Thematische Bibliographien / Traditional handicrafts

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Traditional handicrafts“

Autor: Grafiati
Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Traditional handicrafts"

1

Meng, Jiayun. „Innovative Marketing of Traditional Chinese Handicrafts“. Advances in Economics, Management and Political Sciences 32, Nr. 1 (10.11.2023): 23–28. http://dx.doi.org/10.54254/2754-1169/32/20231558.

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Traditional crafts are the continuation of the traditional culture and history of the nation. The cultural development of a group is documented by its artifacts, which also record the history of the nation or country and record its rise and fall. Marketing Innovation is an important contemporary marketing concept, and the effective use of innovation can rejuvenate traditional technologies. This paper analyzes the bottlenecks encountered by the contemporary Chinese traditional handicraft industry and provides new directions for the development of Chinese traditional handicraft industry by combining the innovation examples of related industries abroad. It can be concluded that modernizing the product and management structure of Chinese traditional handicrafts with modern advanced technology and management expertise, as well as innovating content marketing models and tools, can effectively enhance the development of Chinese traditional handicrafts. This can benefit the financial rewards of handicraft practitioners as well as the preservation of Chinese traditional handicrafts.
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Zhang, Yaping, und Dongdong He. „Inheritance and Innovation of Traditional Handicraft Skills based on Artificial Intelligence“. Transactions on Computer Science and Intelligent Systems Research 2 (21.12.2023): 163–69. http://dx.doi.org/10.62051/rc69jc38.

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Today, with the strong return of traditional culture, the integration of the two will deeply affect the protection of traditional handicrafts and the field of cultural communication. The industrialized production mode has gradually replaced the labor-intensive production mode, and handicrafts have gradually faded out of the public consumption field. The brain drain is serious, and many handicrafts with a long history have no successors. Under the background of AI(artificial intelligence) empowerment, this paper combines AI with traditional handicraft skills, and makes an in-depth study on the inheritance and dissemination of traditional handicraft skills. On this basis, it further thinks about the relationship between traditional handicraft skills display and experience, and the relationship between technology and experience, and studies the change of design concept from technology-oriented to human experience-oriented in traditional handicraft skills display design, and explores the development trend of experience design concept in future traditional handicraft skills display design. Develop the path and method of innovation, protection and inheritance with the comprehensive digital virtual traditional handicraft skill framework. The integration of AI and traditional culture will inevitably broaden and upgrade the path of inheritance and innovation of traditional handicraft skills, and make it achieve new development.
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Sun, Xiaotian. „A Novel Method for Handicrafts Design Based on Fusion of Multi-Intelligent Decision Algorithm“. Scientific Programming 2022 (03.01.2022): 1–13. http://dx.doi.org/10.1155/2022/8495381.

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With the rapid development of artificial intelligence, handicraft design has developed from artificial design to artificial intelligence design. Traditional handicraft design has the problems of long time consumption and low output, so it is necessary to improve the process technology. Artificial intelligence technology can provide optimized design steps in handicraft design and improve design efficiency and process level. Handicrafts are regarded as important social products and exist in people’s daily life. In the current society, many people do handicrafts and there are major exhibitions. Furthermore, the display of handicrafts is also very grand and shocking. In the design of handicrafts, the traditional design method cannot completely keep up with the production speed and efficiency of handicrafts. Therefore, this paper adopts the fusion multi-intelligent decision algorithm of multi-node branch design in the design method of handicraft. The algorithm model combination is used to analyze and design the layout of the handicraft, which speeds up the design efficiency and production of the handicraft. In this paper, two intelligent algorithms will be used for fusion; they are genetic algorithm and GA-PSO fusion algorithm obtained by particle swarm optimization and they are embedded in handicraft design method for application through mathematical model construction and function construction. After comparing the performance parameter index data of three intelligent algorithms and GA-PSO fusion algorithm, it is obtained that GA-PSO fusion algorithm is 97% correct and has 82% readability, 72% robustness, and 61% structure, making it have better important indicators. Four algorithms optimize each design problem in all aspects of handicraft design at present. Design efficiency, image distribution rate, image optimization degree, and image clarity are compared by simulation experiments. Compared with three intelligent algorithms, traditional design methods, and manual design methods, GA-PSO fusion algorithm can effectively improve the design method and design effect of handicrafts with 92.1% design efficiency, 82.7% image distribution rate, 94.3% image optimization degree, and 84% layout void rate. Finally, the space complexity experiment of four algorithms shows that GA-PSO algorithm can achieve 9.73 dispersion with 11.42 space complexities, which makes the dimension reduction relatively stable, and the algorithm can maintain stability in the design and application of handicrafts.
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Shen, Ruoxi. „Design and Research of Beijing Eight Imperial Handicrafts Popular Science APP Based on CUBI Model“. Studies in Art and Architecture 2, Nr. 1 (März 2023): 10–15. http://dx.doi.org/10.56397/saa.2023.03.02.

