Thematische Bibliographien / Television series – united states

Auswahl der wissenschaftlichen Literatur zum Thema „Television series – united states“

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Veröffentlicht am 27. Juli 2024
Zuletzt aktualisiert am 28. Juli 2024

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Zeitschriftenartikel zum Thema "Television series – united states"

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Gumbert, Heather. „The Deutschland Series: Cold War Nostalgia for Transnational Audiences“. Central European History 54, Nr. 2 (Juni 2021): 352–60. http://dx.doi.org/10.1017/s0008938921000480.

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How do you explain the Cold War to a generation who did not live through it? For Jörg and Anna Winger, co-creators and showrunners of the Deutschland series, you bring it to life on television. Part pop culture reference, part spy thriller, and part existential crisis, the Wingers’ Cold War is a fun, fast-paced story, “sunny and slick and full of twenty-something eye candy.” A coproduction of Germany's UFA Fiction and Sundance TV in the United States, the show premiered at the 2015 Berlinale before appearing on American and German television screens later that year. Especially popular in the United Kingdom, it sold widely on the transnational market. It has been touted as a game-changer for the German television industry for breaking new ground for the German television industry abroad and expanding the possibilities of dramatic storytelling in Germany, and is credited with unleashing a new wave of German (historical) dramas including Babylon Berlin, Dark, and a new production of Das Boot.
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Lozano, Jose Carlos. „From Parochialism to Cosmopolitanism in the American Audiovisual Supply? Netflix’s New Releases of Television Fiction in the United States and their Geographical Diversity“. Anagramas Rumbos y Sentidos de la Comunicación 20, Nr. 40 (19.05.2022): 200–223. http://dx.doi.org/10.22395/angr.v20n40a9.

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The supply of films and TV series in the United States has been historically dominated by national programming produced by its powerful media conglomerates, significantly limiting the diversity and plurality of choices for their American viewers. Netflix and other video-on-demandplatforms are changing this situation, significantly increasing the availability in the United States of fiction produced in different regions of the world, potentially exposing their subscribers to new narrative styles, scenarios, ethnicities, nationalities, languages, and cultural features. This study, based on the methodology of content analysis, analyzes the geographical origin and production type of new Netflix scripted television releases in the United States from January 2017 to June 2018 and discusses their potential relevance in broadening the degree of geographical diversity among American subscribers to the platform. The paper concludes that while Netflix USA substantially increased the supply of foreign television series in its catalog during that period, a sizeable part of the imports came from countries with high degrees of “cultural proximity” with the United States. The article concludes by discussing the possible “Americanization” of foreign audiovisual productions, formats, and genres bought or produced by Netflix.
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Sullivan, John L. „Transporting Television in Space and Time: The Export ofDoctor Whoto the United States in the 1970s and 1980s“. Journal of British Cinema and Television 12, Nr. 3 (Juli 2015): 342–63. http://dx.doi.org/10.3366/jbctv.2015.0269.

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The revival of the BBC series Doctor Who in 2005 heralded the successful rebirth of a defunct science fiction series that had been cancelled in 1989. While the 2005 incarnation was designed as a slick, high-budget media product with cross-national appeal, the initial series, which was broadcast regularly from 1963 to 1989, was quite different – quirky, low-budget and distinctly British. In fact, the roll-out of Doctor Who on American television screens in the late 1970s was marred by missteps thanks in part to structural differences between the US and British broadcasting systems. This essay explores the initial expansion of Doctor Who into the United States beginning in the late 1960s, first via syndication to commercial stations with Time Life Television and later to Public Broadcasting Service (PBS) stations nationwide through the BBC's US distribution arm, Lionheart Television. The attempt to internationalise the Doctor Who audience in its first two decades is examined through the larger lens of shared British and American broadcasting history and policy before and during the Thatcher era. Ironically, while the BBC scrapped Doctor Who in the 1980s due to market pressures and personal rivalries, it attracted an engaged and loyal fan base in the United States, ultimately boosting the fortunes of American public television.
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Huntsberger, Michael W. „Community media in the United States: Fostering pluralism and inclusivity in challenging times“. Interactions: Studies in Communication & Culture 11, Nr. 2 (01.07.2020): 191–205. http://dx.doi.org/10.1386/iscc_00018_1.

