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Thematische Bibliographien / Thmes / Zeitschriftenartikel

Zeitschriftenartikel zum Thema „Thmes“

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Autor: Grafiati

Veröffentlicht am 27. Juli 2024

Zuletzt aktualisiert am 29. Juli 2024

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1

Owen, Patricia. „House of Common’s reception – themes from the Thames“. International Journal of Health Promotion and Education 61, Nr. 4 (04.07.2023): 210–11. http://dx.doi.org/10.1080/14635240.2023.2228134.

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2

Liberman, Gauthier. „Variations sur des thèmes thucydidéens. À propos de : S. Hornblower, Thucydidean Themes, Oxford 2011“. Revue des Études Anciennes 113, Nr. 2 (2011): 609–31. http://dx.doi.org/10.3406/rea.2011.6721.

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3

Bae, Gi-Soo, Yoon-Kyung Baek, Ki-Sung Ryu, Sang-Hee Shin und Chan-Hyung Lee. „A Study on Characterization of THMs Formation in Tap Water in Daegu“. Journal of Korean Society of Environmental Engineers 33, Nr. 12 (30.12.2011): 893–99. http://dx.doi.org/10.4491/ksee.2011.33.12.893.

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4

Song, Ya, Zhiyu Zhang, Lamei Yan, Ling Zhang, Simin Liu, Shaowen Xie, Lijian Xu und Jingjing Du. „Electrodeposition of Ti-Doped Hierarchically Mesoporous Silica Microspheres/Tungsten Oxide Nanocrystallines Hybrid Films and Their Electrochromic Performance“. Nanomaterials 9, Nr. 12 (17.12.2019): 1795. http://dx.doi.org/10.3390/nano9121795.

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In this paper, a novel Ti-doped hierarchically mesoporous silica microspheres/tungsten oxide (THMS/WO3) hybrid film was prepared by simultaneous electrodeposition of Ti-doped hierarchically mesoporous silica microspheres (THMSs) and WO3 nanocrystallines onto the fluoride doped tin dioxide (FTO) coated glass substrate. It is demonstrated that the incorporation of THMSs resulted in the hybrid film with improved electrochromic property. Besides, the content of THMSs plays an important role on the electrochromic property of the hybrid film. An excellent electrochromic THMS/WO3 hybrid film with good optical modulation (52.00% at 700 nm), high coloration efficiency (88.84 cm2 C−1 at 700 nm), and superior cycling stability can be prepared by keeping the weight ratio of Na2WO4·2H2O (precursor of WO3):THMSs at 15:1. The outstanding electrochromic performances of the THMS/WO3 hybrid film were mainly attributed to the porous structure, which facilitates the charge-transfer, promotes the electrolyte infiltration and alleviates the expansion of the film during Li+ insertion. This kind of porous THMS/WO3 hybrid film is promising for a wide range of applications in smart homes, green buildings, airplanes, and automobiles.

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5

Blouet, Olwyn. „5 Themes Minus 3 Themes = 2 Themes (or 4 Questions)“. Journal of Geography 89, Nr. 5 (September 1990): 227. http://dx.doi.org/10.1080/00221349008979203.

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6

Mcguire, Meredith B. „Emerging Themes in U.S. Sociology of Religion / L'Emergence de nouveaux thèmes dans la sociologie des religions aux États-Unis.“ Archives de sciences sociales des religions 83, Nr. 1 (1993): 127–39. http://dx.doi.org/10.3406/assr.1993.1489.

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7

Roy, Lucinda. „Thames“. Callaloo, Nr. 36 (1988): 547. http://dx.doi.org/10.2307/2931533.

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8

Roger, Antoine. „THEMES“. Journal of Southern Europe and the Balkans 5, Nr. 1 (Mai 2003): 9–24. http://dx.doi.org/10.1080/1461319032000062624.

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9

Hannay, Lord, und Chiswick Gcmg, ch. „THEMES“. Journal of Southern Europe and the Balkans 6, Nr. 1 (April 2004): 7–12. http://dx.doi.org/10.1080/1461319042000187229.

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10

Givens, Terryl L. „Themes“. FARMS Review 21 (2009), Nr. 1 (01.01.2009): 107–36. http://dx.doi.org/10.5406/farmsreview.21.1.0107.

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11

Fogarty, Robin. „Thinking about Themes: Hundreds of Themes“. Middle School Journal 25, Nr. 4 (März 1994): 30–31. http://dx.doi.org/10.1080/00940771.1994.11496106.

