Thematische Bibliographien / Tattoo inks

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Auswahl der wissenschaftlichen Literatur zum Thema „Tattoo inks“

Autor: Grafiati

Veröffentlicht am 26. Juni 2021

Zuletzt aktualisiert am 1. Februar 2022

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Zeitschriftenartikel zum Thema "Tattoo inks"

Sadura, Filip, Maciej S. Wróbel und Katarzyna Karpienko. „Colored Tattoo Ink Screening Method with Optical Tissue Phantoms and Raman Spectroscopy“. Materials 14, Nr. 12 (08.06.2021): 3147. http://dx.doi.org/10.3390/ma14123147.

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Due to the increasing popularity of tattoos among the general population, to ensure their safety and quality, there is a need to develop reliable and rapid methods for the analysis of the composition of tattoo inks, both in the ink itself and in already existing tattoos. This paper presents the possibility of using Raman spectroscopy to examine tattoo inks in biological materials. We have developed optical tissue phantoms mimicking the optical scattering coefficient typical for human dermis as a substitute for an in vivo study. The material employed herein allows for mimicking the tattoo-making procedure. We investigated the effect of the scattering coefficient of the matrix in which the ink is located, as well as its chemical compositions on the spectra. Raman surface line scanning has been carried out for each ink in the skin phantom to establish the spatial gradient of ink concentration distribution. This ensures the ability to detect miniature concentrations for a tattoo margin assessment. An analysis and comparison of the spectra of the inks and the tattooed inks in the phantoms are presented. We recommend the utilization of Raman spectroscopy as a screening method to enforce the tattoo ink safety legislations as well as an early medical diagnostic screening tool.

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Kim, Myeongjin, Suhyun Park, Hyun Uk Lee und Hyun Wook Kang. „Quantitative Monitoring of Tattoo Contrast Variations after 755-nm Laser Treatments in In Vivo Tattoo Models“. Sensors 20, Nr. 1 (04.01.2020): 285. http://dx.doi.org/10.3390/s20010285.

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Laser lights have been used by dermatologists for tattoo removal through photothermal interactions. However, most clinical studies used a visual scoring method to evaluate the tattoo removal process less objectively, leading to unnecessary treatments. This study aimed to develop a simple and quantitative imaging method to monitor the degree of tattoo removal in in vivo skin models. Sprague Dawley rat models were tattooed with four different concentrations of black inks. Laser treatment was performed weekly on the tattoos using a wavelength of 755 nm over six weeks. Images of non-treated and treated samples were captured using the same method after each treatment. The intensities of the tattoos were measured to estimate the contrast for quantitative comparison. The results demonstrated that the proposed monitoring method quantified the variations in tattoo contrast after the laser treatment. Histological analysis validated the significant removal of tattoo inks, no thermal injury to adjacent tissue, and uniform remodeling of epidermal and dermal layers after multiple treatments. This study demonstrated the potential of the quantitative monitoring technique in assessing the degree of clearance level objectively during laser treatments in clinics.

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Rajab Bolookat, Eftekhar, Laurie J. Rich, Gyorgy Paragh, Oscar R. Colegio, Anurag K. Singh und Mukund Seshadri. „Photoacoustic Imaging of Tattoo Inks: Phantom and Clinical Evaluation“. Applied Sciences 10, Nr. 3 (04.02.2020): 1024. http://dx.doi.org/10.3390/app10031024.

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Photoacoustic imaging (PAI) is a novel hybrid imaging modality that provides excellent optical contrast with the spatial resolution of ultrasound in vivo. The method is widely being investigated in the clinical setting for diagnostic applications in dermatology. In this report, we illustrate the utility of PAI as a non-invasive tool for imaging tattoos. Ten different samples of commercially available tattoo inks were examined for their optoacoustic properties in vitro. In vivo PAI of an intradermal tattoo on the wrist was performed in a healthy human volunteer. Black/gray, green, violet, and blue colored pigments provided higher levels of PA signal compared to white, orange, red, and yellow pigments in vitro. PAI provided excellent contrast and enabled accurate delineation of the extent of the tattoo in the dermis. Our results reveal the photoacoustic properties of tattoo inks and demonstrate the potential clinical utility of PAI for intradermal imaging of tattoos. PAI may be useful as a clinical adjunct for objective preoperative evaluation of tattoos and potentially to guide/monitor laser-based tattoo removal procedures.

