Thematische Bibliographien / Trauma in romance novels

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Auswahl der wissenschaftlichen Literatur zum Thema „Trauma in romance novels“

Autor: Grafiati

Veröffentlicht am 4. November 2024

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Zeitschriftenartikel zum Thema "Trauma in romance novels"

Rychter, Ewa. „Romancing the crucifixion in biblical rewritings by Phillip Pullman and Colm Tóibín“. Ars Aeterna 10, Nr. 1 (01.06.2018): 34–49. http://dx.doi.org/10.1515/aa-2018-0004.

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Abstract This paper focuses on how the romance mode is used to re-narrativize the trauma of Jesus’s crucifixion in two contemporary biblical rewritings: Pullman’s The Good Man Jesus and the Scoundrel Christ 2010 and Tóibín’s The Testament of Mary 2012. Reflecting on the process of the composition of the Bible, these novels resort to romance in order to invite a critical reflection on different narrativizations of the traumatic event, dependent as they are on both conservative and more subversive effects of romance. As some characters rely on the strategies of traditional spiritual romance in order to alleviate their pain, others cynically resort to a dualistic vision to establish and consolidate power, and still others make use of the excess and disarticulation of romance to do justice to the absolute horror of the event, the novels draw attention both to the comforting and subversive function of Christian scripture. Adding a metafictional dimension to the narrative of crucifixion, the novels expose the way in which religious scriptures can become ideological instruments, and signal the potentially dangerous effects of the renewed significance of religion today.

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Pérez Rodríguez, Eva. „The Unlikely Heroine beyond Family Trauma: Four Women’s Fictions of the Second World War in Greece“. Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, Nr. 31 (16.12.2022): 97–120. http://dx.doi.org/10.35869/afial.v0i31.4299.

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My analysis of Victoria Hislop’s The Island (2005), Leah Fleming’s The Girl under the Olive Tree (2013), Sofka Zinovieff’s The House on Paradise Street (2012), and Brenda Reid’s The House of Dust and Dreams (2010) examines their treatment of the exotic setting of Greece in the specific historical context of World War II, while following the conventions of popular romance or popular women’s fiction. As a consequence of the conflict, the traditional family structure is compromised. This is particularly evident in the case of the female protagonists, heroines who refuse to fall within the traditional happyever-after ending and opt for a fulfilling career, a longfelt vocation, singlehood or simply unusual friendships of their choice. As a result, even in novels categorized as “romances”, the presence of a hero or lover is questioned and redefined. My analysis starts with Victoria Hislop’s The Island, a historical narrative of the leper colony at Spinalonga, around the time of the Second World War. For comparative purposes regarding the treatment of popular fiction elements, Brenda Reid’s The House of Dust and Dreams and Leah Fleming’s The Girl under the Olive Tree are discussed as being more generically romantic. Finally, Sofka Zinovieff’s The House on Paradise Street offers an example of a cohesive, compact combination of political confrontation and popular romance, while at the same time England appears as the counterpoint to the exoticism of Greece.

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Dash, Pratap Kumar. „The Changing Facets of American Novels of Romance: Interpreting the Creative Flux of Platonic Romance in Danielle Steel’s Safe Harbour versus Calvinist Romance in Marilynne Robinson’s Jack“. Shanlax International Journal of English 10, Nr. 4 (01.09.2022): 46–50. http://dx.doi.org/10.34293/english.v10i4.5287.

