Thematische Bibliographien / Stereo audio

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Stereo audio“

Autor: Grafiati
Veröffentlicht am 25. Juni 2021
Zuletzt aktualisiert am 1. Februar 2022

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Zeitschriftenartikel zum Thema "Stereo audio"

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Linz, Alfredo R. „Stereo audio CODEC“. Journal of the Acoustical Society of America 103, Nr. 1 (Januar 1998): 17. http://dx.doi.org/10.1121/1.423135.

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Linz, Alfredo R. „Stereo audio codec“. Journal of the Acoustical Society of America 102, Nr. 3 (September 1997): 1277. http://dx.doi.org/10.1121/1.419992.

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Liu, Tianyun, Diqun Yan, Rangding Wang, Nan Yan und Gang Chen. „Identification of Fake Stereo Audio Using SVM and CNN“. Information 12, Nr. 7 (28.06.2021): 263. http://dx.doi.org/10.3390/info12070263.

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The number of channels is one of the important criteria in regard to digital audio quality. Generally, stereo audio with two channels can provide better perceptual quality than mono audio. To seek illegal commercial benefit, one might convert a mono audio system to stereo with fake quality. Identifying stereo-faking audio is a lesser-investigated audio forensic issue. In this paper, a stereo faking corpus is first presented, which is created using the Haas effect technique. Two identification algorithms for fake stereo audio are proposed. One is based on Mel-frequency cepstral coefficient features and support vector machines. The other is based on a specially designed five-layer convolutional neural network. The experimental results on two datasets with five different cut-off frequencies show that the proposed algorithm can effectively detect stereo-faking audio and has good robustness.
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Dong, Yingjun, Neil G. MacLaren, Yiding Cao, Francis J. Yammarino, Shelley D. Dionne, Michael D. Mumford, Shane Connelly, Hiroki Sayama und Gregory A. Ruark. „Utterance Clustering Using Stereo Audio Channels“. Computational Intelligence and Neuroscience 2021 (25.09.2021): 1–8. http://dx.doi.org/10.1155/2021/6151651.

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Utterance clustering is one of the actively researched topics in audio signal processing and machine learning. This study aims to improve the performance of utterance clustering by processing multichannel (stereo) audio signals. Processed audio signals were generated by combining left- and right-channel audio signals in a few different ways and then by extracting the embedded features (also called d-vectors) from those processed audio signals. This study applied the Gaussian mixture model for supervised utterance clustering. In the training phase, a parameter-sharing Gaussian mixture model was obtained to train the model for each speaker. In the testing phase, the speaker with the maximum likelihood was selected as the detected speaker. Results of experiments with real audio recordings of multiperson discussion sessions showed that the proposed method that used multichannel audio signals achieved significantly better performance than a conventional method with mono-audio signals in more complicated conditions.
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Amin, A. A., M. S. Islam, M. A. Masud und M. N. H. Khan. „Impact of Higher Order Adaptive Filtering for Stereo System Audio Signal“. Indonesian Journal of Electrical Engineering and Computer Science 6, Nr. 3 (01.06.2017): 623. http://dx.doi.org/10.11591/ijeecs.v6.i3.pp623-627.

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In present stereo audio system is a most popular audio system for different purposes. Now a day’s stereo system is commonly used in communication and other purposes. Moreover Normalized Least Mean Square (NLMS) based adaptive filtering is an effective filtering process in case of communication and other applications. However adaptive filtering is an adaptive filter process to cancel out the noise from audio signal successfully. Hence the main objective of this paper is to design a NLMS adaptive filter which cancels out the noise from a noisy wave format stereo audio file. Moreover by varying the order of the adaptive filter (such as 8<sup>th</sup>, 16<sup>th</sup>, 32<sup>th</sup> and 64<sup>th</sup>), the performance of the NMLS adaptive filtered signal with respect to reference and noisy stereo audio signal are analyzed as well.
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Amin, A. A., M. S. Islam, A. A. M. Masud und M. N. H. Khan. „Design and Performance Analysis of 1.8 GHz Low Noise Amplifier for Wireless Receiver Application“. Indonesian Journal of Electrical Engineering and Computer Science 6, Nr. 3 (01.06.2017): 656. http://dx.doi.org/10.11591/ijeecs.v6.i3.pp656-662.

