Auswahl der wissenschaftlichen Literatur zum Thema „Substance (dravya)“
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Zeitschriftenartikel zum Thema "Substance (dravya)"
Saikh, Asmin. „A Comparative Philosophical analysis of Dravya with Special reference to Yogacara and Vaisesika School“. RESEARCH REVIEW International Journal of Multidisciplinary 7, Nr. 12 (14.12.2022): 142–48. http://dx.doi.org/10.31305/rrijm.2022.v07.i12.021.
Der volle Inhalt der QuelleDhanshree K. Handibag. „Studies in effect of in-vitro digestion of some of the Dravyas with respect to their Vipaka - A Research Article“. Journal of Ayurveda and Integrated Medical Sciences 8, Nr. 4 (25.05.2023): 29–36. http://dx.doi.org/10.21760/jaims.8.4.5.
Der volle Inhalt der QuelleNaik, Veena, und Subrahmanya P. „GUDUCHI: A BOON TO CURE JWARA“. International Ayurvedic Medical Journal 9, Nr. 10 (15.10.2021): 2490–94. http://dx.doi.org/10.46607/iamj3109102021.
Der volle Inhalt der QuelleN Kini, Vyshnavi, und Swapna Bhat. „“A CRITICAL REVIEW ON MADHU”“. International Ayurvedic Medical Journal 11, Nr. 11 (15.11.2023): 2839–46. http://dx.doi.org/10.46607/iamj2911112023.
Der volle Inhalt der QuelleSoman, Athira, Rekha Sakkari und Sneha Elsa Sam. „A LITERARY SURVEY OF AUSHADHA AND AHARA DRAVYA VARGAS WITH SPECIAL REFERENCE TO BRIHATTRAYI“. International Journal of Research in Ayurveda and Pharmacy 15, Nr. 1 (29.02.2024): 116–25. http://dx.doi.org/10.7897/2277-4343.15125.
Der volle Inhalt der QuelleUmakant N. Rabb. „Assessment of density and specific gravity tests of some selected Ayurvedic medicinal plants“. GSC Biological and Pharmaceutical Sciences 26, Nr. 3 (30.03.2024): 006–13. http://dx.doi.org/10.30574/gscbps.2024.26.3.0076.
Der volle Inhalt der QuelleRana, Anchal, und Ravneet Kaur Chahal. „A REVIEW ON KOSTHI WSR TO RASATARANGINI AND RASA RATNA SAMUCCHYA“. Journal of Biological & Scientific Opinion 11, Nr. 4 (31.08.2023): 46–48. http://dx.doi.org/10.7897/2321-6328.114180.
Der volle Inhalt der QuelleLysenko, Viсtoria. „To be liberated the Vaisheshika way, or the Vaisheshika attempt at a «Negative Soteriology» by the Indian school of philosophy“. Философская мысль, Nr. 12 (Dezember 2021): 8–14. http://dx.doi.org/10.25136/2409-8728.2021.12.37003.
Der volle Inhalt der QuelleChintaliah, C. Shrilaxmi R., und Rajkumar Bobade. „A STUDY OF ROLE OF AAHARIYA DRAVYA ATASI (LINUM USITATISSIMUM LINN.) ON HYPERCHOLESTEROLEMIA“. International Ayurvedic Medical Journal p5, Nr. 6 (25.09.2021): 3082–85. http://dx.doi.org/10.46607/iamj04p5062021.
Der volle Inhalt der QuelleGeorge, Vineeth, und S. R. Moharer. „AN AYURVEDIC COMPREHENSION ON THE LIAISON AMIDST RASA (TASTE) AND KARMA (ACTION) OF A DRAVYA (SUBSTANCE)“. International Journal of Research in Ayurveda & Pharmacy 7, Nr. 1 (28.01.2016): 46–48. http://dx.doi.org/10.7897/2277-4343.07127.