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The paper critically focuses on the creative facets of romance in Danielle Steel’s Safe Harbour and Marilynne Robinson’s Jack. Safe Harbour virtually harbours on mutual faith between an American widow Danielle who is also a social worker and a divorcee form New Zealand named Matt, who happens to be an artist too. In the novel, the youngest daughter of Danielle performs angelic role to bring about a transformation in thoughts and beliefs leading to the union of her mother with Matt. It seems as if the romance between them is more of Platonic than anything else leading to carrying out humanitarian responsibilities. Jack is one of its unique kinds of literary writings based on the love between two young persons Jack and Della of the two well-known racesof America. With the backdrop of the controversy that juxtaposes racial problems and human attributes with the paradigm of Calvinist romance which advocates for the stability and security of a strict religious system in a world that he finds unstable and even absurd without it. It examines how the author has tactfully revealed the pre-ordained bond of love between the two characters leaving behind the so- called social and religious dogmas. There is a reference to Black Lives Matter in the novel admixed with racial trauma whereas in the thematic context, it repeatedly investigates the connection between loneliness and eternal damnation; the soul’s isolation and its torment.

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Tippner, Anja. „Postcatastrophic entanglement? Contemporary Czech writers remember the holocaust and post-war ethnic cleansing“. Memory Studies 14, Nr. 1 (Februar 2021): 80–94. http://dx.doi.org/10.1177/1750698020976463.

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The last two decades have seen a rising interest in the Holocaust and the expulsion of ethnic Germans after World War II in Czech literature. Novels by Hana Androníková, Radka Denemarková, Magdalena Platzová, Kateřina Tučková, and Jáchym Topol share a quest for a new poetics of remembrance. Informed by contemporary discussions about Czech memory politics, these novels are characterised by spectral visions of Germans and Jews alike, a dichotomy of trauma and nostalgia, and an understanding of Czech history as postcatastrophically entangled and thus calling for multidirectional forms of remembrance. In this respect, literary memorial forms compensate for the absence of other memorial forms addressing these topics through a transnational lens. The interaction of different historical points of view is achieved by a time frame extending from the war to the present day and stressing the intercultural dynamics of Czechs, Jews, and Germans retroactively. In order to illustrate this entanglement, authors make use of popular genres, such as romance, and create texts shaped by genre fluidity, memory theory, documentary practices, and concepts of transnationality.

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Brajović, Tihomir. „Wars, traumas, and identities in the Serbian novel 1991-2021 (I)“. Zbornik radova Filozofskog fakulteta u Pristini 53, Nr. 4 (2023): 133–50. http://dx.doi.org/10.5937/zrffp53-46338.

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This paper briefly introduces the general attitudes that some of the most prominent Serbian writers formulated about war and trauma, as well as national and supranational self-understanding. In the second part of the paper, on the examples of contemporary novels, the author deals with the circular-evocative paradigm as one of the magistral choices in the literary treatment of the personal and/or collective war traumas. It is based on repetitive recognition of past events and their meanings in the present situations as a kind of collectively understandable, circular identity pattern.

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Felippe, Eduardo Ferraz. „Tempo e romance contemporâneo para além do realismo traumático“. Revista Brasileira de Literatura Comparada 24, Nr. 46 (April 2022): 85–102. http://dx.doi.org/10.1590/2596-304x20222446eff.

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RESUMO Esse ensaio tenciona analisar romances contemporâneos que lidam com a memória fora do referencial teórico do denominado realismo traumático. Início tratando de uma das versões mais destacáveis do trauma dentro da produção contemporânea em artes, a relação entre realismo traumático e arquivo. Depois, lido com o tema da nostalgia em dois romances: o Nostalgia de Mircea Cărtărescu e o The Return de Hisham Matar. Por fim, enfatizo a relação entre temporalidade e literatura contemporânea.

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Shalagina, Olga Vadimovna. „The distinctive genre of 9/11 literature about children“. Litera, Nr. 2 (Februar 2024): 160–70. http://dx.doi.org/10.25136/2409-8698.2024.2.69897.

