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Thematische Bibliographien / Transparentní materiál / Bücher

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Bücher zum Thema „Transparentní materiál“

Autor: Grafiati

Veröffentlicht am 28. Juni 2021

Zuletzt aktualisiert am 3. Februar 2022

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1

Levy, David, und Erick CastellÓn, Hrsg. Transparent Conductive Materials. Weinheim, Germany: Wiley-VCH Verlag GmbH & Co. KGaA, 2018. http://dx.doi.org/10.1002/9783527804603.

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2

Barquinha, Pedro. Transparent oxide electronics: From materials to devices. Hoboken, N.J: Wiley, 2012.

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3

Dao, Lê H. Development of transparent low-cost organic aerogel materials for transparent glass window insulation. Ottawa, Ont: CANMET Energy Technology Centre, 1998.

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4

Mooney, Peter J. Transparent plastics: Broadening the base of materials and applications. Norwalk, CT: Business Communications Co., 1990.

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5

Hang kong zuo cang tou ming cai liao ying yong yan jiu xin jin zhan. Beijing Shi: Guo fang gong ye chu ban she, 2011.

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6

Banerjee, Arghya N. P-type transparent semiconducting delafossite cualo2+x thin film. New York: Nova Science Publishers, 2008.

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7

Ghosh, Dhriti Sundar. Ultrathin Metal Transparent Electrodes for the Optoelectronics Industry. Heidelberg: Springer International Publishing, 2013.

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8

Tōmei sankabutsu kinō zairyō no kaihatsu to ōyō: Developments and applications of transparent oxides as active electronic materials. Tōkyō: Shīemushī Shuppan, 2011.

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9

Forum on New Materials (5th 2010 Montecatini Terme, Italy). New materials III: Transparent conducting and semiconducting oxides, solid state lighting, novel superconductors and electromagnetic metamaterials : proceedings of the 5th Forum on New Materials, part of CIMTEC 2010--12th International Ceramics Congress and 5th Forum on New Materials, Montecatini Terme, Italy, June 13-18, 2010. Stafa-Zuerich: Trans Tech Pubs. ltd. on behalf of Techna Group, 2011.

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10

Transparent Electronics. Springer, 2007.

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11

Krell, Andreas, Zeev Burshtein und Adrian Goldstein. Transparent Ceramics: Materials, Engineering, and Applications. Wiley & Sons, Limited, John, 2020.

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12

Krell, Andreas, Zeev Burshtein und Adrian Goldstein. Transparent Ceramics: Materials, Engineering, and Applications. Wiley & Sons, Limited, John, 2020.

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13

Krell, Andreas, Zeev Burshtein und Adrian Goldstein. Transparent Ceramics: Materials, Engineering, and Applications. Wiley & Sons, Incorporated, John, 2020.

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14

Krell, Andreas, Zeev Burshtein und Adrian Goldstein. Transparent Ceramics: Materials, Engineering, and Applications. Wiley & Sons, Incorporated, John, 2020.

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15

1934-, Hartnagel Hans, Hrsg. Semiconducting transparent thin films. Bristol [England]: Institute of Physics Pub., 1995.

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16

Handbook Of Transparent Conductors. Springer, 2010.

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17

Jeska, Simone. Transparente Kunststoffe: Entwurf und Technologie. Birkhäuser Basel, 2007.

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18

Femtosecond Laser Micromachining Photonic And Microfluidic Devices In Transparent Materials. Springer, 2012.

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19

Center, Lewis Research, Hrsg. Remote heat flux using a self calibration multiwavelength pyrometer and a transparent material. [Cleveland, Ohio]: National Aeronautics and Space Administration, Lewis Research Center, 1998.

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20

Center, Lewis Research, Hrsg. Remote heat flux using a self calibration multiwavelength pyrometer and a transparent material. [Cleveland, Ohio]: National Aeronautics and Space Administration, Lewis Research Center, 1998.

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21

Materials for Solar Cell Technologies I. Materials Research Forum LLC, 2021. http://dx.doi.org/10.21741/9781644901090.

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The book reviews recent research and new trends in the area of solar cell materials. Topics include fabrication methods, solar cell design, energy efficiency and commercialization of next-generation materials. Special focus is placed on graphene and carbon nanomaterials, graphene in dye-sensitized solar cells, perovskite solar cells and organic photovoltaic cells, as well as on transparent conducting electrode (TCE) materials, hollow nanostructured photoelectrodes, monocrystalline silicon solar cells (MSSC) and BHJ organic solar cells. Also discussed is the use of graphene, sulfides, and metal nanoparticle-based absorber materials.

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22

Royston, Angela. My World of Science: Opaque and Transparent (My World of Science). Heinemann Library, 2004.

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23

Klaus, Ellmer, Klein Andreas Dr und Rech Bernd, Hrsg. Transparent conductive zinc oxide: Basics and applications in thin film solar cells. Berlin: Springer, 2008.