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12

Chouhan, Sandhya. „Various Themes in Sarojini Naidu’s Poetry“. Journal of Advanced Research in English and Education 05, Nr. 02 (19.02.2021): 13–14. http://dx.doi.org/10.24321/2456.4370.202008.

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Sarojini Naidu is the most lyrical of the Indian English poet. Because of the sweetness and musicality of hor verse, she was fondly called by Mahatma Gandhi “the nightingale of India.” In the early phase of her poetic corear, she was anamored by British romantic poets and imitated them in her poetry. But on the advice of Edmund Morris, she tried to reveal the heart of India romantically, lyrically and sensuously. Consequently, she published three volumes of the poem: “The Golden Threshold” [1905]. ‘The Bird of Time’ [1912] and ‘The Broken Wing’ [1917]. These volumes were highly praised by the western literary magzines like ‘The Time’, ‘The Glasgow Horald’, ‘The New York Times’.

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13

CARDOSO, FERNANDO HENRIQUE. „Desenvolvimento: o mais político dos temas econômicos“. Brazilian Journal of Political Economy 15, Nr. 4 (Oktober 1995): 616–24. http://dx.doi.org/10.1590/0101-31571995-1985.

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14

Kingston, Diana. „Themes and Sub-Themes in Managers' Work“. Australian Academic & Research Libraries 32, Nr. 4 (Januar 2001): 308–20. http://dx.doi.org/10.1080/00048623.2001.10755169.

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15

Sobol, Eugeniusz. „Wątki ukraińskie w twórczości Eugeniusza Tkaczyszyna-Dyckiego“. Studia Polsko-Ukraińskie 9 (18.06.2022): 216–30. http://dx.doi.org/10.31338/2451-2958spu.9.14.

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In this article the author explores the Ukrainian motifs in Eugeniusz Tkaczyszyn-Dycki’s poetry, which appear from the first volume to the last, so they are durable. At the beginning the research examines Dycki’s interest in the Baroque, because in this period Ruthenian (Ukrainian) motifs began to appear. The paper presents the theses on Eastern themes by Dycki, which were described by other researchers, to which the author referred and which he creatively developed. The article has stated that the theory of post-colonialism does not fully match the Polish-Ukrainian realities. In Dycki’s works we notice an attempt to build an idyll in Polish-Ukrainian relations, and at the same time its disintegration was shown. The author of the article has found an analogy for this attitude of alienation and disinheritance in the interpretation of the life and work of Jean Genet, which was presented by Jean-Paul Sartre in his book „Saint Genet, Actor and Martyr”. The research has reconstructed family relations with his father and mother in Dycki’s poetry, and also examined the function of Ukrainian words appearing in his poems. First of all, his relationship with his mother, indicating an emotional dependence, attracts attention.

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16

Rodríguez Carcela, Rosa María. „La información de sucesos: temática en prensa escrita“. Correspondencias & Análisis, Nr. 1 (01.11.2011): 309–25. http://dx.doi.org/10.24265/cian.2011.n1.18.

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17

Ventura, Michele Della. „Discovering Hidden Themes in Symbolic Music Text“. Lecture Notes on Software Engineering 3, Nr. 3 (2015): 210–13. http://dx.doi.org/10.7763/lnse.2015.v3.192.

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18

Schechner, Richard. „Intercultural Themes“. Performing Arts Journal 11, Nr. 3 (1989): 151. http://dx.doi.org/10.2307/3245433.

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19

Beverley, John, und Regina Hurley. „Counternarrative Themes“. American Journal of Bioethics 21, Nr. 2 (01.02.2021): 72–74. http://dx.doi.org/10.1080/15265161.2020.1861378.

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20

Fritze, Ronald H., und Jonathan Schneer. „The Thames“. Sixteenth Century Journal 38, Nr. 4 (01.12.2007): 1223. http://dx.doi.org/10.2307/20478740.

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21

Hudelson, Richard. „Recessive Themes“. Radical Philosophy Review 6, Nr. 2 (2003): 201–3. http://dx.doi.org/10.5840/radphilrev20036217.

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22

Bernus, Edmond. „Thèmes croisés“. Journal des anthropologues 63, Nr. 1 (1995): 61–65. http://dx.doi.org/10.3406/jda.1995.1949.

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23

Allen, Daniel. „Enduring themes“. Nursing Standard 17, Nr. 15 (18.12.2002): 28. http://dx.doi.org/10.7748/ns.17.15.28.s26.

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24

Anderson, Robert, William Sterndale Bennett und Rosemary Williamson. „Delicate Themes“. Musical Times 138, Nr. 1851 (Mai 1997): 39. http://dx.doi.org/10.2307/1004248.

