Auswahl der wissenschaftlichen Literatur zum Thema „Theosophy in art“
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Zeitschriftenartikel zum Thema "Theosophy in art"
Abed, Murtadha Atewa. „THE INFLUENCE OF THEOSOPHY ON MODERN PAINTING“. American Journal Of Social Sciences And Humanity Research 4, Nr. 4 (01.04.2024): 42–48. http://dx.doi.org/10.37547/ajsshr/volume04issue04-07.
Der volle Inhalt der QuelleDavenport, Nancy. „Paul Sérusier: Art and Theosophy“. Religion and the Arts 11, Nr. 2 (2007): 172–213. http://dx.doi.org/10.1163/156852907x199161.
Der volle Inhalt der QuelleRaynova, Yvanka B. „The Painting "Confessions" of Nikolay Raynov“. Labyrinth 20, Nr. 2 (15.03.2019): 201. http://dx.doi.org/10.25180/lj.v20i2.144.
Der volle Inhalt der QuelleFaxneld, Per. „‘Mirages and visions in the air’“. Approaching Religion 11, Nr. 1 (20.03.2021): 63–76. http://dx.doi.org/10.30664/ar.98199.
Der volle Inhalt der QuelleByungKil Choi. „The Effect of Theosophy upon the Process of Dehumanization in Avant-garde Art“. Misulsahakbo(Reviews on the Art History) ll, Nr. 33 (Dezember 2009): 243–84. http://dx.doi.org/10.15819/rah.2009..33.243.
Der volle Inhalt der QuelleHelme, Sirje. „THEOSOPHY AND THE IMPACT OF ORIENTAL TEACHING ON THE DEVELOPMENT OF ABSTRACT ART“. Baltic Journal of Art History 7 (19.11.2014): 81. http://dx.doi.org/10.12697/bjah.2014.7.05.
Der volle Inhalt der QuelleIntrovigne, Massimo. „The Sounding Cosmos Revisited“. Nova Religio 21, Nr. 3 (01.02.2018): 29–46. http://dx.doi.org/10.1525/nr.2018.21.3.29.
Der volle Inhalt der QuelleШахматова, Елена Васильевна. „ANTHROPOLOGICAL IDEAS IN THE PHILOSOPHICAL-ART SYNTHESIS OF MIKHAIL MATYUSHIN“. Вестник Тверского государственного университета. Серия: Философия, Nr. 3(53) (30.10.2020): 188–96. http://dx.doi.org/10.26456/vtphilos/2020.3.188.
Der volle Inhalt der QuelleStoeber, Michael. „Theosophical Influences on the Painting and Writing of Lawren Harris: Re-Imagining Theosophy through Canadian Art“. Toronto Journal of Theology 28, Nr. 1 (März 2012): 81–104. http://dx.doi.org/10.3138/tjt.28.1.81.
Der volle Inhalt der QuelleBacsó, Beáta. „Karinthy Frigyes, újgnosztikus áramlatok: spiritizmus; teozófia; antropozófia“. Kaleidoscope history 13, Nr. 26 (2023): 123–58. http://dx.doi.org/10.17107/kh.2023.26.7.
Der volle Inhalt der QuelleDissertationen zum Thema "Theosophy in art"
Nycander, Olga. „Deconstructing Thought Forms : Ett bokformgivningsprojekt om ett färg- och formsystem över hur tankar och känslor ser ut“. Thesis, Konstfack, Grafisk design & illustration, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7992.
Der volle Inhalt der QuelleA book design project that shows the theories of color and form in the book Thought Forms from 1905 as an early of art- and design theoretical work. The book Thought Forms by Annie Besant and C. W. Leadbeater is a theosophical book that shows "thought forms". Colourful shapes formed by thoughts and feelings, only visible for the clairvoyant. The book is believed to have inspired abstract artists such as Wassily Kandinsky and Hilma af Klint, who were both members of the Theosophical Society. Through a series of three books, I present the color and shape systems from Thought Forms as an early art and design theoretical work. This project is both an investigation of the influence of emotions and spiritual ideas on design as an exploration of the book designs effect on how we receive a content. The result is a series of three books: Deconstructing Thought Forms: The Figures Deconstructing Thought Forms: The Colors Deconstructing Thought Forms: The Shapes
Soud, William David. „Toward a divinised poetics : God, self, and poeisis in W.B. Yeats, David Jones, and T.S. Eliot“. Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:331a692d-a40c-4d30-a05b-f0d224eb0055.
Der volle Inhalt der QuelleAllan, Michele Margaret. „‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space“. Phd thesis, 2013. http://hdl.handle.net/1885/13491.
