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1
Des temporalités multiples aux bruissements du silence: Daniel Charles in memoriam. Paris: Hermann, 2013.
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2
Chronotopologies Hybrid Spatialities And Multiple Temporalities. Rodopi, 2010.
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Kavanaugh, Leslie. Chrono-topologies: Hybrid Spatialities and Multiple Temporalities. Rodopi, 2010.
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4
Taming Time: Daoist Ways of Working with Multiple Temporalities. Three Pines Press, 2021.
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Tauchnitz, Juliane, und Jobst Welge. Literary Landscapes of Time: Multiple Temporalities and Spaces in American and Caribbean Literatures. de Gruyter GmbH, Walter, 2022.
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Tauchnitz, Juliane, und Jobst Welge. Literary Landscapes of Time: Multiple Temporalities and Spaces in American and Caribbean Literatures. de Gruyter GmbH, Walter, 2022.
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Tauchnitz, Juliane, und Jobst Welge. Literary Landscapes of Time: Multiple Temporalities and Spaces in Latin American and Caribbean Literatures. de Gruyter GmbH, Walter, 2022.
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8
Kramer, Sina. On the Quasi-Transcendental: Temporality and Political Epistemology in Derrida’s Glas. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190625986.003.0003.
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Chapter 3 articulates how constitutive exclusion both grounds and troubles borders and foundations, acting as the simultaneous condition of possibility and impossibility for the body whose border it draws. I investigate this quasi-transcendental character through an analysis of Derrida’s reading of Hegel in Glas, and in his 1971–1972 course, “La famille de Hegel.” Derrida argues that the speculative dialectic of the Logic is distinguished from the empirical differences of nature through an account of gender produced as “natural” but which secures the gender of language and power. Relying on Derrida’s analysis of Antigone/Antigone, I flesh out the economy and retroactive temporality of constitutive exclusion. I give an account of transcendental as a performative role, and argue that retroactive temporality, in combination with the multiplicity diagnosed in Chapter 2, indicates that political bodies and agency are secured through a sedimented history of multiple constitutive exclusions.
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Pidongsisŏng ŭi tongsisŏng: Han'guk kŭndae chŏngch'i ŭi tajungjŏk sigan = Simultaneity of non-simultaneous : Multiple temporalities of modern politics in Korea. Sŏul T'ŭkpyŏlsi: Koryŏ Taehakkyo Ch'ulp'anbu, 2014.
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10
Goodman, Steven N., und Jonathan M. Samet. Causal Inference in Cancer Epidemiology. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190238667.003.0007.
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Judgments about causality are central to the development of interventions intended to reduce exposure to risk factors that cause cancer. Because causation is not directly observable in medicine, scientists and philosophers have had to develop sets of constructs and heuristics that define “cause” operationally. The criteria in this framework, often attributed to the British medical statistician Sir Austin Bradford Hill or to the 1964 Report of the US Surgeon General on tobacco, include consistency, strength of association, specificity, temporality, coherence/plausibility/analogy, biological gradient, and experiment. This chapter reviews these criteria in depth and considers the challenges of applying them to population research on cancer. It discusses the concepts of causation in the context of the multistage nature of cancer, the “counterfactual” notion of causation, the component cause model for understanding diseases with multiple causes, and the “weight of the evidence” approach for integrating information from multiple lines of research.
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Tsoukas, Haridimos, Ann Langley, Michael Barrett und Emmanuelle Vaast, Hrsg. Organizing in the Digital Age. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198899457.001.0001.
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Abstract This book provides a process-oriented perspective to understand the pervasiveness of digitalization in organizations and contemporary society. The ongoing and multiple crises, whether it be the pandemic, the economy, or climate change, have magnified the importance of digital technologies in processes of organizing and accelerated the role of digital transformation in work-life. The central themes underpinning the chapters in this book concern the becoming of digital work, the conceptualization of agency in digital work, and the role of temporality in contemporary organizing. The increasing entanglement of digital technologies and work accelerated through the pandemic have fuelled interest in the need for understanding digital work happening at scale, while also examining and exposing inequalities. The concern with the role of agency in digital work reaches new heights when we consider the rapid and pervasive development and implementation of Artificial Intelligence (AI), and algorithmic control and raises concerns as to the ethical and moral dimension of agency. The third part of the puzzle questions the role of temporality which is at the heart of agency, and puts forward an Ingoldian inspired view of agency as an ongoing temporal flow, and allows for knowledge work to be viewed as human knowledge workers and AI technologies co-responding to each other in harmony
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van der Vlies, Andrew. Bad Feelings in the Provinces of History. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793762.003.0003.