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This topic is aimed at the digital communication and science popularization of Beijing Eight Imperial Handicrafts, aiming to improve the public awareness of Beijing Eight Imperial Handicrafts, with the help of digital means to research and innovate the communication path of Beijing Eight Imperial Handicrafts, combined with CUBI user experience model to study the design of the APP of Beijing Eight Imperial Handicrafts, in order to promote Beijing Eight Imperial Handicrafts and Beijing traditional handicraft culture. And to provide a reference path for the digital transmission and inheritance of other intangible cultural heritage.
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Li, Wen-Tao, Ming-Chyuan Ho und Chun Yang. „A Design Thinking-Based Study of the Prospect of the Sustainable Development of Traditional Handicrafts“. Sustainability 11, Nr. 18 (04.09.2019): 4823. http://dx.doi.org/10.3390/su11184823.

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Traditional handicrafts have a time-honored history and tremendous cultural value in China. However, even with the strong impact of globalization and consumerism in recent years, design-oriented scientific thinking and sustainable development models are not yet available. Based on Stanford Design Thinking, this study explores the prospect of the sustainable development of traditional handicrafts. First, a literature review and analysis were conducted to show that design science, as a bridge between natural science and humanities, aims to improve the important methods and research tools for the sustainable development of traditional handicrafts. Then, we studied ceramic product design via workshops. Methods such as action research, expert questionnaires, and factor analysis were adopted to establish 24 “indicators of the sustainable value of handicraft design” and four value dimensions, namely, “material and innovative value”, “handicraft and cultural value”, “empirical and local value”, and “sharing and interactive value”. Next, an experimental method was employed to make design product prototypes according to the design-thinking procedure. These prototypes were measured and evaluated with the indicators to form an evaluation report. In addition, the exploration of the sustainable development of traditional handicraft design also contributes to the establishment of a sustainable development model of design thinking. It was demonstrated that scientific design is the current trend and future of the sustainable development of traditional handicrafts. Finally, this study put forward five dynamic thinking methods and design strategies, providing the most direct methods and theoretical evidence for the sustainable development of traditional handicraft design. Finally, taking design thinking as the sustainable design framework, five dynamic thinking approaches were proposed: Thinking with the body, thinking with the mind, thinking with the heart, thinking with the hands, and thinking with the soul. Five design strategies were also proposed: Enquiry learning, values education, future problem solving, experiential design, and appropriate assessment. These approaches and strategies provide the most direct method and theoretical basis for the future of sustainable design regarding traditional Chinese handicraft products.
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Ji, Yi, Peng Tan und Damian Hills. „Chinese Traditional Handicraft Education Using AR Content“. Leonardo 53, Nr. 2 (April 2020): 199–200. http://dx.doi.org/10.1162/leon_a_01863.

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This paper proposes a new Chinese traditional handicraft learning mode through embodied interaction using WebAR technology. It details how emergent technologies for cognitive learning can enhance learning in the teaching of a traditional handicraft. A study is presented where students learn about traditional handicrafts with a whole-body interactive simulation utilizing WebAR devices, and this is compared to traditional methods using a desktop version for the simulation. Results show that the Chinese traditional handicraft learning mode based on WebAR affords embodied interaction and improves learning between real context and virtual devices; thus WebAR devices enhance embodied interaction of traditional handicraft simulations. This contribution is highly relevant for users who aim to learn and be creative in different contexts that deliver new forms of Chinese traditional handicraft learning.
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Ho, Bach Q. „Customers’ Prior Knowledge in the Servitization of Traditional Handicrafts“. Businesses 4, Nr. 1 (13.02.2024): 53–63. http://dx.doi.org/10.3390/businesses4010004.

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To enhance the competitiveness of the traditional handicraft industry, providers should offer service experiences using their products (i.e., servitization) instead of merely selling them. Effective management for servitization in the traditional handicraft industry must consider the differences in customers’ prior knowledge. Nevertheless, previous studies have overlooked how this knowledge about traditional handicrafts impacts service experiences. This study explores which factors of consumer behavior (during services) and service outcomes (post-services) are affected by customers’ prior knowledge about a traditional handicraft. An organic food restaurant booth was provided at an annual summer festival about pottery as an experiment, and data were collected on customers’ meal experiences with a pottery plate through a questionnaire. The findings suggest that customers’ prior knowledge about a traditional handicraft promotes their search for information from service resources (i.e., organic foods) which are integrated with the traditional handicraft and their creativity during services, thereby changing their understanding of service resources and increasing satisfaction with service experience. This study contributes to services marketing by identifying the factors of during and post-services that are affected by customers’ prior knowledge about a traditional handicraft in the context of servitization.
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Li, Wenhui, und Gaofeng Mi. „Protection of Handicraft Skills from the Perspective of Folklore Studies“. Frontiers in Humanities and Social Sciences 4, Nr. 3 (28.03.2024): 236–40. http://dx.doi.org/10.54691/j9yad930.

