Auswahl der wissenschaftlichen Literatur zum Thema „Tiyatro“
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Zeitschriftenartikel zum Thema "Tiyatro"
Erdenk, Sibel, und Melike Durak Aras. „Anlatının tiyatral olması“. JOURNAL OF ARTS 7, Nr. 2 (05.05.2024): 95–106. http://dx.doi.org/10.31566/arts.2387.
Der volle Inhalt der QuelleTOPÇU, Hayrunisa. „Romandan Tiyatroya: Yaprak Dökümü, Eski Şarkı“. Erdem, Nr. 63 (01.08.2012): 223–46. http://dx.doi.org/10.32704/erdem.2012.63.223.
Der volle Inhalt der QuelleÖzerden, Kerim Emre, und Ziyad Guliyev. „Tiyatral Anlatının Sinemasal Anlatıya Dönüşümü: Ferhan Şensoy'un "Çok Tuhaf Soruşturma" Tiyatro Oyunu ve "Pardon" Sinema Filminin İncelenmesi“. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, Nr. 30 (21.10.2022): 516–28. http://dx.doi.org/10.29000/rumelide.1192625.
Der volle Inhalt der QuelleÇINAR, Cem. „Çağdaş Dramaturji ve Sinema İlişkisine Karşılaştırmalı Bir Bakış“. Tykhe Sanat ve Tasarım Dergisi 7, Nr. 13 (31.12.2022): 414–31. http://dx.doi.org/10.55004/tykhe.1195215.
Der volle Inhalt der QuelleŞentürk Tatar, Gamze. „Tiyatroda Kokunun İzinden“. Journal of Literature and Humanities, Nr. 72 (12.06.2024): 36–48. http://dx.doi.org/10.55590/literatureandhumanities.1432019.
Der volle Inhalt der QuelleŞEN AKDEMİR, Fatma. „Çetin Altan’ın Yedinci Köpek ile Henrik Ibsen’in Bir Halk Düşmanı adlı piyeslerinin karşılaştırılması“. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, Nr. 30 (21.10.2022): 609–18. http://dx.doi.org/10.29000/rumelide.1193046.
Der volle Inhalt der QuelleKARAAHMET, Süleyman. „Bir Tiyatro İnşa Eden Kadın: Yıldız Kenter“. Tykhe Sanat ve Tasarım Dergisi 8, Nr. 15 (31.12.2023): 195–206. http://dx.doi.org/10.55004/tykhe.1297810.
Der volle Inhalt der QuelleTöre, Enver. „OSMANLI'DA TİYATRO“. Turk Kulturu lncelemeleri Dergisi 01, Nr. 01 (01.01.1999): 205–14. http://dx.doi.org/10.24058/tki.16.
Der volle Inhalt der QuelleTopçu, Hayrunisa. „Romandan Tiyatroya: Değirmen - Sarıpınar 1914 / From Novel to Theatre: Degirmen - Saripinar 1914“. Journal of History Culture and Art Research 6, Nr. 4 (01.10.2017): 960. http://dx.doi.org/10.7596/taksad.v6i4.1046.
Der volle Inhalt der QuelleGÜRANİ ARSLAN, Nur. „Mesneviden Tiyatroya: Hüsn ü Aşk'tan Yararlanan Iki Tiyatro Oyunu“. Journal of Turkish Studies 10, Volume 10 Issue 12 (01.01.2015): 473. http://dx.doi.org/10.7827/turkishstudies.8412.
Der volle Inhalt der QuelleDissertationen zum Thema "Tiyatro"
Orun, Gonca. „Acoustical Analysis And Taxonomy Of Performance Halls In Early Republican Period In Ankara: Resim Heykel Muzesi, Kucuk Tiyatro And Opera“. Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613872/index.pdf.
Der volle Inhalt der Quelleç
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k Theatre and Opera Halls, are chosen as cases. The acoustical qualities of performance halls of Turkish Early Republican period in Ankara is studied in parallel to the acoustical design of performance halls in Europe which may reveal similarities in case halls. Detailed 3-D models of the halls for acoustical simulations based on the original design data have been prepared and results are to be compared with acoustically recognized halls in the world.
