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Thematische Bibliographien / Turangbai

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Auswahl der wissenschaftlichen Literatur zum Thema „Turangbai“

Autor: Grafiati

Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Turangbai"

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Damiasih, Damiasih, und Sela Apriliyani Mahmudah. „PELESTARIAN SENI TARI JATHILAN TURRANGGA BEKSO GUNA MENINGKATKAN KUNJUNGAN WISATA DI SLEMAN – YOGYAKARTA“. Kepariwisataan: Jurnal Ilmiah 11, Nr. 01 (31.01.2017): 15–26. http://dx.doi.org/10.47256/kepariwisataan.v11i01.111.

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The Title of this research is the “Preservation the art of dance Jathilan Turangga Bekso for to increase tourism visit in Sleman–Yogyakarta”. This research means to determine how the system about management and preservation Jathilan Turangga Bekso as one of the measures to increase visits tourist come to area Gamping. Author use kualitative methode to find the problem. In the research outhor taking the formulation of the problem to how preservation steps dance Jathilan Turangga Bekso in sleman And How the rule of Community in Conservation Jathilan Turangga Bekso. The Outhor had reason for choosing dance Turangga Bekso Because This dance not yet Famous in Community From Sleman. Keywords: Dance, Tourism,Community

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2

Mayasari, Atika, Sri Marmoah und Tri Murwaningsih. „INTERNALIZATION OF PANCASILA VALUES BASED ON LOCAL WISDOM"JARANAN TURANGGA YAKSA"IN ELEMENTARY SCHOOL“. JURNAL PENDIDIKAN DASAR 9, Nr. 1 (23.06.2021): 80–95. http://dx.doi.org/10.46368/jpd.v9i1.350.

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Abstract: The purpose of this study was to determine the value of Pancasila contained in the local wisdom of Jaranan Turangga Yaksa and to describe the internalization of the values of Pancasila and the local wisdom of Jaranan Turangga Yaksa in elementary schools and to find out the obstacles and solutions to internalizing the values of Pancasila based on local wisdom of Jaranan Turangga Yaksa. The research will be carried out at SD Negeri 3 Ngantru, Trenggalek District, Trenggalek Regency, East Java by using a form of qualitative research with the intention of describing the activities of implementing character values through local wisdom in these elementary schools and the method used in this research is descriptive research method. The results of the research that have been carried out are the values of Pancasila which are contained in the local wisdom of Jaranan Turangga Yaksa starting from the first precept, namely the almighty deity where the art of Jaranan Turangga aims to give alms from the community to God Almighty by giving crops to people in need. . The second Pancasila value contained in the local wisdom of Jaranan Turangga Yaksa, namely the emergence of a sense of tolerance, friendship, social care, an attitude of love for peace among humans and also the application of the fifth Pancasila precept, namely social justice for all Indonesian people. Keywords: Internalilation, Pancasila Values, Local Wisdom, Jaranan TuranggaYaksa

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Varisandi, Syafiq Agil, Setya Yuwana und I. Nengah Mariasa. „Music Jaranan Turangga Yaksa in Dongko Village Trenggalek Regency (Study Ethnomusicology)“. Jurnal Seni Musik 12, Nr. 2 (31.12.2023): 291–300. http://dx.doi.org/10.15294/jsm.v12i2.74816.

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Jaranan Turangga Yaksa is an original art from Dhongko Village, Trenggalek Regency. Turangga Yaksa is a horse with a giant head and ridden by a knight who can control amarah, syaitonah, lauamah, dan serakah. This art is the result of creations from the Baritan ceremony (bar ngarit tanduran), local people usually hold tayub parties which aim to express gratitude for the harvest they have received. In this research, Jaranan Turangga Yaksa was studied ethnomusicologically by taking several approaches, namely describing the notation, musical aspects and organology found in the musical instrument Jaranan Turangga Yaksa. The research was conducted in Dhongko Village, Trenggalek Regency. The data collection method was carried out by interviewing several sources such as Mbah Mu'an (Creator of the Jaranan Turangga Yaksa music), chairman of the Sanggar Purwo Budaya, singer, dancer, and also pengrawit. Observe the development of musical accompaniment, and also perform FGD (Forum Group Duscussion) to deepen information and data to make it more valid. The description of the musical notation used by the author includes using number notation on balungan instruments and also vocals. The use of the terms plak, dlang, dhe as notation for percussion instruments such as kendang. Writing drum notation using notasi balok, and also using symbols as another term in writing gamelan notation. From the musical aspect, Jaranan Turangga Yaksa music has its own drum beats that differentiate it from other jaranan music such as Jaranan Buto, Jaranan Senterewe, Jaranan Pegon, and Jaranan Dor.

