Thematische Bibliographien / Survival – drama

Auswahl der wissenschaftlichen Literatur zum Thema „Survival – drama“

Autor: Grafiati
Veröffentlicht am 26. Juli 2024

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Zeitschriftenartikel zum Thema "Survival – drama"

1

Dewan, Pauline. „Survival of the Fittest: The Evolution of the Children’s Survival Novel“. Children and Libraries 18, Nr. 4 (12.01.2021): 21. http://dx.doi.org/10.5860/cal.18.4.21.

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Survival novels provide a host of attractions for children. On a continuum of danger, they are the high-risk counterparts of adventure narratives.Characters in survival novels face not just adversity and risk, but also potential death. The fast pace and high drama of these narratives have always made them popular choices for children.
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Skloot, Robert. „The Drama of the Holocaust: Issues of Choice and Survival“. New Theatre Quarterly 3, Nr. 12 (November 1987): 337–48. http://dx.doi.org/10.1017/s0266464x00002475.

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One of the ways in which Jews and others have sought somehow to assimilate the knowledge of the Nazi Holocaust has been through the theatrical expression of the appalling dilemmas it posed. Implicitly or explicitly, however, the process of ‘shaping’ that this involves forces an attitude to be taken by the dramatist towards the meaning of ‘choice’ in such circumstances, and the ‘acceptable’ price of possible survival. In his anthology The Theatre of the Holocaust (1982), Robert Skloot assembled four plays which exemplified the possible ‘attitudes to survival’, and here he relates them to the ideas of Bruno Bettelheim, Terrence Des Pres, and other writers on the subject, in an attempt to assess how fully and honestly theatre is able to reflect the issues involved. Robert Skloot is Professor of Theatre and Drama at the University of Wisconsin, Madison, and was Fulbright Lecturer in Israel in 1980–81. He has also edited a collection of essays, ‘The Darkness We Carry’: the Drama of the Holocaust, due for publication in the spring of 1988.
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3

Varsamis, Georgios, George C. Adamidis, Theodora Merou, Ioannis Takos, Katerina Tseniklidou, Panayiotis G. Dimitrakopoulos und Aristotelis C. Papageorgiou. „Changes in Watering Frequency Stimulate Differentiated Adaptive Responses among Seedlings of Different Beech Populations“. Biology 11, Nr. 2 (14.02.2022): 306. http://dx.doi.org/10.3390/biology11020306.

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Seasonality, rather than annual precipitation levels, is expected to affect the adaptive responses of plant populations under future climate change. To estimate adaptive traits’ variation, we conducted a common garden experiment with two beech populations from contrasting climatic origins (Evros with longer drought intervals during summer and higher precipitation seasonality, and Drama representing a more temperate ecosystem). We simulated two different watering treatments (frequent vs. non-frequent) on beech seedlings, according to predicted monthly precipitation levels expected to prevail in 2050 by the CSIRO MK3.6 SRESA1B model, considering as reference area a natural beech stand in Mt. Rodopi, Greece. A series of morphological and stem anatomical traits were measured. Seedling survival was greater for the Evros population compared to that of Drama under non-frequent watering, while no difference in survival was detected under frequent watering. Leaf morphological traits were not generally affected by watering frequency except for leaf circularity, which was found to be lower under non-frequent watering for both populations. Stomata density in leaves was found to be higher in the Evros population and lower in the Drama population under non-frequent watering than frequent. Stem anatomical traits were higher under non-frequent watering for Evros but lower for the Drama population. Multivariate analyses clearly discriminated populations under non-frequent rather than frequent watering, indicating genetic adaptation to the population’s environment of origin.
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Tait, Peta. „Love, Fear, and Climate Change: Emotions in Drama and Performance“. Publications of the Modern Language Association of America 130, Nr. 5 (Oktober 2015): 1501–5. http://dx.doi.org/10.1632/pmla.2015.130.5.1501.