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For most Americans, public service media (PSM) are synonymous with National Public Radio for radio and audio and Public Broadcasting Service for television and video. However, these national services do not fully circumscribe the PSM sphere in the United States. US community media are non-commercial, locally controlled outlets that produce content intended for local audiences, most often focused on local concerns associated with housing, education, government and the arts. This study provides an overview of the present state of community media in the United States. It draws on a variety of sources, including data from the industry, and from the professional press, as well as a series of extensive informational interviews with community media leaders around the United States. The subjects include representatives from community radio and community television outlets that serve urban, suburban and rural markets. After compiling and analysing the quantitative and qualitative data, several key indicators emerge that help to describe the current state of community media in the United States and point towards challenges and opportunities ahead for the sector.
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Rudy, Rudy. „CONCEPTUALIZING FRIENDSHIP THROUGH AMERICAN GAY TELEVISION SERIES IN 2000S“. Rubikon : Journal of Transnational American Studies 2, Nr. 2 (01.09.2015): 64. http://dx.doi.org/10.22146/rubikon.v2i2.34260.

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Gay culture has been one of the most phenomenal issues in the world, particularly in the United States. As this culture has become pro and contra over American regarding their point of view, ethically or unethically, thus, it has been spread all over the world through media, particularly television, which makes it unique and essential to observe through the television series, gay characters appear with certain features attached to them. This study concentrates on the depiction of gay shown through American gay television series in 2000s. As gay culture is strongly connected to the collectivity, the friendship among minority groups like gay people has become fascinating to identify. By focusing on how and why the friendship is portrayed through the gay television series, this study incorporates semiotic approach to identify the friendship among gay shown by the American gay television series in 2000s. The observation of the gay television series have revealed that friendship among gay people plays a significant role in gay culture. The research findings show that the depiction of friendship through the gay TV series symbolizes similar values and vision shared among gay people in order to reach solidarity. Additionally, strong friendship as a binding value is always the feature shown by oppressed minority groups in a society.Keywords: Gay, Television Series, 2000s, Friendship, America Culture
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Fedele, Maddalena. „La segunda generación de teen series: programas estadounidenses, británicos y españoles de los 2000-2010“. INDEX COMUNICACION 11, Nr. 01 (11.01.2021): 297–327. http://dx.doi.org/10.33732/ixc/11/01lasegu.

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Teen series are a star media product around youth culture, and at the same time that represent the prototype of serialised fiction programmes preferred by the teen audience. This article presents the results of a study of 50 contemporary teen series, produced in The United States, The United Kingdom and Spain. Through a qualitative approach and a mixed methodology, the study draws on the fundamental characteristics of the format of the second generation of teen series. Like the first-generation productions of the 1990s, today's teen series remain prime-time star shows and continue to focus on teenage characters and themes. But, unlike those of the first generation, current teen series tend to portray more diverse and varied youth representations, offering models of identity based on self-acceptance; they open up to a young and young-adult audience, and rely on the narrative and aesthetic strategies of the current meta-television stage and of the so-called third golden age of television, becoming popular quality productions.
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Olmedo-Salar, Silvia, und Paloma López-Villafranca. „Análisis comparativo de ´podcasts´ y series televisivas de ficción. Estudio de casos en España“. INDEX COMUNICACION 9, Nr. 2 (30.06.2019): 183–213. http://dx.doi.org/10.33732/ixc/09/02analis.

