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Thematische Bibliographien / Time series of satellite images / Bücher

Bücher zum Thema „Time series of satellite images“

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Autor: Grafiati

Veröffentlicht am 25. Mai 2024

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1

Nunes Kehl, Thiago, Viviane Todt, Maurício Roberto Veronez und Silvio Cesar Cazella. Real time deforestation detection using ANN and Satellite images. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15741-2.

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2

Computing brain activity maps from fMRI time-series images. Cambridge: Cambridge University Press, 2007.

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3

Remsberg, Ellis E. Time series comparisons of satellite and rocketsonde temperatures in 1978-79. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1994.

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4

Joel, Katz Eli, und United States. National Aeronautics and Space Administration., Hrsg. A comparison of coincidental time series of the ocean surface height by satellite altimeter, mooring, and inverted echo sounder: Final technical report. Palisades, NY: Lamont-Doherty Earth Observatory of Columbia University, 1994.

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5

Comiso, Josefino C. Polar microwave brightness temperatures from Nimbus-7 SMMR: Time series of daily and monthly maps from 1978 to 1987. Washington, D.C: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Division, 1989.

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6

Jay, Zwally H., und United States. National Aeronautics and Space Administration. Scientific and Technical Information Division., Hrsg. Polar microwave brightness temperatures from Nimbus-7 SMMR: Time series of daily and monthly maps from 1978 to 1987. [Washington, D.C.]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Division, 1989.

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7

T, DeLand Matthew, Hilsenrath Ernest und United States. National Aeronautics and Space Administration., Hrsg. Analysis of solar spectral irradiance measurements from the SBUV/2-series and the SSBUV instruments: Semi-annual report ... 1 March 1996 to 31 August 1996. [Washington, DC: National Aeronautics and Space Administration, 1996.

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8

T, DeLand Matthew, Hilsenrath Ernest und United States. National Aeronautics and Space Administration., Hrsg. Analysis of solar spectral irradiance measurements from the SBUV/2-series and the SSBUV instruments: Semi-annual report, period of performance: 1 March 1997 to 31 August 1997; contract number: NASW-4864. [Washington, DC: National Aeronautics and Space Administration, 1997.

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9

T, DeLand Matthew, Hilsenrath Ernest und United States. National Aeronautics and Space Administration., Hrsg. Analysis of solar spectral irradiance measurements from the SBUV/2-series and the SSBUV instruments: Semi-annual report, period of performance: 1 March 1997 to 31 August 1997; contract number: NASW-4864. [Washington, DC: National Aeronautics and Space Administration, 1997.

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10

T, DeLand Matthew, Hilsenrath Ernest und United States. National Aeronautics and Space Administration., Hrsg. Analysis of solar spectral irradiance measurements from the SBUV/2-series and the SSBUV instruments: Semi-annual report, period of performance: 31 August 1996 to 28 February 1997, contract number-- NASW-4864. [Washington, DC: National Aeronautics and Space Administration, 1997.

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11

Poliziano, Angelo. Coniurationis commentarium / Commentario della congiura dei Pazzi. Herausgegeben von Leandro Perini. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-119-5.

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The Pazzi Consipracy by Angelo Poliziano is the only historical work in the vast production of the famous humanist. He was an eye-witness of the tragic episode that took place in Florence in 1478 in which Giuliano de' Medici was killed and his brother Lorenzo il Magnifico wounded. This was one episode in a conflict between rival banking houses during what Fernand Braudel has defined as "the first crisis of capitalism". Behind the veil of a highly cultured form of appropriation of the classical tradition (Sallust's De Catilinae coniuratione), we can discern a ruthless realism which, in its spare style, anticipates the mood of early cinema. The Pactianae coniurationis commentarium clearly reveals the traces of a time that was neither happy nor brilliant, as in the illusory images of the Renaissance that have come down to us, but rather bubbled with bloodshed and also featured phenomena such as gambling which are typical of times of crisis. Following Alessandro Perosa's by now impossible to get hold of edition, Poliziano's work is presented here in a historic perspective updated with the most recent historical reconstructions, with a series of appendices and a thorough chronology that help to focus the meanings and bring to the fore the features of the period in their potential entirety.

