Zeitschriftenartikel: „Tropenmuseum“

1

Knowles, Chantal. „Oceania at the Tropenmuseum“. Journal of Pacific History 48, Nr. 2 (Juni 2013): 225–26. http://dx.doi.org/10.1080/00223344.2013.801574.

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2

McKinney, N. „Oceania at the Tropenmuseum“. Journal of the History of Collections 25, Nr. 1 (26.04.2012): 144–46. http://dx.doi.org/10.1093/jhc/fhs013.

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3

Bouquet, Mary. „Antropologica at the Tropenmuseum, Amsterdam“. Anthropology Today 15, Nr. 2 (April 1999): 19. http://dx.doi.org/10.2307/2678265.

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4

Rush, Dana. „Africa, Tropenmuseum, Amsterdam, Permanent exhibition.“ African Arts 43, Nr. 3 (September 2010): 88–92. http://dx.doi.org/10.1162/afar.2010.43.3.88.

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5

Loogman, Bettine. „TENTOONSTELLING TROPENMUSEUM: ‘OOSTWAARTS! KUNST, CULTUUR EN KOLONIALISME’“. Aziatische Kunst 33, Nr. 2 (05.07.2003): 27–30. http://dx.doi.org/10.1163/25431749-90000008.

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6

Klokke, Marijke J. „A BRONZE EARRING IN THE TROPENMUSEUM AMSTERDAM“. Aziatische Kunst 38, Nr. 4 (05.07.2008): 83–90. http://dx.doi.org/10.1163/25431749-90000162.

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7

Cannon-Brookes, P. „Catering: Ethnic food at the Tropenmuseum, Amsterdam“. Museum Management and Curatorship 11, Nr. 4 (Dezember 1992): 426–27. http://dx.doi.org/10.1016/0964-7775(92)90085-j.

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8

Price, Richard, und Sally Price. „Kunst van Overleven: Marroncultuur uit Suriname by Tropenmuseum, Amsterdam“. American Anthropologist 112, Nr. 4 (29.11.2010): 655–56. http://dx.doi.org/10.1111/j.1548-1433.2010.01293.x.

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9

Kal, Pienke. „COLLECTIE 229 EEN COLLECTIE FILIGRAIN VAN ZILVER EN GOUD IN HET TROPENMUSEUM“. Aziatische Kunst 38, Nr. 4 (05.07.2008): 69–76. http://dx.doi.org/10.1163/25431749-90000160.

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10

Scheurleer, Pauline Lunsingh. „The Well-Known Javanese Statue in the Tropenmuseum, Amsterdam, and Its Place in Javanese Sculpture“. Artibus Asiae 68, Nr. 2 (2008): 287–332. http://dx.doi.org/10.61342/sdgp3367.

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11

Jurnal IMAJI, Tim. „Wawancara: Oscar Motuloh“. IMAJI: Film, Fotografi, Televisi, & Media Baru 14, Nr. 2 (02.08.2023): 155–61. http://dx.doi.org/10.52290/i.v14i2.130.

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Dalam rubrik Jurnal IMAJI Vol. 14 No. 2 Edisi Juli Tahun 2023 kali ini kami menghadirkan Oscar Motuloh, seorang fotojurnalis terkemuka Indonesia yang mendedikasikan hidupnya ke dunia fotografi melalui aktivitas di kantornya maupun lapangan dengan penuh gairah. Sempat mengajar fotojurnalistik di Fakultas Film dan Televisi Institut Kesenian Jakarta dan sering diundang sebagai pembicara dalam acara diskusi foto. Oscar Motuloh juga terlibat dalam pembentukan Pewarta Foto Indonesia, sebuah organisasi yang menaungi para fotojurnalis. Beberapa pameran tunggal yang pernah diadakannya adalah “Voice of Angkor” yang diadakan pada tahun 1997 dalam kerjasama dengan Pusat Kebudayaan Prancis di Jakarta, ”Carnaval” pada tahun 1999, “Chansons Périphériques” pada tahun 2002 mengenai kaum minoritas di Prancis, “The Art of Dying” pada tahun 2003 di Bentara Budaya Jakarta, dan yang “Soulscape Road” atau “Lintasan Saujana Jiwa” pada tahun 2009 di Galeri Salihara. Pameran foto “Soulscape Road” ini juga pernah dipamerkan di Tropenmuseum di Amsterdam m kerjasama dengan Pemerintah Belanda. Mari kita simak wawancara dengan Oscar Motuloh.