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25

Cramsie, John. „The Thames“. History: Reviews of New Books 33, Nr. 4 (Januar 2005): 146. http://dx.doi.org/10.1080/03612759.2005.10526650.

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26

Taylor, Rod. „Universal themes“. Education 3-13 28, Nr. 2 (Juni 2000): 23–28. http://dx.doi.org/10.1080/03004270085200171.

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27

Humphrey, Christopher, und Robert W. Scapens. „Methodological themes“. Accounting, Auditing & Accountability Journal 9, Nr. 4 (Oktober 1996): 86–106. http://dx.doi.org/10.1108/09513579610129435.

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28

Jones, Michael John. „Methodological themes“. Accounting, Auditing & Accountability Journal 10, Nr. 1 (März 1997): 105–28. http://dx.doi.org/10.1108/09513579710158739.

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29

Parker, Lee D., und Bet H. Roffey. „Methodological themes“. Accounting, Auditing & Accountability Journal 10, Nr. 2 (Mai 1997): 212–47. http://dx.doi.org/10.1108/09513579710166730.

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30

SALLADAY, SUSAN A. „Mature themes“. Nursing 32, Nr. 11 (November 2002): 26. http://dx.doi.org/10.1097/00152193-200211000-00013.

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31

Kavanagh, Michael J. „GOM Themes“. Group & Organization Management 22, Nr. 3 (September 1997): 315–16. http://dx.doi.org/10.1177/1059601197223001.

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32

Lewis, Ricki. „Developing themes“. Nature 430, Nr. 6997 (Juli 2004): 382–83. http://dx.doi.org/10.1038/nj6997-382a.

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33

Naef, Weston. „Persistent Themes“. History of Photography 15, Nr. 4 (Dezember 1991): 268–71. http://dx.doi.org/10.1080/03087298.1991.10442503.

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34

Pastalan, Leon A., und Benyamin Schwarz. „Emergent Themes“. Journal of Housing For the Elderly 11, Nr. 1 (05.08.1994): 169–78. http://dx.doi.org/10.1300/j081v11n01_11.

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35

Teitz, Louise Ellen. „Common Themes“. Proceedings of the ASIL Annual Meeting 101 (2007): 360–63. http://dx.doi.org/10.1017/s0272503700026070.

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36

Clegg, J. „Emerging themes“. Journal of Intellectual Disability Research 54 (April 2010): 73–78. http://dx.doi.org/10.1111/j.1365-2788.2009.01245.x.

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37

Schoonmaker, David. „Building Themes“. American Scientist 99, Nr. 6 (2011): 434. http://dx.doi.org/10.1511/2011.93.434.

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38

Mostrom, Elizabeth. „Recurring Themes“. Journal of Physical Therapy Education 16, Nr. 1 (2002): 2. http://dx.doi.org/10.1097/00001416-200201000-00001.

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39

Smith, Brinton. „Common Themes“. American String Teacher 63, Nr. 1 (Februar 2013): 38–40. http://dx.doi.org/10.1177/000313131306300108.

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40

Kandela, Peter. „The Thames“. Lancet 353, Nr. 9166 (Mai 1999): 1809. http://dx.doi.org/10.1016/s0140-6736(05)75922-5.

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41

Rowan-Robinson, Michael. „Pet themes“. Nature 370, Nr. 6484 (Juli 1994): 28. http://dx.doi.org/10.1038/370028a0.

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42

Chader, Gerald J. „Overarching Themes“. Investigative Opthalmology & Visual Science 53, Nr. 5 (03.05.2012): 2461. http://dx.doi.org/10.1167/iovs.12-9483b.

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43

Ehrlich, Cyril. „Market Themes“. Journal of the Royal Musical Association 114, Nr. 1 (1989): 1–5. http://dx.doi.org/10.1093/jrma/114.1.1.

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In 1977 I discussed some common ways of writing about the social and economic contexts of music, and then suggested alternative procedures. Expressing dissatisfaction with prevailing fashions, that paper was essentially a plea for the use of economic history, recommending its analytical insights and quantitative sense. It sought discussion of typical events, and deliberately challenged the ‘deep-seated antipathy felt by most humanists toward anything that smacks of statistics’. The desired emphasis was also upon ‘thick’ description and analysis, by which one might avoid such contrasted, but equally fruitless, pursuits as unsubstantiated dogma and antiquarianism. Ten years later the invitation to arrange a conference on ‘music in the market-place’ provided an opportunity to look again. There was no attempt to survey current research systematically; less still to restrict subjects and speakers to any particular discipline. Indeed, despite the conference title, conventional approaches to the analysis of markets were scarce, with the notable exception of Julia Moore's paper, an exemplary demonstration of ‘thick’ economic history. Trying to achieve some coherence without imposing a strait-jacket inevitably brought overlaps and gaps. But if penalties were attached to open-mindedness, it also ensured the stimulus of diverse and multi-disciplinary papers, and informal contributions by active participants in the market-place. This introduction is not a summary of the conference, and is not confined to, though it touches upon, what was said there. Schematic, and therefore thin, it merely introduces a few possible themes which are further developed elsewhere, or still await exploration.