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Handicraft skills and material culture are a research perspective of folklore and a major landscape of various ethnic customs in China. The long history, vast territory, and clever and wise Chinese people have formed a colorful and diverse folk handicraft technique. Under the diverse paths of design participation in handicraft innovation, handicrafts have undergone semantic, functional, and situational transformations in contemporary times, presenting an ecosystem of alienation and diversification. This article takes the ceramic craftsmanship of Yaozhou kiln as an example to explore how to improve the construction of national cultural soft power by protecting local traditional handicrafts.
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You, Xuemin, Rafeah Legino, Ling Wang und Xiao Pan. „Transforming "Internet Celebrity " Elements into Yingjing Black Sand Product Design: An exploration of traditional handcrafts development“. Environment-Behaviour Proceedings Journal 9, SI17 (07.01.2024): 139–46. http://dx.doi.org/10.21834/e-bpj.v9isi17.5435.

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The history of the YingJing black sand product can trace back to the Spring and Autumn Periods in China. Like many traditional handicrafts, the techniques of this product list as a national intangible cultural heritage. In today's 5G world, consumers have increasingly high demands for fashion, unique cultural attributes, and product interest. YingJing black sand products have also faced unprecedented challenges. This paper aims to transform Internet celebrity elements into the Yingjing black sand product design to discuss the development of traditional handicraft products and the design methods and design models of cultural products derived from traditional handicrafts.
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Upadhyay, Manali, und U. C. Jain. „MANAGERIAL CHALLENGES OF HANDICRAFT INDUSTRY: AN INDIAN PERSPECTIVE“. International Journal of Research -GRANTHAALAYAH 7, Nr. 11 (30.11.2019): 122–26. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3719.

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India is one of the most important suppliers of various handicrafts to the world market. The Indian Handicraft industries play an important role in world in Handicraft sector. This is one of the oldest cultures and tradition of India which represent different traditional art, of the different part of country. The handicraft products have very wide market in the world due to its growing potential. The Indian handicrafts industry is highly labour intensive cottage based industry and decentralized, being spread all over the country in rural and urban areas. The industry provides employment to over six million artisans who include a large number of women and people belonging to the weaker sections of the society. The Handicrafts Sector plays a significant & important role in the country’s economy. It provides employment to a vast segment of craft persons in rural & semi urban areas and generates substantial foreign exchange for the country, while preserving its cultural heritage. Handicrafts have great potential, as they hold the key for sustaining not only the existing set of millions of artisans spread over length and breadth of the country. But there are various issues associated with wide development of handicraft sector. The paper highlighted the problem and various issues associated with handicraft sector in India.
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Dissertationen zum Thema "Traditional handicrafts"

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Chhetri, Dinesh. „Strategic for the development of traditional handicrafts : a case study of Darjeeling Hill areas“. Thesis, University of North Bengal, 2011. http://hdl.handle.net/123456789/1296.

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Tabaza, Khalil Nemer. „A theoretical model for preserving the Jordanian traditional folk handicrafts through art education /“. The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487590702991244.

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Sahlen, E. Daniel. „Ceramic technology and technological traditions : the manufacture of metalworking ceramics in late prehistoric Scotland“. Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2707/.

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The goal of this thesis is to investigate the manufacture of metalworking ceramics in late prehistoric Scotland (ca 1000BC – AD800) from the perspective of ceramic technology and with the aim to reconstruct social and material trajectories. This has been implemented through the use of an integrated analytical methodology, interpreted by developing current theories on technology. Previous studies of metalworking ceramics in Scotland have rarely paid full attention to ceramic technology; research has instead focused on metallurgical issues such as metal identification and material morphology. This is central for answering questions regarding metallurgical processes, but fails to answer important questions regarding the technology and manufacture of the ceramic material. The successful production of moulds and crucibles requires that a craft specialist has expert skills in the preparation and firing of clay as well as understanding of the process and design of metal casting. This makes metalworking ceramics an important resource for investigating variation in individual skill and experience, cultural traditions, and scale of production. The main focus is on moulds and crucibles, but parallels, both in terms of method and theory, are made to other types of metalworking ceramics and pottery. The technological relationship between pottery and metalworking ceramics is therefore a vital link in the assessment of production and technological traditions. In addition, clays from a number of sites have been sampled, with the goal to monitor the utilization of clays for the production of different ceramic materials. Materials from nine primary sites, from Traprain Law (East Lothian) in the south to Mine Howe (Orkney) in the north, are central to the discussion of ceramic technologies. The context of casting and crafts from further sites in Scotland and beyond has been essential in the reconstruction of casting production in the late prehistoric period. Developing from ideas of technology as an active process, this study has investigated the collection and preparation of clays to make different ceramic materials. This investigation has employed a range of analytical techniques frequently applied to the study of archaeological ceramics, including ceramic petrography, Scanning Electron Microscopy, X-Ray Spectrometry and X-Ray Diffraction. The focus has been on technology; studies of provenance are auxiliary to the broader questions. It is a central conclusion of this work that the production of metalworking ceramics saw a development towards a more specialised function and technology during the late prehistoric period, and that this development was closely related to material traditions, to some extent transcending wider social trajectories. This research, highlighting particular and general technologies, has showed that the study of ceramic technology of moulds and crucibles can be a valuable resource for the study metallurgical production and technology.
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Kerfant, Celine. „Comparative study of the crafts traditions in the Batanes islands (Philippines) and Lanyu (Taiwan, Republic of China) based on plant anatomy-phytolith analysis and ethnobotany“. Doctoral thesis, Universitat Rovira i Virgili, 2020. http://hdl.handle.net/10803/670205.