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Bloembergen, M. „I. van Hout, Batik. Drawn in wax. 200 years of batik art from Indonesia in the Tropenmuseum collection“. BMGN - Low Countries Historical Review 118, Nr. 3 (01.01.2003): 429. http://dx.doi.org/10.18352/bmgn-lchr.5926.

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13

Boonstra, Sadiah. „Putting on a show; Collecting, exhibiting and performing wayang at the Tropenmuseum from colonial times until the present“. Wacana 20, Nr. 1 (08.04.2019): 118. http://dx.doi.org/10.17510/wacana.v20i1.730.

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14

Ballard, Chris. „Oceania at the Tropenmuseum by David van Duuren, Steven Vink, Daan van Dartel, Hanneke Hollander, and Denise Frank“. Contemporary Pacific 26, Nr. 1 (2014): 232–34. http://dx.doi.org/10.1353/cp.2014.0024.

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15

Latocha, Sebastian. „Museum Shops. An Anthropological Essay on Heritage Commodification Exemplified by Three Museums in Amsterdam“. Annual Review of Museum Anthropology, Nr. 11 (20.10.2024): 11–26. http://dx.doi.org/10.12775/zwam.2024.11.02.

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The paper presents in an essayistic form three Amsterdam’s museums: Rijksuseum, Tropenmuseum and Museum Ons’ Lieve Heer op Solder not in terms of a presentation of their history and collections, but in terms of the idea of heritage commodification and planning, which is embodied in museum shops combined with cafés and restaurants. Amsterdam’s museums are overshadowed by high-profile stereotypes about the city. They are not among the world’s most popular museums as the Netherlands itself is not a top tourist destination. Therefore, the relaxed atmosphere of Amsterdam’s museums – distinguished by its own style between heritage conservation, pragmatism, Protestant ethics, and the existential concept of gezelligheid – needs to be operationalised as an implementation model in other museums around the world. Furthermore, the very subject of museum shops – in terms of their role in heritage commodification and planning – has not been a crucial subject of reflection in the humanities or social sciences. This essay contributes to the study of museum shops as places where the exhibits “exit” the museum room, while the museum “enters” the market. The author points out that the concept of “museum shop” in the context of Amsterdam has a double meaning, emphasising that in this city the division between the sacred museum and the profane street is fluid.

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Van Trigt, Paul, und Susan Legêne. „Writing Disability into Colonial Histories of Humanitarianism“. Social Inclusion 4, Nr. 4 (10.11.2016): 188–96. http://dx.doi.org/10.17645/si.v4i4.706.

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In this paper, the relation between humanity and disability is addressed by discussing the agency of people with disabilities in colonial histories of humanitarianism. People with disabilities were often—as indicated by relevant sources—regarded and treated as passive, suffering fellow humans, in particular in the making and distribution of colonial photography. In the context of humanitarianism, is it possible to understand these photographs differently? This paper analyzes one photograph—from the collection of the Tropenmuseum Amsterdam—of people with leprosy in the protestant leprosarium Bethesda, in the Dutch colony Suriname, at the beginning of the twentieth century. It discusses the way the sitters in the photograph have been framed, and how the photograph has been made and used. The photograph makes it difficult to register agency, but easily reaffirms existing colonial categories. Therefore, this paper also uses another strategy of analysis. By following Actor-Network Theory, focusing on non-human actors, the second part of this paper offers a new and more convincing interpretation of the photograph. This strategy (a) understands agency as a phenomenon of interdependence instead of independence, and (b) approaches photographs as both real and performed. Combining the written history of humanitarianism and disability, it allows new histories of people with disabilities to develop, histories that move beyond the categories of colonialism.

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Witz, Leslie, und Ciraj Rassool. „Family Stories or a Group Portrait? South Africa on Display at the KIT Tropenmuseum, 2002–2003: The Making of an Exhibition“. Journal of Southern African Studies 32, Nr. 4 (Dezember 2006): 737–54. http://dx.doi.org/10.1080/03057070600995624.