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In present stereo audio system is a most popular audio system for different purposes. Now a day’s stereo system is commonly used in communication and other purposes. Moreover Normalized Least Mean Square (NLMS) based adaptive filtering is an effective filtering process in case of communication and other applications. However adaptive filtering is an adaptive filter process to cancel out the noise from audio signal successfully. Hence the main objective of this paper is to design a NLMS adaptive filter which cancels out the noise from a noisy wave format stereo audio file. Moreover by varying the order of the adaptive filter (such as 8<sup>th</sup>, 16<sup>th</sup>, 32<sup>th</sup> and 64<sup>th</sup>), the performance of the NMLS adaptive filtered signal with respect to reference and noisy stereo audio signal are analyzed as well.
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Liang, Ji Xiu, und Shou Kui Li. „Audio Power Amplifier Design and Debugging“. Applied Mechanics and Materials 651-653 (September 2014): 2269–72. http://dx.doi.org/10.4028/www.scientific.net/amm.651-653.2269.

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The modern demands for hearing level is getting higher and higher, so the authenticity of stereo sound quality demand is higher and higher, the stereo power amplifier is integrated circuit TDA2030A primarily composed of stereo power amplifier, it USES the typical power amplification circuit, with less distortion, peripheral components, high stability, wide frequency response range, high fidelity, the advantages of large power, at the same time adopt SiYun put GL324A of input audio signal processing and high, bass, and thus more output sound of quality guarantee. Articles of amplifiers made simple introduction, and give the detailed design and debug program.
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Park, Sung-Wook, und Tae-Yun Chung. „Stereo Audio Matched with 3D Video“. Journal of Korean Institute of Intelligent Systems 21, Nr. 2 (25.04.2011): 153–58. http://dx.doi.org/10.5391/jkiis.2011.21.2.153.

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Heed, Christer, und Fredrik Gunnarsson. „Method of processing and reproducing an audio stereo signal and an audio stereo signal reproduction system“. Journal of the Acoustical Society of America 120, Nr. 2 (2006): 574. http://dx.doi.org/10.1121/1.2336657.

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Zhang, Jian Bin, Ming Fang Zhu, Yan Ling Ren und Jian Lu. „Design of Stereo Frequency Modulation Exciter Controlled by Microcontroller“. Applied Mechanics and Materials 29-32 (August 2010): 796–801. http://dx.doi.org/10.4028/www.scientific.net/amm.29-32.796.

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A new stereo Frequency Modulation exciter scheme for short-distance wireless communication is proposed. It adopts a stereo FM IC BH1415 to transmit audio FM signals, and its transmitting frequency is controlled by microcontroller. The basic principle of phase-locked loop for FM is analyzed, and the audio FM circuit based on BH1415 and the controlling method based on AT89C51 are introduced. Test results indicated that, the audio FM Exciter had simple structure and higher reliability, each parameter can meet the demands of FM broadcasting system, and it has some scalability.
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Dissertationen zum Thema "Stereo audio"

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Craig, Shelley. „Stereo audio for television : practical problems in audio post-production techniques“. Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63957.

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Brown, Tim. „PIC controlled two-band stereo audio equalizer“. Click here to view, 2009. http://digitalcommons.calpoly.edu/eesp/14/.

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Thesis (B.S.)--California Polytechnic State University, 2009.
Project advisor: Dennis Derickson. Title from PDF title page; viewed on Feb. 4, 2010. Includes bibliographical references. Also available on microfiche.
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Konečný, Jiří. „Návrh stereo audio koncového zesilovače spínané třídy“. Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2013. http://www.nusl.cz/ntk/nusl-220270.

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This text analyzes characteristics of audio power amplifiers in class D. The emphasis is placed on more detailed analysis of modulators, drivers, connection topology of power transistors. In the next section of text are analyzed available integrated circuits of power amplifiers in class D which are manufactured by world producers. The last part describes design of all parts of amplifier in class D with discrete components and also of power supplies. According to the plans, the individual parts are made. All parts are tested by measurements and results are evaluated.
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Capobianco, Julien. „Codage audio stéréo avancé“. Thesis, Paris 6, 2015. http://www.theses.fr/2015PA066712/document.