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Aquesta tesi doctoral pretén donar a conèixer nous coneixements botànics i artesania tradicional utilitzada per dissenyar cistelleria a les illes Bashiic, ubicades al sud de Taiwan i nord de Filipines. Aquestes illes són excel·lents contextos realitzar estudis etnobotànics, de fet les illes de Batanes i Lanyu estan aïllades i preserven moltes espècies autòctones o endèmiques que es poden utilitzar com els marcadors de contacte. La cistelleria està formada per fibres vegetals definit per qualitats específiques de longitud, resistència, flexibilitat, imputrescibilitat etc. La col·lecció referencia de plantas actual utilitzada per Els fabricants de cistelles Ivatan (Batanes) i Tao (Yami) (Lanyu) presentats en aquest volum pretenen millorar la identificació de restes arqueobotàniques i la seva interpretació tecnològica. Aquesta pot també s'utilitza per identificar restes vegetals trobades en peces arqueològiques gràcies a les parts anatòmiques, grans de midó o fitòlits. Algunes cistelleries destinades a protegir cossos i objectes, es caracteritzen per una tècnica de disseny amb vinculació única per a nusos que utilitza principalment fibres de plàtan inclosa Musa textilis-abaca. Les diferents espècies de plataners presents o no a les illes Bashiic poden aportar, amb les altres plantes forestals, nova informació sobre la web propagació dels humans i plantes, i en particular a la diàspora austronèsia.
Esta tesis doctoral tiene como objetivo entender el conocimiento botánico y sobre cestería en las islas Bashic, localizadas en el sur de Taiwan y el norte de Filipinas. Estas islas son un marco geográfico excelente para llevar a cabo estudios etnobotánicos, de hecho, las islas Batanes y la isla Lanyu están aisladas y preservada numerosas especies autóctonas o endémicas, que pueden usarse como marcadores de contacto. La cestería se compone de fibras vegetales que se definen por sus cualidades específicas en longitud, resistencia, flexibilidad, resistencia a la putrefacción, etc. La colección de referencia actual de las plantas utilizadas por las personas que fabrican cestas Ivatan (Batanes) y Tao (Yami) (Lanyu) se presentan en este volumen con el objetivo de mejorar la identificación de restos arqueobotánicos y su interpretación tecnológica. También tiene como objetivo último identificar restos de plantas encontradas en las piezas arqueológicas gracias al hallazgo de partes anatómicas, restos de almidón o fitolitos. Ciertas cestas destinadas a proteger cuerpos y objetos, se caracterizan por una técnica de diseño única conocida como "anudado" que emplea principalmente fibras de plátano, incluida Musa textilis-abaca. Las diferentes especies de los plátanos presentes o ausencia en las islas Bashiic pueden aportar, junto con otras plantas, nueva información sobre la propagación de humanos y plantas, y en particular sobre la diáspora austronesia.
This doctoral thesis aims at providing a better knowledge of basketry traditions and plantbased raw materials that were used for this craft in the Bashiic islands located in Southern Taiwan and Northern Philippines. These islands are excellent context to carry out ethnobotanical studies: Batanes and Lanyu Islands are both isolated contexts and host numerous vegetal taxa, most of which are indigenous or even endemic and can be used as markers of contact. Handicraft is mostly made of plant fibres of specific properties, such as limited length, flexibility, strength, un-putrescibility, among others. Creating a reference collection of Ivatan (Batanes Islands) and Tao (Yami) (Lanyu Island) present-day handicraft will be useful in identifying and comparing plants and the techniques used for manufacturing ancient handicrafts. This type of analysis can be applied to archaeological artefacts where botanical micro remains- such as anatomical parts, starch grains and phytoliths- may have been preserved. Some baskets which are used to protect bodies and things are made into a knotting-tying technique employing Musa textilis- abaca and other banana species fibers, these baskets are representing a unique knowledge. Musa spp. status within other useful forest products can be of great interest to understand human and plant propagation through times, especially the Austronesian diaspora.
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Regalado, Pablo Ferreira. „Indicação geográfica : um instrumento de suporte ao desenvolvimento socioeconómico e humano das rendeiras de Divina Pastora (Sergipe)“. Master's thesis, Instituto Superior de Economia e Gestão, 2011. http://hdl.handle.net/10400.5/3808.