Der volle Inhalt der QuelleBowd, Kevin. „"The Masters are close to an isolated lodge" : the Theosophical Society in Tasmania, 1889-1930“. Thesis, 1993. https://eprints.utas.edu.au/18977/1/whole_BowdKevin1993_thesis.pdf.
Der volle Inhalt der QuelleBücher zum Thema "Theosophy in art"
J, Regier Kathleen, Hrsg. The Spiritual image in modern art. Wheaton, Ill., U.S.A: Theosophical Pub. House, 1987.
Den vollen Inhalt der Quelle findenGuéguen, Daniel. Les deux Prométhée de Jean Delville. Paris: Lienart, 2021.
Den vollen Inhalt der Quelle findenKokkinen, Nina, und Lotta Nylund. Spiritual treasures: Esotericism in the Finnish art world 1890-1950. Helsinki: Parvs, 2020.
Den vollen Inhalt der Quelle findenGuglielmo, Bilancioni. Architectura esoterica: Geometria e teosofia in Johannes Ludovicus Mattheus Lauweriks. Palermo: Sellerio, 1991.
Den vollen Inhalt der Quelle findenSteiner, Rudolf. Art as spiritual activity: Rudolf Steiner's contribution to the visual arts. Hudson, NY: Anthroposophic Press, 1997.
Den vollen Inhalt der Quelle findenBladel, Kevin Thomas van. The Arabic Hermes: From pagan sage to prophet of science. Oxford: Oxford University Press, 2009.
Den vollen Inhalt der Quelle findenArundale, Rukmini Devi. Some selected speeches & writings of Rukmini Devi Arundale. Chennai: Kalakshetra Foundation, 2003.
Den vollen Inhalt der Quelle findenMary, Gray. Mary Gray's The gateway of liberation ; and, Spiritual laws: Rules of the evolutionary arc. 3. Aufl. Tahlequah, Okla: Sparrow Hawk Press, 1992.
Den vollen Inhalt der Quelle findenJinarajadasa, C. Theosophy And Art. Kessinger Publishing, LLC, 2005.
Den vollen Inhalt der Quelle findenSociety, Theosophical Publishing. Theosophy And Art. Kessinger Publishing, LLC, 2005.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Theosophy in art"
„Abstract Art as “By-Product of Astral Manifestation”: The Influence of Theosophy on Modern Art in Europe“. In Handbook of the Theosophical Current, 429–51. BRILL, 2013. http://dx.doi.org/10.1163/9789004235977_021.
Der volle Inhalt der QuelleHardiman, Louise. „3. ‘The Loving Labourer through Space and Time’: Aleksandra Pogosskaia, Theosophy, and Russian Arts and Crafts, c. 1900–1917“. In Modernism and the Spiritual in Russian Art: New Perspectives, 69–90. Open Book Publishers, 2017. http://dx.doi.org/10.11647/obp.0115.03.
Der volle Inhalt der QuelleJohnson, Dominic. „Impossible things“. In Unlimited action, 124–54. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9780719091605.003.0005.
Der volle Inhalt der Quelle„Re-imagining Theosophy through Canadian Art: Indian Theosophical Influences on the Painting and Writing of Lawren Harris“. In Re-imagining South Asian Religions, 193–220. BRILL, 2013. http://dx.doi.org/10.1163/9789004242371_011.
Der volle Inhalt der QuelleQuereilhac, Soledad. „Modernismo, Spiritualism, and Science in Argentina at the Turn of the Twentieth Century“. In Geopolitics, Culture, and the Scientific Imaginary in Latin America, 215–29. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401483.003.0011.
Der volle Inhalt der QuelleStrube, Julian. „Revivalism and Theosophy“. In Global Tantra, 149–62. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197627112.003.0006.
Der volle Inhalt der QuelleWeir, David. „Theosophy and Modernism“. In Imagining the East, 205–28. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190853884.003.0010.
Der volle Inhalt der QuelleWaters, Thomas. „Occultists Study Dark Arts“. In Cursed Britain, 139–55. Yale University Press, 2019. http://dx.doi.org/10.12987/yale/9780300221404.003.0006.
Der volle Inhalt der QuelleCheshire, Paul. „Introduction“. In William Gilbert and Esoteric Romanticism, 1–14. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941206.003.0001.
Der volle Inhalt der QuelleStarr, Martin P. „In the Red Room of Rose Croix“. In The Unknown God, 52–73. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197744512.003.0006.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Theosophy in art"
Uscinowicz, Jerzy. „INTRODUCTION INTO THEOSOPHY OF THE SACRED ART“. In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s14.042.
Der volle Inhalt der QuelleUscinowicz, Jerzy. „PRACTICAL THEOSOPHY OF THE CONTEMPORARY SACRED ART AND ARCHITECTURE - A TEMPLE AS A SYNTHESIS“. In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s15.051.
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