Thematische Bibliographien / Transgender poetry

Auswahl der wissenschaftlichen Literatur zum Thema „Transgender poetry“

Autor: Grafiati

Veröffentlicht am 27. Juli 2024

Zuletzt aktualisiert am 29. Juli 2024

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Zeitschriftenartikel zum Thema "Transgender poetry"

Lahman, Maria K. E., Eric D. Teman und Veronica M. Richard. „IRB as Poetry“. Qualitative Inquiry 25, Nr. 2 (28.12.2017): 200–214. http://dx.doi.org/10.1177/1077800417744580.

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In this series of poems, the authors reflexively explore experiences with the institutional review board (IRB) through the use of various poetic forms, including autoethnographic, literature review, artifact, blackout, typewriter, concrete, cutout, photographic, and collage. Areas of the authors’ individual research lines are with children, adolescents, and lesbian, gay, bisexual, transgender, queer, questioning, and ally (LGBTQQA+) participants, which are groups federally designated as vulnerable in research. Author experiences with these groups are reflected in the poetry and the perspectives of being reviewed by, reviewers of, and chairs of IRB.

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Arthur, Deborah, Tanuia Davis, Kiesha Johnson, Rinita Loweb, Lanelle Rowe und Sasha Womack. „Striving to Thrive: Black and Indigenous Women Reflect on Higher Education in Oregon’s Only Women’s Prison“. JCSCORE 8, Nr. 1 (06.06.2022): 20–35. http://dx.doi.org/10.15763/issn.2642-2387.2022.8.1.20-35.

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This collaborative and creative paper explores and documents the realities of Black and Indigenous transgender and cisgender women at Coffee Creek Correctional Facility in Oregon in their pursuit of higher education. Through poetry, essays, personal narratives, and art, this paper reveals how Black and Indigenous students experience and navigate the structural and systemic barriers they face in engaging with higher education opportunities while in prison, and reflects on strategies for dismantling those barriers.

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León, Christina. „Knots in the Throat“. Representations 162, Nr. 1 (2023): 109–24. http://dx.doi.org/10.1525/rep.2023.162.8.109.

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This essay concentrates on the figural knots that both refuse and suture readings across Raquel Salas Rivera’s Preguntas frecuentes and X/Ex/Exis. Tracing self-translations, the essay reads how Salas Rivera steals back from English and binary gender in the poetic and translation decisions to withhold, or hold onto, loss as itself incommensurable or untranslatable. His poetics situates Latinx at the hinge and limit of two colonial languages, requiring us to contend with ongoing problems of reference and translation. Through material tropes, Salas Rivera’s poetry registers entanglements and displacements of colonial grammars, transgender terms, and the material remains of empire.

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Oswald, Austin, Sara Bybee und Austin Oswald. „CREATIVE QUALITATIVE RESEARCH METHODS WITH LESBIAN, GAY, BISEXUAL, TRANSGENDER, AND QUEER (LGBTQ+) OLDER ADULTS“. Innovation in Aging 6, Supplement_1 (01.11.2022): 136. http://dx.doi.org/10.1093/geroni/igac059.539.

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Abstract The voices of lesbian, gay, bisexual, transgender, and queer (LGBTQ+) older adults are very often overlooked in research contexts. Creative qualitative methods have been utilized to study populations who have been neglected, empowering marginalized communities, and fostering equitable research processes and outcomes (Archibald & Blines, 2021; Jen & Paceley, 2021; McGarry & Bowden, 2017). This innovative symposium explores creative qualitative methods of data collection and analysis, such as creative writing and poetry, which have been employed in research about LGBTQ+ aging and also describes how each method may provide a unique contribution to the research process and literature. The first presentation describes the process of facilitating a weekly creative writing group with LGBTQ+ older adults and how creative writing can facilitate the retelling of life events and reimaging of new futures. The second presentation describes the process of analyzing pieces of creative writing in order to elucidate the potential and possibility of queer futurities and their implications for research on aging trajectories and imaginings. The third presentation details how found poetry created from dyadic semi-structured interviews sheds new light on the relationships of LGBTQ+ couples facing cancer. Through these three presentations, we will illustrate how creative methods contribute strengths of generating evocative and poignant narratives, illuminating not-yet-possible futures, and inspiring equally creative interventions. The overall objective of this symposium is to explore creative qualitative research methods for their utility in research with LGBTQ+ older adults, ultimately fostering more inclusive and nuanced research processes and products.

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Cooper, Lujira, und Austin Oswald. „CREATIVE WRITING AS A TOOL FOR LESBIAN, GAY, BISEXUAL, TRANSGENDER, AND QUEER (LGBTQ+) HISTORY AND FUTURE MAKING“. Innovation in Aging 6, Supplement_1 (01.11.2022): 136–37. http://dx.doi.org/10.1093/geroni/igac059.542.