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The article explores the genre specifics of American 9/11 novels about children. The genre features of 9/11 literature include a modification of the classic educational novel. Such genre elements as the hero’s growing up process, their journey beyond ordinary life, and their return as changed individuals, still form the primary narrative focus of these works. However, the temporality and the impetus for action development are altered compared to the classic educational novel, which is typical for the subgenre of the initiation novel. The main catalyst of the plot becomes the traumatic experiences of the characters, representing either the trauma of loss or mental traumatization of a loved one. The interplay of road motive and motive of search symbolizes personal development and introduces elements of a detective quest, while romantic motives are linked to the outcome of the initiation trial and the formation of the character’s personality. To implement the tasks set, this study employs cultural-historical and comparative-typological methods with elements of structural analysis. The scientific novelty of this work consists in conducting a study of the genre features of literature about children and teenagers thematically based on the events of September 11, 2001, on a little-studied corpus of artistic material. For the first time in Russian science, the author of the article attempts to identify and summarize the characteristic genre features of this body of works. The main results of the study lie in revealing of hybridization of genres: the initiation novel is supplemented with elements of detective and romance novels. An important aspect here is the presence of motives of travel and heroism, coupled with the problem of the trauma of not-knowing, traumatic experiences of loss, and orphanhood. This article deepens scientific knowledge on the issue of the specificity of 9/11 literature, highlighting the process of transformation and enrichment of traditional genre elements in the context of historical events that have been reflected in the literary work of the representatives of contemporary culture.

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Lowe, JSA. „Danmei and/as Fanfiction: Translations, Variations, and the Digital Semiosphere“. Humanities 13, Nr. 1 (23.01.2024): 20. http://dx.doi.org/10.3390/h13010020.

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Since the late 1990s, Chinese internet publishing has seen a surge in literary production in terms of danmei, which are webnovels that share many of the features of Anglophone fanfiction. Thanks in part to recent live-action adaptations, there has been an influx of new Western and Chinese diaspora readers of danmei. Juxtaposing these bodies of literature in English in particular enables us to examine the complexities of how danmei are newly circulating in the Anglophone world and have become available themselves for transformative work, as readers also write fanfiction based on danmei. This paper offers a comparative reading of the following three such texts, which explore trauma recovery through the arc of romance: Tianya Ke, a danmei novel by Priest; Notebook No. 6 by magdaliny, a novella-length piece of fanfiction based on Marvel characters; and orange_crushed’s Strays, a fanfiction based on the live-action drama that was, in turn, based on Tianya Ke. The space described by Lotman’s semiosphere offers an additional model in which these texts reflect on one another; furthermore, along the porous digital border between fanfiction, danmei in translation, and fan novels based on danmei, readers and writers negotiate and vex contemporary culture.

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Hapsari, Indah, und Wika Soviana Devi. „KRITIK SASTRA: KEKERASAN DALAM NOVEL 00.00 SEPASANG LUKA YANG BERAKHIR DUKA KARYA AMEYLIA FALENSIA“. Matapena: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya 5, Nr. 2 (21.12.2022): 218–28. http://dx.doi.org/10.36815/matapena.v5i02.1998.

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Literary works have several types such as novels, prose (fiction), poetry, drama, romance, and short stories or better known as poetry. In this research, the writer will examine the novel. Novel is a work of prose fiction written in writing, containing elements of imagination and fantasy. Literary criticism is an analysis that examines elements that contain errors. In literary criticism, it is usually more focused on the author's writing in his writings. Literary criticism is a field of literary science and usually applies to the evaluation of literary works. This study uses a qualitative descriptive method with library techniques. In this case, the author uses the novel 00.00 A Pair of Luka that Ends Grief by Ameylia Falensia as research data. By reading it over and over again and determining the results of the research. There is a lot of violence in the novel. Both physical and non-physical violence. We never know someone's mentality, more precisely someone has a different mentality. Victims of violence usually experience trauma and fear in their daily lives and can even do things beyond reason, the perpetrator often ends in death, namely suicide because of the pressures of life that continue to be experienced. Keywords: literary criticism, novel, violence.

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Abramov, Roman N. „Russian science fiction in the Genre of Alternative History as a Reflection of Mass Consciousness: Sociological Approaches“. Sotsiologicheskie issledovaniya, Nr. 4 (2023): 106–16. http://dx.doi.org/10.31857/s013216250024079-9.