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Sound fiction genre takes a relevant position after the irruption of American productions such as Serial in the year 2014, whose success boosted its emission in other media as a series with the same title offered by HBO. In Spain, the conversion from podcast to television series hasn´t been produced yet, but we do have on stream podcasts that derive from television series, specifically, on RTVE platform. The objective of this work is to perform a formal comparative analysis and content of podcasts and series of television platforms in Spain and the United States applied to the first season of the following fictions: Homecoming and Dirty John podcasts, both of them broadcasted as series on Amazon and Netflix in the USA. In Spain, we analyze the podcast Carlos de Gante podcast comparing it with the series Carlos, el Emperador, and the podcast Bienvenido a la Pasarela with the TV series Estoy Vivo, on RTVE web platform. In the US, the sound acquires a new dimension both in its adaptation to the television format as an independent unit while in Spain, although it is a complement to the transmedia universe, it enjoys a quality and a projection that announces a rediscovery of the sound format. Keywords: Sound Fiction; Series; Television; Radio; Transmedia; Podcast.
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Arcimowicz, Krzysztof. „Determinants of the Content and Creation of Modern Television Series. Selected Issues“. Creativity. Theories – Research - Applications 3, Nr. 1 (01.06.2016): 104–17. http://dx.doi.org/10.1515/ctra-2016-0008.

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AbstractThe aim of this article is to present the most important factors affecting the creation and content of two different genres of television series–Polish television sagas and American post-soap operas. The analysis which I have carried out in the field allows the formulation of several conclusions. The creation of the two genres is similar. In both cases the most important people are the producers and scriptwriters and the most important criteria used for the assessment of a production are audience ratings and economic factors. Polish television sagas and American post-soaps are often very different with regard to their content and the ways they present social issues. The reasons for the differences include: genre convention, expectations of viewers, social and cultural context, and the emergence of commercial subscription television in the United States. At the turn of the 21st century HBO, an American pay television provider, followed by other stations began to produce shows which, even though they have originated from older television forms, break the ties with their antecedents. Makers of post-soaps address sensitive social issues and create their characters in an original and often controversial way.
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Martin, Kameelah, und Elizabeth West. „Sankofa, or “Go Back and Fetch It”: Merging Genealogy and Africana Studies—An Introduction“. Genealogy 2, Nr. 4 (29.10.2018): 46. http://dx.doi.org/10.3390/genealogy2040046.

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With the overwhelming popularity of genealogy-themed television series, genetic genealogy testing, online subscription services for research, and the enduring aphorism of Sankofa, people of African descent are consistently dispelling the long-avowed assertion that the ancestry of the enslaved in the United States and their descendants is, for the most part, unknowable. [...]
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Paris, Orlando. „The “Fiat 500L” commercial: A journey into Italian style“. Semiotica 2019, Nr. 229 (26.07.2019): 237–46. http://dx.doi.org/10.1515/sem-2018-0010.

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AbstractThis essay will analyze a single script, the television commercial that advertises the Fiat 500L in the United States, released in 2013. This commercial has stimulated wide debate both in Italy and the United States. It was generally well received by the press, even if it did attract some criticism on the part of those who simply read it as the latest version of a series of stereotypes of Italian mores. Without neglecting the functional dynamic of advertising (narratological structure and underlying rhetorical devices), this analysis will focus in particular on the decisive role played by Italianness and the Italian language.
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Dissertationen zum Thema "Television series – united states"

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Lee, Amy, und 李凱華. „Translocal readings: Hong Kong television serials in US Chinatowns“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37339436.

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Li, Beibin. „A comparison of the information content of TV advertising in the United States and the People's Republic of Chinna“. Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1996. http://www.kutztown.edu/library/services/remote_access.asp.

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de, Wasseige Mathieu. „A critical analysis of ideological narratives in contemporary US network television series“. Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209843.

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This critical study unveils the ideological underpinning of contemporary network series narratives through a thematic approach combined with the analysis of the strategies of representation that support the ideological inclination of the series/Cette analyse critique dévoile l'idéologie sous-jacente des séries télévisées contemporaines des networks américains par une approche thématique combinée à une analyse des stratégies de représentations qui appuient la tendance idéologique de ces séries
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
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Rogers, Shannon. „Ken Burns' Baseball: Argument in documentary“. CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1759.

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Dupuy, Camille. „Généalogie du "family drama" : représentations des familles américaines dans les séries télévisées dramatiques familiales depuis les années 1970“. Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30012/document.