Der volle Inhalt der QuelleDissertationen zum Thema "Substance (dravya)"
Vieira, Suzane de Alencar. „O drama azul = narrativas sobre o sofrimento das vitimas do evento radiologico do Cesio-137“. [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279038.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-15T10:07:52Z (GMT). No. of bitstreams: 1 Vieira_SuzanedeAlencar_M.pdf: 4109616 bytes, checksum: 0662160c4ec5d38e8dc1eb096936a322 (MD5) Previous issue date: 2010
Resumo: Esta pesquisa apresenta uma abordagem dramática sobre o evento radiológico do Césio-137. O evento, desencadeado na cidade de Goiânia no ano 1987, não se encerra com o fim da contaminação radiológica e se estende a um processo judicial, médico-científico e narrativo de identificação e reconhecimento de novas vítimas. A produção da etnografia é acompanhada por um exercício de experimentação teórico-conceitual em torno das noções de drama e evento. Para compreender os processos pelos quais o evento é configurado como um drama, analiso narrativas como romances, artes plásticas, fotografias, jornais, documentários, filmes, bibliografia acadêmica e relatos provocados pela pesquisa de campo. As narrativas politizam o discurso de vitimização e a experiência de sofrimento. A forma dramática de narrativas e símbolos canaliza emoções e promove o engajamento emocional dos sujeitos no processo. Além de agenciar a relação entre narrativa e evento, o drama revelou-se como um espaço político que instrumentaliza o modelo narrativo e a linguagem do sofrimento para incitar o reconhecimento das vítimas. O drama ocupa um lugar central na dinâmica do evento radiológico ao estender seus limites, modular sua intensidade e atualizá-lo a cada nova narrativa. A etnografia, enquanto uma narrativa sobre o evento, incorpora e atualiza o drama como marco da análise e da descrição do tema e é também absorvida no processo dramático.
Resumo: Esta pesquisa apresenta uma abordagem dramática sobre o evento radiológico do Césio-137. O evento, desencadeado na cidade de Goiânia no ano 1987, não se encerra com o fim da contaminação radiológica e se estende a um processo judicial, médico-científico e narrativo de identificação e reconhecimento de novas vítimas. A produção da etnografia é acompanhada por um exercício de experimentação teórico-conceitual em torno das noções de drama e evento. Para compreender os processos pelos quais o evento é configurado como um drama, analiso narrativas como romances, artes plásticas, fotografias, jornais, documentários, filmes, bibliografia acadêmica e relatos provocados pela pesquisa de campo. As narrativas politizam o discurso de vitimização e a experiência de sofrimento. A forma dramática de narrativas e símbolos canaliza emoções e promove o engajamento emocional dos sujeitos no processo. Além de agenciar a relação entre narrativa e evento, o drama revelou-se como um espaço político que instrumentaliza o modelo narrativo e a linguagem do sofrimento para incitar o reconhecimento das vítimas. O drama ocupa um lugar central na dinâmica do evento radiológico ao estender seus limites, modular sua intensidade e atualizá-lo a cada nova narrativa. A etnografia, enquanto uma narrativa sobre o evento, incorpora e atualiza o drama como marco da análise e da descrição do tema e é também absorvida no processo dramático
Abstract: This research presents a dramatic approach to the Cesium-137 Radiological Event. The event, which started on Goiania in 1987, did not stop with the end of radiological contamination and continues in a judicial, scientific and narrative process of identification and recognition of new victims. The ethnography's output follows a theoretical experiment with the notions of drama and event. In order to better understand the pattern of this event, I analyzed narratives such as romances, arts, photographs, news, documentaries, films, academic bibliography and stories that emerged from the research field. I argue that the narratives politicize the discourses of victimization and the suffering experience. The dramatic form of narratives and symbols concentrates on emotions and promotes the emotional commitment of the subjects on the trial. The drama articulates the relationship between the narratives and the event and creates a tactful space that arouses the recognition of victims through the narrative form and the suffering language. The drama occupies a central place on the dynamics of radiological event, as it extends its limits, inflects its intensity and updates the event. As a narrative of the event, the ethnography incorporates and brings up to date the drama as an analysis landmark and the description of the theme as it is absorbed by a dramatic process.
Abstract: This research presents a dramatic approach to the Cesium-137 Radiological Event. The event, which started on Goiania in 1987, did not stop with the end of radiological contamination and continues in a judicial, scientific and narrative process of identification and recognition of new victims. The ethnography's output follows a theoretical experiment with the notions of drama and event. In order to better understand the pattern of this event, I analyzed narratives such as romances, arts, photographs, news, documentaries, films, academic bibliography and stories that emerged from the research field. I argue that the narratives politicize the discourses of victimization and the suffering experience. The dramatic form of narratives and symbols concentrates on emotions and promotes the emotional commitment of the subjects on the trial. The drama articulates the relationship between the narratives and the event and creates a tactful space that arouses the recognition of victims through the narrative form and the suffering language. The drama occupies a central place on the dynamics of radiological event, as it extends its limits, inflects its intensity and updates the event. As a narrative of the event, the ethnography incorporates and brings up to date the drama as an analysis landmark and the description of the theme as it is absorbed by a dramatic process
Mestrado
Mestre em Antropologia Social
Bücher zum Thema "Substance (dravya)"
Kumārī, Suśīlā. Vaiśeshika darśana meṃ nitya dravya-nirūpaṇa. Dillī: Vidyānidhi Prakāśana, 2020.