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In Russia, fiction in the genre of alternative history has become popular over the past ten years. Book series of this kind are actively published and have a significant readership. This genre is part of ideological and utopian landscape of the Russian mass consciousness. It helps to understand imperial historical traumas, nostalgia for the Soviet past, and a high level of anxiety about the present and future. The theoretical part of the analysis is based on the G. Rosenfeld ideas about a close connection of this genre with the experience of the present and about ontological pluralization of the past. The article also includes M. Laruelle's thesis about the ideological function of this genre and its role in ideological mobilization. The concept of E. Shatsky's utopia as a chronic escapism is an important element in the analysis of this genre in Russia. Russian science fiction in the genre of alternative history mirrors ideological and utopian unconscious, which articulates affective historical traumas of society. Alternative history novels actively experiment with genres, and it contains elements of a political detective story, adventure and spy novel, conspiracy theories, personal nostalgic memoirs about childhood and adolescence, mysticism, military action movie, romance, crypto-fiction. Many authors perceive their novels as a historical experiment, and they are concerned with problematizing the causes of the collapse of the Soviet Union. The modern Russian wave of science fiction in the genre of alternative history is a more painful reaction of a part of society to the deep historical faults associated with the collapse of the USSR. The source of the analysis is the materials of interviews with the authors of works in the genre of alternative history, readers' reviews on thematic online platforms and the content of the works.

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Dissertationen zum Thema "Trauma in romance novels"

Philip, Laure. „The novels of French noblewomen émigrées in London in the 1790s : memory, trauma and female voice in the émigré novel“. Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/80219/.

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French émigré literature is both under-explored and under-valued by scholars. This thesis aims to rehabilitate the female émigré novel within its nineteenth-century landscape, putting to the fore its originality and pertinent contribution to contemporary movements such as Romanticism and the realist novel. Recent work has unearthed the émigré-specific way of narrating the Revolution; yet no clear definition has yet been established. This thesis defines what the émigré novel is based on the dichotomy for novelists of having experienced the exile first-hand or not. The memoirs and novels of three émigré noblewomen, Madame de Boigne, de Souza and de Duras, who all spent a decade in London during the 1790s, are scrutinized for this purpose. Three angles of research frame this comparative analysis: the search for the genre of the émigré novel, or how several genres intertwine in this ‘sub-genre’; trauma of the emigration as the core characteristic of the novels; and gender questions, or how the émigrée is using her stay in Britain as inspiration to convey more genuine relationships for post-revolutionary French society. This thesis goes against the idea that to interpret a novel based on the life of the author is reductive: instead it rediscovers the creative potential of the autobiographical which the émigrées chose to inject in their fiction works. Likewise, it establishes that the trauma of the Revolution and exile is visible in the selected émigré novels in the way it is camouflaged, enhanced and fictionalised, which constitutes their originality and distinguishes them from non-authentic émigré fictions. Finally this thesis considers the gender modernisation asked for in the plots, based on the fact that the selected novelists had enjoyed more freedom of action, uprooted from French social etiquette and within British society.

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Bolfarine, Mariana. „Between \"Angels and Demons\": trauma in fictional representations of Roger Casement“. Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-15012016-140005/.