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Niederer, Markus, Urs Hauri, Lydia Kroll und Christopher Hohl. „Identification of organic pigments in tattoo inks and permanent make-ups using MALDI-TOF mass spectrometry“. F1000Research 6 (21.11.2017): 2034. http://dx.doi.org/10.12688/f1000research.13035.1.

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Nowadays, about 12% of the European and 20% of the US population are tattooed. Rising concerns regarding consumer safety, led to legal restrictions on tattoo inks and permanent make-up (PMU) inks. Restrictions also include bans on certain hazardous colourants. Both ink types use organic pigments for colour-giving, plus inorganic pigments for white and black and colour tones. Pigments are only sparingly soluble in common solvents and occur as suspended particles in the ink matrix. Their detection and identification therefore pose a major challenge for laboratories involved in monitoring the legal compliance of tattoo inks and PMUs. We overcame this challenge by developing a matrix-assisted laser desorption ionisation time-of-flight mass spectrometry method, which included an easy sample clean up. The method proved to be capable of detecting and identifying organic pigments in almost all of the tested ink samples. Method validation and routine deployment during market surveys showed the method to be fit for purpose. Pigment screening of 396 tattoo inks and 55 PMUs taken from the Swiss market between 2009 and 2017 lead to the following conclusions: Pigment variety is much greater in tattoo inks (18) than in PMUs (10); four prohibited pigments (Pigment Green 7, Pigment Red 122, Pigment Violet 19 and 23) were found in both ink types; for PMUs, these four pigments made up 12% of the pigment findings, compared to 32% for tattoo inks. Therefore, legal compliance of PMUs was at a higher level. A comparison of pigments found with those declared on tattoo ink labels clearly showed that banned pigments are rarely declared, but rather masked by listing not present legal pigments and label forging; therefore, highlighting the urgency of widespread market controls.

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Niederer, Markus, Urs Hauri, Lydia Kroll und Christopher Hohl. „Identification of organic pigments in tattoo inks and permanent make-up using laser desorption ionisation mass spectrometry“. F1000Research 6 (08.01.2018): 2034. http://dx.doi.org/10.12688/f1000research.13035.2.

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Nowadays, about 12% of the European and 20% of the US population are tattooed. Rising concerns regarding consumer safety, led to legal restrictions on tattoo and permanent make-up (PMU) inks. Restrictions also include bans on certain colourants. Both ink types use organic pigments for colour-giving, plus inorganic pigments for white and black and colour tones. Pigments are only sparingly soluble in common solvents and occur as suspended particles in the ink matrix. Their detection and identification therefore pose a major challenge for laboratories involved in monitoring the legal compliance of tattoo inks and PMU. We overcame this challenge by developing a direct laser desorption ionisation time-of-flight mass spectrometry method, which included an easy sample clean up. The method proved to be capable of detecting and identifying organic pigments in almost all of the tested ink samples. Method validation and routine deployment during market surveys showed the method to be fit for purpose. Pigment screening of 396 tattoo inks and 55 PMU taken from the Swiss market between 2009 and 2017 lead to the following conclusions: Pigment variety is much greater in tattoo inks (18) than in PMU (10); four prohibited pigments (Pigment Green 7, Pigment Red 122, Pigment Violet 19 and 23) were found in both ink types; for PMU, these four pigments made up 12% of the pigment findings, compared to 32% for tattoo inks. Therefore, legal compliance of PMU was at a higher level. A comparison of pigments found with those declared on tattoo ink labels clearly showed that banned pigments are rarely declared, but rather masked by listing non present legal pigments and label forging; therefore, highlighting the urgency of widespread market controls.

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Foerster, Milena, Ines Schreiver, Andreas Luch und Joachim Schüz. „Tattoo inks and cancer“. Cancer Epidemiology 65 (April 2020): 101655. http://dx.doi.org/10.1016/j.canep.2019.101655.

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Darvin, Maxim E., Johannes Schleusener, Franziska Parenz, Olaf Seidel, Christoph Krafft, Jürgen Popp und Jürgen Lademann. „Confocal Raman microscopy combined with optical clearing for identification of inks in multicolored tattooed skinin vivo“. Analyst 143, Nr. 20 (2018): 4990–99. http://dx.doi.org/10.1039/c8an01213j.