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18

Rukayah, Siti, Puguh Dhanang Respati und Setiyorini Endang Sri Susilo. „Morphology of Traditional City Center in Semarang: Towards Adaptive re- use in urban heritage“. Environment-Behaviour Proceedings Journal 1, Nr. 4 (07.08.2016): 109. http://dx.doi.org/10.21834/e-bpj.v1i4.91.

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This study is a continuation of dissertation and studies after that. The concept of most of the traditional city in Java are waterfront city. Old Semarang traditional city center used to have to move four times. All of them laid along the river. Jurnatan (1695), The Gabahan (1659), Sekayu (1666) and Kanjengan (1670). But there is no explanation about the formerly of the city form to support the Program Planning and Preservation of Heritage Cities. How were the traditional city patterns at the time? How to conduct adaptive reuse to promoting the heritage cities in Indonesia to be recognized as World Heritage Cities by UNESCO? The serial maps from KITLV. NL, Tropenmuseum and Atlas Mutual Heritage will superimpose on an aerial view from google earth. Analysing using a sketch and computer aided design will peel the layering of the development of the city along the river. The result will compare with the Johannes R hand drawing of Semarang in 16s centuries.The formerly city form of Semarang in 16s-18s centuries had a history as international port based on the maritime power at the time similar with Malaka. Malaka since 1984 become world Heritage site could become a best practice for next research to attract tourism.© 2016. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/).Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.

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Behrend, Tim, Nancy K. Florida, Harold Brookfield, Judith M. Heimann, Harold Brookfield, Victor T. King, J. G. Casparis et al. „Book Reviews“. Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 156, Nr. 4 (2000): 807–68. http://dx.doi.org/10.1163/22134379-90003831.