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Depuis une dizaine d’années, des techniques de codage joint, exploitant les relations et les redondances entre canaux audios, ont été développées afin de réduire davantage la quantité d’information nécessaire à la représentation des signaux multicanaux. Dans cette thèse, nous étudions plus particulièrement le codage des signaux audio stéréo en l’absence d’informations à priori sur la nature des sources en présences, leur nombre et la manière dont elles sont spatialisées. Cette situation correspond à l’immense majorité des enregistrements commerciaux dans l’industrie de la musique et du multimédia de manière générale. Nous étudions des approches paramétrique et signal de la problématique de codage de ces sources, où les deux sont souvent mêlées. Dans ce contexte, trois types d’approches sont utilisés. L’approche paramétrique spatiale consiste à réduire le nombre de canaux audio de la source à coder et à recréer le nombre de canaux d’origine à partir des canaux réduits et de paramètres spatiaux, extraits des canaux d’origine. L’approche signal conserve le nombre de canaux d’origine, mais encode des canaux construits à partir de ces derniers et présentant moins de redondances. Enfin, l’approche mixte introduite dans MPEG USAC utilise un signal audio et un signal résiduel, issu d’une prédiction, et dont les paramètres sont codés conjointement. Dans cette thèse, nous analysons tout d’abord les caractéristiques d’un signal stéréo issu d’un enregistrement commercial et les techniques de production associées. Cette étude nous mène à une réflexion sur les rapports entre les modèles paramétriques d’émetteur, obtenus en analysant les techniques de production des enregistrements commerciaux, et les modèles de récepteur qui sont au coeur du codage spatial paramétrique. A partir de cette mise en perspective nous présentons et étudions les trois approches évoquées plus haut. Pour l’approche purement paramétrique, nous montrons l’impossibilité d’arriver à la transparence pour la majorité des sources audios, nous menons une réflexion sur les représentations paramétriques et proposons des techniques afin de réduire le débit de leurs paramètres et d’améliorer la qualité audio. Ces améliorations passent par une meilleur segmentation du signal audio, basée sur les transitoires, sur des caractéristiques perceptives de certains indices spatiaux et sur une meilleur estimation des indices spatiaux. L’approche mixte étant récemment standardisée dans MPEG USAC, nous l’étudions en détail, puis nous proposons une nouvelle technique de codage qui exploite au mieux l’allocation du résidu aux bandes fréquentielles, lorsque celui-ci n’est pas utilisé sur l’ensemble de la bande passante du signal. Enfin, nous concluons en évoquant l’avenir du codage audio spatial généraliste et mettons l’accent sur l’importance de développer des techniques de classification et de segmentation audio pour optimiser le rapport qualité/débit
During the last ten years, technics for joint coding exploiting relations and redundancies between channels have been developped in order to further reduce the amount of information needed to represent multichannel audio signals.In this document, we focus on the coding of stereo audio signals where prior informations on the nature of sources in presence, their number or the manner they are spatialized is unknown. Such signals are actually the most representative in commercial records of music industry and in multimedia entertainment in general. To address the coding problematic of these signals, we study parametric and signal approaches, where both of them are often mixed.In this context, three types of approaches are used. The spatial parametric approach reduce the number of audio channels of the signal to encode and recreate the original number of channels from reduced channels and spatial parameters extracted from original channels. The signal approach keep the original number of channels, but encode mono signals, built from the combination of the original ones and containing less redundancies. Finally, the hybrid approach introduced in the MPEG USAC standard keep the two channels of a stereo signal, but one is a mono downmix and the other is a residual signal, resulting from a prediction on the downmix, where prediction parameters are encoded as side information.In this document, we first analyse the characteristics of a stereo audio signal coming from a commercial recording and the associated production techniques. This study lead us to consider the relations between the emitter parametric models, elaborated from our analysis of commercial recording production techniques, and the receiver models which are the basis of spatial parametric coding. In the light of these considerations, we present and study the three approaches mentioned earlier. For the parametric approach, we show that transparency cannot be achieved for most of the stereo audio signals, we have a reflection on parametric representations and we propose techniques to improve the audio quality and further reduce the bitrate of their parameters. These improvements are obtained by applying a better segmentation on the signal, based on the significant transient, by exploiting perceptive characteristics of some spatial cues and by adapting the estimation of spatial cues. As the hybrid approach has been recently standardized in MPEG USAC, we propose a full review of it, then we develop a new coding technique to optimize the allocation of the residual bands when the residual is not used on the whole bandwidth of the signal to encode. In the conclusion, we discuss about the future of the general spatial audio coding and we show the importance of developping new technics of segmentation and classification for audio signals to further adapt the coding to the content of the signal
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Fan, Yun-Hui. „A stereo audio coder with a nearly constant signal-to-noise ratio“. Diss., Georgia Institute of Technology, 2001. http://hdl.handle.net/1853/14788.