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NicDaeid, Niamh. „Michelle D. Miranda: Forensic analysis of tattoos and tattoo inks“. Analytical and Bioanalytical Chemistry 408, Nr. 23 (25.06.2016): 6247–48. http://dx.doi.org/10.1007/s00216-016-9698-2.

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Al-Sa'ady, A. J. R. „COMPARSION BETWEEN PPO FROM PLANT SOURCES AND DIFFER-ENT CHEMICALS IN TATTOO DYES DECOLORIZATION“. IRAQI JOURNAL OF AGRICULTURAL SCIENCES 51, Nr. 2 (26.04.2020): 550–55. http://dx.doi.org/10.36103/ijas.v51i2.981.

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This study was aimed to measure the decolorization of tattoo dyes by different chemicals and polyphenol oxidases from several plant sources. The tattoo inks removal market has burgeoned over the years, due to increased spread of tattooed persons about the world. Laser and surgery are presently the gold standards for removing of the tattoo. However, both of them have blemishes. Consequently, lots of persons were preferring easier, faster and cheaper procedures for tattoo remove. In this study polyphenol oxidases enzyme from many plant sources and different chemicals were used for decolorization of tattoo dyes in vitro. The polyphenol oxidase enzyme was used for removing of tattoo dyes (brown and blue) in order to demonstrate their potential in the treatment and decolorization of the tattoo, which is hazardous when removing by laser. The results show that 89 and 82 % of the brown and blue tattoo dyes respectively, were removed after 24 hours by enzyme extracted from Malva parviflora leaves, whereas the decolorization efficiency of polyphenol oxidase from other plant sources given less than 16% of the same dyes. The results for tattoo dyes decolorization by different chemicals revealed that Bimethylbenzylamine was the best chemical used with decolorization ratio 36 and 38 % for brown and blue tattoo dye, respectively.

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Grant, Colin A., Peter C. Twigg, Richard Baker und Desmond J. Tobin. „Tattoo ink nanoparticles in skin tissue and fibroblasts“. Beilstein Journal of Nanotechnology 6 (20.05.2015): 1183–91. http://dx.doi.org/10.3762/bjnano.6.120.

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Tattooing has long been practised in various societies all around the world and is becoming increasingly common and widespread in the West. Tattoo ink suspensions unquestionably contain pigments composed of nanoparticles, i.e., particles of sub-100 nm dimensions. It is widely acknowledged that nanoparticles have higher levels of chemical activity than their larger particle equivalents. However, assessment of the toxicity of tattoo inks has been the subject of little research and ink manufacturers are not obliged to disclose the exact composition of their products. This study examines tattoo ink particles in two fundamental skin components at the nanometre level. We use atomic force microscopy and light microscopy to examine cryosections of tattooed skin, exploring the collagen fibril networks in the dermis that contain ink nanoparticles. Further, we culture fibroblasts in diluted tattoo ink to explore both the immediate impact of ink pigment on cell viability and also to observe the interaction between particles and the cells.

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Dissertationen zum Thema "Tattoo inks"

Bevin, Anna, An Na Lay, Daniel Ullmark und Jessika Hagman. „Chemical analysis of hazardous substances in permanent tattoo inks available on the market“. Thesis, KTH, Skolan för kemi, bioteknologi och hälsa (CBH), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-277104.