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Juniati, Nur Endah. „Bentuk dan Fungsi Pertunjukan Ebeg Turangga Edan di Kelurahan Tegalreja Kecamatan Cilacap Selatan Kabupaten Cilacap“. Jurnal Pendidikan Tari 2, Nr. 1 (31.10.2021): 1–15. http://dx.doi.org/10.21009/jpt.211.

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Artikel ini bertujuan mendeskripsikan bentuk dan fungsi Pertunjukan Ebeg Turangga Edan di Kelurahan Tegalreja, Kecamatan Cilacap Selatan, Kabupaten Cilacap. Metode yang digunakan adalah metode kualitatif, dengan pendekatan struktur dan fungsi. Teknik pengumpulan data meliputi observasi, wawancara, dan dokumentasi. Teknik keabsahan data menggunakan triangulasi. Analisis data dengan menggunakan cara reduksi data, penyajian data, dan menarik kesimpulan. Hasil penelitian mengungkapkan bahwa pertunjukan Ebeg terpola menjadi beberapa bagian yaitu bagian awal melakukan ritual yang dilakukan oleh penimbul (Pawang), bagian inti adanya sajian tiga babak, bagian akhir ditandai dengan adegan mendheman massal dan sambutan penutup dari penimbul/sesepuh/ketua paguyuban Turangga Edan. Pertunjukan Ebeg terbentuk dari tata hubungan antar elemen pertunjukan yang meliputi tema, pelaku/penari, gerak, musik, tata rias dan tata busana, property/perlengkapan, tempat pentas, tata lampu/cahaya dan suara, apresiator/penonton. Fungsi pertunjukan Ebeg Turangga Edan di masyarakat Kabupaten Cilacap meliputi fungsi sarana upacara, ekspresi diri, hiburan, tontonan/seni pertunjukan, media pendidikan, wahana terapi/pengobatan, dan media komunikasi/alat interaksi sosial. Kesimpulannya adalah bentuk pertunjukan Ebeg Turangga Edan terpola menjadi bagian-bagian yang menyatu menjadi satu pertunjukan. Pertunjukan Ebeg Turangga Edan digunakan masyarakat yang berfungsi sebagai hiburan.

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5

Pratiwi, Awalya Siska, Achmad Miftachul ‘Ilmi, Arbin Janu Setiyowati und Mariah Binti Kamaruddin. „Integration of Person-Centered Counseling with Turangga Yaksa Dance Values to Develop Adolescents’ Self-Concept“. Pamomong: Journal of Islamic Educational Counseling 3, Nr. 2 (24.12.2022): 110–24. http://dx.doi.org/10.18326/pamomong.v3i2.110-124.

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Culture is a pivotal aspect determining the success of the counseling process. Students in Senior High School 1 Karangan Trenggalek experience various self-concept-related problems. In this regard, Trenggalek Regency' Jaranan Turangga Yaksa emerges as one of the local cultural values potentially improving self-concept and development. In the counseling context, the person-centered counseling approach is typically employed to help the clients find their self-concept. The purposes of this study are threefold: (1) to describe the concept of person-centered counseling; (2) to describe the cultural values in the Jaranan Turangga Yaksa; (3) To integrate the values in Jaranan Turangga Yaksa with person-centered counseling approach to help adolescents develop self-concept. To this end, a five-stage literature review was conducted. It consisted of (1) literature collection, (2) literature selection; (3) reviewing literature sources; (4) concluding study results; and (5) discussing study results. Fifteen articles were reviewed. The values in the Jaranan Turangga Yaksa included religiosity, nationalism, independence, cooperation, and integrity. These values align with the person-centered counseling approach, which focuses on developing self-concept. This study concluded that the integration of person-centered counseling might help adolescents find their self-concept. This study is expected to be useful for counselors and other researchers in developing the concept of person-centered counseling with the values of the Jaranan Turangga Yaksa.