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Widman, Ludvig. „Binaural versus Stereo Audio in Navigation in a 3D Game: Differences in Perception and Localization of Sound“. Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik, konst och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-85512.

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Recent advancements in audio technology for computer games has made possible for implementations with binaural audio. Compared to regular stereo sound, binaural audio offers possibilities for a player to experience spatial sound, including sounds along the vertical plane, using their own headphones. A computer game prototype called “Crystal Gatherer” was created for this study to explore the possibilities of binaural audio imple- mentation regarding localization and perception of objects that make sound in a 3D game. The game featured two similar game levels, with the difference that one used binaural sound, and the other stereo sound. The levels consisted of a dark space that the player could navigate freely with the objective to find objects that make sound, called “crystals”, as fast as they could. An experiment was conducted with 14 test sub- jects that played the game, qualitative and quantitative data was collected, including the time the players took to complete the game levels, respectively, and answers about how they experienced the levels. A majority of test subjects reported that they per- ceived a difference between the levels. No significant difference was found between the levels in terms of efficacy of finding the objects that made sound. Some test subjects stated that they found localization was better in the binaural level of the game, others found the stereo level to be better in this respect. The study shows that there can exist possibilities for binaural audio to change the perception of audio in computer games.
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Lapierre, Jimmy. „Approches paramétriques pour le codage audio multicanal“. Mémoire, Université de Sherbrooke, 2007. http://savoirs.usherbrooke.ca/handle/11143/1355.

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Résumé : Afin de répondre aux besoins de communication et de divertissement, il ne fait aucun doute que la parole et l’audio doivent être encodés sous forme numérique. En qualité CD, cela nécessite un débit numérique de 1411.2 kb/s pour un signal stéréo-phonique. Une telle quantité de données devient rapidement prohibitive pour le stockage de longues durées d’audio ou pour la transmission sur certains réseaux, particulièrement en temps réel (d’où l’adhésion universelle au format MP3). De plus, ces dernières années, la quantité de productions musicales et cinématographiques disponibles en cinq canaux et plus ne cesse d’augmenter. Afin de maintenir le débit numérique à un niveau acceptable pour une application donnée, il est donc naturel pour un codeur audio à bas débit d’exploiter la redondance entre les canaux et la psychoacoustique binaurale. Le codage perceptuel et plus particulièrement le codage paramétrique permet d’atteindre des débits manifestement inférieurs en exploitant les limites de l’audition humaine (étudiées en psychoacoustique). Cette recherche se concentre donc sur le codage paramétrique à bas débit de plus d’un canal audio. // Abstract : In order to fulfill our communications and entertainment needs, there is no doubt that speech and audio must be encoded in digital format. In"CD" quality, this requires a bit-rate of 1411.2 kb/s for a stereo signal. Such a large amount of data quickly becomes prohibitive for long-term storage of audio or for transmitting on some networks, especially in real-time (leading to a universal adhesion to the MP3 format). Moreover, throughout the course of these last years, the number of musical and cinematographic productions available in five channels or more continually increased.In order to maintain an acceptable bit-rate for any given application, it is obvious that a low bit-rate audio coder must exploit the redundancies between audio channels and binaural psychoacoustics. Perceptual audio coding, and more specifically parametric audio coding, offers the possibility of achieving much lower bit-rates by taking into account the limits of human hearing (psychoacoustics). Therefore, this research concentrates on parametric audio coding of more than one audio channel.
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Mathews, Abraham. „Smart Home Based Li-Fi System : Stereo Audio & Image Streaming by Visible light“. Thesis, Mittuniversitetet, Avdelningen för elektronikkonstruktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-32835.