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12

Deriu, Morena. Nēsoi. L’immaginario insulare nell’Odissea. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-470-7.

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The aim of this book is to shed new light on the connections between the islands of the Odyssey, setting aside the common perspectives which fully contrast Ithaka to the isles of Odysseus’s travels. Indeed, on a close reading, the idea of ‘otherness’ frequently associated to these isles can be perceived as the result of shared traits. The book first offers an introductory survey on the studies about islands and insularity (not only) in the Odyssey. Then, it analyses how and in which terms the Odyssean representations of the islands are elaborated by means of references to the characters’ senses and actions. These representations are frequently parts of archipelagos of memories, and all bear witness to the fact that fantastic and realistic traits are intermingled and can permeate each other on all the Odyssean islands. Thus, the isles of these travels can be perceived as marginal and mixed places which are also meaningfully part of the archipelago of thematic and formal relations which links all Odyssean islands. The second section of the book examines this archipelagic scenario by using the concepts of utopia and heterotopia. The section shows how the islands of the Odyssey and, especially, the islands the hero encountered on his travels should not be considered utopias in the strict sense of the word. It then goes on to show how M. Foucault’s heterotopia can help to highlight a series of insular aspects, which, otherwise, could pass unnoticed. These lands stand at the margins of the world of the Odyssey and are, at the same time, connected to all the other islands. As a result, they work like mirrors which reflect images of different and possible worlds. In particular, the Odyssean isles of women mirror different and possible relationships between Odysseus and the lady of the island and help to enlighten the place which the hero perceives as the perfect home among all the possible choices. Finally, a brief analysis of the prophecy about the hero’s future last adventure shows that there is no chance of Odysseus feeling at home on that ‘other’ place of this last journey.

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13

Sarty, Gordon E. Computing Brain Activity Maps from FMRI Time-Series Images. Cambridge University Press, 2007.

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14

Sarty, Gordon E. Computing Brain Activity Maps from FMRI Time-Series Images. Cambridge University Press, 2009.

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15

Sarty, Gordon E. Computing Brain Activity Maps from FMRI Time-Series Images. Cambridge University Press, 2006.

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16

Sarty, Gordon E. Computing Brain Activity Maps from fMRI Time-Series Images. Cambridge University Press, 2006.

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17

Sarty, Gordon E. Computing Brain Activity Maps from FMRI Time-series Images. Cambridge University Press, 2007.

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18

Sarty, Gordon E. Computing Brain Activity Maps from Fmri Time-Series Images. Cambridge University Press, 2006.

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19

Real Time Detection Of Anomalous Satellite Behavior from Ground-Based Telescope Images. Storming Media, 1998.

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20

Weng, Qihao. Remote Sensing Time Series Image Processing. Taylor & Francis Group, 2018.

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21

Weng, Qihao. Remote Sensing Time Series Image Processing. Taylor & Francis Group, 2018.

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22

Weng, Qihao. Remote Sensing Time Series Image Processing. Taylor & Francis Group, 2018.

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23

Weng, Qihao. Remote Sensing Time Series Image Processing. Taylor & Francis Group, 2020.

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24

Remote Sensing Time Series Image Processing. Taylor & Francis Group, 2018.

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25

Kehl, Thiago Nunes, Viviane Todt, Maurício Roberto Veronez und Silvio Cesar Cazella. Real Time Deforestation Detection Using ANN and Satellite Images: The Amazon Rainforest Study Case. Springer International Publishing AG, 2015.

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26

Kehl, Thiago Nunes, Viviane Todt, Maurício Roberto Veronez und Silvio Cesar Cazella. Real Time Deforestation Detection Using ANN and Satellite Images: The Amazon Rainforest Study Case. Springer, 2015.