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Les familles et les questions de société qui s’y rapportent occupent une place politiquement et symboliquement importante aux Etats-Unis depuis l’installation des colonies anglaises dans le continent Américain au XVIIe siècle. Elles sont omniprésentes dans les fictions télévisées depuis les débuts de la télévision commerciale américaine, à la fin des années 1940. Aujourd’hui, il est difficile de citer une série qui ne parle pas directement ou indirectement de la famille. Pourtant, elles sont peu nombreuses à en faire leur sujet principal. Dans les années 1950 et 1960, les familles sont déjà le sujet de séries télévisées, que ce soit dans des sitcoms, des soap operas ou des westerns. A partir des années 1970, elles commencent à être l’objet principal de séries dramatiques de prime time : des family dramas. La chercheuse Ella Taylor, dans Prime Time Families, définit le family drama comme « une série dont l’action se passe principalement dans la maison » (« a dramatic series set in the home »). L’observation des évolutions du family drama des années 1970 à nos jours vise à comprendre l’évolution des conceptions de la famille dans l’imaginaire collectif de la société américaine. Cette étude chronologique, divisée en trois époques, analysera la généalogie du genre du family drama. La première période commence en 1972, le début de la diffusion de la série The Waltons (CBS, 1972-1981) et se termine en 1983, soit à la fin de la diffusion de Little House on the Prairie (NBC, 1974-1983). La deuxième période commence en 1978, avec le début de la diffusion de Dallas (CBS, 1978-1991) et se termine en 1993, soit à la fin de la diffusion de Knots Landing (CBS, 1979-1993). La troisième période s’est ouverte en 1994, avec le début de la diffusion de Party of Five (Fox, 1994-2000) et se termine en 2015 avec Parenthood (NBC, 2010-2015)
Families have occupied a politically and symbolically important place in the United States since the settlement of the English colonies in the American continent in the seventeenth century. They have been ubiquitous in TV drama since the early days of American commercial television in the late 1940s. Today, it is hard to find a television series that does not speak directly or indirectly about family. Yet, only few make them their main subject. In the 1950s and 1960s, families were already the subject of television programs, whether in sitcoms, soap operas or westerns. From the 1970s, they began to be the main focus of prime-time drama shows: family drama was born. The researcher Ella Taylor, in Prime Time Families, defines the family drama as "a dramatic series set in the home". The observation of evolutions of the family drama from the 1970s to now aims at understanding the evolution of the perceptions of the family in the collective imagination of American society. This chronological study, divided into three eras, analyzes the genealogy of the family drama as a genre. The first period began in 1972, with the beginning of the broadcast of The Waltons (CBS, 1972-1981) and ended in 1983, at the end of the broadcast of Little House on the Prairie (NBC, 1974-1983). The second period begins in 1978, with the start of the Dallas broadcast (CBS, 1978-1991) and ends in 1993, at the end of the broadcast of Knots Landing (CBS, 1979-1993). The third period began in 1994 with the launch of the release of Party of Five (Fox, 1994-2000) and ends in 2015 with Parenthood (NBC, 2010-2015)
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McCann-Washer, Penny L. „A comparison and content analysis of seven nuclear and single-parent family sitcoms shown on prime-time network television“. Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/722229.

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This thesis was designed to determine whether there are significant differences in family sitcoms between type of response and family type; between action and family type; between type of interaction and family type; and whether there are more positive than negative responses on both types of sitcoms.Seven nuclear and single-parent family situation comedies which are presently being shown on network prime-time television were compared to one another. A content analysis using a goodness-of-fit test was utilized to determine if parenting differences between the two types of family situation comedies existed.A chi-square showed that there is no difference between the number of negative and positive scenes in each type of sitcom. Finally, it was shown that no major parenting differences exist between single-parent and nuclear family sitcoms presently viewed on network prime-time television.
Department of Journalism
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Mavromichali, Iphigenia. „Cultural imperialism and United States television programming in Greece /“. Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/6201.

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Malach, Michele Marie. „You'd better dust off your own black suit : the FBI in recent American film and television /“. Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004330.

