the Liberation of Ukraine), the interpretation of the «Ukrainian political problem» in European countries were singled out and generalized. The topicality of the article subject follows from the need to supplement the materials on the study of the «Ukrainian question», from the understanding that the interwar period, mainly in the 30s of the twentieth century, is a concentrated historical and political period, that is represented on newspaper and magazine columns. During the decade (30s of the twentieth century) – there were thousands of them. For example, in the newspaper «Dilo» only in the first three months of 1930 we can find more than 100 publications on international subjects. Therefore, the author narrowed the research materials to translated materials in the genres of press round-up, review, digest of publications in the foreign press. The purpose of the article is to focus on Ukrainian issues in the international press based on translations and comments on foreign publications in the newspaper «Dilo» in 1930. The task of the publication is to comprehend the identified texts in the context of geopolitical construction on the eve of World War II; to supplement the history of Ukrainian and foreign journalism and its source base. In the article the author uses the method of scientific study of primary sources found in the special funds of the Scientific Library of LNU. I. Franko, in particular, the bundles of the newspaper «Dilo» for 1930. 252 publications were processed, some of which - in several submissions. Based on scientific summarizing, 15 publications on political issues with the keyword «Ukraine» were selected on the basis of translated sources from foreign media (scientific research method). Actually with the purpose of understanding the raised issues (conceptual analysis) and of preparing some certain conclusions and generalizations (methods of synthesis, induction and deduction) the problem-thematic analysis was used.
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