Mongwaketse, Tiyapo Carnio. „Iron and zinc bioaccessibility from African leafy vegetables : implications for nutrition / Tiyapo Carnio Mongwaketse“. Thesis, 2014. http://hdl.handle.net/10394/15434.
Der volle Inhalt der QuelleMSc (Nutrition), North-West University, Potchefstroom Campus, 2015
Tuan, Yu-Hsuan, und 段又瑄. „The Three Stage Process of Siku Quanshu Zongmu Tiyao: A Comparative Study of the Division of Collections“. Thesis, 2008. http://ndltd.ncl.edu.tw/handle/12637552686120769018.
Der volle Inhalt der Quelle國立臺灣大學
圖書資訊學研究所
96
Siku Quanshu Zongmu(《四庫全書總目》) has been the most well-known annotated bibliography in China since the late 18th century. It is highly valued by scholars and is considered as a research guide for students and scholars who study Chinese classics. Zongmu is comprised of annotations (tiyao,提要). The completion of each annotation is basically a three-stage process. First, a scholar is assigned to write the first draft annotation (so called fenzuan gao,分纂稿) for a book. Then, the draft is revised or re-written to become an introductory annotation (so called geshu tiyao,閣書提要). At last, all the introductory annotations are further revised or modified and put together to form the Zongmu tiyaoes. Due to the three-stage process, researchers have found that the contents of these three kinds of annotations are not exactly the same. Also, some comparative studies have been conducted to explore the differences among these annotations. It is the goal of this study to further examine the differences and changes of these three annotations during the transformation process. The researcher first collects book samples whose draft annotations, introductory annotations, and Zongmu tiyaoes are simultaneously extant. This sample is consisted of 368 books. Because the researcher intends to focus on books belonging to the literature division, the sample is reduced to 153 books. Among the 153 books, the three annotations of each book are thoroughly and explicitly analyzed and compared. The comparison is mainly focused on the following four aspects: (1) the recording format of title and volume, (2) matters related to the book’s author and its publishing condition, (3) matters about the contents of the book, and (4) the critique or value judgment of the book.
Bücher zum Thema "Tiyatro"
Özen, Uğur Ozan. Mustafakemalpaşa'da tiyatro (Tiyatro tarihi). Bursa: Patikalar Dergisi Yayınları, 2015.
Den vollen Inhalt der Quelle findenDemirdağ, Refika Altıkulaç. Tiyatroda seyirci fikri ve Tanzimat tiyatrosu: (padişahlardan halka tiyatro seyircisi olmak). Adana: Karahan Kitabevi, 2016.
Den vollen Inhalt der Quelle findenSevinçli, Efdal. İzmir'de tiyatro. Alsancak, İzmir: Ege Yayıncılık, 1994.
Den vollen Inhalt der Quelle findenCemal, Ahmet. Aradığımız tiyatro: Tiyatro-sanat ve düşünce üzerine yazılar. Gümüşsuyu, İstanbul: MitosBoyut Yayınları, 1998.
Den vollen Inhalt der Quelle finden1977-, Tayfur Müberra Bağcı, Hrsg. Ataç'ın tiyatro yazıları. Sultanahmet, İstanbul: Dergâh Yayınları, 2010.
Den vollen Inhalt der Quelle findenToros, Misak. Tiyatro ömür boyu. İstanbul: Paros Yayıncılık, 2014.
Den vollen Inhalt der Quelle findenNizami, Çubuk. Hierapolis tiyatro kabartmaları. Denizli: Pamukkale Üniversitesi, 2002.
Den vollen Inhalt der Quelle findenAnd, Metin. Türk tiyatro tarihi. Cağaloğlu, İstanbul: İletişim Yayınları, 1992.
Den vollen Inhalt der Quelle findenNişancık, İrfan Özdilek. Adapazarı tiyatro tarihi. Adapazarı?]: Adapazarı Büyükşehir Belediyesi, 2007.