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- Tim Behrend, Nancy K. Florida, Javanese literature in Surakarta manuscripts; Volume 2; Manuscripts of the Mangkunagaran palace. Ithaca, New York: Cornell University Southeast Asia Program, 2000, 575 pp. - Harold Brookfield, Judith M. Heimann, The most offending soul alive; Tom Harrisson and his remarkable life. Honolulu: University of Hawai’i Press, 1998, 468 pp. - Harold Brookfield, Victor T. King, Rural development and social science research; Case studies from Borneo. Phillips, Maine: Borneo Research Council, 1999, xiii + 359 pp. [Borneo Research Council Proceedings Series 6.] - J.G. de Casparis, Roy E. Jordaan, The Sailendras in Central Javanese history; A survey of research from 1950 to 1999. Yogyakarta: Penerbitan Universitas Sanata Dharma, 1999, iv + 108 pp. - H.J.M. Claessen, Francoise Douaire-Marsaudon, Les premiers fruits; Parenté, identité sexuelle et pouvoirs en Polynésie occidentale (Tonga, Wallis et Futuna). Paris: Éditions de la Maison des Sciences de l’Homme, 1998, x + 338 pp. - Matthew Isaac Cohen, Andrew Beatty, Varieties of Javanese religion; An anthropological account. Cambridge: Cambridge University Press, 1999, xv + 272 pp. [Cambridge Studies in Social and Cultural Anthropology 111.] - Matthew Isaac Cohen, Sylvia Tiwon, Breaking the spell; Colonialism and literary renaissance in Indonesia. Leiden: Department of Languages and Cultures of Southeast Asia and Oceania, University of Leiden, 1999, vi + 235 pp. [Semaian 18.] - Freek Colombijn, Victor T. King, Anthropology and development in South-East Asia; Theory and practice. Kuala Lumpur: Oxford University Press, 1999, xx + 308 pp. - Bernhard Dahm, Cive J. Christie, A modern history of South-East Asia; Decolonization, nationalism and seperatism. London: Tauris, 1996, x + 286 pp. - J. van Goor, Leonard Blussé, Pilgrims to the past; Private conversations with historians of European expansion. Leiden: Research School CNWS, 1996, 339 pp., Frans-Paul van der Putten, Hans Vogel (eds.) - David Henley, Robert W. Hefner, Market cultures; Society and morality in the new Asian capitalisms. Boulder, Colorado: Westview Press, 1998, viii + 328 pp. - David Henley, James F. Warren, The Sulu zone; The world capitalist economy and the historical imagination. Amsterdam: VU University Press for the Centre for Asian Studies, Amsterdam (CASA), 1998, 71 pp. [Comparative Asian Studies 20.] - Huub de Jonge, Laurence Husson, La migration maduraise vers l’Est de Java; ‘Manger le vent ou gratter la terre’? Paris: L’Harmattan/Association Archipel, 1995, 414 pp. [Cahier d’Archipel 26.] - Nico Kaptein, Mark R. Woodward, Toward a new paradigm; Recent developments in Indonesian Islamic thought. Tempe: Arizona State University, Program for Southeast Asian Studies, 1996, x + 380 pp. - Catharina van Klinken, Gunter Senft, Referring to space; Studies in Austronesian and Papuan languages. Oxford: Clarendon Press, 1997, xi + 324 pp. - W. Mahdi, J.G. de Casparis, Sanskrit loan-words in Indonesian; An annotated check-list of words from Sanskrit in Indonesian and Traditional Malay. Jakarta: Badan Penyelenggara Seri NUSA, Universitas Katolik Indonesia Atma Jaya, 1997, viii + 59 pp. [NUSA Linguistic Studies of Indonesian and Other Languages in Indonesia 41.] - Henk Maier, David Smyth, The canon in Southeast Asian literatures; Literatures of Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand and Vietnam. Richmond: Curzon, 2000, x + 273 pp. - Toon van Meijl, Robert J. Foster, Social reproduction and history in Melanesia; Mortuary ritual, gift exchange, and custom in the Tanga islands. Cambridge: Cambridge University Press, 1995, xxii + 288 pp. - J.A. de Moor, Douglas Kammen, A tour of duty; Changing patterns of military politics in Indonesia in the 1990’s. Ithaca, New York: Southeast Asia Program, Cornell University, 1999, 98 pp., Siddharth Chandra (eds.) - Joke van Reenen, Audrey Kahin, Rebellion to integration; West Sumatra and the Indonesian polity, 1926-1998. Amsterdam University Press, 1999, 368 pp. - Heather Sutherland, Craig J. Reynolds, Southeast Asian Studies: Reorientations. Ithaca: Southeast Asia Program, Cornell University, 1998, 70 pp. [The Frank H. Golay Memorial Lectures 2 and 3.], Ruth McVey (eds.) - Nicholas Tarling, Patrick Tuck, The French wolf and the Siamese lamb; The French threat to Siamese independence, 1858-1907. Bangkok: White Lotus, 1995, xviii + 434 pp. [Studies in Southeast Asian History 1.] - B.J. Terwiel, Andreas Sturm, Die Handels- und Agrarpolitik Thailands von 1767 bis 1932. Passau: Universität Passau, Lehrstuhl für Südostasienkunde, 1997, vii + 181 pp. [Passauer Beiträge zur Südostasienkunde 2.] - René S. Wassing, Koos van Brakel, A passion for Indonesian art; The Georg Tillmann collection at the Tropenmuseum Amsterdam. Amsterdam. Royal Tropical Institute/Tropenmuseum, 1996, 128 pp., David van Duuren, Itie van Hout (eds.) - Edwin Wieringa, J. de Bruin, Een Leidse vriendschap; De briefwisseling tussen Herman Bavinck en Christiaan Snouck Hurgronje, 1875-1921. Baarn: Ten Have, 1999, 192 pp. [Passage 11.], G. Harinck (eds.)

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Wicks, Robert S. „Precious Metals in Early South East Asia: Proceedings of the Second Seminar on Gold Studies. Edited by Wilhemina H. Kal. Amsterdam: Royal Tropical Institute, Tropenmuseum, 1999. 112 pp. $26.50 (paper).“ Journal of Asian Studies 60, Nr. 3 (August 2001): 920. http://dx.doi.org/10.2307/2700172.

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KITLV, Redactie. „Book reviews“. Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 165, Nr. 1 (2009): 129–89. http://dx.doi.org/10.1163/22134379-90003646.

