Auswahl der wissenschaftlichen Literatur zum Thema „Theater of Marcellus (Rome, Italy)“
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Zeitschriftenartikel zum Thema "Theater of Marcellus (Rome, Italy)"
Goethals, Jessica. „The Patronage Politics of Equestrian Ballet: Allegory, Allusion, and Satire in the Courts of Seventeenth-Century Italy and France“. Renaissance Quarterly 70, Nr. 4 (2017): 1397–448. http://dx.doi.org/10.1086/695350.
Der volle Inhalt der QuelleGaborik, Patricia. „Mussolini’s Cesare“. Fascism 12, Nr. 2 (13.12.2023): 165–82. http://dx.doi.org/10.1163/22116257-bja10060.
Der volle Inhalt der QuelleCole, Janie. „Cultural Clientelism and Brokerage Networks in Early Modern Florence and Rome: New Correspondence between the Barberini and Michelangelo Buonarroti the Younger*“. Renaissance Quarterly 60, Nr. 3 (2007): 729–88. http://dx.doi.org/10.1353/ren.2007.0255.
Der volle Inhalt der QuelleChekan, Yurii. „Teatro San Cassiano in Opera History“. Art Research of Ukraine, Nr. 23 (28.11.2023): 162–69. http://dx.doi.org/10.31500/2309-8155.23.2023.297536.
Der volle Inhalt der QuelleShishkin, Andrei B. „The Plan for a Soviet Academy in Rome (1924): Viacheslav Ivanov, Anatoly Lunacharsky, Petr Kogan and Others“. Literary Fact, Nr. 23 (2022): 55–99. http://dx.doi.org/10.22455/2541-8297-2022-23-55-99.
Der volle Inhalt der QuelleKordovska, P. A. „Italian singer Daisy Lumini as an interpreter of the post-avant-garde music“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, Nr. 56 (10.07.2020): 253–66. http://dx.doi.org/10.34064/khnum1-56.16.
Der volle Inhalt der QuelleGarcía Sánchez, Jorge. „La collezione di disegni con misure di Isidro González Velázquez nella Real Academia de San Fernando di Madrid Monumenti dell’antica Roma e altri appunti“. MDCCC 1800, Nr. 1 (26.07.2021). http://dx.doi.org/10.30687/mdccc/2280-8841/2021/10/002.
Der volle Inhalt der QuelleDissertationen zum Thema "Theater of Marcellus (Rome, Italy)"
BERTILOTTI, Teresa. „Il palcoscenico della nazione : 1909-1918“. Doctoral thesis, 2012. http://hdl.handle.net/1814/25194.
Der volle Inhalt der QuelleDefence date: 7 November 2012
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
This dissertation examines the forms and spaces of entertainment, such as theatres, cinemas and music halls, in Rome between 1911, when celebrations for the 50th anniversary of Italy’s unification took place, and the First World War. This was a time characterized by the emergence of popular and mass culture and by the spread of a specifically nationalist culture that changed dramatically after the war against Libya in 1911. By adopting a broad definition of "culture,” including both high and low culture, this dissertation explores the ways in which a specific theatrical tradition staged the nation’s history, in particular that of the Risorgimento, after Italian unification. It then broadens the analysis to other forms of entertainment. This dissertation argues that the 1909-1911 celebrations were marked by a renewed attention to the "patriotic” tradition, and spurred the emergence of new theatrical and cinematographic productions, which became particularly relevant in the context of the First World War, thus giving substance to the "culture de guerre”. I argue that theatre shows and movies avoided representing the violence and suffering that characterized the war, partly because of the existence of various forms of censorship. However, the presence of wounded bodies among the audience gave way to a dual representation, and transformed theatres, cinemas and music halls into privileged spaces where the war and the domestic front met. By taking into account the case-study of a girls’ school, I show the gendered dimension of civil society mobilization. Finally, this dissertation analyzes the role entertainment played in "building the enemy,” identified with Kultur, and the emergence of a moral discourse about entertainment, which coincided with the spread of popular culture - especially the cinema - and became even stronger and more complex with the outbreak of the First World War.
Bücher zum Thema "Theater of Marcellus (Rome, Italy)"
1547-1606, Lipsius Justus, und Lipsius Justus 1547-1606, Hrsg. Iusti Lipsii De Amphitheatro et De Amphitheatris quae extra Romam libellus: Lipsius' Buch über Amphitheater, eine textkritische Ausgabe mit Übersetzung, Einführung und Anmerkungen. Leiden: Brill, 2015.
Den vollen Inhalt der Quelle findenGiammusso, Maurizio. Eliseo: Un teatro e i suoi protagonisti : Roma 1900-1990. Roma: Gremese, 1989.
Den vollen Inhalt der Quelle findenGiordano, Renato. Il teatro Tordinona dal Seicento ad oggi: Maschere allo specchio. Rome]: Pagine, 2021.
Den vollen Inhalt der Quelle findenMadeleine, Sophie. Le théâtre de Pompée à Rome: Restitution de l'architecture et des systèmes mécaniques. Caen: Presses universitaires de Caen, 2015.
Den vollen Inhalt der Quelle findenCarlo, Molfese, Hrsg. Un teatro a Roma: L'avventura del Teatro tenda di Piazza Mancini. Roma: Gangemi, 2006.
Den vollen Inhalt der Quelle findenNicassio, Susan Vandiver. Tosca's Rome: The play and the opera in historical perspective. Chicago, Ill: University of Chicago Press, 2001.
Den vollen Inhalt der Quelle findenGiustina, Castoldi, Columba Paola, Casali Tiziana und Biblioteca Baldini (Rome Italy), Hrsg. Il Teatro club nelle carte della Biblioteca Baldini: Catalogo 1957-1984. Roma: Istituto poligrafico e Zecca dello Stato, 1995.
Den vollen Inhalt der Quelle findenRotondi, Sergio. Il Teatro Valle: Storia, progetti, architettura. Roma: Kappa, 1992.
Den vollen Inhalt der Quelle findenPanici, Maurizio. Epifanie: L'argot tra passato e futuro. Spoleto (PG): Editoria & spettacolo, 2015.
Den vollen Inhalt der Quelle findenCheca, Antonio Monterroso. Theatrum Pompei: Forma y arquitectura de la génesis del modelo teatral de Roma. Madrid: Consejo Superior de Investigaciones Científicas, Escuela Española de Historia y Arqueología en Roma, 2010.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Theater of Marcellus (Rome, Italy)"
Weiss, Piero. „Opera Moves To Venice And Goes Public“. In Opera, 34–38. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195116373.003.0007.
Der volle Inhalt der QuelleWeiss, Piero. „Pier Jacopo Martello On Opera (1715)“. In Opera, 73–80. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195116373.003.0013.
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