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Abstract The shift toward embracing creative methods in qualitative research opens new possibilities for gerontologists and older adults to explore the nuances of aging and its affective undertones. This paper describes the process of facilitating a weekly creative writing group for lesbian, gay, bisexual, transgender, and queer (LGBTQ+) older adults and their subjective experiences. Various creative writing practices (e.g., poetry, fiction, short story, biography) facilitates the retelling of life events and reimaging of new futurities. Done in community, it creates opportunities for social connectedness, collective meaning making, and psychosocial and instrumental support. Creative writing is a useful method for describing the LGBTQ+ aging experience not fully realized in gerontology. Our findings demonstrate the utility of creative methods in describing and re-imagining LGBTQ+ aging histories and futures. We argue for more creative methods that re-present the complexities of LGBTQ+ aging.

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Revelle, Anthony. „Looking at Failed Masculinity“. Past Imperfect 21, Nr. 1 (01.10.2019): 31–57. http://dx.doi.org/10.21971/pi29354.

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In this article, I offer to look at Narcisus et Dané and the Roman de Silence, two pieces of Old French poetry which have in common the refusal of the physical love of a noblewoman by the main character, leading to the unveiling of the “male nature” of Narcisus and the hidden female nature behind the manly appearance of Silence. I propose to read these passages as failures of a sexual initiation expected from young noblemen, and thus as a missed step toward an accomplished manhood. From this disruption into courtly narratives emerges the issue of unconventional desire and gender deviance, because the failure is not just a negative act, but also the creation of something unexpected, a different narrative and a new space. Following Judith Halberstam, I interrogate the possibility of a transgender or transversal look into these two stories, especially with the play between gendered expectations and agencies, the blurring of male and female points of identification for the reader and the gaze of Merlin, the wild man who sees the truth of nature under social surfaces. The purpose is to open up toward a more global understanding of what it is to become a man in the Middle Ages, what sexual behavior is expected from young people and how the poetry manages both gendered expectations and their questioning.

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A, Joyce Jaya Ruby. „Andal Priyadarshini's the Position of Women in the Working Class“. International Research Journal of Tamil 4, S-10 (12.08.2022): 81–85. http://dx.doi.org/10.34256/irjt22s1013.

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Singing songs about God, the king, and upper castes are mostly found in Tamil literature. The singing of working class people is rarely found in a few pieces of literature like Pallu (Agriculture Songs) and Kuravanchi. Modern literature gives complete freedom to sing about the working class. In it, Andal Priyadarshini has created modern literature such as poetry, short stories, novels, etc. In it, the creators have made the lower class people aware of their life status by singing and creating characters. Her works frequently depict hustlers, roadside dwellers, scavengers, cremators, and transgender women and girls. They are the members of society. Some are working people, who have every right to live here, and are economically backward. People have continued their lives at the bottom of society for centuries. Mere pity for the working class will not lift them up. If individual value, castelessness, labour value, and non-discrimination come together, then a society called the working class will disappear.

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Beltrán, Ramona, Antonia Rose-Garriga Alvarez und Angela R. Fernandez. „I See Myself Strong: A Description of an Expressive Poetic Method to Amplify Two-Spirit, Lesbian, Gay, Bisexual, Trans, Queer Indigenous Youth Experiences in a Culture-Centered HIV Prevention Curriculum“. Genealogy 7, Nr. 3 (09.08.2023): 55. http://dx.doi.org/10.3390/genealogy7030055.

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Poetry is an ideal tool to convey participant voices in social research as it compresses the meaning and essence of participant narratives through using evocative sensory words that illuminate nuances of lived experience. Expressive poetics is an emerging arts-based research method that facilitates a multi-sensory and relational analytical process. In this article, the authors describe and illustrate an adapted expressive poetics research method through highlighting the experiences of Two Spirit, lesbian, gay, transgender, or queer (2SLGBTQ) Indigenous youth that participated in a culture-centered HIV prevention curriculum. It is our hope that through creating dialogic poems, we deepen and nuance the salient experiences of participant youth, acknowledge our relationship through adding our creative response to their calls for care, and create a model for others to engage in a similar process. In a time when 2SLGBTQ bodies are increasingly targeted and policed, it is more important than ever to center and amplify these voices.

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Hussein, Zainab Salahaddin. „Homosexuality as a Psychological Problem in "Am I a Feminist or a Womanist" by Staceyann Chinn“. JOURNAL OF LANGUAGE STUDIES 2, Nr. 3 (22.08.2023): 98–114. http://dx.doi.org/10.25130/jls.2.3.6.