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The life of the controversial Irish nationalist Roger David Casement, who was sentenced to death for high treason by the British Crown, has inspired writers to produce works of various literary genres: prose, poetry, drama and critical essays. This doctoral dissertation aims to investigate, under the light of trauma theory as suggested chiefly, but not solely by Cathy Caruth, Ron Eyerman and Dominick La Capra, the ways in which the figure of Roger Casement can be associated with traumatic events that have sealed Anglo-Irish relations. Thus, I have selected works that deal with Casements Life as he acts both for and against the trauma inflicted by imperialism respectively as a Victorian hero in Arthur Conan Doyles The Lost World (1912) and as an oblique presence in the 1916 Easter Rebellion in Jamie ONeills At Swim, Two Boys (2001); the trauma surrounding his Trial and the discovery of the homosexual Black Diaries that culminated in his hanging through his representation as a whole man in Mario Vargas Llosas The Dream of the Celt and in Patrick Masons The Dreaming of Roger Casement (2010); and finally, the trauma that persists unresolved in his Afterlife, as a ghost in David Rudkins Cries from Casement as his Bones are Brought to Dublin and as traumatic memory in the Annabel Davis-Goffs The Foxs Walk. As a result, we have found that the representation of Roger Casement in these works, although in various ways, is a metaphor for the traumatic process itself: an embodiment of the disjunction of temporality, [and] the surfacing of the past in the presente (Whitehead) as his presence continues to haunt the story of the transatlantic world.
A vida do controverso nacionalista irlandês Roger David Casement, condenado à morte por alta traição pela Coroa Britânica, inspirou a escrita obras de diversos gêneros literários: prosa, poesia, teatro e ensaios críticos. Esta tese de doutorado tem como objetivo investigar, sob a luz da teoria do trauma, tal como sugerido principalmente, mas não exclusivamente por Cathy Caruth, Ron Eyerman e Dominick La Capra, diferentes maneiras pelas quais a figura de Roger Casement pode ser associada a eventos traumáticos que selaram as relações Anglo-irlandesas. Dessa forma, foram selecionados trabalhos que lidam com a Vida de Casement, como ele age a favor e contra o trauma causado pelo imperialismo como herói vitoriano em The Lost World (1910) de Arthur Conan Doyle e como uma presença oblíqua na Revolta da Páscoa de 1916 em At Swim, Two Boys de (2001) Jamie ONeill; o trauma em torno de seu Julgamento e da descoberta dos Black Diaries que o levaram à forca por meio de sua representação como um homem completo em The Dream of the Celt (2012) de Mario Vargas Llosa e em The Dreaming of Roger Casement (2012) de Patrick Mason e, finalmente, o trauma não resolvido que persiste em sua Vida após a Morte, como um fantasma em Cries from Casement as his Bones are Brought to Dublin (1973) e como memória traumática em The Foxs Walk de Annabel Davis-Goff. Verificamos que as representações de Roger Casement nessas obras, ainda que de formas distintas, representam uma metáfora do processo traumático em si: Uma personificação da disjunção da temporalidade, [e] o surgimento do passado no presente (Whitehead), visto que sua presença continua a assombrar a história do mundo transatlântico.

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Moura, Taís Leite de. „Transgressões em O Deus das Pequenas Coisas, de Arundhati Roy: níveis e motivações em contraponto“. Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-03102018-134348/.

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No romance O Deus das Pequenas Coisas (1997) de Arundhati Roy, as transgressões são atitudes que se configuram como abundantes na narrativa, sendo realizadas em sua maioria pelos personagens marginalizados. A fim de obter uma compreensão mais profunda das razões que impulsionam tanto a narrativa quanto os personagens a cometer estas infrações, elas foram divididas em três níveis neste trabalho: pós-colonial, sociopolítico e afetivo. São aqui analisadas as transgressões dos personagens Velutha, Ammu, Estha, Rahel e Sophie. Os níveis das transgressões, suas motivações e os conceitos de trauma individual e cultural são colocados em contraponto para aprofundar a análise da narrativa do romance. No nível pós- colonial, são empregados conceitos de Panikkar (1969), Festino (2007), Forter (2014) e Outka (2011), enquanto Sztompka (2000, 2004), Alexander (2000) e Joseph (2010) permeiam o nível sociopolítico, finalizando o nível afetivo com Caruth (1995), Bose (1998) e Almeida (2002). A hipótese deste trabalho é de que Roy foca nas transgressões para, em primeiro lugar, criticar determinados elementos da sociedade indiana, e para provocar reações em seus leitores. Esta é sustentada através da citação de seus ensaios e discursos na análise do romance.
In The God of Small Things (1997), from Arundhati Roy, the transgressions are substantial throughout the narrative, as the majority of them are performed by marginalized characters. In order to comprehend more deeply the reasons which propel the narrative and the characters to such violations, they were divided into three levels in this work: post-colonial, socio-political and affective. The transgressions analyzed here are the ones performed by the characters Velutha, Ammu, Estha, Rahel and Sophie. The levels of the transgressions, their motivations and the concepts of individual and cultural trauma are all correlated so that the intentions of the narrative are elucidated. In the post-colonial level, the concepts of Panikkar (1969), Festino (2007), Forter (2014) and Outka (2011) are applied, whereas Sztompka (2000, 2004), Alexander (2000) and Joseph (2010) are used for the socio-political level; the affective level is observed with notions from Caruth (1995), Bose (1998) and Almeida (2002). The hypothesis of this work is that Roy focuses on the transgressions of minor characters not only to criticize particular elements from the Indian society but also to trigger the reaction of the readers. This is supported by her essays and speeches quoted along the analysis of the novel.