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27

(Editor), P. M. Harris, und W. S. Kowalik (Editor), Hrsg. Satellite Images of Carbonate Depositional Settings: Examples of Reservoir- And Exploration-Scale Geologic Facies Variation (Methods in Exploration Series). American Association of Petroleum Geologists, 1994.

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28

Comiso, Josefino C. Polar microwave brightness temperatures from Nimbus-7 SMMR: Time series from 1978 to 1987. Washington D. C, 1989.

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29

Multiple Lenses, Multiple Images: Perspectives on the Child Across Time, Space, and Disciplines (Green College Thematic Lecture Series). University of Toronto Press, 2004.

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30

Naumann, Mona. Once upon a Time 2022 Calendar: TV Series and Movie Calendar - 12 Months - 8. 5 X 11 Inch High Quality Images. Independently Published, 2021.

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31

Hornby, Louise. The Instant and the Series. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661229.003.0004.

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This chapter argues that Muybridge’s photographs of human and animal locomotion underwrite a pace for modernism that negotiates the iterative terms of the instant and the series, constructing an account of time that pivots on the accumulation of separated fragments. The chapter brings the form of instantaneous photography to bear on James Joyce’s exploration of sequentiality and pace in Ulysses. The many walks in Joyce’s novel are photographic (what he calls a “discrete succession of images”), and their singular strides point to Charlie Chaplin, the modernist paragon of the jerky walk. Chaplin’s walk is both a cinematic signature and an insistence on photography—more specifically, an insistence on imitating Muybridge’s studies of motion. By making static awkwardness a condition of time and of walking, Joyce’s novel and Chaplin’s mechanized body each read as a product of film yet hold continuity and the cinema at bay by their stilled paces.

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32

Analysis of solar spectral irradiance measurements from the SBUV/2-series and the SSBUV instruments: Semi-annual report ... 1 March 1996 to 31 August 1996. [Washington, DC: National Aeronautics and Space Administration, 1996.

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33

Analysis of solar spectral irradiance measurements from the SBUV/2-series and the SSBUV instruments: Semi-annual report, period of performance: 31 August 1996 to 28 February 1997, contract number-- NASW-4864. [Washington, DC: National Aeronautics and Space Administration, 1997.

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34

Radsch, Courtney C. Words and War. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038860.003.0004.

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This chapter explores globalization, resistance, and identity as forces shaping the relationship between Osama bin Laden and the Qatar-based Al Jazeera news network. Both al Qaeda's and Al Jazeera's rise to global prominence were made possible by globalization and networked transnational media, namely the Internet and satellite television. Al Jazeera was often credited with building a new public sphere and pan-Arab identity while at the same time providing an Arab perspective on the series of U.S.-led incursions in the Middle East that became known as the War on Terror. Its rise happened to coincide with al Qaeda's rise and occurred amid extensive American forays into the Middle East, which were widely opposed in the region and thus led to highly critical coverage of a range of U.S. actions and policies toward the region and toward Muslims.

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35

Williams, Keith, Bet McCallum, Roy Canning, Ann Prescott, Roddie McKenzie, Gavin Cameron, George C. Robertson, Anita Petrie und Rhoda Neville. The Scientific Muse: Poems for Robert Duncan Milne. University of Dundee, 2021. http://dx.doi.org/10.20933/100001224.

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Welcome to the sixth collection by Wyvern Poets, in collaboration with the University of Dundee. This booklet for Dundee’s Being Human festival programme on the theme of ‘Renewal’ celebrates the life and work of Cupar-born Robert Duncan Milne (1844-99). Milne published around sixty Science Fiction stories (some multi-part or novella length), mostly in the Argonaut and the San Francisco Examiner between 1879 and 1899. He pioneered SF themes such as climate catastrophe, cryogenics, molecular re-engineering of the body, personality transfer, scientific terrorism and drone warfare, remote surveillance and telecommunications, satellite phones and technologies for visual time travel which anticipate cinema and TV. Scotland appears to punch below its weight in relation to early science fiction, yet Milne is an extraordinary lost presence who slipped through the cracks of the canon by a series of historical accidents - until now.