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Johnny Tjia; A grammar of Mualang: An Ibanic language of West Kalimantan, Indonesia (Alexander Adelaar) Christopher Moseley (ed.); Encyclopedia of the world’s endangered languages (Peter K. Austin) Ian Rae and Morgen Witzel; The Overseas Chinese of South east Asia: History, culture, business (Chin Yee Whah) Ab Massier; The voice of the law in transition: Indonesian jurists and their languages, 1915-2000 (Dwi Noverini Djenar) Henk Schulte Nordholt and Gerry van Klinken (eds); Renegotiating boundaries: Local politics in post-Suharto Indonesia (Maribeth Erb) Nghia M. Vo; The Vietnamese boat people, 1954 and 1975-1992 (Martin Grossheim) O.W. Wolters; Early Southeast Asia: Selected essays [edited by Craig J. Reynolds] (Hans Hägerdal) Michael W. Scott; The severed snake: Matrilineages, making place, and a Melanesian Christianity in Southeast Solomon Islands (Menno Hekker) John H. McGlynn, Oscar Motuloh, Suzanne Charlé, Jeffrey Hadler, Bambang Bujono, Margaret Glade Agusta, and Gedsiri Suhartono; Indonesia in the Soeharto years: Issues, incidents and images (David Henley) Hanneke Hollander; Een man met een speurdersneus: Carel Groenevelt (1899-1973), beroepsverzamelaar voor Tropenmuseum en Wereldmuseum in Nieuw-Guinea (Anna-Karina Hermkens) Balk, G.L., F. van Dijk and D.J. Kortlang (with contributions by F.S. Gaastra, Hendrik E. Niemeijer and P. Koenders); The Archives of the Dutch East India Company (VOC) and the local institutions in Batavia (Jakarta) (Ton Kappelhof) Gusti Asnan; Memikir ulang regionalisme: Sumatera Barat tahun 1950-an (Gerry van Klinken) Lise Lavelle; Amerta Movement of Java 1986-1997: An Asian movement improvisation (Dick van der Meij) Nicole-Claude Mathieu (ed.); Une maison sans fille est une maison morte: La personne et le genre en sociétés matrilinéaires et/ou uxorilocales (Joke van Reenen) Henk Schulte Nordholt; Indonesië na Soeharto: Reformasi en restauratie (Elske Schouten) V.I. Braginsky; … and sails the boat downstream: Malay Sufi poems of the boat (Suryadi) Gilles Gravelle; Meyah: An east Bird’s Head language of Papua, Indonesia (Ian Tupper) Penny Edwards; Cambodge: The cultivation of a nation, 1860-1945 (Un Leang) J. Stephen Lansing; Perfect order: Recognizing complexity in Bali (Carol Warren) Roxana Waterson (ed.); Southeast Asian lives: Personal narratives and historical experience (C.W. Watson) Jean DeBernardi; The way that lives in the heart: Chinese popular religion and spirit mediums in Penang, Malaysia (Robert Wessing) REVIEW ESSAY Environmental and archaeological perspectives on Southeast Asia Peter Boomgaard; Southeast Asia: An environmental history Peter Boomgaard (ed.); A world of water: Rain, rivers and seas in Southeast Asian histories Ian Glover and Peter Bellwood (eds); Southeast Asia: From prehistory to history Avijit Gupta (ed.); The physical geography of Southeast Asia (Eric C. Thompson)

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Baier, Martin, Sri Kuhnt-Saptodewo, H. J. M. Claessen, Annette B. Weiner, Charles A. Coppel, Wang Gungwu, Heleen Gall et al. „Book Reviews“. Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 150, Nr. 3 (1994): 588–623. http://dx.doi.org/10.1163/22134379-90003081.