Den vollen Inhalt der Quelle findenAkı, Niyazi. Türk tiyatro edebiyatı tarihi. Çemberlitaş, İstanbul: Dergâh Yayınları, 1989.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Tiyatro"
Talay, Shabo. „THE NEO-ARAMAIC DIALECTS OF THE TIYARI ASSYRIANS IN SYRIA: WITH SPECIAL ATTENTION TO THEIR PHONOLOGICAL CHARACTERISTICS“. In Neo-Aramaic Dialect Studies, herausgegeben von Eleanor Coghill, Roberta Borghero, Samuel Ethan Fox, Yona Sabar, Olga Kapeliuk, Eran Cohen, Steve Fassberg, Hezy Mutzafi, Shabo Talay und Werner Arnold, 39–64. Piscataway, NJ, USA: Gorgias Press, 2008. http://dx.doi.org/10.31826/9781463211615-004.
Der volle Inhalt der QuelleGüler, Aziz Tamer. „Simmel’in Çatışma Düşüncesinden, Gündelik Yaşamdan, Tiyatro ve Sinemadaki Çatışan Karaktere: Joker“. In Dijital Medya Çalışmaları. Özgür Yayınları, 2023. http://dx.doi.org/10.58830/ozgur.pub259.c1178.
Der volle Inhalt der QuelleUÇUŞ GÜLDALI, Şükran, und Bayram TAY. „Tiyatro Metinleri ile Sosyal Bilgiler Öğretimi“. In Sosyal Bilgilerde Sözlü ve Yazılı Edebiyat İncelemeleri, 365–92. Pegem Akademi Yayıncılık, 2016. http://dx.doi.org/10.14527/9786053183785.16.
Der volle Inhalt der Quelle„Türkiye’de Politik Tiyatro: Depolitizasyondan Siyasal Amaçlı Bir Tiyatro’ya“. In GÜZEL SANATLARDA GÜNCEL YAKLAŞIMLAR. DUVAR PUBLISHING, 2023. http://dx.doi.org/10.59287/gsgy.923.
Der volle Inhalt der Quelle„Kasım Devriminin Yarattığı Siyasal Zeminde Politik Tiyatro ve Erwin Piscator“. In GÜZEL SANATLARDA GÜNCEL YAKLAŞIMLAR. DUVAR PUBLISHING, 2023. http://dx.doi.org/10.59287/gsgy.924.
Der volle Inhalt der QuelleGüçlü, Eda. „Sanat, sinema, müzik, tiyatro, spor, eğlence, fotoğraf, moda; Kültürel politikalar ve şehir; kültür başkenti ve dünya kenti olarak İstanbul; kentsel imajın inşası; müze kent; Müzeler, müzecilik“. In İstanbul Bİblİyografyası, 127–45. Institut français d’études anatoliennes, 2014. http://dx.doi.org/10.4000/books.ifeagd.808.
Der volle Inhalt der QuelleKanık Uysal, Pınar. „Okuma Tiyatrosu: Ne, Niçin ve Nasıl?“ In Türkçe Eğitimine Adanan Bir Ömür Dr. Asiye Duman’a Armağan, 681–96. Ankara Pegem Akademi Yayıncılık, 2020. http://dx.doi.org/10.14527/9786257228800.38.
Der volle Inhalt der QuelleCANLI, Mustafa, und Adnan ALTUN. „Geleneksel Türk Tiyatrosu Türleri ile Sosyal Bilgiler Öğretimi“. In Sosyal Bilgilerde Sözlü ve Yazılı Edebiyat İncelemeleri, 393–416. Pegem Akademi Yayıncılık, 2016. http://dx.doi.org/10.14527/9786053183785.17.
Der volle Inhalt der Quelle„CHAP. VII. ASHEETHA. A NESTORIAN HOUSE. THE MASSACRE. — ZAWEETHA. — NESTORIAN PRIESTS. MURGHI. - LIZAN.—SCENE OF THE MASSACRE. A TIYARI BRIDGE. — R AOL A. — THE HOUSE OF THE MELEK. TIYARI WOMEN. THE DISTRICT OF TKHOMA. ALARM OF THE INHABITANTS.— CHURCH SERVICE. TKHOMA GOWAIA. A KURDISH CHIEF. — PASS INTO BAZ. ERGUB. RETURN TO TKHOMA. BE-ALATHA. ROADS OF TIYARI. — CHONBA. MURDER OF MELEK ISMAIL RETURN TO ASHEETHA KASHA AURAHAM A COPPER MINE. CHALLEK OURMELI. — A SUBASHI. A KURDISH SAINT. — MALTHAYIAH. SCULPTURES. ALKOSH. — TOMB OF THE PROPHET NAHUM. RABBAN HORMUZD. - TELKEF AND ITS CHRISTIAN INHABITANTS. RETURN TO MOSUL. — SECOND MASSACRE IN THE NESTORIAN MOUNTAINS.— CAPTURE AND EXILE OF BEDER KHAN BEY“. In Nineveh and Its Remains, 173–239. Piscataway, NJ, USA: Gorgias Press, 2004. http://dx.doi.org/10.31826/9781463209902-011.
