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Zeitschriftenartikel zum Thema "Symbolism in art – dictionaries"
Górska, Magdalena Kinga. „Status teoretyczny emblematu w polskiej dekoracji“. Terminus 23, Nr. 3 (2021): 227–58. http://dx.doi.org/10.4467/20843844te.21.010.13847.
Der volle Inhalt der QuelleShuang, Wang, und Ren Shuai. „Colour symbolism in the art of Thangka“. OOO "Zhurnal "Voprosy Istorii" 2023, Nr. 12-1 (01.12.2023): 208–19. http://dx.doi.org/10.31166/voprosyistorii202312statyi06.
Der volle Inhalt der QuelleOSTASHCHUK, Ivan, Keyan LIANG, Svitlana KHRYPKO, Daria CHEMBERZHI, Olena LOBANCHUK, Olena NYKYTCHENKO, Iryna SPUDKA und Volodymyr CHOP. „Floral Symbolism in Ukrainian Temple Art“. WISDOM 28, Nr. 4 (25.12.2023): 70–78. http://dx.doi.org/10.24234/wisdom.v28i4.1042.
Der volle Inhalt der QuelleDubey, Kumud. „PLANT SYMBOLISM IN PAINTING“. International Journal of Research -GRANTHAALAYAH 7, Nr. 11 (30.11.2019): 92–94. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3707.
Der volle Inhalt der QuelleLYTVYNENKO, Аlla. „Symbolism in art: icon and portrait“. Humanities science current issues, Nr. 50 (2022): 115–20. http://dx.doi.org/10.24919/2308-4863/50-17.
Der volle Inhalt der QuelleBlatchford, Ian. „Symbolism and discovery: eclipses in art“. Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 374, Nr. 2077 (28.09.2016): 20150211. http://dx.doi.org/10.1098/rsta.2015.0211.
Der volle Inhalt der QuellePeck, William H. „ANIMAL Symbolism in Ancient Egyptian Art“. Sculpture Review 52, Nr. 2 (Juni 2003): 8–15. http://dx.doi.org/10.1002/j.2632-3494.2003.tb00085.x.
Der volle Inhalt der QuelleMnich, Ludmila. „THE GOSPEL TRADITION OF NUMBER SYMBOLISM IN TWENTIETH-CENTURY RUSSIAN POETRY“. Проблемы исторической поэтики 19, Nr. 1 (Februar 2021): 328–62. http://dx.doi.org/10.15393/j9.art.2021.9142.
Der volle Inhalt der QuelleMarkantonatou, Stella, und Voula Giouli. „State-of-the-art on monolingual lexicography for Greece (EL)“. Slovenščina 2.0: empirical, applied and interdisciplinary research 7, Nr. 1 (13.11.2019): 78–97. http://dx.doi.org/10.4312/slo2.0.2019.1.78-97.
Der volle Inhalt der QuelleLADCHYN, Yaroslav. „ARTISTIC FEATURES OF SYMBOLISM IN JAPANESE VISUAL ART DURING THE EDO PERIOD“. ART Space 1, Nr. 4 (2024): 183–207. http://dx.doi.org/10.28925/2519-4135.2024.410.
Der volle Inhalt der QuelleDissertationen zum Thema "Symbolism in art – dictionaries"
Swoboda, Sylvia. „Symbolism and Art“. VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2034.
Der volle Inhalt der QuelleLeyva-Perez, Irina. „Alchemy and Symbolism in the Work of Carlos Estevez“. FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/740.
Der volle Inhalt der QuelleAlexandri, Alexandra. „Gender symbolism in Late Bronze Age Aegean glyptic art“. Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/251901.
Der volle Inhalt der Quelled'Esterre, Elaine, und mikewood@deakin edu au. „Feminist poetics: Symbolism in an emblematic journey reflecting self and vision“. Deakin University. School of Literary and Communication Studies, 1999. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.123532.
Der volle Inhalt der QuelleLi, Gregory Kenneth, und 李群雄. „Tantric symbolism in Vajrayogini imagery“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45166225.
Der volle Inhalt der QuelleCrosby, Nancy A. „Shifting reality /“. Online version of thesis, 1992. http://hdl.handle.net/1850/11760.
Der volle Inhalt der QuelleWaltz, Connie Lou. „Sources and iconography of the figural sculpture of the Church of the Holy Cross at Aght'amar“. Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1228504313.
Der volle Inhalt der QuelleSnyder, Cara L. „The Christ child as Salvator Mundi a reexamination of the devotional image in Germany, 1450-1550 /“. Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1957.
Der volle Inhalt der QuelleTitle from document title page. Document formatted into pages; contains vii, 41, [24] p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 37-41).
Peacock, Judith Ann. „Ecclesiastical vestments as works of art : intertextuality, meaning and design“. Thesis, Roehampton University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324165.
Der volle Inhalt der QuelleHaynes, Dawn. „The symbolism and significance of the butterfly in ancient Egypt“. Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/79920.