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As permanent tattoos are becoming more popular and common, an increased number of allergic reactions to tattoos is reported. The purpose of this project was to analyze tattoo inks for hazardous substances, and whether they comply to current Swedish and European legislative requirements. The tattoo inks were qualitatively analyzed for pigments, and quantitatively analyzed for metals. A total of 73 tattoo inks were collected from various sources such as a tattoo ink supplier, online retailers, and provided directly from tattoo artists. The labels of each tattoo ink bottle were inspected to investigate their compliance with the Council of Europe and the Swedish Medical Products Agency. Matrix assisted laser desorption/ionization time of flight mass spectrometry (MALDI-ToF-MS) was used to qualitatively analyze 20 selected tattoo inks for different pigments. Inductively coupled plasma mass spectrometry (ICP-MS) was used to quantitatively analyze trace metals in 70 of the samples. A large majority (90%) of the tested samples violated the requirements and criteria in the European resolution ResAP 2008(1), such as information on name and address of the manufacturer, minimum date of durability, sterility, batch number, and storage. Patch and allergy testing were incorrectly recommended for many samples in a way that is not accepted by dermatologists. In a worst-case scenario, this testing could be a sensitizing step. Also, it can not prevent future allergic reactions from occurring or provide any juridical insurance. Only one brand, World Famous, fulfilled the requirements for labeling for six of the seven samples (one sample failed due to a faulty declared pigment). The brands Tang Dragon and Dynamic did not fulfill any of the requirements listed in ResAP 2008(1). The list of ingredients was incorrect for all samples from Tang Dragon (bought prior to 2019 online). Also, six of the other 50 samples from different brands (World Famous, Intenze, Fusion Tattoo Ink, Eternal Ink, Solid Ink) declared at least one pigment incorrectly in their ingredients list. 25% of the declared and theoretically detectable pigments were detected by means of MALDI-ToF-MS, whereas the other pigments were either absent or below the limit of detection. Future analyses should include an MS/MS analysis. Polyethylene glycol (PEG) was identified qualatively in 15 of the 20 samples analyzed with MALDI-ToF-MS but was not listed in any of the ingredients lists. ICP-QQQ-MS is a very sensitive technique and could both detect and verify the presence of all metal-containing pigments, as well as the level of impurities. Copper was clearly more present in green and blue colors, regardless of the brand. The metal content was evidently dependent on the brand for arsenic, aluminum, bismuth, chromium, nickel, zinc, and strontium. Elevated levels of barium and strontium (partially very high levels: up to 727 mg/kg barium and up to 8.06 g/kg strontium) were found in several samples. High amounts of aluminum (4 to 11,0 g/kg) and titanium (as judged from white precipitates and ingredients lists) were present in most samples. Nickel (0.1 to 41 mg/kg) and chromium (0.1 to 139 mg/kg) were also present in the samples. Some other impurities were also present (arsenic – 3.8 mg/kg, mercury – 1.6 mg/kg, and lead – 5.4 mg/kg for one sample, respectively). Known sensitizing pigments were declared and partially confirmed by MALDI-ToF-MS in 17 of 53 samples of the brands Radiant Colour, Eternal Ink, Fusion Tattoo Ink, and Kuro Sumi. Four samples (from Intenze, Eternal Ink, and Kuro Sumi) also declared pigments listed as non-suitable substance according to the European Commission regulation on cosmetic products from 2009.

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Lehner, Karin [Verfasser], und Burkhard [Akademischer Betreuer] König. „Analysis of black tattoo inks: ingredients, interaction with light and effects on cellular systems / Karin Lehner. Betreuer: Burkhard König“. Regensburg : Universitätsbibliothek Regensburg, 2012. http://d-nb.info/1033688355/34.

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Poon, Kelvin Weng Chun. „In situ chemical analysis of tattooing inks and pigments : modern organic and traditional pigments in ancient mummified remains“. University of Western Australia. Centre for Forensic Science, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0257.

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At various points in human history, tattooing has been ubiquitous on almost every continent on Earth, used for reasons of aestheticism, religious beliefs or for social purposes. To study the art of tattooing with respect to a particular culture, one must always be critical to any references to the practice (written, pictorial or artefactual) due to issues of translation and misinterpretation. Complete verification may only come with the discovery of actual tattooed human remains. In combination with artefactual and anthropological evidence, these remains not only provide physical proof of the practice in a culture's ancestry but also possess the ability to link various other forms of physical evidence, which on their own would remain speculative. By its very nature, tattooing may only exist while the bearer is alive. Once the owner dies, the skin, along with the tattoo, decomposes (under normal decomposition conditions) and is lost forever. However, tattoos may survive if the dermal layers of the skin are preserved, either by natural or artificial means. The processes of mummification in various civilisations have provided us with a rare opportunity to study the art and processes of tattooing in antiquity. Existing tattooed mummified remains have been found in: Egypt; Siberia; Eastern Central Asia; Greenland; Alaska and St. Lawrence Islands; Central Andes (Peru and Chile); Philippines; New Zealand and Italy. Existing literature regarding the analysis of tattooing inks and pigments once deposited into the skin is very limited. Comparatively, the industrial organic pigments used to colour the majority of modern tattooing inks sold today have not been officially approved by any regulating body and as such, manufacturers are not required to disclose the chemical ingredients of their products. Chemical identification of these tattoo pigments post-procedure will aid medical practitioners in the event of complications or for the purposes of tattoo removal. Forensically, tattoos are often one of the distinguishing features used in the identification of victims of crime or accidents. Experiments were carried out using an animal model (Sus scrofa) for the tattooing. Given the theoretically large but ultimately limited range of substances available to both ancient and modern tattooists, the premise of the experiment involved surveying the literature regarding possible tattooing pigments and either obtaining or reproducing a careful selection of these in the laboratory. These pigments were then tattooed onto the ii animal model and after allowing for the essential healing period, the tattooed areas were excised, with those tattooed with traditional pigments subjected to various simulated mummification environments.