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- Martin Baier, Sri Kuhnt-Saptodewo, Zum Seelengeliet bei den Ngaju am Kahayan; Auswertung eines Sakraltextes zur Manarung-Zeremonie beim totenfest. München: Akademischer Verlag,1993 (PhD thesis, Ludwig-Maximilian-Universitiy München). - H.J.M. Claessen, Annette B. Weiner, Inalienable Possessions; The paradox of keeping-while-giving. Berkeley: University of California Press, 1992, 232 pp. Bibl. Index - Charles A. Coppel, Wang Gungwu, Community and Nation; China, Southeast Asia and Australia. Sydney: Asian studies of Australia in association with Allen & Unwin, 1992 (2nd revised edition), viii + 359 pp - Heleen Gall, W. J. Mommsen, European expansion and Law; the encounter of European and Indigenous Law in 19th- and 20th- century Africa and Asia. Oxford; Berg publishers, 1992, vi + 339 pp, J.A. de Moor (eds.) - Beatriz van der Goes, C. W. Watson, Kinship, Property and inheritance in Kerinci, Central Sumatra. Canterbury:University of Kent, Centre for Social Anthropology and computing Monographs no: 4. South-East Asian Series, 1992, ix + 255 pp - Kees Groeneboer, Tom van der Berge, Van Kenis tot kunst; Soendanese poezie in de koloniale tijd. Proefschrift Rijksuniversiteit Lieden, November 1993, 220 pp - Kees Groeneboer, J.E.A.M. Lelyveld, ‘... waarlijk geen overdaad, doch een dringende eisch..’’; Koloniaal onderwijs en onderwijsbeleid in Nederlands-Indië 1893-1942. Proefschrift Rijksuniversiteit Utrecht, 1992. - Marleen Heins, R. Anderson Sutton, Variation in Central Javanese gamelan music; Dynamics of a steady state. Northern Illinois University: Center for Southeast Asian Studies, Monograph series on Southeast Asia, (Special Report 28 ),1993. - Marleen Heins, E. Heins, Jaap Kunst, Indonesian music and dance; Traditional music and its interaction with the West. Amsterdam: Royal Tropical Institute/Tropenmuseum, University of Amsterdam, Ethnomusicology Centre `Jaap Junst’, 1994, E. den Otter, F. van Lamsweerde (eds.) - David Henley, Harold Brookfield, South-East Asia’s environmental future; The search for sustainability. Tokyo: United Nations University Press, Kuala Lumpur: Oxford University Press, 1993, xxxii + 422 pp., maps, tables, figures, index., Yvonne Byron (eds.) - Antje van der Hoek, Keebet von Benda-Beckmann, De emancipatie van Molukse vrouwen in Nederland. Utrecht: Van Arkel,1992, Francy Leatemia-Toma-tala (eds.) - Michael Hitchcock, Brita L. Miklouho-Maklai, Exposing Society’s Wounds; Some aspects of Indonesian Art since 1966. Adelaide: Flinders University Asian studies Monograph No.5, illustrations, 1991, iii + 125 pp - Nico Kaptein, Fred R. von der Mehden, Two Worlds of Islam; Interaction between Southeast Asia and the Middle East.Gainesville etc: University Press of Florida 1993, xiii + 128 pp - Nico Kaptein, Karel Steenbrink, Dutch Colonialism and Indonesian Islam; Contacts and Conflicts 1596-1950. Amsterdam-Atlanta, GA: Rodopi, 1993. - Harry A. Poeze, Rudolf Mrázek, Sjahrir; Politics and exile in Indonesia. Ithaca, N.Y.: Cornell University, Southeast Asia Program, 1994. - W.G.J. Remmelink, Takao Fusayama, A Japanese memoir of Sumatra 1945-1946; Love and hatred in the liberation war. Ithaca: Cornell University (Cornell Modern Indonesia Project Monograph series 71), 1993, 151 pp., maps, illustrations. - Ratna Saptari, Diana Wolf, Factory Daughters; Gender, Household Dynamics, and Rural Industrialization in Java. Berkeley: University of California Press, 1992. - Ignatius Supriyanto, Ward Keeler, Javanese Shadow Puppets. Singapore (etc.): Oxford University Press, 1992, vii + 72 pp.,bibl., ills. (Images of Asia). - Brian Z. Tamanaha,S.J.D., Juliana Flinn, Review of diplomas and thatch houses; Asserting tradition in a changing Micronesia. Ann Arbor: University of Michigan Press, 1992. - Gerard Termorshuizen, Dorothée Buur, Indische jeugdliteratuur; Geannoteerde bibliografie van jeugdboeken over Nederlands-Indië en Indonesië, 1825-1991. Leiden, KITLV Uitgeverij, 1992, 470 pp., - Barbara Watson Andaya, Reinout Vos, Gentle Janus, merchant prince; The VOC and the tightrope of diplomacy in the Malay world, 1740-1800. Leiden: KITLV Press, 1994, xii + 252 pp.