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Pratiwi, Awalya Siska, Achmad Miftachul ‘Ilmi, Arbin Janu Setiyowati und Mariah Binti Kamaruddin. „Integration of Person-Centered Counseling with Turangga Yaksa Dance Values to Develop Adolescents’ Self-Concept“. Pamomong: Journal of Islamic Educational Counseling 3, Nr. 2 (22.12.2022): 38–52. http://dx.doi.org/10.18326/pamomong.v3i2.38-52.

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Culture is a pivotal aspect determining the success of the counseling process. Students in Senior High School 1 Karangan Trenggalek experience various self-concept-related problems. In this regard, Trenggalek Regency' Jaranan Turangga Yaksa emerges as one of the local cultural values potentially improving self-concept and development. In the counseling context, the person-centered counseling approach is typically employed to help the clients find their self-concept. The purposes of this study are threefold: (1) to describe the concept of person-centered counseling; (2) to describe the cultural values in the Jaranan Turangga Yaksa; (3) To integrate the values in Jaranan Turangga Yaksa with person-centered counseling approach to help adolescents develop self-concept. To this end, a five-stage literature review was conducted. It consisted of (1) literature collection, (2) literature selection; (3) reviewing literature sources; (4) concluding study results; and (5) discussing study results. Fifteen articles were reviewed. The values in the Jaranan Turangga Yaksa included religiosity, nationalism, independence, cooperation, and integrity. These values align with the person-centered counseling approach, which focuses on developing self-concept. This study concluded that the integration of person-centered counseling might help adolescents find their self-concept. This study is expected to be useful for counselors and other researchers in developing the concept of person-centered counseling with the values of the Jaranan Turangga Yaksa.

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Iskandar, Yosi, und Boby Agustan. „Pengaruh Pendekatan Taktis Terhadap Keterampilan Passing Bola Pada Sekolah Sepakbola Turangga Sakti“. JUARA : Jurnal Olahraga 3, Nr. 1 (26.01.2018): 8. http://dx.doi.org/10.33222/juara.v3i1.211.

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Pengaruh Pendekatan Taktis Terhadap Keterampilan Passing pada Siswa Turangga Sakti. Penelitian ini bertujuan untuk mengetahui pengaruh pendekatan taktis terhadap keterampilan passing dalam sepak bola di sekolah sepakbola Turangga Sakti. Penelitian ini menggunakan penelitian eksperimen, dengan membagi menjadi dua kelas, yaitu kelas kontrol dan kelas eksperimen. Kelas kontrol dengan tidak ada perlakuan pendekatan taktis dan kelompok eksperimen dengan perlakuan pendekatan taktis. Populasi dan sampel dalam penelitian ini adalah siswa sekolah sepakbola Turangga Sakti yang berjumlah 96 siswa. Instrumen yang digunakan adalah tes keterampilan passingdengan melakukan teste dengan jarak 4 meter dengan durasi waktu 30 detik yang dilakukan dilapangan dan diruangan. Analisis data menggunakan uji t dan persentase. Hasil pengujian menunjukkan ada perbedaan pengaruh yang signifikan pada hasil pre tes dan post tesdengan t uji t didapat nilai t = 2.349 dengan derejat kebebasan n1 + n2 – 2 = 48 + 48 – 2 = 94 dan p-value (2-tailed) = 0,021. Uji hipotesis yang dilakukan adalah hipotesis satu sisi nailai p-value (2-tailed) dibagi menjadi 2.349 : 2 = 0,11745 karena harga p-value = 0,11745 lebi kecil dari α = 0,05 maka Ho ditolak. Artinya ada pengaruh penerapan pendekatan taktis terhadap keterampilan passing siswa Sekolah Sepakbola Turangga Sakti.