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Schreiver, Ines [Verfasser]. „Tattoo Pigments: Biodistribution and Toxicity of Corresponding Laser Induced Decomposition Products / Ines Schreiver“. Berlin : Freie Universität Berlin, 2018. http://d-nb.info/1154766659/34.

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Chaudry, Amie Annette. „Reality for whom? deconstructing (INK) and the contested "tattooed body" /“. College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8977.

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Thesis (M.A.) -- University of Maryland, College Park, 2008.
Thesis research directed by: Dept. of Kinesiology. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Rosén, Oskar. „Den kommunala tillsynen av tatueringsfärger : Tillämpningsgrad av förordningen (2012:503) om tatueringsfärger med avseende på innehåll av förbjudna ämnen, 2012-2016“. Thesis, Umeå universitet, Institutionen för ekologi, miljö och geovetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-119449.

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Previous reports have shown that several tattoo inks available on the Swedish market contain prohibited substances. Although the regulatory framework has been in place since 2012, there is a lack of clarity about whether the contents of tattoo inks meet regulatory requirements or not. The purpose of this study was to find out if an active supervision is conducted to determine if the regulations on tattoo inks are met, focusing on the content of prohibited substances. 43 Swedish municipalities were given a survey about their experiences in conducting supervision of tattoo artists. Most municipalities have used the regulation (2012:503) on tattoo inks. Parts that involves giving information to the customer, labeling of tattoo ink containers and sterility have been more common in the supervision than the parts related to control of the tattoo inks content. It is today difficult and time consuming to verify the state of tattoo ink contents and to compare with the available lists included in the legislation. The study suggests the introduction of a simpler, standardized method for investigating whether a tattoo color contains prohibited substances or not.

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Raible, Tyler J. „Ink is the new black: An archetypal analysis of tattooed characters in film“. University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1445342844.

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Thif, Yaman, und Olle Rendlert. „AUTOMATED INK : CNC Tattooing Robot“. Thesis, KTH, Skolan för industriell teknik och management (ITM), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279841.