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Marlene van Niekerk’s novels Triomf (1994) and Agaat (2004) set new standards for Afrikaans fiction. This chapter canvasses the author’s abiding concerns with the forced adoption of the temporality of another—another political order, another cultural identity—that was at the heart of apartheid ideology, and with the multiple disappointments (missed appointments, frustrated desires) that resulted. Focusing on Agaat, it considers the role of the novel (and of the character Agaat within it) as a prosthesis that makes transmission—and critique—of culture possible. Turning to debates about the shape of World Literature, and the place of South African writing within it, the chapter also asks what the translation of Agaat into English suggests about the fates of writing from a specific national and linguistic context when taken up by a discipline that flattens difference.
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Kramer, Sina. Materialist History and Method. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190625986.003.0005.
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Chapter 5 argues that due to its retroactive character, any critique of constitutive exclusion must be retrospective: both materialist and historical. First, this critical method must be material as a means of releasing the possibilities sedimented in a political agency we often presume to be fixed, natural, and unified. It must also be material in order to orient our listening toward concrete conditions without reducing them to brute facticity and without romanticizing or fetishizing those constitutively excluded. Second, this critical method must also be retrospective or historical, because the retroactive temporality of constitutive exclusion leaves the current terrain of politics and intelligible political agency sedimented with multiple exclusions. By unearthing how things may have been otherwise, we release those sparks of resistance that they can still be otherwise.
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Wickerson, Erica. History. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0006.
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The distinction between lived time as it is subjectively experienced by individuals and wider events that affect communities, collectives, and nations is a complex and significant aspect of time as it is presented in narrative. This chapter considers the tension between the time of individual experience and the time of collectively marked events in Doctor Faustus, Felix Krull, Mario and the Magician, as well as Günter Grass’s The Tin Drum, and Art Spiegelman’s graphic novel, Maus. The wide range of times and media afforded by these works allows an analysis of the ways in which references to historical events have a significant effect on the temporality of individual tales. In the case of the works discussed here, history presented through myth, metaphor, and magic realism further complicates the flow of time by thickening it into multiple layers of storytelling.
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Genosko, Gary. Drinking Animals: Sobriety, Intoxication and Interspecies Assemblages. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0016.
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While Deleuze explored the temporalities of alcoholism in American literature in The Logic of Sense, and Jean Clet Martin, among others, has extended this inquiry by further extracting the alcoholic’s lines of flight from the same literature, this chapter breaks the mould by understanding alcohol, distilled and in its pure form of ethanol, as well as its imbibition, as a question of a component that passes through anthropocentric, and across multiple non-anthropocentric assemblages. The exploitation of ethanol fermentation, for example, exists across species. Indeed, as we entertain more overtly human cultural examples, such as ‘wine’ for cats, a recent Japanese pet trend, the metabolic communion of interspecies companionship requires that the material expressivity of the substance is overcoded because the ‘wine’ is not only non-alcoholic but liquid catnip in a ‘wine’ bottle. Indeed, theorization of the pursuit of shared pleasures – using Guattari’s ethological terms, we might say deterritorializing from deterministic biological factors yet also modifying these in some measure as well (Machinic Unconscious) – and engaging multiple species is this chapter’s goal, achievable by plotting the passages of alcohol and its related components across assemblages and their material and socio-cultural expressive trajectories beyond strictly anthropocentric and Western prerogatives.
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Tracey, Paul, und W. E. Douglas Creed. Beyond Managerial Dilemmas. Herausgegeben von Wendy K. Smith, Marianne W. Lewis, Paula Jarzabkowski und Ann Langley. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198754428.013.9.
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This chapter makes the case that institutional and paradox theorists should consider problems stretching beyond managerial concerns and corporate performance to focus attention on the paradoxes that characterize the most deep-rooted and contentious social issues facing societies and economies, suggesting a switch from organizational to institutional paradoxes. To illustrate, two vignettes are described—one focused on the legacy of the University of Georgetown’s slave-trading past, the other on the identity challenges faced by working-class people attending Cambridge University. Drawing from these vignettes, three sets of theoretical insights are presented which are fundamental to institutional paradox: that institutional paradoxes may be rooted in a desire for legitimacy; that temporality is a dynamic at the core of institutional paradox; and that the metaphor of multiple interconnected fault lines better captures the complexity inherent in paradox at the institutional level than the metaphor of dualities.