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Falah, M. Zidan Richal Fajril. „Eksistensi Kesenian Kuda Lumping Turangga Tunggak Semi di Era Globalisasi dan Endemi Covid-19: Suatu Pendekatan Budaya“. Jurnal DinamikA 3, Nr. 2 (30.11.2022): 163–75. http://dx.doi.org/10.18326/dinamika.v3i2.163-175.

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Kebudayaan merupakan salah satu bentuk hasil cipta dan karya dalam masyarakat yang dapat diekspresikan ke dalam berbagai bentuk. Salah satu unsur kebudayan yang disebutkan adalah kesenian tradisional. Kuda Lumping menjadi salah satu kesenian tradisional berupa tarian dengan gerakan-gerakan kuda.Kota Semarang sebagai ibukota provinsi Jawa Tengah juga memiliki kesenian Kuda Lumping bernama Kuda Lumping Turangga Tunggak Semi. Penelitian ini menggunakan metode penelitian kualitatif deskriptif dengan pendekatan emik. Dalam wawancara peneliti menggunakan teknik SLC dengan prespektif emik sehingga pengambilan datanya dalam bentuk narasi, cerita, dan bahasa asli hasil kontruksi para narasumber dalam bentuk rekaman, tanpa ada interpretasi dari peneliti. Data yang diperoleh ditranskrip dan direduksi lalu kemudian diabstraksikan yang bertujuan untuk menampilkan fakta. Kesenian Kuda Lumping Turangga Tunggak Semi ini dibawakan dari Demak oleh Mbah Sargi pada tahun 70 -an. Asal Usul kesenian Kuda Lumping Turangga Tunggak Semi berasal dari kisah Prabu Kelono Suwodhono dan pasukan kudanya melawan raksasa Buto Ijo. Kesenian ini sering dipertunjukan secara rutin tahuanan dalam acara “Merti Desa” di Kampung Jurang Belimbing Tembalang. Perlu adanya perhatian lebih dari pemerintah setempat dengan cara yang tepat agar kesenian tersebut berkembang lebih baik.Kata Kunci: Kebudayaan; Kesenian; Kuda Lumping; Jurang Belimbing

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Njatrijani, Rinitami, Saulita Margaret und Ester Purinta Sembiring. „Jaminan Keselamatan Penumpang Moda Transportasi Kereta Api (Studi Kasus Kecelakaan Kereta Api Turangga dan KRL Commuter Line Bandung)“. Law, Development and Justice Review 7, Nr. 1 (29.04.2024): 30–44. http://dx.doi.org/10.14710/ldjr.7.2024.30-44.

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Kereta api merupakan moda transportasi yang memiliki jaminan keselamatan yang lebih tinggi dibandingkan transportasi lainnya karena memiliki jalurnya sendiri. Namun pada kenyataannya masih terjadi kecelakaan kereta api. Kecelakaan yang baru saja terjadi pada awal tahun 2024, yakni kecelakaan antara kereta api Turangga dan Commuter Line Bandung. Tujuan dari penelitian ini ialah jaminan keselamatan terhadap penumpang pada kecelakaan kereta api serta tanggung jawab PT KAI terhadap penumpang akibat kecelakaan dalam kereta api. Penelitian ini menggunakan metode pendekatan yuridis normatif. Hasil penelitian menunjukkan bahwa penumpang memiliki hak untuk mendapatkan jaminan keselamatan, serta dalam kasus kecelakaan KA Turangga dan Commuter Line Bandung sudah melaksanakan tugasnya. Namun demikian diperlukan upaya optimalisasi jaminan keselamatan oleh PT KAI agar kecelakaan kereta api tidak terjadi lagi.

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Khan, Waheed Ahmad, Imran Ali und Muhammad Farooq. „A COMPARATIVE STUDY OF PARTITION IN BAPSI SIDHWA’S ICE-CANDY MAN AND KAMILA SHAMSIE’S A GOD IN EVERY STONE“. Pakistan Journal of Social Research 04, Nr. 02 (30.09.2022): 1286–93. http://dx.doi.org/10.52567/pjsr.v4i2.961.