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If the survival of human and nonhuman animals depends on challenging beliefs about our species' exploitation of nature, it also depends on posthumanist perspectives that question more widely the ways in which humans perceive and inhabit the environment emotionally. I argue here that drama can make a valuable contribution not only to the process of interpreting emotions but also to raising awareness that emotional feelings have material efects. he capacity of drama and its performance to grapple with emotional responses to climate change and with broader scientiic knowledge seems particularly prescient.
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Grigoryev, Leonid M. „Global social drama of pandemic and recession“. Population and Economics 4, Nr. 2 (22.04.2020): 18–25. http://dx.doi.org/10.3897/popecon.4.e53325.

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Global drama of pandemic has caused the deep reduction of consumption of wealthy strata, unemployment and isolation. Huge number of people around the Globe is facing the step back to basic needs by Maslow pyramid: physiological needs and security. Adaptation of people to the new situation goes difficult, while somewhat easier for employed in intellectual activities, primarily for university professors. The exit from recession is still far ahead, and it will depend on the certification of territories, and issue of trust for citizens to start going from their regions. Morals, literature, memories of survival will be close to models of those after the big wars.
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Choi, Younghee, und Hyounsun Moon. „A Study on the Female Hero Narrative of Global K-Drama: Focusing on the Storytelling Strategy of the Netflix Drama Series “My Name”“. Korean Society of Culture and Convergence 45, Nr. 8 (31.08.2023): 241–52. http://dx.doi.org/10.33645/cnc.2023.08.45.08.241.

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The purpose of this paper is to discuss effective K-Drama storytelling strategies on the global OTT platform by analyzing the contents of the Netflix original drama series “My Name”. In the Netflix platform, where global networking, securing original IP, and expanding reproduction through remediation of content are being promoted as competitive strategies, K-drama is considered a representative content recognized by others. “My Name” shows a story structure that puts emphasis on the ‘growth’ of female characters while advocating a heterogeneous combination of ‘female’ and ‘revenge’. Naturally, the drama utilizes the “hero's adventure” schematic of “monomyth,” which is recognized as the prototype of the growth narrative, and completes the narrative of the subject who pursues own identity (name) in a universal conflict between human social norms and natural survival laws. It seems to be the result of considering the global context that is not bound by the locality of Korea, while reflecting the demand for content from female audiences as changing Korean society and its cultural representatives.
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Saldaña, Johnny. „“Survival”: A White Teacher's Conception of Drama with Inner-City Hispanic Youth“. Youth Theatre Journal 11, Nr. 1 (Mai 1997): 25–46. http://dx.doi.org/10.1080/08929092.1997.10012482.

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Lane, Jan-Erik. „The Beginning of the End of the Climate Drama“. International Journal of Social Science Studies 6, Nr. 8 (24.07.2018): 32. http://dx.doi.org/10.11114/ijsss.v6i8.3476.

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Climate and Earth scientists have launched the new theory of abrupt climate change, which entails a most real threat to human survival. They clarify Hawking irreversibility by multiple so-called tipping points. The COP21 project seems bound for coordination failure. And country resilience will not suffice against the consequences of abruot climate change, involving inter alia much sea level rise and constantly increasing heat for decades as well as hurricanes and forest fires.
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Horváth, Enikő. „The Barroso Drama: Brussels for Beginners. Mr. Kovács's Curious Adventures between Capitals“. European Constitutional Law Review 1, Nr. 2 (19.05.2005): 182–88. http://dx.doi.org/10.1017/s1574019605001823.

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박상완. „The Way of Survival in a Neo-Liberal Age in the Television Drama“. Journal of Korean drama and theatre ll, Nr. 60 (Juni 2018): 165–203. http://dx.doi.org/10.17938/tjkdat.2018..60.165.

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Dissertationen zum Thema "Survival – drama"

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Méndez, Montesinos Delia Leticia. „From Spanish stage to California vineyards : the survival of the resilient simpleton /“. Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Kogut, Kate Berneking. „Connections and confluences the personal and artistic journeys in the writing of Survival dance /“. Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4781.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 26, 2007) Vita. Includes bibliographical references.
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Walsh, Alwyn Mae. „Performing (for) survival : performance tactics of incarcerated women“. Thesis, University of Northampton, 2014. http://nectar.northampton.ac.uk/8889/.