Der volle Inhalt der Quelle„CHAP. VI. DEPARTURE FOR THE TIYARI MOUNTAINS.—KHORSABAD.— SHEIKH ADI. — A KURDISH ENCAMPMENT. A CHALDÆAN VILLAGE. CONVERTS TO ROMAN CATHOLICISM. AMADIYAH.—A TURKISH GOVERNOR ALBANIAN IRREGULARS. AN ALBANIAN CHIEF. THE VALLEY OF BERWARI. — CHALDÆAN VILLAGES. — A KURDISH BEY ASHEETHA“. In Nineveh and Its Remains, 147–72. Piscataway, NJ, USA: Gorgias Press, 2004. http://dx.doi.org/10.31826/9781463209902-010.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Tiyatro"
„Oyuncunun Sanatında Saklı Detaylar: Tiyatro Antropolojisi Sözlüğü“. In 3rd International Conference on Scientific and Academic Research ICSAR 2023. All Sciences Academy, 2023. http://dx.doi.org/10.59287/as-proceedings.864.
Der volle Inhalt der QuelleASLAN, Yavuz. „MİLLİ MÜCADELE YILLARINDA ERZURUM’DA HALKI BİLİNÇLENDİRME VE BİLGİLENDİRME FAALİYETLERİNDE ÖNEMLİ BİR TİYATRO: İBRET YERİ“. In 9. Uluslararası Atatürk Kongresi. Ankara: Atatürk Araştırma Merkezi Yayınları, 2021. http://dx.doi.org/10.51824/978-975-17-4794-5.87.
Der volle Inhalt der QuelleMohammed Husseyin HASSAN, Hazim, und Ali Husseyin HASSAN. „NECİP FAZIL KISAKÜREK'İN BİR ADAM YARATMAK BAŞLIKLI TİYATRO ESERİNDE VAHDET-İ VÜCÛD İNANCI“. In I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-9.
Der volle Inhalt der QuelleKöksal, Selma. „“BAHAR İSYANCIDIR” ADLI 2013 YAPIMI UZUN METRAJ SİNEMA FİLMİNİN MEKANLARI AÇISINDAN TOPLUMSAL BELLEK”“. In 3. Uluslararası Sinema Sempozyumu. Near East University, 2023. http://dx.doi.org/10.32955/neuilamer2023-11-0305.ch01.
Der volle Inhalt der QuelleGÖKGÖZ, Turgay. „MODERN ARAP EDEBİYATINDA SANSÜR OLGUSUNA GENEL BİR BAKIŞ“. In 2. IJHER-International Congress of Humanities and Educational Research. Rimar Academy, 2021. http://dx.doi.org/10.47832/ijhercongress2-9.
Der volle Inhalt der QuelleGOLKARIAN, Ghadir. „EDEBİ ETKİLEŞİM VE KARŞILAŞTIRMALI EDEBİYATIN ULUSLARARASI UZLAŞMADAKİ ROLÜ“. In International Research Congress of Language and Literature of Language and Literature. Rmar Academy, 2021. http://dx.doi.org/10.47832/languagecongress978-605-065876-2.
Der volle Inhalt der QuelleN.K, Icha, Henggar P und Chendy A.P.S. „An Error Analysis of Tiyao (Abstract) of Students’ Final Project Reports at Department of Mandarin Unsoed“. In Proceedings of First International Conference on Culture, Education, Linguistics and Literature, CELL 2019, 5-6 August, Purwokerto, Central Java, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.5-8-2019.2289785.
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