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The art of tattooing has been around for centuries in human history and tattoos are still very popular in today’s society. Tattoos serve as a way to, for example, express people’s personalities, religious beliefs, or culture, and its growing popularity may lead to the need for more technological and automated alternatives. In this project, a computer numerical control plotter was built to investigate the possibilities of automation of tattooing, and the project focused on the possible limitations of performance and safety in an automated tattooing machine. The machine was built using two stepper motors connected with an H-Bot configuration that moved a gantry in the X and Y directions. A third stepper motor connected to a lead-screw was mounted on the gantry enabling movement in Z direction. Several tests were conducted in order to examine the performance of the machine. These tests were done using ink and whiteboard markers to draw different geometries on paper and the subject’s arm. The results showed limitations in the size of the tattoo as the machine could only draw on a flat surface and therefore had trouble adjusting to the uneven surface of an arm. The results also showed that the machine had some trouble drawing rounded geometries, such as circles, which meant that the circles, to a certain extent, got an elliptical appearance. It did however draw straight lines accurately. The main factors of this were believed to be a combination of sub-optimal assembly and the stepper motors being too weak to optimally operate with the H-Bot configuration. The safety risks were considered restricted when using a limit switch sensor and carefully calibrating the speed and movement in the Z-axis.
Tatueringskonsten har funnits i århundraden och tatueringar är fortfarande mycket populära i dagens samhälle. Tatueringar fungerar bland annat som ett sätt att uttrycka människors personligheter, religion eller kultur. Dess växande popularitet kan leda till ett behov av tekniska och automatiserade alternativ. I detta projekt byggdes en CNC-plotter för att undersöka möjligheterna till automatisering av tatueringar och projektet fokuserade på möjliga begränsningar av prestanda och säkerhet hos en automatiserad tatueringsmaskin. Maskinen byggdes med två stegmotorer anslutna med en H-Bot-konfiguration som flyttade en brygga i X- och Y-riktningarna. En tredje stegmotor ansluten till en ledskruv monterades på bryggan vilket möjliggjorde rörelse i Z-led. Flera tester genomfördes för att undersöka maskinens prestanda. Dessa tester gjordes med hjälp av bläck- och tuschpennor för att rita olika geometriska former på papper och testpersoners armar. Resultaten visade begränsningar i tatueringsstorleken eftersom maskinen bara kunde rita på en plan yta och därför hade problem med att anpassa sig till den ojämna ytan av en arm. Resultaten visade också att maskinen hade vissa problem med att rita runda geometrier, så som cirklar, vilket medförde att cirklarna, till en viss grad, fick ett elleptiskt utseende. Den ritade dock raka linjer med bra noggrannhet. De största anledningarna till detta tros vara en kombination av bristfällig montering och att stegmotorerna var för svaga för att optimalt kunna fungera med H-Bot-konfigurationen. Säkerhetsriskerna ansågs vara begränsade vid användning av en gränslägesgivare och noggrann kalibrering av hastigheten och rörelsen i Z-led.

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Grant, Colin A., Peter C. Twigg, Richard Baker und Desmond J. Tobin. „Tattoo ink nanoparticles in skin tissue and fibroblasts“. 2015. http://hdl.handle.net/10454/9922.

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Yes
Tattooing has long been practised in various societies all around the world and is becoming increasingly common and widespread in the West. Tattoo ink suspensions unquestionably contain pigments composed of nanoparticles, i.e., particles of sub-100 nm dimensions. It is widely acknowledged that nanoparticles have higher levels of chemical activity than their larger particle equivalents. However, assessment of the toxicity of tattoo inks has been the subject of little research and ink manufacturers are not obliged to disclose the exact composition of their products. This study examines tattoo ink particles in two fundamental skin components at the nanometre level. We use atomic force microscopy and light microscopy to examine cryosections of tattooed skin, exploring the collagen fibril networks in the dermis that contain ink nanoparticles. Further, we culture fibroblasts in diluted tattoo ink to explore both the immediate impact of ink pigment on cell viability and also to observe the interaction between particles and the cells.

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Zinn, MICHAEL. „(TH)INK CULTURE: MOTIVATION AND MEANING MAKING IN MODERN TATTOOS“. Thesis, 2009. http://hdl.handle.net/1974/5221.

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Tattoo culture and the community it has created have undergone a renaissance since the 1980s. Persons with tattoos now account for an estimated 34% of the North American population between the ages of 18-30. Despite this relatively recent surge towards acceptance of tattoos in the current social context, much of the academic literature and media portrayals of tattoos characterize social deviancy among tattoo enthusiasts. Tattoo enthusiasts are pushed to the periphery of society and marginalized as bikers, criminals, and people with psychological problems. The purpose of this study is to describe and understand tattoo culture in a way that is accessible to non-members of that culture, particularly teachers and parents. The primary research questions proposed by this study include what motivates people to become tattooed, what motivates members of the tattooed community to stay minimally involved in the culture or to increase their involvement, and how members of the community perceive their tattoos within the current social context. To answer these questions, this study focuses on the lived experiences of six tattoo enthusiasts from one small community. Through the study of these shared experiences, this study questions the nature of tattoos in this small community and whether these acts can be considered deviant or culturally normative.
Thesis (Master, Education) -- Queen's University, 2009-09-24 18:58:45.639

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Bücher zum Thema "Tattoo inks"

Drake, Jocelynn. Angel’s Ink. New York: Harper Voyager, 2012.