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The article discusses contradictory portrayal of partition of the United India in Bapsi Sidhwa’s Ice-Candy Man and Kamila Shamsie’s A God in Every Stone. The analysis of these novels exposes the contradictory line of depiction with reference to the issue of the partition. Sidhwa (2015) narrates story of the novel through a Parsee character, Lenny, in order to look at the partition through perspective of a minority community. Before the partition, characters of different religious backgrounds maintained affinity and homogeneity. However, during the faith-based partition, the bond of affinity weakened and the characters once close friends turned out to be enemies who did not hesitate killing each other. The British colonizers indoctrinated faith-based identities in the Indians and developed differences among them. The article implies Frantz Fanon’s views about pitfalls of decolonization and views of Edward Said about colonial narratives. Contrary to this, Kamila Shamsie, though, highlights colonial ambition by including the theme of archaeology in the novel, however, she valorizes The British Empire by comparing it with the Ottoman Empire. She belittles the anti-colonial movements of Pashtun leaders, Bacha Khan and Haji Sahib of Turangzai. The anti-colonial struggle of the Khudai Khidmatgar is ridiculed for being non-violent. However, Haji Sahib of Turangzai is criticized for using violence against the British colonizers. The Pashtun cultural values are seen through the eyes of an Englishwoman, Viv. She devalues anti-colonial movements by considering social change more important than political change. Key Words: Partition, Identity, British Raj, Pashtun, Khudai Khidmatgar.

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Mehr Quellen

Dissertationen zum Thema "Turangbai"

1

Chettri, Rajen. „Microbiological Evaluation of turangbai and bekang ethnic fermented soybean foods of North East India“. Thesis, University of North Bengal, 2012. http://hdl.handle.net/123456789/1482.

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Bücher zum Thema "Turangbai"

1

Turangga. Jakarta]: Djuwita Indah Film, 1989.

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2

Yodha, Donnie. Turangga gila bola. Jagakarsa, Jakarta: Gagasmedia, 2008.

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3

Zealand, New. Turanga Tangata, Turanga Whenua: The Report on the Turanganui a Kiwa Claims (Waitangi Tribunal Report). Legislation Direct, 2004.

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4

Pre-election economic and fiscal update 2014: Te turanga moni a te kavamani o te Kuki Airani l mua ake I te ikianga maata. Rarotonga, Cook Islands]: Government of the Cook Islands, 2014.

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Buchteile zum Thema "Turangbai"

1

Azimova, Shakhnoza S., und Anna I. Glushenkova. „Populus euphratica Olivier (Balsamiflua euphratica (Olivier) Kimura, Populus transcaucasica Jarm. ex Grossh., Turanga euphratica (Olivier) Kimura)“. In Lipids, Lipophilic Components and Essential Oils from Plant Sources, 862. London: Springer London, 2012. http://dx.doi.org/10.1007/978-0-85729-323-7_2799.

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Konferenzberichte zum Thema "Turangbai"

1

Uli Rizky, Sumaryono, Uli Rizky Nareswari und Sumaryono Sumaryono. „Jaranan Senterewe Turangga Wijaya in Sleman: A Study of Text and Context“. In Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.23.

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2

Priyatiningsih, Nurpeni, und Yoga Prambudi. „Spiritual Intelligence in Jaranan Turangga Yaksa Dance Art in Dongko Village, Trenggalek Regency“. In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296890.

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3

Lindarto, Dharma, Melati Silvani Nasution, Santi Syafril und Awaluddin Saragih. „Correlation between Adiponectin Receptor (AdipoR) with Homeostatic Model Assessment for Insulin Resistance (HOMA-IR), Peroxisome Proliferator-Activated Receptor Gamma (PPAR-ϒ), and p38-mitogen-activated protein kinases (MAPK) in Type 2 Diabetic Rats Treated with Puguntano (Turanga feel-terrae Lour.) Leaves Extract“. In The 2nd International Conference on Tropical Medicine and Infectious Disease. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009855900520055.

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