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In an era characterised by impacts of cuts and austerity in the UK, this study is positioned at the interface between two socio-cultural institutions against which societies are judged: the arts and criminal justice. Within this field, the thesis investigates the ways women in prison are positioned in a carceral performance that is cyclical and inevitably ‘tragic’. The argument considers the tactics women use in order to firstly, survive their incarceration, and sometimes, resist, the institution. The theoretical frame is drawn from feminist criminology and Bourdieu’s ‘habitus’ to examine everyday performances as well as theatrical works by and about incarcerated women. This project adds to the field by locating performance practices in and of prison within wider social contexts of the politics of carceral spaces. The main questions posed by this project were ‘what does theatre/ performance offer to challenge stereotypes of ‘the cage’?; and to what extent and in what ways does performance in (and of) prison challenge/ subvert/ augment/ transform the site itself’? The research sought to understand to what extent women’s articulations of subjectivity could be a radical alternative to the logocentric and discursive prisons of sentences and prison records. The study was developed as an ethnographic examination of performance in and of prison, alongside exploring how contemporary performance modes are implicated in defining, containing, and correcting (criminal) women’s everyday performances. The thesis is primarily concerned with a critical reflection on theatre practices in prison, with particular emphasis on the political implications of the effects of prison as/and performance. The study makes claims for a radical practice in and about prisons that is distanced from current applied theatre practices, and as such points towards a more troubled rehearsal of how punishment is performed.
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Mrschtik, Michaela. „Characterisation of the role of DRAM-related TMEM150 proteins in cancer cell survival, cell death and autophagy“. Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7932/.

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Autophagy, a cellular recycling mechanism, and apoptosis, a regulated mode of cell death, are two fundamental cellular processes that contribute to carcinogenesis and tumour growth as well as treatment sensitivity and resistance. The protein encoded by DRAM1, a p53-responsive gene, has previously been described as an autophagy and apoptosis modulator downstream of p53 activation. Furthermore, a family of DRAM1-related proteins has been uncovered by in silico analysis. Of the 5 members of this protein family, only DRAM1 and DRAM-2 had previously been tested for their roles in cell death and autophagy. Much less was known about the remaining three DRAM-family members TMEM150A/B/C (termed DRAM-5/-3/-4 by us for ‘DRAM-related/associated member-5/-3/-4’) and their potential roles in autophagy, cell death or cell survival in cancer cells. In this project, we therefore aimed to test whether these DRAM-family proteins could modulate autophagy, cell death or cell survival in in vitro cancer cell line systems. We used both retroviral, constitutive overexpression systems and CRISPR/Cas9-mediated gene disruption systems to study the effect of TMEM150 overexpression or TMEM150 ablation on these processes. In summary, we found that none of the TMEM150 genes were induced by p53, but starvation conditions increased TMEM150A and C transcript levels in some conditions. Moderate changes in TMEM150 protein levels showed no dramatic effect on cell growth and survival. Of the three TMEM150 proteins, only TMEM150B affected autophagy, while TMEM150A and C did not modulate autophagic processes in any of the assays performed. Moreover, we show that TMEM150B overexpression can improve cellular survival under glucose deprived conditions, while none of the other DRAM-family proteins seems capable of doing so. Additionally, serum or amino acid starvation did not show parallel effects. Lastly, we show that the influence of TMEM150B on autophagic processes is uncoupled from its ability to modulate survival in glucose-starved cells. Taken all together, with this work we provide an initial characterisation of the TMEM150 proteins, which may lay a foundation for future, expanded studies on the cellular functions of the DRAM-family.
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„The survival of love in Pinter's drama of hostility“. Chinese University of Hong Kong, 1996. http://library.cuhk.edu.hk/record=b5888947.