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44

Williams, Nigel. „Thames delight“. Current Biology 18, Nr. 9 (Mai 2008): R361—R362. http://dx.doi.org/10.1016/j.cub.2008.04.026.

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45

MacCormac, Richard. „The Thames“. Architectural Design 82, Nr. 1 (Januar 2012): 108–11. http://dx.doi.org/10.1002/ad.1359.

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46

Huh, In-Ryang, Yong-Keon Shin, Sung-Bin Park, Teak-Soo Lee und Tae-Heum Shim. „Distribution of THMs at Drinking Water Purification Plants in the East Coast Region of Gangwon-do“. Korean Journal of Environmental Health Sciences 39, Nr. 3 (30.06.2013): 223–29. http://dx.doi.org/10.5668/jehs.2013.39.3.223.

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47

Rashid, Jihad Shukri. „مضامين و انديشههاى شعرى فقى قادر ههمهوند“. Twejer 3, Nr. 3 (Dezember 2020): 779–820. http://dx.doi.org/10.31918/twejer.2033.21.

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Abdul Qadir Rasool was one of the poets of the nineteenth century. He is known as Faqe. He was a talented poet but his works are still being disregarded and unknown to others. Searching and understanding his poems will clarify his new innovations in poetry. By analyzing the collected works and poems of Persian poets and Quranic verses, he could utilize conceptual semantics in his poetical works. His poems are the symbol of desire, sympathy, using the persuasive of metaphors and dominating words to spread splendid compound literary works. He was able to combine the impacts of both his life experience and the complicated community issues of sultan Aziz Ottoman era in his works intelligently. In this research, the researcher attempted to indicate the notions of the poet to give the ability to understand his concepts and his views, and they are important to understand ingenuity he innovated in his poems. Key words: Faqe Qader, Elegy, Saki poem, Blaming poem, Prison poems.

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48

Dávila, Antonio. „Temas emergentes en contabilidad y control de gestión“. Revista de Contabilidad 22, Nr. 1 (01.01.2019): 1–5. http://dx.doi.org/10.6018/rc-sar.22.1.354371.

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Organizations are at an interesting inflection point where existing paradigms are insufficient. The focus on execution as the main source of competitive advantage has been the dominant paradigm since the late 19th century. It is not enough. The dynamism brought by billions of people joining the market economy and by the exponential development across a large number of technologies requires complementing execution with managing for creation. Management accounting and control is not immune to these changes. Rather, its future development will determine its relevance to management. This paper reflects on some of the opportunities opening for this management discipline to keep its significance to managers. The paper explores new challenges in supporting execution and its role in creating new sources of value. Las organizaciones están en un punto de inflexión donde los paradigmas existentes son insuficientes. El enfoque en la ejecución como la fuente más importante de ventaja competitiva ha sido el paradigma dominante desde el siglo XIX. No es suficiente. El dinamismo que ha traído el hecho de que más de mil millones de personas se hayan sumado a la economía de mercado y el desarrollo exponencial de un número significativo de nuevas tecnologías requiere complementar la ejecución con gestionar la creación. La contabilidad y control de gestión no son inmunes a estos cambios. Es más, su desarrollo en los próximos años determinará su relevancia para los gestores. Este artículo refleja algunas de las oportunidades que se están abriendo a esta disciplina de gestión para seguir siendo significativa para los ejecutivos de las organizaciones. El artículo explora los retos para seguir apoyando la ejecución así como su papel creando nuevas fuentes de valor.

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49

Savazzi, Enrico. „Konstruktionsmorphologie Nr. 177: Adaptive themes in cardiid bivalves“. Neues Jahrbuch für Geologie und Paläontologie - Abhandlungen 170, Nr. 3 (13.11.1985): 291–321. http://dx.doi.org/10.1127/njgpa/170/1985/291.

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50

Patni, Dr Geetika. „Jhumpa Lahiri’s Major themes in Interpreter of Maladies“. International Journal of Research Publication and Reviews 4, Nr. 4 (April 2023): 3607–9. http://dx.doi.org/10.55248/gengpi.4.423.36761.

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