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36

Bolt, Neville. The Violent Image. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197511671.001.0001.

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Fast-moving, self- propelled 'violent images' have radically changed the nature of insurgency in the modern world. Global media have revolutionized the way ideas, messages and images are disseminated, and the speed with which they travel. First satellite TV, then laptops and the Internet, and now mobile phones and social media have transformed the way we communicate, collapsing time and distance. Rebels who hope to overthrow states or to build transnational, ideological communities, have adopted these dynamic technologies. But they have also learned the key lesson: in a visual world, the power of the image has supplanted that of the written world. Neville Bolt investigates how today's revolutionaries have rejuvenated the nineteenth century 'Propaganda of the Deed' so that terrorism no longer simply goads states into overreacting, thereby losing legitimacy. The deed has become a tool to highlight the underlying grievances of communities. Pictures of 9/11, 7/1, and Abu Ghraib are today's weapon of choice. The Violent Image explores what happens in the 'moment of shock'; how emotive pictures attach to messages, causing populations to rise up in anger. From the Fenians to the Taliban to the Arab Spring we learn how insurgents have adapted the way they use violence to tell stories and effect social change. In the 'war of ideas', the new revolutionaries aim to set in motion surges of support that spread virally through global networks at such speed that states can no longer defend their own strategic narratives. Have we now reached the point where insurgents and populations are driving images and ideas so fast, that a new era of revolutionary politics is already upon us?

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37

Searle, Mike. Colliding Continents. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199653003.001.0001.

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The Himalaya is the greatest mountain range on Earth: the highest, longest, youngest, the most tectonically active, and the most spectacular of all. Unimaginable geological forces created these spectacular peaks. Indeed, the crash of the Indian plate into Asia is the biggest known collision in geological history, giving birth to the Himalaya and Karakoram, one of the most remote and savage places on Earth. In this beautifully illustrated book, featuring spectacular color photographs throughout, one of the most experienced field geologists of our time presents a rich account of the geological forces that were involved in creating these monumental ranges. Over three decades, Mike Searle has transformed our understanding of this vast region. To gather his vital geological evidence, he has had to deploy his superb skills as a mountaineer, spending weeks at time in remote and dangerous locations. Searle weaves his own first-hand tales of discovery with an engaging explanation of the processes that formed these impressive peaks. His narrative roughly follows his career, from his early studies in the north west Himalaya of Ladakh, Zanskar and Kashmir, through several expeditions to the Karakoram ranges (including climbs on K2, Masherbrum, and the Trango Towers, and the crossing of Snow Lake, the world's largest ice cap outside polar regions), to his later explorations around Everest, Makalu, Sikkim and in Tibet and South East Asia. The book offers a fascinating first-hand account of a major geologist at work-the arduous labor, the eureka moments, and the days of sheer beauty, such as his trek to Kathmandu, over seven days through magnificent rhododendron forests ablaze in pinks, reds and white and through patches of bamboo jungle with hanging mosses. Filled with satellite images, aerial views, and the author's own photographs of expeditions, Colliding Continents offers a vivid account of the origins and present state of the greatest mountain range on Earth.

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38

Tanner, Jeremy. Picturing History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190649890.003.0011.

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In this chapter, Jeremy Tanner examines two series of images—one from Classical Athens and one from Han China—of political assassinations, more specifically “tyrannicides.” These images were replicated, with interesting variations, time and time again, and must have been among the more popular and recognizable iconographies of their eras. Both are concerned with figuring the limits of legitimate power and the ethical basis for and significance of violent resistance to arbitrary power and its overthrow. In order to interpret these images in a comparative frame, Tanner finds that he must also explore the concept of the “tyrant” in order to construct a conceptual catwalk between these two contexts. The very project of comparison, then, helps bring to the surface some of the intricacies of the lives of concepts in particular places.

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39

Paul, David C. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037498.003.0001.