Der volle Inhalt der QuelleENGLISH ABSTRACT: Ancient Egyptian art and artefacts reveal a great deal about the culture and beliefs of this civilization. It was a civilization steeped in myth, symbolism and imagery. Tomb art has been extensively analysed and studied in an effort to reveal the essential way of life of the Ancient Egyptians, their religious beliefs and their philosophy of life. It is agreed that symbolism was an inherent part of their lives and beliefs. They looked to nature and observed the behaviour of animals, plants, the environment and also the weather to attempt to rationalize the world they lived in. Their close observation of behaviour patterns in nature resulted in a complex hierarchy of gods and goddesses who were accountable for successful living. Among the animal kingdom, certain animals gained such distinction that they were linked to certain deities. The scarab beetle is one such creature. Insects featured variously in their art, their myths and their belief in magic. While the scarab beetle is possibly the most documented of the insects, other insects such as the bee, the fly, the locust and the praying mantis have all been investigated. The butterfly features frequently in Ancient Egyptian art and yet has not been the subject of in-depth study. This investigation attempts to examine the symbolism and significance of the butterfly in Ancient Egypt. Richard Wilkinson (1994) has provided a framework for analysing symbolism in Egyptian art. He suggests nine aspects which can be examined in order to reveal symbolism. In this study, a selection of art from various dynasties is systematically examined according to these nine aspects. Each art work portrays the butterfly. Through this careful examination it is hoped that a clearer indication of the role of the butterfly in Ancient Egypt will be obtained. Having discussed all nine aspects for each of the sources, a discussion and various conclusions follow which look at the trends which appear. Certain patterns emerge which indicate that the butterfly does indeed play a significant role as a symbol in Ancient Egypt.
AFRIKAANSE OPSOMMING: Antieke Egiptiese kuns en artefakte openbaar baie oor die kultuur en oortuigings van hierdie beskawing. Dit was 'n beskawing ryk aan mites, simboliek en beelde. Grafkuns is deeglik ontleed en bestudeer in 'n poging om die wesenlike lewenswyse van die antieke Egiptenare, hul godsdienstige oortuigings en lewensfilosofie te openbaar. Daar word saamgestem dat simboliek 'n inherente deel van hul lewens en oortuigings uitgemaak het. Hulle het op die natuur gesteun en die gedrag van diere, plante, die omgewing en ook die weer waargeneem om te probeer om hul lewenswêreld te verklaar. Hul noukeurige waarneming van natuurverskynsels het tot 'n komplekse hiërargie van gode en godinne gelei wat vir 'n suksesvolle lewe verantwoordelik was. Sekere diere in die diereryk was so besonders dat hulle met sekere gode en godinne verbind was. Die skarabee kewer is een so 'n skepsel. Insekte verskyn onder andere in hul kuns, hul mites en hul geloof in magie. Terwyl die skarabee moontlik die mees gedokumenteerde insek was, is ander insekte soos bye, vlieë, sprinkane, en die bidsprinkaan ook almal ondersoek. Die skoenlapper verskyn gereeld in die antieke Egiptiese kuns, maar was nog nie die onderwerp van 'n grondige studie nie. Hierdie studie poog om die simboliek en belangrikheid van die skoenlapper in antieke Egipte te ontleed. Richard Wilkinson (1994) verskaf 'n raamwerk vir die ontleding van simboliek in Egiptiese kuns. Hy het nege aspekte voorgestel wat bestudeer kan word om die simboliek te openbaar. In hierdie studie, word 'n seleksie kuns van verskillende dinastieë, sistematies aan die hand van dié nege aspekte ontleed. Elke kunswerk beeld die skoenlapper uit. Deur hierdie noukeurige ondersoek, word daar gehoop dat die rol van die skoenlapper in antieke Egipte duideliker voorskyn. Na die bespreking van al nege aspekte vir elk van die bronne, volg daar 'n bespreking met verskillende gevolgtrekkings wat kyk na die tendense wat voorkom. Sekere patrone kom te voorsyn wat daarop dui dat die skoenlapper wel 'n belangrike rol as 'n simbool in antieke Egipte gespeel het.
Bücher zum Thema "Symbolism in art – dictionaries"
Cassou, Jean. Encyklopedia symbolismu. Warszawa: Wyd. Artystyezne i Filmowe, 1992.
Den vollen Inhalt der Quelle findenRupert, Shepherd, Hrsg. 1000 symbols. New York: Thames & Hudson, 2002.
Den vollen Inhalt der Quelle findenCarr-Gomm, Sarah. The Hutchinson dictionary of symbols in art. Oxford: Helicon in association with Duncan Baird, 1996.
Den vollen Inhalt der Quelle findenPierce, James Smith. From abacus to Zeus: A handbook of art history. 4. Aufl. Englewood Cliffs, N.J: Prentice Hall, 1991.
Den vollen Inhalt der Quelle findenPierce, James Smith. From abacus to Zeus: A handbook of art history. 5. Aufl. Englewood Cliffs, N.J: Prentice Hall, 1995.
Den vollen Inhalt der Quelle findenRoss, Leslie. Medieval art: A topical dictionary. Westport, Conn: Greenwood Press, 1996.