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To light up the world of technology, where wireless communication has bloomed to a great extend which requires a lot of data to be transmitted and received every fraction of the second a new era is coming. Electro-magnetic waves i.e., radio waves are the main way to transmit wireless data but certain limitations are there because radio waves can only support less bandwidth because of compact spectrum availability and intrusions. Visible Light Communication (VLC) has come to take way those issues. The new technology Li-Fi which stands for Light-Fidelity is a new kind of wireless communication system which uses light waves as a medium instead of radio frequency electromagnetic waves. This pro-ject presents an eco-friendly data communication system through visible light which consists of LEDs that transmit audio signals and sensor data to the receiver. A connection protection mechanism that co-operates with wireless network and visible light communication to achieve relia-bility and performance overcoming the drawbacks from the pre-existing system is proposed here.
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Li, Beinan. „Optical audio reproduction for stereo phonograph records by using white-light interferometry and image processing“. Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103586.

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This dissertation presents an optical approach for reproducing stereo audio from the stereo disc phonograph records (LPs). Since the late nineteenth century, as one of the most influential recording technologies, the phonograph recording has enjoyed its popularity and produced numerous cylinders and discs that carry speeches, music, and all kinds of audio cultural heritage. The preservation of phonograph sound recordings is thus of world-wide concern. This research provides an alternative approach to digitizing the stereo disc phonograph records, potentially for long-term preservation, by optically acquiring the 3D disc record surface profile and extracting the audio signals from the record surface profile images by using software algorithms. The dissertation discusses the workflow of optically reproducing stereo audio from the stereo disc phonograph records by using the white-light interferometry technique. This workflow includes the acquisition of the 3D disc record surface profile by using a commercial white-light interferometry microscope, the extraction of the record groove undulations, which encodes the stereo audio information, by using our custom image processing algorithms, and finally the reproduction of the stereo audio signal from the groove undulations through signal processing. The workflow is evaluated with a test stereo record containing standard sinusoid signals and a musical record. The quality of the optically-reproduced audio is quantitatively evaluated and compared with that of the audio digitized by a turntable. The dissertation contains three main parts. The first include an introduction to the general background of the optical audio reproduction for the stereo disc phonograph records and the review of the phonograph recording technology, the previous efforts in optically reproducing audio from the cylinder and disc phonograph records, and the relevant optical techniques including the white-light interferometry. The second part focuses on our complete workflow for optically reproducing the stereo audio from the stereo disc phonograph records. This is followed by the evaluation of our workflow and the output audio quality. The dissertation concludes by introducing the challenges and the possible directions in the future development of our optical audio reproduction workflow.
Cette thèse présente une nouvelle approche de reproduction optique d'enregistrements phonographiques stéréo. L'enregistrement phonographique s'est imposé, vers la fin du XIXème siècle, comme la technologie d'enregistrement de référence partout dans le monde. Il existe donc une pléthore de cylindres et autres disques où ont été gravés discours, morceaux de musique, et autres artefacts culturel sonores. La préservation de ces enregistrements sonores phonographiques est donc une préoccupation mondiale. Le présent travail de recherche propose une approche alternative de numérisation des enregistrements phonographiques stéréo en vue de leur éventuelle préservation. En effet, à partir de l'acquisition optique du profil (en trois dimensions) de la surface d'enregistrement du disque, les signaux audio peuvent être reconstruits grâce à nos algorithmes d'analyse d'images. Cette thèse examine les étapes de la reproduction optique audio stéréo à partir d'enregistrements phonographiques sur disques stéréo en utilisant l'interférométrie en lumière blanche. Ces étapes comportent: l'acquisition du profil de la surface d'enregistrement d'un disque 3D en utilisant un microscope commercial interférométrique en lumière blanche ; l'extraction des ondulations du sillon, qui encode l'information audio stéréo en utilisant nos algorithmes de traitement d'images ; et finalement, la reproduction du signal audio stéréo depuis les ondulations du sillon par des techniques de traitement du signal. Le processus complet est évalué sur un enregistrement stéréo test comprenant des signaux sinusoïdaux et un enregistrement musical. La qualité de l'audio reproduit par voie optique est évaluée de façon quantitative et comparée avec celle de l'audio numérisé de manière « traditionnelle », à l'aide d'une platine. Cette thèse s'articule en trois parties. La première comporte une introduction des principes nécessaires à la reproduction d'enregistrements phonographiques stéréo par voie optique. Plus précisément, les principes de la technologie d'enregistrement phonographique sont passés en revue ; l'état de l'art des efforts de reproduction optique des enregistrements phonographiques sur disques et cylindres est présenté ; et enfin, les techniques optiques pertinentes incluant l'interférométrie en lumière blanche sont décrites. La deuxième partie livre une présentation détaillée du processus de reproduction optique que nous avons développé. Dans la troisième partie, l'évaluation quantitative de la qualité de la restitution du signal audio obtenue par notre procédé est aussi décrite. La thèse se conclue sur un bilan des défis et des directions possibles dans le futur développement de notre approche de reproduction des signaux audio par voie optique.
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Bergqvist, Emil. „Auditory displays : A study in effectiveness between binaural and stereo audio to support interface navigation“. Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-10072.