Den vollen Inhalt der Quelle findenBaitz, Jon Robin. The substance of fire, and other plays. New York: Theatre Communications Group, 1993.
Den vollen Inhalt der Quelle findenBaitz, Jon Robin. The substance of fire, and other plays. New York: Theatre Communications Group, 1993.
Den vollen Inhalt der Quelle findenBaitz, Jon Robin. The substance of fire & The film society: Two plays. Garden City, N.Y: Fireside Theatre, 1991.
Den vollen Inhalt der Quelle findenBaitz, Jon Robin. The substance of fire ; &, The film society: Two plays. Garden City, New York: Fireside Theatre, 1991.
Den vollen Inhalt der Quelle findenBaitz, Jon Robin. The substance of fire & The film society: Two plays. Garden City, N.Y: Fireside Theatre, 1991.
Den vollen Inhalt der Quelle findenBaitz, Jon Robin. The substance of fire & The film society: Two plays. Garden City, N.Y: Fireside Theatre, 1991.
Den vollen Inhalt der Quelle findenBaitz, Jon Robin. The substance of fire & The film society: Two plays. Garden City, N.Y: Fireside Theatre, 1991.
Den vollen Inhalt der Quelle findenBaitz, Jon Robin. The substance of fire & the film society: 2 plays by Jon Robin Baitz. Garden City, New York: Fireside Theatre, 1991.
Den vollen Inhalt der Quelle findenJames, Reynolds, und Zoe Zontou. Addiction and performance. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2014.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Substance (dravya)"
Galpin, Shelley Anne. „Style over Substance? Adapting Literature and History in the Period Drama“. In Teenage Audiences and British Period Drama, 167–88. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-58319-3_7.
Der volle Inhalt der QuellePadial-Guerchoux, Anita. „Elemental Substances and their Drama in the Mayan Imagination as Perceived in Popol Vuh“. In The Elemental Passions of the Soul Poetics of the Elements in the Human Condition: Part 3, 477–82. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-2335-5_24.
Der volle Inhalt der QuelleShida, Taisei. „On the source of the Mīmāṃsā theory of sound (śabda) as a substance (dravya)“. In Transmission and Tradition, 173–205. Verlag der österreichischen Akademie der Wissenschaften, 2022. http://dx.doi.org/10.2307/jj.3919370.11.
Der volle Inhalt der Quelle„Three. Moral Substance and Ambiguity“. In The Death and Life of Drama, 43–57. University of Texas Press, 2005. http://dx.doi.org/10.7560/705326-004.
Der volle Inhalt der QuelleMatthew, H. C. G. „The Midlothian Campaign“. In Gladstone 1809-1898, 293–312. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198204053.003.0012.
Der volle Inhalt der Quelle„Addressing the Needs and Goals of Phase Five: Substance Use Disorder“. In The Drama Therapy Decision Tree, 2nd Edition, 341–58. Intellect, 2024. http://dx.doi.org/10.1386/9781789389531_13.
Der volle Inhalt der QuelleCalderón Villarino, Ángela. „La ‘idea de la familia’ como configuración Saúl ante Samuel de Juan Benet“. In Constelaciones familiares en la narrativa iberoamericana moderna. Venice: Fondazione Università Ca’ Foscari, 2024. http://dx.doi.org/10.30687/978-88-6969-833-0/002.
Der volle Inhalt der QuelleMcLaughlin, Robert L. „Opening Doors“. In Stephen Sondheim and the Reinvention of the American Musical. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496808554.003.0002.
Der volle Inhalt der QuelleHeaton, Caroline. „Only Northerners Need Apply? Northern Broadsides and No-nonsense Shakespeare“. In Shakespeare in the North, 151–67. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474435925.003.0007.
Der volle Inhalt der QuelleLeebron*, David W. „Implementation of the Uruguay Round Results in the United States“. In Implementing the Uruguay Round, 175–242. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198262367.003.0006.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Substance (dravya)"
Jugl, Sebastian, Aimalohi Okpeku, Brianna Costales, Earl Morris, Golnoosh Alipour-Harris, Juan Hincapie-Castillo, Nichole Stetten et al. „A Mapping Literature Review of Medical Cannabis Clinical Outcomes and Quality of Evidence in Approved Conditions in the United States, from 2016 to 2019“. In 2020 Virtual Scientific Meeting of the Research Society on Marijuana. Research Society on Marijuana, 2021. http://dx.doi.org/10.26828/cannabis.2021.01.000.25.
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