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Smith, Jennifer J. Resisting Identity. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423939.003.0006.
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Chapter five argues that the best way to grasp William Faulkner’s oeuvre is through the paradigm of the short story cycle because of his use of limited localities, interstitial temporalities, and formative kinships; this approach pushes against a mountain of criticism that expects and measures the unity of his work. The form, with its privileging of multiple, competing narratives, is ideally suited to articulating the crises of history and subjectivity that Faulkner dramatizes. Faulkner’s achievements in the cycle reach an apex in Go Down, Moses (1942), which is his most sustained treatment of black-white relations. Go Down, Moses explores both continual and heightened moments of interracial intimacies. The stories most sharply narrate the crises that the white McCaslin line faces when grappling with their unacknowledged kinship with the black Beauchamp line. This chapter demonstrate that the cycle dramatizes the production of provisional racial identities, because they do not depend upon rigid distinctions, essential characteristics, or defined origins.
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Harford Vargas, Jennifer. The Floating Dictatorship. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190642853.003.0004.
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This chapter focuses on the figure of the neoliberal dictator in Francisco Goldman’s The Ordinary Seaman, arguing that the white captain and first mate are capitalist dictators who use a marooned ship in an abandoned Brooklyn pier as their technology of domination. The novel depicts the shipowners as modern-day explorers, slave owners, and filibusterers who employ a group of Central Americans but never pay them and keep them trapped on the ship in fear of deportation. The shipwreck functions as a metaphor for the crew’s situation as well as a narrative device, and the novel’s discourse is structured through breakage and stranded temporality. The chapter ends by considering the multiple significations of scraps and holes in the novel, demonstrating how the ruinous holes of the shipwreck are repurposed and repaired in the novel through the narrative form as the crew piece together scraps of their narrative testimonies for a migrant community that offers them safe harbor.
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Allen, Jafari S. There's a Disco Ball Between Us. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021896.
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In There’s a Disco Ball Between Us, Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
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Hernes, Tor. Organization and Time. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192894380.001.0001.
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Observed through a temporal lens, organizational life fluctuates among moments of instantaneity, enduring continuity, and imagination of distant times. This movement stems from the fact that actors are continually faced with multiple intersecting temporalities, obliging them to make choices about what to do in the present, how to understand the past they emerge from, and how to stake out a possible future. Although scholars have widely recognized actors’multitemporal reality, it remains to be more fully theorized into an integrative framework. In this book, Tor Hernes takes up this challenge by combining foundational ideas from philosophy, sociology, and organization theory into an integrative theoretical framework of organizational time. Based on a review of the literature, his definition of time includes four dimensions: experience, events, resource, and practice. He provides examples of how these four dimensions evolve through mutual interplay and how they are underpinned by what he calls narrative trajectory. He then discusses implications for key topics in organizational research, including materiality, leadership and continuity and change. Organization and Time is for scholars and advanced students of organization studies, management studies, technology studies, and sociology.
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Franko, Mark, Hrsg. The Oxford Handbook of Dance and Reenactment. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.001.0001.
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Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the notion of preservation and representation associated with reconstruction is transformed by reenactment into historical experience and affective relation to the past in the present. In other terms: How does dance convey historical meaning through sensuous form? Danced reenactment poses the problem of history and historicity in relation to the troubled temporality inherent to dance itself. Ephemerality as the central trope of dance is hence displaced in favor of dance as a reiterative practice that confounds categories of chronological time and opens up a theoretical space of history that is often invisibilized by ideologies of immediacy traditionally attributed to dancing. The preponderance of the re- in contemporary choreographic creativity points to the operational value of reenactment in dance as synonymous with cultural production itself inasmuch as culture is engaged with the re-appropriation of signs, citationality, and intertextuality. Collectively, these chapters theorize choreographic reenactments’ potential not only to re-arrange the relationship between past, present, and future, but also to destabilize singular authorship, to unleash choreographies’ multiple meanings, to challenge the linearity of dance history, to rewrite and re-inscribe dance canons, and to the highlight the dancing body’s agentive status as archive.