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This thesis analyses if the change of auditory feedback can improve the effectiveness of performance in the interaction with a non-visual system, or with a system used by individuals with visual impairment. Two prototypes were developed, one with binaural audio and the other with stereo audio. The interaction was evaluated in an experiment where 22 participants, divided into two groups, performed a number of interaction tasks. A post-interview were conducted together with the experiment. The result of the experiment displayed that there were no great difference between binaural audio and stereo regarding the speed and accuracy of the interaction. The post-interviews displayed interesting differences in the way participants visualized the virtual environment that affected the interaction. This opened up interesting questions for future studies.
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Bücher zum Thema "Stereo audio"

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Car stereo cookbook: How to design, choose, and install car stereo systems. New York: McGraw-Hill, 1998.

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Yoder, Andrew R. Auto audio: Choosing, installing, and maintaining car stereo systems. 2. Aufl. New York: McGraw-Hill, 2000.

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How to design and install high performance car stereo. North Branch, MN: Cartech, 1996.

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Pettitt, Joe. How to design and install high-performance car stereo. North Branch, MN: Cartech, 2003.

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SMPTE Television Conference (19th 1985 San Francisco, Calif.). Components of the future: Digital components, analog components, future technology, stereo audio in television. Herausgegeben von Streets John, Friedman Jeffrey B und Society of Motion Picture and Television Engineers. Scarsdale, NY: Society of Motion Picture and Television Engineers, 1985.

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Petersen, George. Tech terms: A practical dictionary for audio and music production. [S.l.]: Hal Leonard Pub. Corp., 1993.

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Scott, Michael S. Loud car stereos. Washington, D.C: U.S. Dept. of Justice, Office of Community Oriented Policing Services, 2001.

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Jenny, Bartlett, Hrsg. Practical recording techniques: The step-by-step approach to professional audio recording. 4. Aufl. Burlington, Mass: Focal, 2005.

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Jenny, Bartlett, Hrsg. Practical recording techniques. 5. Aufl. Boston: Elsevier/Focal Press, 2008.

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Jenny, Bartlett, Hrsg. Practical recording techniques. 3. Aufl. Boston, MA: Focal Press, 2002.

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Buchteile zum Thema "Stereo audio"

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Tarr, Eric. „Stereo Panning and Mid/Side Processing“. In Hack Audio, 131–46. New York, NY : Routledge, 2019. | Series: Audio Engineering Society presents: Routledge, 2018. http://dx.doi.org/10.4324/9781351018463-9.

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Chun, Chan Jun, Yong Guk Kim, Jong Yeol Yang und Hong Kook Kim. „Upmixing Stereo Audio into 5.1 Channel Audio for Improving Audio Realism“. In Communications in Computer and Information Science, 228–35. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-10546-3_28.

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3

Chun, Chan Jun, Young Han Lee, Yong Guk Kim, Hong Kook Kim und Choong Sang Cho. „A Real-Time Audio Upmixing Method from Stereo to 7.1-Channel Audio“. In Communication and Networking, 162–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-17604-3_18.

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4

Ashbourn, Julian. „Stereo Sound, Film Sound and the Legacy of Alan Dower Blumlein“. In Audio Technology, Music, and Media, 9–14. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-62429-3_3.

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Sakamoto, Shizuo, Ingemar J. Cox und Johji Tajima. „A multiple-baseline stereo for precise human face acquisition“. In Audio- and Video-based Biometric Person Authentication, 419–28. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/bfb0016023.