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Mestrado em Desenvolvimento e Cooperação Internacional
O objectivo desta dissertação é investigar se a indicação geográfica pode representar um instrumento de suporte ao desenvolvimento socioeconómico e humano das artesãs da Associação para o Desenvolvimento da Renda Irlandesa de Divina Pastora – ASDEREN, que trabalham com a renda irlandesa. Como metodologia, utiliza-se um estudo de caso baseado em entrevistas a três grupos diferentes de rendeiras e depoimentos de representantes de algumas instituições, públicas e privadas, que têm ou possam vir a ter interface com a ASDEREN. Fica demonstrado que as peças feitas de renda irlandesa precisam alinhar-se a necessidades e gostos dos consumidores sem perder a autenticidade e a originalidade. Capacitar novas artesãs e aperfeiçoar as habilidades das demais são mecanismos que auxiliam a actividade, apesar de não serem suficientes para garantir sua sustentabilidade. É necessário que haja maior impacto da renda irlandesa nos rendimentos familiares, do que se conclui que a indicação geográfica poderá cumprir um papel importante, vinculando os produtos artesanais ao seu território de origem – no caso, Divina Pastora (Sergipe) – e, assim, atraindo clientes interessados neste diferencial. Todavia, para alcançar resultados eficazes, as parcerias da ASDEREN com algumas instituições devem continuar, aliadas à vontade política de promover programas que fortaleçam a renda irlandesa na comunidade e auxiliem no processo de desenvolvimento socioeconómico e humano. Tudo isso em conformidade com a perspectiva de expansão das capacidades do economista Amartya Sen, na qual as próprias pessoas devem decidir o tipo de vida que desejam levar.
This study investigates whether geographical indication may represent an instrument to support socioeconomic and human development of women who are members of the Association for the Development of the Irish Lace from Divina Pastora – ASDEREN and work with Irish lace. The methodological framework consists of a case study based on interviews with three different groups of Irish lace artisans as well as with representatives of public and private institutions which are or might be involved with ASDEREN. This work shows that products made of Irish lace need to be in line with customers’ needs and tastes, maintaining their authenticity and originality at the same time. Capacity building of new artisans and development of experienced artisans’ skills are considered mechanisms which may foster the activity, although they are not sufficient to guarantee its sustainability. Irish lace shall increase its contribute to family income; in this case geographical indication could play an important role by linking handicraft products to their place of origin – Divina Pastora (Sergipe) – and thus leading to attract more customers interested in the differentiated nature of these products. However, in order to achieve effective results, the cooperation among some institutions with ASDEREN should continue along with public policies focused on strengthening the production of Irish lace within the community and supporting the process of socioeconomic and human development. All of this shall be in accordance with the economist Amartya Sen’s capability approach, empowering people to live their lives the way they wish.
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Yang, Yu-Chih, und 楊育智. „The application of puppet animation creating and relative traditional handicrafts – a short film “head- hunting award”“. Thesis, 2016. http://ndltd.ncl.edu.tw/handle/fk4euc.

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碩士
國立臺南藝術大學
動畫藝術與影像美學研究所
104
This study will present the record of the process with an individual’s learning and creating of animation. The different cultures have different artful natures. The works not only display the creator’s experience in a personal culture and also leave a tiny mark in the life. Through the creation, the writer expects to experience all the corners of surrounding, a unique culture and living. The shot medium of stop-motion animation will be multiple. The short film “head-hunting award” will be produced by applying the puppet made with chien-nien (ceramics cutting and pasting) traditional crafts; through the medium it will display a different visualizing style, the shooting way and context of story will allow the researcher to explore his personal perception of stop-motion animation.
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G-Egziabher, Negassi Yosseph. „Generic inhibitors to conserve and transform traditional technologies : the case of Ethiopia“. Thesis, 2015. http://hdl.handle.net/10500/22250.

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Traditional technologies are revelations of knowledge, skill, and wisdom of ancestors that have been used to facilitate and enhance the performance of socio-economic activities, overcome environmental challenges, and magnify symbolic presentations of cultural and spiritual engagements. Traditional technologies are still practiced in many communities despite the strides made in the advancement of modern technologies. The socio-economic significance of traditional technologies in the context of Ethiopia is even more profound. There are hardly social, economic, and spiritual activities that are not, directly or indirectly, influenced by the application of traditional technologies. The irony is, however, they are not appreciated and conserved in spite that they have been proving a sustained significance across generations while, to the contrary, modern technologies are even staggering to outlive the stage of product introduction. Although still proving to be useful, traditional technologies have been marginalized as if they are symbols of backwardness belonging to the past as irrelevant to the modern day settings. It was, therefore, the urge to look into this dilemma that became the basis for the initiation to conduct a research on the captioned topic. The study has endeavored to address how traditional technologies, specifically that of Ethiopia, are able to sustain contrary to extant theoretical predictions of technologies, and investigate why they have been deterred from getting the conservation and transformation they deserve in spite of the socio-economic significant role they have continued to play as capitulated in the statement of the problem. In addressing the statement of the problem, the paradigm of the world outlook within which the research was situated is found to be related to the Critical Theory paradigm. As a result, a qualitative research methodology based on a case study design was framed and a longitudinal field study on the sampled cases was conducted. The data generated from the study were ix filtered, coded, organized, categorized, and ultimately analyzed and interpreted using apparent analytic models until saturated and triangulated findings were established. Accordingly, the core constructs that has been defining the fate of traditional technologies were induced and their impact in deterring or promoting the conservation and transformation of traditional technologies were synthesized. Based on the outcomes of data analysis and interpretation, appropriate methods of reshaping the societal attitude and orientation in terms of conserving and transforming traditional practices are proposed as induced recommendations ultimately requiring a timely intervention.
Business Management
D. Litt. et Phil. (Business Leadership)
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Yeh, Hung-te, und 葉宏德. „Traditional Handicraft in Land Development--Puli Area Mill“. Thesis, 2012. http://ndltd.ncl.edu.tw/handle/82026791482310846706.