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24

United States. National Aeronautics and Space Administration., Hrsg. Transparent metal model study of the use of a cellular growth front to form aligned monotectic composite materials: Final report. [Washington, DC: National Aeronautics and Space Administration, 1988.

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25

Joshi, Mahesh K., und J. R. Klein. Africa and the Curse of Natural Resources. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827481.003.0011.

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Africa is flush with natural resources, a population over one billion, a rich cultural history, and all the elements of a robust economy that still struggles with the basics. Its reliance on natural resources and the lack of resource management in a transparent and acceptable manner has led to discontent and conflict. It has the opportunity to reboot its economies by embracing value-added positions in the natural resources value chain by providing finished products instead of just the raw material. It could also offer itself as a low-cost manufacturing location to the rest of the world. Signs of more transparent governance and management of resources are being seen which will eventually lead to a path of growth. Africa’s geographical location, in the middle of three major markets; Asia, America, and Europe, gives it an attractive competitive advantage. Africa is poised to drive its emerging economy soundly on to the world stage.

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26

United States. National Aeronautics and Space Administration., Hrsg. REMOTE HEAT FLUX USING A SELF CALIBRATION MULTIWAVELENGTH PYROMETER AND A TRANSPARENT MATERIAL... NASA/TM-1998-208809... MAR. 1, 1999. [S.l: s.n., 1999.

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27

Solymar, L., D. Walsh und R. R. A. Syms. The electron as a particle. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198829942.003.0001.

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Describes the classical properties of electrons, starting with a discussion of fundamental phenomena such as drift, the hydrodynamic model, and the Hall effect. After that there is an excursion into electromagnetic theory, deriving the dispersion equation and showing that materials containing electrons may become transparent above a certain frequency. The effect of the magnetic field is studied by introducing cyclotron waves. There are further sections on plasmas, heat, and the fundamentals of Johnson noise.

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28

Transparent Conductive Zinc Oxide: Basics and Applications in Thin Film Solar Cells (Springer Series in Materials Science Book 104). Springer, 2007.

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29

Gaiger, Jason. Transparency and Imaginative Engagement. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802228.003.0011.

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One of the most challenging aspects of Lessing’s Laocoon, Jason Gaiger argues, is its argument about the interplay between an artwork and the imaginative response of the subject. What role does the actual medium of a representation play in Laocoon? Does Lessing champion a ‘transparency theory of art’, whereby the medium of representation is ideally ‘transparent’ to what it represents? Or does Laocoon assume a more dynamic mode of engagement between material form and subjective imagination? Gaiger explores how critics over the last 250 years have differently approached these questions, while also outlining his own art-historical attempts at some critical answers.

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30

Optical materials technology for energy efficiency and solar energy conversion XI: Selective materials, concentrators and reflectors, transparent insulation, and superwindows : 18 May 1992, Toulouse-Labège, France. Bellingham, Wash., USA: SPIE, 1992.

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31

Donovan, Therese, und Ruth M. Mickey. Bayesian Statistics for Beginners. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841296.001.0001.

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Bayesian Statistics for Beginners is an entry-level book on Bayesian statistics. It is like no other math book you’ve read. It is written for readers who do not have advanced degrees in mathematics and who may struggle with mathematical notation, yet need to understand the basics of Bayesian inference for scientific investigations. Intended as a “quick read,” the entire book is written as an informal, humorous conversation between the reader and writer—a natural way to present material for those new to Bayesian inference. The most impressive feature of the book is the sheer length of the journey, from introductory probability to Bayesian inference and applications, including Markov Chain Monte Carlo approaches for parameter estimation, Bayesian belief networks, and decision trees. Detailed examples in each chapter contribute a great deal, where Bayes’ Theorem is at the front and center with transparent, step-by-step calculations. A vast amount of material is covered in a lighthearted manner; the journey is relatively pain-free. The book is intended to jump-start a reader’s understanding of probability, inference, and statistical vocabulary that will set the stage for continued learning. Other features include multiple links to web-based material, an annotated bibliography, and detailed, step-by-step appendices.

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32

Ross, Stephen J. Invisible Terrain. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198798385.001.0001.