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Lu, Ray C. (Ray Chun). „Television as an Instrument for Bridging Cultures: A Study of Television's Effects on Taiwanese Students in the United States“. Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279021/.

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This study tested American television effects on Taiwanese Students in uncertainty reduction and stereotype forming. The study consisted of a questionnaire analysis and a focus group discussion. Fifty-five subjects responded to the questionnaires and twenty of them joined two group discussions.
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Millard, Mary J. (Mary Jennifer). „A Comparative Study of the Trends of Comedy and Non-Comedy Television Genres and the Public's Attitudes Toward Economic Well-Being, According to a Survey of Gallup Polls, During a Thirty-Year Period from 1955- 1984“. Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500781/.

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This study is concerned with the problem of whether the public's attitudes toward economic well-being could be compared with the types of television programs made popular over a thirty-year period. Two measures were used to determine the public's attitudes toward economic well-being: 1) answers to questions of an economic nature; and 2) answers to questions that asked what was the most important problem. All data were compiled from Gallup polls administered during 1955 through 1984. The television genre data were compiled from sources by Brooks and Marsh, McNeil and Norback and Broadcasting magazine. No association existed among the three measures.
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Bücher zum Thema "Television series – united states"

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1954-, Hammond Michael, und Mazdon Lucy, Hrsg. The contemporary television series. Edinburgh: Edinburgh University Press, 2005.

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Terrace, Vincent. Fifty years of television: A guide to series and pilots, 1937-1988. New York: Cornwall Books, 1991.

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Vito, John De. Epic television miniseries: A critical history. Jefferson, N.C: McFarland & Company, Inc., 2010.

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Vito, John De. Epic television miniseries: A critical history. Jefferson, N.C: McFarland & Company, Inc., 2010.

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1949-, Lavery David, Hrsg. The essential cult TV reader. Lexington, Ky: University Press of Kentucky, 2010.

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1949-, Lavery David, Hrsg. The essential cult tv reader. Lexington, Ky: The University Press of Kentucky, 2010.

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Latta, Chris. G.I. Joe, a real American hero. United States]: Shout Factory, 2012.

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Wertz, Jay. Smithsonian's great battles & battlefields of the Civil War: A definitive field guide based on the award-winning television series by MasterVision. New York: William Morrow & Co., 1997.

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Southampton Media Education Research Group. und TVS (Firm : Great Britain). Community Unit., Hrsg. Making The Real world: A study of a television series. Cambridge [Cambridgeshire]: Cambridge University Press, 1988.

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The theology of Battlestar Galactica: American Christianity in the 2004-2009 television series. Jefferson, N.C: McFarland & Co., Publishers, 2012.

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Buchteile zum Thema "Television series – united states"

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Galperin, Hernan, und François Bar. „The Regulation of Interactive Television in the United States and the European Union“. In Regulating Audiovisual Services, 433–56. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003417231-17.

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Lepri, Chiara. „Marco Polo returns to China: Giuliano Montaldo’s TV series (1982)“. In Studi e saggi, 99–116. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0068-4.10.

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In 1982, the Italian television network RAI produced a TV series by Giuliano Montaldo on the travels of the Venetian merchant Marco Polo. Broadcast in forty-six countries, the Emmy Award-winning cinematic project, which involved partners from the United States, Japan, Germany, and France, stood as the first film co-production between Italy and China and represented a relevant step in the consolidation of the Sino-Italian friendship after the establishment of diplomatic relations in 1970. This paper aims to research the transnational dynamics enacted by Marco Polo during the Sino-Italian co-production and presents the making of the TV series in China from ideation to distribution. The study includes an original interview with the director Montaldo (2022).
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Orosa, Miguel A., Daqui Lema und Viviana Galarza-Ligña. „Twenty-First Century Trends and International Cross-Cultural Perspective: The Post-dramatic TV Series Model in the United States vs. Spain’s Neoclassical Hesitancy in Television Serial Fiction“. In Smart Innovation, Systems and Technologies, 333–43. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5792-4_33.

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Balboni, Paolo. „United States“. In Information Technology and Law Series, 65–94. The Hague: T.M.C. Asser Press, 2009. http://dx.doi.org/10.1007/978-90-6704-493-6_4.