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碩士
南華大學
建築與景觀學系環境藝術碩士班
101
It was set to study,Puli area mills - the Puli paper mills, the Guang Xing Paper Mill, date Changchun mill .It was explored that traditional handicraft industry in localized development and the impact of cultural and creative industries to exchange whole and produce knowledge and practice.For the practical problems in the development of geochemical and phenomena to provide solutions to the views and suggestions on the shaping of the local culture, and the combination of cultural and creative industries, in order to create a combination of old and new cultural spark to enhance the economic performance of the local traditional handicrafts.thus creating more industrial value and promote in the economy, gained some valuable research. 　 　　Firstly, Access to the handmade paper industry, the development of coping strategies conclusion Puli area are as follows: (a) To assist in the Puli area the paper industry in the development and enhance its value-added design. (b) strengthening the Puli area paper industry design and development of innovative applications. (c) promote the the Puli area in day specialty paper plant, the Kwong Hing mill Puli mill traditional mills become Taiwan quality settlement. (d) to promote Taiwan''s to design international image. The case of geochemical methods, compiled into two major development model: "in the design of new products, the localization of the traditional brand marketing mode and audience the DIY experience the industry, museums" mode. 　 　　Secondly, access to the contents of a the Puli area Sino-Japanese specialty paper mills, the Kwong Hing mill Puli mill mill culture product development: (a) the value of multiculturalism hidden. (b) through "Paper cultural reproduction to enhance the added value of products. (c) Multiple Paper cultural products and consumer demand. 　 　　Thirdly, the added creative design Puli Paper Culture the simulation integration mode strategy: (a) extraction Puli the traditional papermaking industry Paper cultural elements. (b) the conversion of paper cultural elements with creative bonus. (c) Puli Paper cultural goods in the marketing mix will produce the following derivative benefits: 1 representative elements integrate the Puli area papermaking cultural characteristics or historical relics conversion of design to create a Puli area specialty paper plant, Kwong Hing Paper factory, Puli mill, paper mill industry opportunities. Improve product niche.
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Chang, Kang-Jung, und 張康容. „Productive Protection of Traditional Craftsmanship and the Practice of Social Enterprise –A Case Study of Tibetan Handicraft Dropenling Handicraft Development Center“. Thesis, 2016. http://ndltd.ncl.edu.tw/handle/h4ctjc.

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碩士
國立臺北藝術大學
博物館研究所碩士班
104
In recent years, there has been growing interest in methodologies for productive protection of traditional craftsmanship, the motivation for which may be to protect intangible cultural heritage or to improve the quality of life of particular communities or ethnic groups. This approach has already been widely adopted in the social enterprise sector （social enterprises are an innovative type of organization which make use of a commercial development strategy to earn a surplus that can be applied to solving social or environmental problems）. The present study explores how the intermediary mechanism for promoting productive protection of traditional craftsmanship that is formed through the combination of economic thinking with social enterprises’involvement in the productive protection of traditional craftsmanship operates to encouraging artisans to continue to produce craft and to pass their skills and knowledge onto others . The present study makes use of a case study of the Dropenling Handicraft Development Center in Lhasa and Shangri-La , a social enterprise whose mission is to improve skills, knowledge and resources for Tibetan artisans（including farmers living in remote communities, women, and the physically and mentally handicapped） so that they can preserve their heritage, create high quality and innovative products, and earn income and recognition. The Dropenling Handicraft Development Center has been the recipient of UNESCO’s Award of Excellence for Handicrafts in recognition of its achievements. The Center has coordinated the efforts of Tibetan artisans, business enterprises and workshops to arrange local handcrafts workshop tour.The tour offers the rare opportunity meet Tibetan artisans and learn artistic heritage. This study analyses the approach to productive protection of traditional craftsmanship, and shows how the theory and practice of the Dropenling Handicraft Development Center’s efforts to productive protection of traditional craftsmanship are founded on production processes and technical know-how. As social enterprises, the Dropenling Handicraft Development Center are committed to fair trade, and thus artisans receive fair wages. Many of the artisans work at home, around the schedule of their traditional farming activities. The Dropenling Handicraft Development Center does not like conventional business enterprises seeking to maximize profits by focusing on simplifying the process of handicrafts production to reduce costs, along with the development of a Trainer system, undertaking in-depth investigation of Tibet’srapidly-disappearing traditional craftsmanship, the materials used, and the cultural significance of the crafts, and then applying this knowledge to the design process. The flexible operational model adopted by the Center encourages more artisans to continue producing traditional crafts, while helping to improve their craft skills, develop innovative products, and become competitive in the world market.
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Lin, Hsin-Ming, und 林心明. „Hsiang Jen Ho Drum:Revitalization and Continuation of A Handicraft''s Tradition“. Thesis, 2004. http://ndltd.ncl.edu.tw/handle/52336618669772516697.