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Heinemann, Karen Kruse. „Processing Trauma: Reading Art in 9/11 Novels“. OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1473.

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While the negative effects of the terrorist attack of September 11, 2001 are still permeating throughout the United States, a few novelists have taken on the extreme task of writing about this historic event. Richard Gray describes the failure of language after the attack took place, yet novelists wanted to write about this tragedy anyway. Reading trauma in 9/11 is inevitable as it is important. In looking at three novels that deal with the events during and the aftermath of 9/11, I hope to consider the way art is used in these texts. In doing so, my thesis will look at the possibility of art being able to heal the wounds of this traumatic event. My second chapter will focus on the novel Extremely Loud and Incredibly Close by Jonathan Safran Foer. This novel depicts the effect 9/11 had on the child protagonist, Oskar, and follows him as he works through the trauma of losing his father in the South Tower. The third chapter of my thesis will discuss Don DeLillo's Falling Man, which offers a depiction of the powerful effect trauma has on the main characters in the novel, particularly Lianne. The performance artist is discussed at length. My fourth chapter will discuss the novel The Submission by Amy Waldman. Just as Maya Lin's submission for her Vietnam memorial sparked controversy, Waldman takes the same approach by casting an American Muslim as the artist and memorial architect for 9/11. While the previous novels focus on the personal effects of trauma on the characters, my chapter on The Submission will elucidate how trauma is negotiated on a national scale. I hope to answer such questions as: What do we expect in a memorial? What should we expect? What are the various demands survivors place on memorials?

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Blanding, Cristen Celeste. „Interracial Romance Novels and the Resolution of Racial Difference“. Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1131365873.

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Woodham, Kathryn. „Translating linguistic innovation in Francophone African novels“. Thesis, University of Nottingham, 2007. http://eprints.nottingham.ac.uk/10465/.

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Ortega y Gasset's assertion that 'to write well is to make continual incursions into grammar, into established usage, and into accepted linguistic norms' finds resonance in the work of a number of sub-Saharan Francophone African writers, most notably in texts by Ahmadou Kourouma, Veronique Tadjo, Werewere Liking, Henri Lopes and Sony Labou Tansi. The types of incursions that are most characteristic of these authors include the incorporation of visible and quasi-invisible traces of African languages, the exploitation of stylistic features associated with orality, including sustained use of colloquialisms and vulgarisms, and experimentation with various kinds of wordplay. Taking as its corpus all of the novels by these authors that are available in English translation, the thesis seeks to set the translations in their publishing context and to analyse the ways in which the translators treat the linguistic innovation of the originals. It reveals the dominance of translation strategies that normalise the linguistically or generically innovative features of the original texts, or, where these are retained to any significant degree, that separate them from the 'standard' language through typographical variation. When the post-colonial context of the original texts is taken into account, such normalising and exoticising strategies can be seen to have significant implications, diminishing the ability of the texts to carry broader cultural and political significance. For this reason, a number of critics have argued the need for a 'decolonised translation practice'. The thesis outlines the type of translation practice that might be viewed as 'decolonised', engaging in debates over the untranslatability of layered language, and drawing comparisons with other translation theories developed at the interface with post-colonial studies such as foreignising translation, the space between, and metametonymics.