Den vollen Inhalt der Quelle findenRevilla, Federico. Diccionario de iconografía y simbología. Madrid: Cátedra, 2012.
Den vollen Inhalt der Quelle findenRevilla, Federico. Diccionario de iconografía y simbología. 6. Aufl. Madrid: Cátedra, 2009.
Den vollen Inhalt der Quelle findenRipert, Pierre. La France monumentale: Dictionnaire-guide : préhistoire, civilisation gréco-latine, art roman et art gothique. Paris: Lafon, 1998.
Den vollen Inhalt der Quelle finden1913-, Janson H. W., Hrsg. From abacus to Zeus: A handbook of art history. 6. Aufl. Upper Saddle River, N.J: Prentice Hall, 2001.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Symbolism in art – dictionaries"
Müller, Maya. „Iconography and Symbolism“. In A Companion to Ancient Egyptian Art, 78–97. Chichester, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118325070.ch5.
Der volle Inhalt der QuelleShklovskii, Viktor. „Art as Technique“. In From Symbolism to Socialist Realism, herausgegeben von Irene Masing-Delic, 64–81. Boston, USA: Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618111449-008.
Der volle Inhalt der QuelleBurns, Leland S., und John Friedmann. „Budgetary Symbolism and Fiscal Planning“. In The Art of Planning, 223–40. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4613-2505-5_15.
Der volle Inhalt der QuelleKimber, Gerri. „The Incorporation of Symbolism“. In Katherine Mansfield and the Art of the Short Story, 33–39. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137483881_7.
Der volle Inhalt der QuelleTuksar, Stanislav. „The Terminology of Music Instruments in Croatian Multilingual Dictionaries of the Baroque Period“. In Word Art + Gesture Art = Tone Art, 377–89. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20109-7_23.
Der volle Inhalt der QuelleDelaney Grossman, Joan. „’The Marble Bust’ and Briusov’s Vision of Art“. In From Symbolism to Socialist Realism, herausgegeben von Irene Masing-Delic, 121–31. Boston, USA: Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618111449-012.
Der volle Inhalt der QuelleGarcía-Diez, Marcos, und Blanca Ochoa. „Art Origins: The Emergence of Graphic Symbolism“. In Encyclopedia of Global Archaeology, 986–1005. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2819.
Der volle Inhalt der QuelleGarcía-Diez, Marcos, und Blanca Ochoa. „Art Origins: The Emergence of Graphic Symbolism“. In Encyclopedia of Global Archaeology, 1–19. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-51726-1_2819-1.
Der volle Inhalt der QuelleTinoco, Antonio Ruiz. „Tools for Creating Online Dictionaries Judeo-Spanish“. In Linguistic Informatics – State of the Art and the Future, 180–95. Amsterdam: John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/ubli.1.14tin.
Der volle Inhalt der QuelleBrown, Katherine T. „Autumn“. In Arboreal Symbolism in European Art, 1300–1800, 43–72. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003291435-4.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Symbolism in art – dictionaries"
Hu, Xiaoming. „Is Takashi Murakami’s Art an Exploration of Symbolism?“ In 2021 6th International Conference on Modern Management and Education Technology(MMET 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211011.101.
Der volle Inhalt der QuelleKuksa, P. V. „Visual and color symbolism in the novel by M.A. Sholokhov "Quiet Don"“. In Scientific Trends: Philology, Culturology, Art history. TsNK MOAN, 2019. http://dx.doi.org/10.18411/spc-26-07-2019-01.
Der volle Inhalt der QuelleZheng, Dan. „An Analysis of Symbolism in The Scarlet Letter“. In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.84.
Der volle Inhalt der QuelleJORDÁN, Régulo Franco. „Art, symbolism and power in Moche Society, North Coast of Peru“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-001.
Der volle Inhalt der QuelleMankovskaya, N. „POST-RECEPTIVE HERMENEUTICAL METHOD IN THE AESTHETICS OF FRENCH SYMBOLISM“. In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2540.978-5-317-06726-7/32-35.
Der volle Inhalt der QuelleSun, Hanying. „Creation and Interpretation: Study on the Symbolism of Traditional Chinese Painting“. In The 5th International Conference on Art Studies: Research, Experience, Education (ICASSEE 2021). Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048557240/icassee.2021.035.
Der volle Inhalt der QuelleMakarevičs, Valerijs, und Dzintra Ilisko. „Figuratively Semantic Analysis of Works of Art“. In 14th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2021. http://dx.doi.org/10.22616/reep.2021.14.044.
Der volle Inhalt der QuelleYUE, Chunxiao. „On the Symbolism of the Natural Objects in Tess of the d’Urbervilles“. In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.040.
Der volle Inhalt der QuelleJuma, Osman. „Study on the Dictionaries of Alishir Navayi’s Works“. In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.326.
Der volle Inhalt der QuelleZhang, Xiaoyan. „The Cultural Transmission of Raise the Red Lantern: The Representation of Symbolism“. In 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.097.
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