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In his debut collection, Some Trees (1956), John Ashbery poses a question that resonates across his oeuvre and much modern art: “How could he explain to them his prayer / that nature, not art, might usurp the canvas?” When Ashbery asks this strange question, he joins a host of transatlantic avant-gardists—from the Dadaists to the 1960s neo-avant-gardists and beyond—who have dreamed the paradoxical dream of turning art into nature. Invisible Terrain examines Ashbery’s poetic mediation of this fantasy, reading his work alongside an array of practitioners, from Wordsworth to Warhol, as an exemplary case study of avant-garde transvaluation of Western nature aesthetics. Ashbery takes his coordinates from a constellation of British, American, and continental European poetic and visual art practices—from romantic nature poet John Clare’s presentational immediacy to the French “New Realism” movement’s “direct appropriation of the real” in the early 1960s—that share an emphasis on somehow transforming the material of art into a “second nature.” Nature, as Ashbery and his company understand it, is a vanguard horizon, a metaphor for art, that which lies beyond “art as we know it.” The fact that the artist can never realize this aesthetic fiction—which overturns what we generally mean by “art” and “nature”—makes it all the more powerful as a tool for staking out the limits of art. In chronicling Ashbery’s articulation of “a completely new kind of realism,” Invisible Terrain tells the larger story of nature’s transformation into a resolutely unnatural aesthetic resource in twentieth-century art and literature. But in documenting Ashbery’s eventual turn against this avant-garde tradition—most conspicuously in his archive of campy, intentionally “bad” nature poems—the project also registers queer resistance to the normative concept of nature itself as a governing conceit for art. The story begins in the late 1940s with the Abstract Expressionist valorization of process, surface, and immediacy—summed up by Jackson Pollock’s famous quip, “I am Nature”—that so influenced Ashbery’s early quest for transparent, anti-mimetic modes of composition. It ends with “Breezeway,” a poem about Hurricane Sandy and climate change. Along the way, Invisible Terrain documents Ashbery’s strategic literalization of the stream-of-consciousness metaphor, his pastoral dispersal of the lyric subject during the politically fraught Vietnam era, and his investment in “bad” nature poetry.

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33

Balance de las tendencias democráticas en América Latina y el Caribe antes y durante la pandemia de la COVID-19. Instituto Internacional para la Democracia y la Asistencia Electoral, 2020. http://dx.doi.org/10.31752/idea.2020.69.

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Esta edición de In Focus sobre El estado de la democracia en el mundo es una reflexión preliminar que el IDEA Internacional ofrece como insumo para la reflexión respecto al impacto de la pandemia de la COVID-19, a 10 meses de su aparición, sobre la democracia en América Latina y el Caribe. Principales hechos y hallazgos • En materia democrática, la región también padecía, ya antes de la pandemia, de serias debilidades. Algunos países sufrían procesos de erosión y retroceso democrático, y otros de fragilidad y debilidad democrática. En general, la confianza en la democracia había venido disminuyendo de manera constante durante la década anterior al inicio de la pandemia. El descontento ciudadano con la democracia culminó con una ola de protestas en varios países de la región a finales de 2019. • La pandemia de la COVID-19 ha golpeado severamente a América Latina y el Caribe (ALC), una región asediada por problemas estructurales no resueltos, tales como una alta tasa de delincuencia y violencia, fragmentación y polarización política, pobreza y desigualdad, corrupción y debilidad de los Estados. • Reformas políticas y socioeconómicas, largamente pospuestas en la región, han agravado las crisis económicas y de salud pública provocadas por la pandemia. Esta situación, junto con la implementación de medidas restrictivas a los derechos fundamentales para contener la propagación del coronavirus, han incrementado el riesgo de afianzar o exacerbar aún más las preocupantes tendencias que presentaba la democracia en la región antes de la pandemia de la COVID-19. • Los desafíos para la democracia en la región durante la pandemia incluyen: el aplazamiento de procesos electorales; uso excesivo de la fuerza policial para hacer cumplir medidas de restricción con el fin de contener la pandemia; uso de las fuerzas armadas para llevar a cabo tareas civiles; delincuencia y violencia persistentes; nuevos peligros para el derecho a la privacidad; aumentos en la desigualdad de género y la violencia doméstica; nuevos riesgos para los grupos vulnerables; acceso limitado a la justicia; restricciones a la libertad de expresión; abuso de los poderes ejecutivos; supervisión parlamentaria reducida; polarización política y enfrentamientos entre instituciones democráticas; nuevas oportunidades para la corrupción; y una ciudadanía descontenta y socialmente movilizada que rechaza las formas tradicionales de representación política. • A pesar de los desafíos, la crisis actual ofrece una oportunidad histórica para redefinir los términos de los contratos sociales en la región y para que los gobiernos piensen de manera innovadora sobre cómo abrir espacios de diálogo y participación ciudadana para construir sociedades más inclusivas, sostenibles e interconectadas, así como sistemas democráticos de gobierno más responsables, transparentes y eficientes. Por su parte, la revisión del estado de la democracia durante la pandemia de la COVID-19 en el 2020 se organiza a lo largo de los cinco atributos de democracia antes mencionados y utiliza un análisis cualitativo y datos sobre eventos y tendencias recopilados en la región a través del Monitor global del impacto de la COVID-19 sobre la democracia y los derechos humanos de IDEA Internacional, una iniciativa cofinanciada por la Unión Europea.

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