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Bücher zum Thema "Traditional handicrafts"

1

Pottery: Korean traditional handicrafts. Seoul, Korea: Ewha Womans University Press, 2006.

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Pae, Man-sil. Dining tables: Korean traditional handicrafts. Seoul: Ewha Womans University Press, 2006.

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Masters of traditional Korean handicrafts. Seoul: Korea Foundation, 2009.

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Pae, Man-sil. Dining tables: Korean traditional handicrafts. Seoul: Ewha Womans University Press, 2006.

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Lê, Thanh Hương. Traditional handicrafts of Thăng Long-Hà Nội. Hà Nội: Thế Giới Publishers, 2006.

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Cục xuá̂t tié̂n thương mại (Vietnam), Hrsg. Vietnamese handicrafts & traditional craft villages.: The soul of wood. Hanoi: Vietnam Trade Promotion Agency, 2004.

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Hanʼguk ŭi chŏntʻong kongye wa ŭmsik: Korean traditional handicrafts and food. Taejŏn Kwangyŏksi: Munhwajaechʻŏng, 1999.

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Attilio, Boccazzi Varotto, Hrsg. Artigianato di tradizione in Valle d'Aosta =: Artisanat de tradition au Val d'Aoste = Traditional Aosta Valley handicrafts. Aosta: Pheljna, 1994.

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Cục xuất tiến thương mại (Vietnam). Vietnamese handicrafts & traditional craft villages: Vietnamese art of weaving : Nghệ thuật dệt Việt Nam. Hanoi: Vietnam Trade Promotion Agency, 2005.

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Thông, Nguyẽ̂n Hữu. Hué̂, nghè̂ và làng nghè̂ thủ công truyè̂n thó̂ng =: Hué̂, its traditional handicrafts and trade guilds. Hué̂: Nhà xuá̂t bản Thuận Hóa, 1994.

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Buchteile zum Thema "Traditional handicrafts"

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Jueming, Hua. „Protection, Inheritance, and Revitalization of Traditional Crafts“. In Chinese Handicrafts, 1119–33. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_15.

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Wu, Wen-yuan. „The Integration of the 3D Printing Technology and Traditional Chinese Handicrafts“. In Proceedings of the 22nd International Conference on Industrial Engineering and Engineering Management 2015, 293–303. Paris: Atlantis Press, 2016. http://dx.doi.org/10.2991/978-94-6239-180-2_29.

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Gangte, Felnunmoi, und Avinash Shende. „Identifying Features and Elements for Better Visual Identity of Traditional Handicrafts“. In Design in the Era of Industry 4.0, Volume 2, 817–27. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-0264-4_67.

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Wang, Ting, Haibin Tang und Minna Wu. „Market Development of Intangible Cultural Heritage Traditional Handicrafts Based on Computer Technology“. In Lecture Notes in Electrical Engineering, 1022–27. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-1428-9_131.

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Nemac, Kristjan, und Stanko Pelc. „The Role of Traditional Handicrafts in the Development of Rural Areas: The Case of Ribnica, Slovenia“. In Rural Areas Between Regional Needs and Global Challenges, 245–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04393-3_14.

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Haiyan, Wang, und Liu Yingchun. „Handicraft in Traditional China“. In The Routledge Encyclopedia of Traditional Chinese Culture, 330–51. Abingdon, Oxon ; New York : Routledge, [2019]: Routledge, 2019. http://dx.doi.org/10.4324/9781315453491-19.

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Mukhopadhyay, Prabir. „Traditional Ways of Working“. In Application of Ergonomics in Handicraft, 17–31. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-1063-2_2.

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Ou, Shuang, Minghong Shi, Xin Wen und Rungtai Lin. „Brand Construction of Chinese Traditional Handicrafts in the We-Media era—A Case Study of “Rushanming”, a Ru Ware Brand“. In Cross-Cultural Design. Applications in Cultural Heritage, Tourism, Autonomous Vehicles, and Intelligent Agents, 90–102. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77080-8_9.

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Yu, Zhiye, Wei Yu, Tengye Li, Zhang Zhang und Ziheng Zhang. „A Study on the Approach of Redesign Based on Consumer Awareness of Traditional Handicrafts, with Longevity Lock, as an Example“. In Advances in Intelligent Systems and Computing, 369–76. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60495-4_39.

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Quintero-Angel, Andrés, Andrés López-Rosada, Mauricio Quintero-Angel, David Quintero-Angel, Diana Mendoza-Salazar, Sara Catalina Rodríguez-Díaz und Sebastian Orjuela-Salazar. „Linking Biocultural Memory Conservation and Human Well-Being in Indigenous Socio-Ecological Production Landscapes in the Colombian Pacific Region“. In Biodiversity-Health-Sustainability Nexus in Socio-Ecological Production Landscapes and Seascapes (SEPLS), 35–59. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9893-4_3.