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Wolohan, John. „United States“. In ASSER International Sports Law Series, 345–73. The Hague: T.M.C. Asser Press, 2005. http://dx.doi.org/10.1007/978-90-6704-541-4_19.

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Bardopoulos, Anne Michèle. „United States of America“. In Law, Governance and Technology Series, 239–55. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15449-7_20.

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Fowler, Erika Franklin, Michael M. Franz und Travis N. Ridout. „Buying and Targeting Political Advertising on Television“. In Political Advertising in the United States, 87–114. Boulder, CO : Westview Press, 2016.: Routledge, 2018. http://dx.doi.org/10.4324/9780429498275-5.

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Fowler, Erika Franklin, Michael M. Franz und Travis N. Ridout. „The Volume and Content of Political Advertising on Television“. In Political Advertising in the United States, 37–62. 2. Aufl. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003165712-3.

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Douglas, William, und Suzanne Buck. „Television and the elderly in the United States“. In Medien und höheres Lebensalter, 303–15. Wiesbaden: VS Verlag für Sozialwissenschaften, 2009. http://dx.doi.org/10.1007/978-3-531-91900-3_23.

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Curtis, Patricia. „Food Regulation in the United States“. In Food Science Text Series, 203–16. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-1177-2_14.

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Konferenzberichte zum Thema "Television series – united states"

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Demos, Gary. „Advanced television for the United States“. In the 23rd annual conference. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/237170.237297.

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Hopkins, Robert. „United States digital advanced television broadcasting standard“. In Critical Review Collection. SPIE, 1996. http://dx.doi.org/10.1117/12.229253.

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Rajni und Tuhin Banerjee. „A Time Series Analysis of Renewable Energy Production in United States“. In 2022 5th International Conference on Computational Intelligence and Networks (CINE). IEEE, 2022. http://dx.doi.org/10.1109/cine56307.2022.10037293.

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Witharana, W. W. S. K., U. K. D. T. N. Udugama, P. M. R. Fernando, H. M. H. Kaumadi und T. S. G. Peiris. „Forecasting Consumer Price Index in the United States“. In SLIIT International Conference on Advancements in Sciences and Humanities 2023. Faculty of Humanities and Sciences, SLIIT, 2023. http://dx.doi.org/10.54389/raqa6627.

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This report presents the Auto-Regressive Integrated Moving Average (ARIMA) model for forecasting the consumer price index (CPI) in US using monthly data from March 2010 to March 2023. The original series was not stationary, but the first difference series was found to be stationary using the Augmented Dicky Fuller test. The best-fitted model was identified based on the significance of the parameters, volatility (sigma2 ), log-likelihood, Akaike, Schwartz, and Hannan Quinn information criterion. Parameters of the fitted model are significantly deviated from zero. The stability of the model has been checked using the roots of the unit root test. Residuals of the fitted model satisfied the randomness but non constant variance. The monthly forecasted values of CPI from April 2023 to August 2023 are 301.833, 302.444, 303.038, 303.639, and 304.261. The percentage errors of the forecasted values are less than one percent. This method and results provide useful information to policy and market makers for their planning.
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Sheng, Ting Heng, Mohd Saifullah Rusiman, Norziha Che Him, Suliadi Firdaus Sufahani und Efendi Nasibov. „Analysis of time series for Malaysian currency exchange rate to the United States currency“. In PROCEEDINGS OF SCIEMATHIC 2020. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0053700.

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Rajni, Tuhin Banerjee und Prashant Kumar. „Forecasting of renewable energy production in United States: An ARIMA based time series analysis“. In THE IV INTERNATIONAL SCIENTIFIC FORUM “NUCLEAR SCIENCE AND TECHNOLOGIES”. AIP Publishing, 2024. http://dx.doi.org/10.1063/5.0193938.