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Hackbarth, Viktoria. „Novels of female development in postwar Spain“. [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319924.

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Thesis (Ph.D.)--Indiana University, Dept. of Spanish and Portuguese, 2008.
Title from PDF t.p. (viewed on May 11, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3168. Adviser: Josep Miquel Sobrer.

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Mackinnon, Jeremy E. „Speaking the unspeakable : war trauma in six contemporary novels“. Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm15821.pdf.

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Includes bibliographical references (leaves 246-258) Presents readings of six novels which depict something of the nature of war trauma. Collectively, the novels suggest that the attempt to narrativise war trauma is inherently problematic. Traces the disjunctions between narrative and war trauma which ensure that war trauma remains an elusive and private phenomonen; the gulf between private experience and public discourse haunts each of the novels.

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Kugler, Emily Meri Nitta. „Representations of race and romance in eighteenth-century English novels“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3258372.

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Thesis (Ph. D.)--University of California, San Diego, 2007.
Title from first page of PDF file (viewed May 29, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 264-272).

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Johnson, Naomi Ruth Wood Julia T. „Consuming desires a feminist analysis of bestselling teen romance novels /“. Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1455.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.
Title from electronic title page (viewed Apr. 25, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication Studies." Discipline: Communication Studies; Department/School: Communication Studies.

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Bücher zum Thema "Trauma in romance novels"

Calvert, Candace. Trauma plan. Carol Stream, Ill: Tyndale House Publishers, 2012.

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Jacque, Tiegs, Hrsg. Collecting romance novels. Brooklyn: Alliance Publishers, 1995.

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Radclyffe. Trauma alert. Valley Falls, NY: Bold Strokes Books, 2010.

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COLOMBO, OSWALDO. Impulso. Romance. Sao Paulo: Nankin, 2004.

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ANDRADA, ALMIRO CALDEIRA DE. Rocamaranha. Romance. Florianopolis: UFSC - Universidade Federal de Santa Catarina, 2003.

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FRAZAO, DANIEL. Cerco. Romance. Rio de Janeiro: Rocco, 2004.

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MOREIRA, ANDRE. Escuridao. Romance. Rio de Janeiro: Papel Virtual, 2003.

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MOTTA, NELSON. Bandidos e mocinhas. Romance policial. Rio de Janeiro: Objetiva, 2004.

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Rodi-Risberg, Marinella. Intersectional Trauma in American Women Writers' Incest Novels from the 1990s. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96619-5.

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Novakovich, Ferdinand. Romance Novel : Strength to Overcome Past Trauma: Love Story Romance Story. Independently Published, 2021.

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Buchteile zum Thema "Trauma in romance novels"

Willis, Ika. „From Realism to Romance: The Early Novels“. In Jacqueline Wilson, 34–54. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-38098-2_3.

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Kamblé, Jayashree. „Capitalism: Money and Means in Romance Novels“. In Making Meaning in Popular Romance Fiction, 31–60. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137395054_2.

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Kamblé, Jayashree. „Conclusion: The Next Chapter for Romance Novels“. In Making Meaning in Popular Romance Fiction, 157–58. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137395054_6.

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Nabizadeh, Golnar. „Narrating trauma in Marjane Satrapi’s Persepolis“. In Representation and Memory in Graphic Novels, 89–111. New York, NY : Routledge, 2019. | Series: Memory studies: global constellations; 11: Routledge, 2019. http://dx.doi.org/10.4324/9781315605418-4.