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Recently, homosexuality has become a very widespread phenomenon in the world even in the eastern Islamic societies though it is considered a forbidden behavior. It is, therefore, necessary to search behind this problem. The current paper aims at exploring the socio-political aspect of poetry as related to the LGBT (lesbian, gay, bisexual, and transgender) community. The analysis will be conducted through the poem "A Feminist or a Womanist" by Stacey Ann Chinn which is actually a warning against such approaches. Namely, she does so by developing the poem over an imaginary conversation with another woman who is asking her about her lesbianism. So, as she is being asked in a manner that she finds offensive, she replies to the imaginary conversation partner that she is not asking the right questions. She considered that the issue is not about being lesbian but about being a woman. She basically projects the idea that the problem is in

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Golub, Koraljka, Jenny Bergenmar und Siska Humelsjö. „Searching for Swedish LGBTQI fiction: challenges and solutions“. Journal of Documentation 78, Nr. 7 (14.10.2022): 464–84. http://dx.doi.org/10.1108/jd-06-2022-0138.

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PurposeThe purpose of this study is to investigate the needs of potential end-users of a database dedicated to Swedish lesbian, gay, bisexual, transgender, queer, and intersex (LGBTQI) literature (e.g. prose, poetry, drama, graphic novels/comics, and illustrated books), in order to inform the development of a database, search interface functionalities, and an LGBTQI thesaurus for fiction.Design/methodology/approachA web questionnaire was distributed in autumn 2021 to potential end-users. The questions covered people's reasons for reading LGBTQI fiction, ways of finding LGBTQI fiction, experience of searching for LGBTQI fiction, usual search elements applied, latest search for LGBTQI fiction, desired subjects to search for, and ideal search functionalities.FindingsThe 101 completed questionnaires showed that most respondents found relevant literature through social media or friends and that most obtained copies of literature from a library. Regarding desirable search functionalities, most respondents would like to see suggestions for related terms to support broader search results (i.e. higher recall). Many also wanted search support that would enable retrieving more specific results based on narrower terms when too many results are retrieved (i.e. higher precision). Over half would also appreciate the option to browse by hierarchically arranged subjects.Originality/valueThis study is the first to show how readers of LGBTQI fiction in Sweden search for and obtain relevant literature. The authors have identified end-user needs that can inform the development of a new database and a thesaurus dedicated to LGBTQI fiction.

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Dissertationen zum Thema "Transgender poetry"

Strobel, Wesley/Kaileigh. „(TRANS)FORM: Spoken Word as Queer and Transgender Testimony“. Otterbein University Distinction Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=otbndist1620462465460833.

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Gilcrest, Mel. „The Body Salvages: A Collection of New Poems“. Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1313.

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The Body Salvages is a collection of contemporary post-confessional poetry. The collection explores familial trauma, grief, sex and gender identity, puberty, dysphoria, and transition. The Body Salvages blends magical realism with memoir until easy certainties are no longer an option; the poems overgrow divisions between experience and identity, fiction and reality, past and present, world and body. Gilcrest draws inspiration from a diverse array of writers, poets, and musicians, including Sharon Olds, Yrsa Daley-Ward, Allen Ginsberg, Walt Whitman, Gabriel García Márquez, Ezra Furman, and Sandro Ortega-Riek.

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Qualls, Barbara. „The Poetry of Li-Young Lee: Identity, Androgyny & Feminism“. TopSCHOLAR®, 1993. https://digitalcommons.wku.edu/theses/2737.

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In my investigation of Li-Young Lee's poetry, my concerns were two-fold: first, to find evidence of an androgynous quality or ideal; secondly, to demonstrate that ideal as authentically feminist. In the introduction, I investigate the feminist debate about the traditional definition and concept of androgyny, demonstrating the difference between the patriarchal traditional androgyny and the androgynous elements in Lee's poetry. In Chapter Two, the rose as image and as symbol in Lee's poetry is examined and found to be strikingly androgynous as a symbol. As an image, however, it is more often than not used as a vehicle to describe the destructive nature of social tyrannies such as the patriarchal symbolic order. In Chapter Three, Lee's heavy implications of an existing "other" is examined. This examination is particularly pertinent when considering the feminist debate, since one of the major problems with the idea of androgyny is that it often necessitates a binary thought system in which the male is usually the "one" and the female is usually the "other." In Lea's poetry, I found no significant evidence of that kind of phallocentricism; rather, I found substantial evidence that Lee's poetry demonstrates the destructiveness of insisting on any being's otherness. Lee's search for identity, and for the meaning of personal identity, involves the acceptance of the mutability of identity. In conclusion, although I don't find androgyny to be authentically feminist, I find Lee's poetry--and its particular use of an androgynous ideal--to be authentically feminist.

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Gordon, Kaiya M. „Polaroid“. The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587499846173932.

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Dickon, Bryon J. „Speak it into Existence: Essays on the Body and Gender in the Contemporary Works of Trans and Gender Non-Conforming Poets“. University of Akron / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=akron1573232403906373.