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Olson, Karen E. Pretty In Ink. New York: Penguin USA, Inc., 2010.

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Olson, Karen E. Ink flamingos: A tattoo shop mystery. New York, N.Y: Obsidian, 2011.

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Drake, Jocelynn. Angel’s Ink: The Asylum Tales. London: Harper Voyager, 2013.

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Amazon ink. New York: Pocket Books, 2009.

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Copyright Paperback Collection (Library of Congress), Hrsg. The missing ink: A tattoo shop mystery. New York: Signet, 2009.

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Tattoo machine: Tall tales, true stories, and my life in ink. New York: Spiegel & Grau, 2009.

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Erasing the ink: Getting rid of your tattoo. New York: Rosen Pub., 2012.

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Blood and ink: The art of the tattoo. Philadelphia, PA: Running Press Publishers, 2011.

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Tattoo-pedia: Choose from over 1,000 of the hottest tattoo designs for your new ink! San Diego, CA: Thunder Bay Press, 2012.

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Buchteile zum Thema "Tattoo inks"

Miori, Daniel. „To Ink, or Not To Ink“. In Tattoos - Philosophy for Everyone, 193–205. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118252789.ch15.

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„General Components of Tattoo Inks“. In Forensic Analysis of Tattoos and Tattoo Inks, 102–15. CRC Press, 2015. http://dx.doi.org/10.1201/b18938-8.

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„Alternate Sources of Tattoos and Tattoo Inks“. In Forensic Analysis of Tattoos and Tattoo Inks, 150–67. CRC Press, 2015. http://dx.doi.org/10.1201/b18938-10.

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„Tattoo Modification, Removal, and Detection“. In Forensic Analysis of Tattoos and Tattoo Inks, 74–101. CRC Press, 2015. http://dx.doi.org/10.1201/b18938-7.

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„The Chemical Analysis of Modern Tattoo Inks: Microscopy“. In Forensic Analysis of Tattoos and Tattoo Inks, 180–221. CRC Press, 2015. http://dx.doi.org/10.1201/b18938-12.

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„Modern Organic Pigments“. In Forensic Analysis of Tattoos and Tattoo Inks, 168–79. CRC Press, 2015. http://dx.doi.org/10.1201/b18938-11.

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„Part 1—The Chemical Analysis of Modern Tattoo Inks: Spectroscopy“. In Forensic Analysis of Tattoos and Tattoo Inks, 222–55. CRC Press, 2015. http://dx.doi.org/10.1201/b18938-13.

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„Part 2—The Chemical Analysis of Modern Tattoo Inks: Spectroscopy“. In Forensic Analysis of Tattoos and Tattoo Inks, 256–323. CRC Press, 2015. http://dx.doi.org/10.1201/b18938-14.

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„Current Status and Future Work“. In Forensic Analysis of Tattoos and Tattoo Inks, 324–35. CRC Press, 2015. http://dx.doi.org/10.1201/b18938-15.

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„Current Status and Future Work“. In Forensic Analysis of Tattoos and Tattoo Inks, 305–16. CRC Press, 2015. http://dx.doi.org/10.1201/b18938-16.

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Konferenzberichte zum Thema "Tattoo inks"

Zanovcllo, U., M. Borscro, E. Ferrara und D. Giordano. „Tattoo Inks EM Characterization for MRI Interaction Evaluation“. In 2018 Conference on Precision Electromagnetic Measurements (CPEM 2018). IEEE, 2018. http://dx.doi.org/10.1109/cpem.2018.8500971.

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Choy, Nicole, Jafi Lipson, Sunita Pal, Debra Ikeda, Long Trinh, Kimberly Allison, Michael Ozawa, Amanda Wheeler und Irene Wapnir. „Abstract P2-01-05: Correlation of percutaneously biopsied axillary lymph nodes marked with black tattoo ink prior to neoadjuvant chemotherapy with sentinel lymph nodes in breast cancer patients“. In Thirty-Seventh Annual CTRC-AACR San Antonio Breast Cancer Symposium; December 9-13, 2014; San Antonio, TX. American Association for Cancer Research, 2015. http://dx.doi.org/10.1158/1538-7445.sabcs14-p2-01-05.

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