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Kamblé, Jayashree. „White Protestantism: Race and Religious Ethos in Romance Novels“. In Making Meaning in Popular Romance Fiction, 131–56. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137395054_5.

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Mooneyham, Laura G. „Northanger Abbey: an Escape from Fiction?“ In Romance, Language and Education in Jane Austen’s Novels, 1–25. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09242-0_1.

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Mooneyham, Laura G. „The Failure of Resolution in Sense and Sensibility“. In Romance, Language and Education in Jane Austen’s Novels, 26–44. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09242-0_2.

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Mooneyham, Laura G. „Pride and Prejudice: Towards a Common Language“. In Romance, Language and Education in Jane Austen’s Novels, 45–68. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09242-0_3.

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Mooneyham, Laura G. „Mansfield Park and the Education of the Virtuous“. In Romance, Language and Education in Jane Austen’s Novels, 69–106. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09242-0_4.

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Mooneyham, Laura G. „The Double Education of Emma“. In Romance, Language and Education in Jane Austen’s Novels, 107–45. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09242-0_5.

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Konferenzberichte zum Thema "Trauma in romance novels"

Wang, Liting. „A Study of Trauma Metaphor in Morrison’s Novels“. In 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.035.

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Wang, Liting. „Color Metaphor and Children’s Psychological Trauma in Morrison’s Novels“. In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.321.

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Klimovich, Victoria. „CATEGORY OF 混 (HÙN, “PRIMORDIAL CHAOS”) IN FOUR GREAT CLASSICAL NOVELS“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.16.

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Annotation:

混 (hùn, “primordial chaos”) is one of the most complex and multi-aspect concepts in Chinese philosophy. This category was fully developed in the Taoist texts, dating back to the 4th–3th centuries BC. Taoist philosophers interpreted the concept not just as the core of cosmogony, but also as the basis of all ethical and socio-political concepts. In Taoist texts all the meanings are distinctly positive and opposed to the concept of 乱 (luàn, “disorder”), which means destruction of the original chaotic (i. e., holistic) nature of the universe. To determine how this concept transpire in traditional Chinese culture and to what extent it is still considered to be positive, the author analyzed the usage of the word in the four great classical novels: Water Margin, Romance of the Three Kingdoms, Journey to the West and Dream of the Red Chamber.

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Popescu, Dana Nicoleta. „Mircea Cărtărescu – Androgynous Figures“. In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a, 202–7. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.21.

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The present approach aims to present the classical androgyne motif and its often-contradictory significances as shown in Mircea Cărtărescu’s prose (the novel "Travesty" and the short story "The Twins"). In the era of Greek and Roman antiquity the bisexual myths and rites were setting primordial unity, seen as perfection, as a goal; this ideal became the androgyne in late cosmogonies. Modern transfigurations of the androgyne myth alter its initial positive meanings, favoring ambiguity. Playing with animus-anima does not equal attempting to return to the state of grace in illo tempore any longer, but indicates desacralization. Nevertheless, Lulu, the grotesque clown in "Travesty", leads the narrator to the truth and to healing from trauma.

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Berichte der Organisationen zum Thema "Trauma in romance novels"

OSETROVA, O., A. STOKOLYAS und D. KHUSAINOVA. CHARACTERISTIC ASPECTS OF TRANSLATING ROMANCE NOVELS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-94-103.

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Peculiarities of translating romance novels are considered in the article. Examples from the novel by Kristan Higgins “Too good to be true” are given in order corresponding to their manifestation in the book. Special attention is given to the translation of realities. The main translation techniques used are transliteration and transcription, calquing, and combinations (concerning onomastic realities), descriptive translation and approximation (concerning everyday realities and associations). Besides, it is mentioned, that gender dimension is extremely pragmatically valid in the context of other stylistic and grammatical aspects of the text. The authors make a conclusion of dynamic changes in speech stereotypes towards blurring gender lines between masculine and feminine speech behavior. It is important to consider this fact when translating romance novels.

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