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Gray, Brandie. „Milled“. VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5827.

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Milled is a collection of poems centered around the speaker’s maternal grandfather who dedicated his life to hard labor as a crane operator in the American steel industry, which led to his work-related illness and eventual death at the age of sixty. These poems investigate subjects that focus on: the Appalachian landscape, childhood trauma, domestic violence, and substance abuse. Such themes inform the speaker’s understanding of her own identity as a working-class queer woman who struggles to reckon with her troubled past.

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King, Taylor Z. „A Spectacle and Nothing Strange“. VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5905.

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Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the room. ‘A spectacle and nothing strange’ is an arrangement of gestures, of made difference, of kinships, of orientations and possible futures, sustained tension, coded adornment, big dyke energy, shifts in hardness, leaning softness, much more than flowers, ...and in any case there is sweetness and some of that.

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Grantham, Ashley W. „“The Ground On Which I Stand” Healing Queer Trauma through Performance: Crafting a Solo Performance through the investigation of Ritual Poetic Drama within the African Continuum“. VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5828.

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“The Ground On Which I Stand” Healing Queer Trauma through Performance: Crafting a Solo Performance through the investigation of Ritual Poetic Drama within the African Continuum. By: Ashley W. Grantham A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Performance Pedagogy at Virginia Commonwealth University Virginia Commonwealth University April 16th, 2019 Thesis Adjudicator: Dr. Tawnya Pettiford-Wates Committee: Dr. Keith Byron Kirk, Director of Graduate Studies and Karen Kopryanski, Head of Voice and Speech How does this method of Ritual Poetic Drama within the African Continuum, by extension, solo performance, uncover, heal queer trauma through witnessing and performance practice? How do these methods give us an intersectional approach to talking about race, identity, gender and bridge those divides? How does this devised work of solo performance allow the author as practitioner to claim the ground on which they stand and surrender to their own healing? This thesis attempts excavation of the foundational theories in regard to performance structure, and to discover how healing trauma through theoretical techniques achieves liberation through their enacted practice. This is an allowance of ourselves as artists and facilitators to claim our traumatic bodies as worthy sites of invention.

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Collins-Sibley, Miles A. M. „Wrap Your Body. Come Home“. 2019. https://scholarworks.umass.edu/englmfa_theses/98.

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Bücher zum Thema "Transgender poetry"

Janani, Balasubramanian, und DarkMatter, Hrsg. It gets bitter. New York]: [Publisher not identified], 2014.

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Ryan, Joelle Ruby. Gender quake: Poems. Bloomington, Ind: AuthorHouse, 2005.

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Raj, Rupert, Hrsg. Of Souls & Roles, Of Sex & Gender: A Treasury of Transsexual, Transgenderist & Transvestic Verse from 1967 to 1991. Victoria, BC, Canada: University of Victoria, 2017.

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Raj, Rupert, Hrsg. Of Souls & Roles, Of Sex & Gender: A Treasury of Transsexual, Transgenderist & Transvestic Verse from 1967 to 1991. Victoria, BC, Canada: University of Victoria, 2018.

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Lowrey, Kestryl Cael. The fruits (and vegetables) are coming!: A vegan cookzine. Portland, OR: The author, 2004.

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Lovett, Sawyer. American Boyhood: (Mostly) Poems About Transmasculinity. Philadelphia, PA: The author, 2018.

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Ginsberg, Aeon. Greyhound. Blacksburg, Virginia]: Noemi Press, 2020.

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McDonald, S. Confessions of an empty purse. Calgary: Frontenac House, 2010.

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Venadito, Pau. Venadito. [Chicago, Ill.?]: Pau Venadito, 2018.

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Pedersen, Miriam Aurora Hammeren. Crossing the river. Bamenda, North West Region, Cameroon: Langaa RPCIG, 2019.

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Buchteile zum Thema "Transgender poetry"

Jaime, Karen. „Black Cracker’s “Chasing Rainbows”“. In The Queer Nuyorican, 123–54. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479808281.003.0005.

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This chapter critically analyzes the work of contemporary transgender spoken word poet, performance artist, and musician Ellison Glenn. Specifically, it focuses on how Glenn forges a critique of the current political, social, and economic conditions of African Americans in the United States and abroad. Glenn’s early days of participating in poetry slam competitions and his reappropriation of minstrelsy are documented alongside his critique of hip-hop masculinity and his adoption of the performance persona Black Cracker. Black Cracker enables Glenn to move his work beyond the US-based spoken word circuit, resulting in his imagining and performing a multiplicity of trans and queer racial identities in a mode defined as trans-Afrofuturism.

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„What Does Transgender Look Like?“ In Scientists and Poets #Resist, 43–44. Brill | Sense, 2019. http://dx.doi.org/10.1163/9789004418820_010.

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