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This book explores the changing images of American composer and music icon Charles E. Ives across the twentieth and twenty-first centuries, paying particular attention to issues of agency (how an idea transfers from one person to another) and constituency (the nature and size of the audience to which a person speaks). Ives has been, at various times, considered a hero, victim, villain—sometimes singly, sometimes simultaneously. He had been portrayed, for example, as a pioneer of American musical modernism and a symbol of American freedom, but at the same time the perpetrator of one of the greatest musical hoaxes of all times. This book examines the way Ives has been imagined by the critics, composers, performers, and scholars who have had the most impact in shaping the various conversations about him, from Leonard Bernstein and Henry Cowell to Aaron Copland and Elliott Carter. It argues that the history of Ives's reception is not only a series of portraits of an unusual composer, but also a series of mirrors that reflect the way Americans have viewed themselves.

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40

Schmeink, Lars. The Utopian, the Dystopian, and the Heroic Deeds of One. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781781383766.003.0006.

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Chapter 6 discusses the TV series Heroes as more optimistic in its depiction of the social consequences of posthuman evolution than the other texts analyzed. The show's premise of posthumanity as a result of evolutionary mutation reflects radical changes in subjectivity not onto an elite few, as in classic superhero narratives, but onto the everyday man. The series consequently emphasizes the potential of the posthuman condition as a catalyst for global social and political change – a solution to the 'big issues' that elude the current institutions of power. The posthuman becomes the site of struggle over the potential changes to the future, in effect over the concept of utopia. In contrasting dystopian futures with the present possibility of change through posthumanity, the show allows a utopian space to emerge, in which global issues such as the war on terror can be solved and attacks such as those on 9/11 could be prevented. In this, Heroes returns to humanist notions and concepts of history as events shaped by exceptional individuals, while at the same time complicating them with communal images of a cooperative and interconnected posthuman subjectivity.

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41

Hughes, Jim. C-arm systems. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198813170.003.0002.

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This chapter covers the design and functions of mobile C-arm X-ray systems used in intra-operative imaging (also known as ‘image intensifiers’, or IIs), including the movements and adjustments used for positioning and systems of X-ray production and image generation. C-arm and mobile C-arm imaging technology was born of the necessity to perform real-time X-ray imaging during surgical procedures. These systems perform real-time motion or cine imaging series as well as still images. The larger units, which are fixed, are generally used in dedicated imaging suites, whereas the smaller units, being mobile, can be moved to wherever a procedure requiring imaging takes place.

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42

Bonds, Mark Evan. Ludwig van Beethoven: A Very Short Introduction. Oxford University Press, 2022. http://dx.doi.org/10.1093/actrade/9780190051730.001.0001.

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Ludvig van Beethoven: A Very Short Introduction examines Beethoven’s consistent attitude towards his art which is remarkable considering the difficulties he faced in life. This inner consistency provides the key to understanding the composer’s life and works more than 250 years after his birth in 1770. Beethoven approached music as he approached life, weighing from a variety of perspectives whatever occupied him: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to recognize and unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole. Beethoven’s works are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic frown and furrowed brow, moreover, came only after his time.

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43

Rosa, Laura Nuño de la. Capturing Processes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779636.003.0013.

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While a processual view of biological entities might be said to be congenial to embryologists, the intractability and speed of developmental processes traditionally led to an epistemological abandon of processes in favour of the advantages of discretizing ontogenies in arrays of patterns. It is not until the turn of the twenty-first century that the digital embryos obtained from in vivo microscopy have started to replace developmental series as the reference representations of development. This chapter looks at how new microscopy, molecular, and computer technologies for reconstructing biological processes are contributing to a processual understanding of development. First it investigates how time-lapse imaging has brought with it a radical dynamization, not only of the images, but also of the theories of development themselves. Next it explores the role that imaging technologies have played in the return of organicism in developmental biology. Finally, it focuses on how quantitative imaging contributes to the explanatory modelling of developmental processes.

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44

Lief, Shane, und John McCusker. Jockomo. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825896.001.0001.