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Vulkers, Luuk. „Temporality and Universalism in the Contemporary Ethnographic Museum: Two Collection Presentations at the Tropenmuseum“. Stedelijk Studies Journal 1 (2019). http://dx.doi.org/10.54533/stedstud.vol008.art07.

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The Tropenmuseum in Amsterdam is currently in a process of making innovative changes to its displays. The museum aims to critically engage with its own past and simultaneously be an inclusive platform for reimagining the future. Especially for an ethnographic institution like the Tropenmuseum, these are complex tasks. The museum was founded in 1864 as the Koloniaal Museum (Colonial Museum) in Haarlem. In the first half of the twentieth century, the institute’s main purpose became to collect, categorize, and display products and cultures from the colonies, establishing a Dutch national identity and expressing cultural dominance and superiority over the country’s colonies. These colonial foundations still manifest themselves in the institute’s collection, as well as in the imposing architecture of the building that has housed the museum since 1923, determining the institute’s conditions of existence in the present.

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Lewis, Sarojini. „Photography and diaspora“. Journal of Indentureship and its Legacies 3, Nr. 1 (2023). http://dx.doi.org/10.13169/jofstudindentleg.3.1.0059.

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This essay utilizes the rich photographic collections of the Herrnhut Archive, Rijksmuseum and Tropenmuseum to explore alternative ways of understanding the colonial Indian labour diaspora, to infuse new meanings into old pictures and to draw upon the reinterpretation of historical images to reframe personal female migration stories from an artistic perspective. This essay presents an overview of the photography of colonial subjects in India and of her diaspora, and discusses the symbolism and representations of selected case studies of individuals and groups in the Dutch colonial territory of Surinam. From this analysis, the author presents the significance of her findings for the evolution of her own work as an Indian woman of diaspora heritage exploring new ways of articulating complex personal and group identities through the medium of exhibitions and installations.

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„Batik: drawn in wax: 200 years of batik art from Indonesia in the Tropenmuseum collection“. Choice Reviews Online 39, Nr. 08 (01.04.2002): 39–4357. http://dx.doi.org/10.5860/choice.39-4357.

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Bouwhuis, Jelle, und Christel Vesters. „Collecting Geographies: Global Programming and Museums of Modern Art – Editorial“. Stedelijk Studies Journal 1 (01.01.2014). http://dx.doi.org/10.54533/stedstud.vol001.art02.

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In March 2014, the Stedelijk Museum Amsterdam hosted the international academic conference “Collecting Geographies: Global Programming and Museums of Modern Art.” The conference was organized in collaboration with the international partners ASCA/ACGS at the University of Amsterdam, Moderna Museet Stockholm, Folkwang Museum Essen, and the Tropenmuseum Amsterdam. Its aim was to take a closer look at new inquiries into the relationships between art institutions, globalization, and postcolonial discourse, including a critical assessment of the deployed terminology and those strategies that focus on local affinities within a larger art historical and global framework. An overwhelming number of more than 140 scholars, museum professionals, curators, and artists responded to the open call for papers, which urged a critical rethinking of many assumptions in the practice of collecting and exhibiting of so-called non-Western art, as well as the very categories of art and its institutionalizations. Eighty-one papers were selected for the conference. Eight papers are highlighted in this first issue of Stedelijk Studies.

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Katz‐Harris, Felicia. „Indonesian Textiles at the Tropenmuseum. ItieVan Hout (author and editor) and SonjaWijs (contributor). Volendam: LM Publishers, 2017.“ Museum Anthropology, 28.12.2020. http://dx.doi.org/10.1111/muan.12224.

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Sjørslev, Inger. „PÅ GENBESØG I MAGISKE VERDENER: Et essay“. Tidsskriftet Antropologi, Nr. 61 (01.07.2010). http://dx.doi.org/10.7146/ta.v0i61.106859.