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by Wendy Wai Kui Man.
Thesis (M.Phil.)--Chinese University of Hong Kong, 1996.
Includes bibliographical references (leaves 127-131).
Introduction --- p.1
Chapter Chapter 1 --- "Dominance and Destruction in The Room, A Slight Ache and A Night Out" --- p.5
Chapter Chapter 2 --- "Married Love and Reality in The Collection, The Lover, Landscape and Betrayal" --- p.22
Chapter Chapter 3 --- "The Human Connection and Its Limits in The Caretaker, The Homecoming and Family Voices" --- p.56
Chapter Chapter 4 --- "The End Of The Road in One For The Road, Mountain Language and Party Time" --- p.85
Chapter Chapter 5 --- Love and Death Wedded in Moonlight --- p.110
Conclusion --- p.122
Works Cited --- p.124
Bibliography --- p.127
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Bücher zum Thema "Survival – drama"

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Fass, Simon M. Political economy in Haiti: The drama of survival. New Brunswick, N.J., U.S.A: Transaction Books, 1988.

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The old lady's guide to survival. Woodstock, Ill: Dramatic Publishing, 1994.

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3

Bell, Winston. Drama for survival: The Jerico experience using drama as a tool of empowerment. [Kingston, Jamaica]: Groundwork Theatre Company, 1991.

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S, Lakshmi C., Hrsg. Body blows: Women, violence, and survival : three plays. Calcutta: Seagull Books, 2000.

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5

Grote, David. Play directing in the school: A drama director's survival guide. Colorado Springs, Colo: Meriwether Pub., 1997.

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Hezlep, William. Shipwrecked. Studio City, CA: Players Press, 1999.

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Raum, Elizabeth. Can you survive storm chasing?: An interactive survival adventure. Mankato, MN: Capstone Press, 2012.

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Rimann, Jürgen, Boris Michalski und Tomasz Thomson. Snowman's land. Chicago: Music Box Films, 2012.

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9

Yi, Kang-baek. Allegory of survival: The theater of Kang-Baek Lee. Youngstown, N.Y: Cambria Press, 2007.

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Yi, Kang-baek. Allegory of survival: The theater of Kang-baek Lee. Youngstown, N.Y: Cambria Press, 2007.

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Buchteile zum Thema "Survival – drama"

1

Adam, Julie. „Survival as Heroism“. In Versions of Heroism in Modern American Drama, 121–51. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21363-4_6.

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2

Kimmel, Lawrence. „Crossblood: Literature and the Drama of Survival“. In Life Creative Mimesis of Emotion, 9–22. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4265-6_2.

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Perera, Suvendrini. „White Shores of Longing: Castaway Stories and Nation Dramas“. In Survival Media: The Politics and Poetics of Mobility and the War in Sri Lanka, 54–72. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1007/978-1-137-44464-6_4.

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„Conservatories and Drama Schools“. In The Actor's Survival Handbook, 44–45. Routledge, 2014. http://dx.doi.org/10.4324/9780203942529-18.

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„Building a drama curriculum“. In The Drama Teacher’s Survival Guide. Methuen Drama, 2021. http://dx.doi.org/10.5040/9781350092709.ch-002.

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„GOTHIC SURVIVAL IN LITERARY DRAMA“. In Gothic Drama from Walpole to Shelley, 216–38. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8441736.14.

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„What is a drama teacher?“ In The Drama Teacher’s Survival Guide. Methuen Drama, 2021. http://dx.doi.org/10.5040/9781350092709.ch-001.

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„Conclusion: survival and revival“. In The Biblical Drama of Medieval Europe, 158–70. Cambridge University Press, 1995. http://dx.doi.org/10.1017/cbo9780511519697.016.

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„Creating, performing, responding“. In The Drama Teacher’s Survival Guide. Methuen Drama, 2021. http://dx.doi.org/10.5040/9781350092709.ch-003.

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„Surviving: The pressure points“. In The Drama Teacher’s Survival Guide. Methuen Drama, 2021. http://dx.doi.org/10.5040/9781350092709.ch-004.

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