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This book represents the very first publication to explore how Native American traditions have influenced the history of New Orleans music over the past three centuries, specifically how this connection has culminated in the Mardi Gras Indian cultural system. In addition to including the perspectives of the cultural participants themselves, this book draws upon manuscripts and archives from the earliest days of the French colony of Louisiana, providing a range of views on how the Mardi Gras Indian tradition developed. A number of linguistic analyses focus on Native terms which are significant for regional language history. By showing these Native roots, the authors give empirical evidence for a much earlier origin for the Mardi Gras Indian tradition than has previously been recognized in conventional New Orleans historiography. A series of archival images and contemporary photographs help the reader to visualize the transformations of public life in New Orleans, including musical processions in the streets of the city during Mardi Gras celebrations. The complex background of the “American Indian” icon is also recognized as a component in how Mardi Gras Indians have developed their cultural practices over time. Key political events and time periods, such as the Civil War and the Reconstruction era that followed, are indispensable to understanding how the Mardi Gras Indians emerged in New Orleans during the nineteenth century. This book features rare images, such as the first known photograph of Mardi Gras Indians, giving the reader a more complete audiovisual journey through New Orleans history.

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Pérez, Laura E., und Ann Marie Leimer, Hrsg. Consuelo Jimenez Underwood. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022930.

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Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, María Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden

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Rodriguez, Andrea, Tom Inns, Fernando Fernandes, Shabnam Wasim, Amy Rogers, Gillian Craig, Siyang Yuan, Sucharita Nanjappa, Declan Cairns und Linda McSwiggan. Bringing Dundee Together: an interdisciplinary public engagement hub: Innovation and Impact Development Fund Report. University of Dundee, 2022. http://dx.doi.org/10.20933/100001269.

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Public Engagement helps universities to create new ways of co-producing, accessing, and sharing knowledge. There is, however, no single path to successful engagement with local communities. Time scales, funding, communication skills and equitable power relationships are some of the challenges that these forms of partnerships face. ‘Bringing Dundee Together: an interdisciplinary public engagement hub’ is a pilot project funded by the IIDF to explore how trusting relationships can be built between the University of Dundee academic community and external Dundee-based partners such as community organizations, practitioners, and policy makers. The Hub concept was based on the principle of a ‘University without walls’, a model in which the university is perceived to be part of the community and therefore a place to be accessible for groups from culturally and demographically diverse contexts. The pilot project has developed: 1. An illustrated infographic describing the conditions that will support strong partnerships that improve engagement with local communities experiencing health inequalities; 2. Initial first steps in building a model of collaboration with the community that will gradually build the foundation for an interdisciplinary Public Engagement Hub on health inequalities, and 3. The identification of strategies to build training in engagement for staff and students, and 4. A series of drawing images on the key principles/structure/vision of this Hub

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Hepburn, Allan. A Grain of Faith. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828570.001.0001.

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During and after the Second World War, religion informed British literature and culture. Leading writers contributed to discussions about faith and spiritual life, inside and outside organized religion. Graham Greene, Muriel Spark, and Barbara Pym incorporated miracles, evil, and church-going into their novels, while Louis MacNeice, T. S. Eliot, and C. S. Lewis gave radio broadcasts about the role of Christianity in contemporary society. Certainly the war revived interest in aspects of Christian life: salvation and redemption were on many people’s minds. The Ministry of Information used images of bombed churches to stoke patriotic feeling, and King George VI led a series of Days of National Prayer that coincided with crucial events in the Allied cause. After the war and throughout the 1950s, approximately 1.4 million people converted to Roman Catholicism as a way of expressing their spiritual ambitions and solidarity with humanity on a world-wide scale. Eminent intellectuals, such as Paul Tillich, Ronal Niebuhr, Jacques Maritain, and Simone Weil, gave concerted thought to religion and statehood, often at the same time. The mid-century turn to religion offered ways to articulate statehood, not from the usual perspective of nationhood and politics, but from the perspective of moral action and improvement of the lot of humankind. Religion provided one way for writers to answer the question, ‘what is man?’ It also afforded ways to think about social obligation. Instead of being a retreat into seclusion and solitude, the mid-century turn to religion is a call to responsibility.

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