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AbstractThe Colombian Pacific region is one of the most biodiverse areas in the world; however, it is severely threatened by anthropogenic pressures. In addition, armed conflict and poverty are compounding factors causing the loss of biodiversity and cultural identity. In response to this situation, the Wounaan-Nonam original people of Puerto Pizario and Santa Rosa de Guayacán declared five Indigenous Protected Areas (IPA) in 2008. We conducted a study to highlight the link between the conservation of biocultural memory and contributions to human well-being, particularly to human health, in indigenous socio-ecological production landscapes and seascapes (SEPLS). Since 2013, the research-action-participation methodology has been applied to recover ecological traditional knowledge on how ancestors managed nature and elements associated with their cosmovision. Following the TNC conservation of areas methodology, eight biological and cultural conservation values were identified for the IPAs and 5-year management plans for conservation were formulated. As a result of this process, we created a tool that involves traditional knowledge to administer the total 1850 hectares covered by the five IPAs. We also found that the main challenges faced by indigenous communities in the management of IPAs as an integral part of the indigenous SEPLS are associated with weak organisational and governance processes. Additionally, we identified the main opportunities ecosystem services offer in the IPAs, which enhance the quality of life and health of the original peoples and ecosystems at a regional level. Finally, the making of handicrafts is identified as an opportunity in these SELPS, as it represents an alternative for generating income through sustainable productive chains in biotrade strategies.
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Konferenzberichte zum Thema "Traditional handicrafts"

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Pareigiene, Lina, und Erika Ribasauskiene. „Protection of traditional handicrafts: the Lithuanian case“. In Research for Rural Development, 2018. Latvia University of Life Sciences and Technologies, 2018. http://dx.doi.org/10.22616/rrd.24.2018.078.

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Chen, Junchun, und Jian Peng. „Artistic Characteristics and Multi-value of Huayao Cross-stitch from the Perspective of Cultural Ecology“. In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003643.

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Huayao cross-stitch is a traditional handicraft with distinctive regional characteristics in China. Aesthetically appealing with rich cultural implications, Huayao cross-stitch has been listed in the first national list of intangible cultural heritage of China since 2006. With the rapid development of cultural consumption globally, the innovative design and industrial transformation potential have made traditional handicrafts highly-valued resources, and the analysis of cultural representation and multi-value of traditional handicrafts is the basis of cultural reuse. From the perspective of cultural ecology, the current study aims to summarize the spatial organization mode of Huayao cross-stitch patterns and conduct a deep analysis of the concepts and beliefs represented in Huayao cross-stitch by examining 70 samples of cross-stitch skirt pieces collected from the composition and semantics of patterns. The study then analyzes the basis of multi-value of the Huayao cross-stitch from both aesthetic and cultural dimensions, providing a research basis for the innovation and regeneration of Huayao’s cross-stitch, through which its value can be seen in contemporary times as well as in the future.
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Chung, Wonsub, und Byunghyun Shin. „Research to Prevent Discoloration of Silver Traditional Handicrafts“. In International Conference on Culture Heritage, Education, Sustainable Tourism, and Innovation Technologies. SCITEPRESS - Science and Technology Publications, 2020. http://dx.doi.org/10.5220/0010304701350138.

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Geng, Xiaochen, und Ji He. „Research on Short Video Marketing Path of Traditional Handicrafts“. In 6th International Conference on Economics, Management, Law and Education (EMLE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/aebmr.k.210210.039.

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Cao, Yuxin. „Raising Students’ Awareness of Protecting and Thriving Traditional Handicrafts in Education“. In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.173.

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Ren, Shan. „Research on Inheritance of Traditional Handicrafts of Tin Embroidery Costume in Jianhe“. In 2018 2nd International Conference on Education Science and Economic Management (ICESEM 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icesem-18.2018.269.

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Wenying, Dong, und Geng Yien. „Life Aesthetics in Japanese Civil Lacquerware and Its Enlightenment to Chinese Traditional Handicrafts“. In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.059.

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Zi, Mengnan. „Exploring the Consumer-Centred Pedagogical Model of Traditional Handicrafts in Jewellery Design Education“. In The 4th World Conference on Teaching and Education. Acavent, 2022. http://dx.doi.org/10.33422/4th.worldcte.2022.06.80.

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Zi, Mengnan. „A pedagogical Design Model of the Sustainable Development of Traditional Handicrafts in Design Education“. In The 3rd International Conference on New Approaches in Education. Global KS, 2021. http://dx.doi.org/10.33422/3rd.icnaeducation.2021.07.107.

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Liu, Lin, und Ziwei Xiao. „Reflection on Integrating Traditional Handicrafts of Hubei Into the Professional Practice of Visual Communication Design“. In 2020 3rd International Seminar on Education Research and Social Science (ISERSS 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210120.025.

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