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Zong, Tianrui, Yong Xiang, Iynkaran Natgunanathan, Longxiang Gao und Wanlei Zhou. „Channel Correlation Based Robust Audio Watermarking Mechanism for Stereo Signals“. In Web Information Systems Engineering – WISE 2020, 240–51. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-62008-0_17.

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Zhou, Hang, Xudong Xu, Dahua Lin, Xiaogang Wang und Ziwei Liu. „Sep-Stereo: Visually Guided Stereophonic Audio Generation by Associating Source Separation“. In Computer Vision – ECCV 2020, 52–69. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58610-2_4.

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Vincent, Emmanuel, Hiroshi Sawada, Pau Bofill, Shoji Makino und Justinian P. Rosca. „First Stereo Audio Source Separation Evaluation Campaign: Data, Algorithms and Results“. In Independent Component Analysis and Signal Separation, 552–59. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-74494-8_69.

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Shiu, Hung-Jr, Bor-Shing Lin, Bor-Shyh Lin, Wei-Chou Lai, Chien-Hung Huang und Chin-Laung Lei. „A Stereo Audio Steganography by Inserting Low-Frequency and Octave Equivalent Pure Tones“. In Proceedings of the Fourth Euro-China Conference on Intelligent Data Analysis and Applications, 244–53. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68527-4_27.

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Yang, Yuhong, Yanye Wang, Ruimin Hu, Hongjiang Yu, Li Gao und Song Wang. „Level Ratio Based Inter and Intra Channel Prediction with Application to Stereo Audio Frame Loss Concealment“. In MultiMedia Modeling, 654–61. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-27671-7_55.

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Konferenzberichte zum Thema "Stereo audio"

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Harma, Aki. „Stereo audio classification for audio enhancement“. In ICASSP 2011 - 2011 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2011. http://dx.doi.org/10.1109/icassp.2011.5946439.

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Keller, Thomas B. „Stereo Audio in Television“. In SMPTE Television Conference. IEEE, 1985. http://dx.doi.org/10.5594/m00814.

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Foo, Say Wei. „Audio-watermarking with stereo signals“. In TENCON 2008 - 2008 IEEE Region 10 Conference (TENCON). IEEE, 2008. http://dx.doi.org/10.1109/tencon.2008.4766805.

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4

Samudika, Dulanja, Lahiru Jayasinghe, Kasun E. Gunathilaka, Y. Rumesh, Ruwan Weerasuriya und Dileeka Dias. „Stereo audio streaming via Visible Light“. In 2016 Moratuwa Engineering Research Conference (MERCon). IEEE, 2016. http://dx.doi.org/10.1109/mercon.2016.7480128.

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Suresh, K., und R. Akhil Raj. „MDCT domain parametric stereo audio coding“. In 2012 International Conference on Signal Processing and Communications (SPCOM). IEEE, 2012. http://dx.doi.org/10.1109/spcom.2012.6290038.

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Drossos, Konstantinos, Andreas Floros und Konstantinos Koukoudis. „Gestural user interface for audio multitrack real-time stereo mixing“. In the 8th Audio Mostly Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2544114.2544123.

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Cao, Wei, Yixin Yan und Shengming Li. „Bit Replacement Audio Watermarking Using Stereo Signals“. In 2009 International Conference on New Trends in Information and Service Science (NISS). IEEE, 2009. http://dx.doi.org/10.1109/niss.2009.234.

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Floros, Andreas, und Nicolas Alexander Tatlas. „Spatial enhancement for immersive stereo audio applications“. In 2011 17th International Conference on Digital Signal Processing (DSP). IEEE, 2011. http://dx.doi.org/10.1109/icdsp.2011.6005001.

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Hines, Andrew, Eoin Gillen, Damien Kelly, Jan Skoglund, Anil Kokaram und Naomi Harte. „Perceived Audio Quality for Streaming Stereo Music“. In MM '14: 2014 ACM Multimedia Conference. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2647868.2655025.

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Chunni Dai, Xiang Wu und Jingao Liu. „Stereo matching using adaptive genetic algorithm“. In 2008 International Conference on Audio, Language and Image Processing (ICALIP). IEEE, 2008. http://dx.doi.org/10.1109/icalip.2008.4590006.

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