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In classical anthropological literature, magic has been dealt with as technologies that are related to uncertainty and control. The present essay sets out from these themes, but argues that a theory of magic, as well, has to look at the triangle between matter or substance, form and holistic images, and techniques and actions. The incentive to discuss magic in the light of newer anthropological theory of materiality derives from a visit to the exhibition at the Tropenmuseum in Amsterdam: Vodou – a way of life. On the basis of impressions from this exhibition, particularly the encounter with the figures of the bizango spirits, the article suggests that magic has to do with materiality in ways that can be further illuminated by a closer attention to fetish and to sacrifice. The elaboration of materiality into different forms is salient in both of these phenomena. Magic, then, has to do with the shaping of matter, whether in form of packages where the substance of content may be of significance, or in the form of destruction. Keywords: materiality, structuring, technique, fetich, sacrifice, voodoo.

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Fiore, Elisa, und Vittoria Caradonna. „HERITAGIZING THE OTHER: Diversity, Heritage and Gentrification in Amsterdam Oost“. International Journal of Urban and Regional Research, 30.11.2024. https://doi.org/10.1111/1468-2427.13288.

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AbstractThis article explores the complex connections between gentrification, heritage and othering in Amsterdam Oost, a district shaped by intertwined (post)colonial and (post)migrant histories. It does so by examining two temporary heritage‐making initiatives coordinated by the nearby ethnographic Tropenmuseum to celebrate the rich immigration history of the area. Building on the notion of ‘gentrification consciousness’ (Sze, 2010), we draw attention to the ambivalent position of the museum towards gentrification in Amsterdam Oost, and how this ambivalence may contribute to the unfolding of neoliberal urban redevelopment in the area. The projects at the centre of our analysis promote a positive and edifying representation of local diversity as an asset to be protected, celebrated, and valorized; yet they also mobilize problematic colonial tropes that are instrumental in transforming the area into a space of aestheticized multicultural urbanity attractive to a Dutch middle class with an increasingly cosmopolitan outlook. While scholarship on heritage‐led gentrification and cosmopolitan urbanism has amply discussed how local governments, developers and newcomers alike strategically mobilize ethnic heritage discourses and practices to trigger or sustain gentrification, our study reveals heritage institutions as emergent subjectivities in neoliberal urban politics and problematizes their growing imbrication within processes of gentrification.

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Caradonna, Vittoria. „‘All the things happening outside of the museum push me back in’: thinking through memory and belonging in Amsterdam’s Tropenmuseum“. International Journal of Heritage Studies, 21.04.2021, 1–15. http://dx.doi.org/10.1080/13527258.2021.1910064.

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„Le point de vue de Henk Jan Gortzak (Tropenmuseum Junior, Amsterdam) sur: Le musée, les enfants et le tiers monde“. Museum International (Edition Francaise) 33, Nr. 1 (24.04.2009): 51–56. http://dx.doi.org/10.1111/j.1755-5825.1981.tb01891.x.

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Veys, Fanny Wonu. „What a Genderful World – Thinking through and making of an exhibition“. Journal of Material Culture, 29.10.2023. http://dx.doi.org/10.1177/13591835231210659.

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On 10 October 2019 the exhibition What a Genderful World opened in the Tropenmuseum in Amsterdam. The central premise was that all people experience inhabiting a body that moves, lives and breathes in a gendered world. The article firstly examines the process of making this a ‘gender' exhibition. In order to refrain from labelling, the exhibition team departed from the original assignment that aimed at an exhibition about ‘women’. Asking questions of what makes a woman or a man or any other gender identity in relation to the museum's historically and geographically diverse collections, revealed the necessity to do justice to the multiple layers involved in a discussion about gender. Ideas around gender are shaped and expressed differently through time and space, but other intersectional aspects including race, religion, socio-economic class, age or sexual orientation may well be equally important. Hence, this section discusses the means by which this huge and complex topic is made accessible in the exhibition to a broad audience. Finally, the article takes the reader on a journey through the various areas of the exhibition framed around the following questions: (1) What do you think? (2) Does your body determine your gender? (3) How do you become a gender? (4) How ought you to behave? (5) Gender without borders? (6) Who has power here? (7) Playful with gender? In so doing, the article addresses the theoretical framework underlying the choice of certain interactives and the privileging of design elements. The article will conclude with a critical reflection on the museum's role in the societal debate around gender.

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