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Gadepally, Vijay, Gregory Angelides, Andrei Barbu, Andrew Bowne, Laura J. Brattain, Tamara Broderick, Armando Cabrera et al. „Developing a Series of AI Challenges for the United States Department of the Air Force*“. In 2022 IEEE High Performance Extreme Computing Conference (HPEC). IEEE, 2022. http://dx.doi.org/10.1109/hpec55821.2022.9991948.

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Yang, Yifan, Haonan Chen und Kyle A. Hilburn. „Precipitation Retrieval Using ABI and GLM Measurements on the GOES-R Series“. In 2023 United States National Committee of URSI National Radio Science Meeting (USNC-URSI NRSM). IEEE, 2023. http://dx.doi.org/10.23919/usnc-ursinrsm57470.2023.10043142.

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Horton, Dustin, Joel T. Johnson, Mohammad Al-Khaldi, Ismail Baris, Jeonghwan Park und Rajat Bindlish. „Soil Moisture During 2015 Spring Flood Events from the SMAP Radar Time-Series Ratio Algorithm“. In 2024 United States National Committee of URSI National Radio Science Meeting (USNC-URSI NRSM). IEEE, 2024. http://dx.doi.org/10.23919/usnc-ursinrsm60317.2024.10465105.

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Crowley, Clinton, und Robert Stern. „A VIDEO SERIES TO EXPLAIN THE CRUST AND SEDIMENTARY BASINS BENEATH THE UNITED STATES, AND ITS ASSESSMENT“. In GSA Connects 2023 Meeting in Pittsburgh, Pennsylvania. Geological Society of America, 2023. http://dx.doi.org/10.1130/abs/2023am-394806.

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Berichte der Organisationen zum Thema "Television series – united states"

1

Rhode, Paul. Gallman's Annual Output Series for the United States, 1834-1909. Cambridge, MA: National Bureau of Economic Research, März 2002. http://dx.doi.org/10.3386/w8860.

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Gindi, Renee. Health, United States, 2019. Centers for Disease Control and Prevention (U.S.), 2021. http://dx.doi.org/10.15620/cdc:100685.

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Health, United States, 2019 is the 43rd report on the health status of the nation and is submitted by the Secretary of the Department of Health and Human Services to the President and the Congress of the United States in compliance with Section 308 of the Public Health Service Act. This report was compiled by the National Center for Health Statistics (NCHS) of the Centers for Disease Control and Prevention (CDC). The Health, United States series presents an annual overview of national trends in key health indicators. The 2019 report presents trends and current information on selected measures of morbidity, mortality, health care utilization and access, health risk factors, prevention, health insurance, and personal health care expenditures in a 20-figure chartbook. The Health, United States, 2019 Chartbook is supplemented by several other products including Trend Tables, an At-a-Glance table, and Appendixes available for download on the Health, United States website at: https://www.cdc.gov/nchs/hus/ index.htm. The Health, United States, 2019 Chartbook contains 20 figures and 20 tables on health and health care in the United States. Examining trends in health informs the development, implementation, and evaluation of health policies and programs. The first section (Figures 1–13) focuses on health status and determinants: life expectancy, infant mortality, selected causes of death, overdose deaths, suicide, maternal mortality, teen births, preterm births, use of tobacco products, asthma, hypertension, heart disease and cancer, and functional limitations. The second section (Figures 14–15) presents trends in health care utilization: use of mammography and colorectal tests and unmet medical needs. The third section (Figures 16–17) focuses on health care resources: availability of physicians and dentists. The fourth section (Figures 18–20) describes trends in personal health care expenditures, health insurance coverage, and supplemental insurance coverage among Medicare beneficiaries. The Highlights section summarizes major findings from the Chartbook. Suggested citation: National Center for Health Statistics. Health, United States, 2019. Hyattsville, MD. 2021.
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Piketty, Thomas, und Emmanuel Saez. Income Inequality in the United States, 1913-1998 (series updated to 2000 available). Cambridge, MA: National Bureau of Economic Research, September 2001. http://dx.doi.org/10.3386/w8467.

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Huruse, Noriko. A comparative study of communication style in Japan and the United States as revealed through content analysis of television commercials. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.2863.

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Desai, Jairaj, Jijo K. Mathew, Howell Li, Rahul Sakhare, Deborah Horton und Darcy M. Bullock. National Mobility Analysis for All Interstate Routes in the United States. Purdue University, 2023. http://dx.doi.org/10.5703/1288284317585.

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In November 2022, Wejo Data Services Inc. provided Purdue with a national data set comprised of approximately 470 billion connected vehicle records covering all 50 states for the month of August 2022. The goal of the evaluation data set was to create a series of summary graphics to evaluate the scalability of work zone analytics graphics and electric/hybrid vehicle counts at a national level. This report illustrates several performance measures developed using this dataset for all interstate routes, both state wise and cross-country. State wise graphics are organized with 50 subdirectories containing graphics for each interstate in the 50 states. There are also a series of multi-state graphics for I-5, I-10, I-15, I-35, I-55, I-65, I-75, I-80, I-90, and I-95. Performance measures include absolute and normalized trip counts classified by type of trip (electric vehicle or hybrid vehicle or internal combustion engine vehicle), weekly heatmaps based on vehicle speed overlaid with hard-braking events and finally, speed profiles by interstate mile markers. Additional details on the directories and how to interpret these performance measures can found inside the document (after extracting the .zip file) titled “National_Mobility_Analysis_README.pdf”.
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Wilfred, Wan. Nuclear Escalation Strategies and Perceptions: The United States, the Russian Federation, and China. UNIDIR, Juni 2021. http://dx.doi.org/10.37559/wmd/21/nrr/02.

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This study is the first in a series that profiles different “friction points” among nuclear-armed and nuclear-allied States, examining issues of contention in their relations that can spark potential conflict and nuclear escalation. It considers the multipolar dynamics between the United States, the Russian Federation, and China, and examines how fundamental mistrust among the three filters into their readings of each other’s nuclear strategies, with the potential to have an impact on escalatory risk scenarios. It then outlines a series of recommendations for the ‘great powers’ to bridge strategic perception gaps and reduce relevant risks. Part of UNIDIR’s ongoing research on nuclear risk reduction, this study is intended to feed into the dialogue on taking forward risk reduction – and on the development of practical and feasible baskets of measures that can close pathways to use of nuclear weapons.
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Vihnanek, Robert E., Cameron S. Balog, Clinton S. Wright, Roger D. Ottmar und Jeffrey W. Kelly. Stereo photo series for quantifying natural fuels. Volume XII: Post-hurricane fuels in forests of the Southeast United States. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 2009. http://dx.doi.org/10.2737/pnw-gtr-803.

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Rivera, P. G., und M. D. Hendricks. Multimap geologic enterprise geodatabase efforts (presentation): United States Geological Survey Digital Mapping Techniques Workshop Series DMT2023, Anchorage, Alaska, May 20-24, 2023. Alaska Division of Geological & Geophysical Surveys, Mai 2023. http://dx.doi.org/10.14509/31020.

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Maddow-Zimet, Isaac, Kathryn Kost und Sean Finn. Pregnancies, Births and Abortions in the United States, 1973–2016: National and State Trends by Age. Guttmacher Institute, Oktober 2020. http://dx.doi.org/10.1363/2020.31952.

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The Guttmacher Institute calculates comprehensive historical statistics on the incidence of pregnancy, birth and abortion for people of reproductive age in the United States (see Definitions). Our most recent release includes national statistics covering the period from 1973 to 2016, the most recent year for which comparable data are available; state-level statistics are available for selected years from 1988 to 2016 (see Note). We highlight a few patterns in these new demographic estimates and include a series of interactive figures for further data exploration. An accompanying appendix discusses the methodology and sources used.
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Hendricks, M. D., J. E. Athey, Simone Montayne, W. C. Wyatt, A. E. Macpherson und J. W. Buchanan. Geologic mapping system status report (presentation): United States Geological Survey Digital Mapping Techniques Workshop Series DMT2024, Bloomington-Normal, Illinois, May 13-16, 2024. Alaska Division of Geological & Geophysical Surveys, Mai 2024. http://dx.doi.org/10.14509/31274.

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