Thematische Bibliographien / Star of David badges

Auswahl der wissenschaftlichen Literatur zum Thema „Star of David badges“

Autor: Grafiati

Veröffentlicht am 26. Juli 2024

Zuletzt aktualisiert am 27. Juli 2024

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Zeitschriftenartikel zum Thema "Star of David badges"

Engelking, Barbara. „Murdering and Denouncing Jews in the Polish Countryside, 1942-1945“. East European Politics and Societies: and Cultures 25, Nr. 3 (11.07.2011): 433–56. http://dx.doi.org/10.1177/0888325411398912.

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The Holocaust in Nazi-occupied Poland had several phases. First, Jews were marked with the Star of David badge, then isolated in ghettos, and—at the end—they were murdered in the extermination camps. But thousands of Jews had managed to escape both from ghettos and from camps. Often they were jumping from the trains going to Treblinka, or—after surviving a shooting—escaping from a mass grave. All of them wanted to survive the war. Some tried to stay in the cities; others were looking for help in the countryside. The article is about those Jews who wanted to live through the war among Polish peasants but were betrayed, denounced to the Germans, or murdered.

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Marnin-Distelfeld, Shahar. „CREATIVITY AS AN EXPERIENCE AND AS A COMPLEXITY: VISUAL-NARRATIVE RESEARCH OF THE ARTWORKS OF TSIPY AMOS GOLDSTEIN“. Creativity Studies 16, Nr. 1 (22.02.2023): 125–44. http://dx.doi.org/10.3846/cs.2023.15533.

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This article focuses on the work Seven Private Skies (initiated in 2009) by the Israeli artist, Tsipy Amos Goldstein. This is a series of large panels on which the artist has been painting and embroidering for fourteen years as her main occupation. The aim of the study was to establish the meanings inherent in the work, which is a kind of multi-layered cryptograph, while characterizing it in terms of creativity. The research method combined visual-interpretive analysis with both a narrative-feminist paradigm and with theories from the field of creativity studies. The findings showed that the series “tells” through artistic means the artist’s personal story in a way that matches two definitions: creativity as an experience and creativity as a complexity. The article will discuss the characteristics of the artist and artwork as an experience and then will present the paradoxes distinguishing the work as complex: 1. Order versus chaos; 2. Love and home in the face of disintegration; 3. Cuts versus connections and male versus female; 4. Understandable communication in the face of conflicting messages; 5. Star of David versus the Jewish yellow badge.

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Senkāne, Olga, und Karīne Laganovska. „VISUAL SEMIOTICS IN THE STUDY OF ART PHENOMENA: SYMBOL AND SYMPTOM“. SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 2 (03.07.2023): 366–77. http://dx.doi.org/10.17770/sie2023vol2.7148.

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The study aims to use the approach of visual semiotics to analyse the ritual graphic signs of the Rezekne Jewish cemetery as a segment of the city in terms of "signifier" and "signified", or “expression” and “content”. The Star of David, as the dominant sign of the ritual graphics, is gradually losing the status of a sacred symbol and in a series of tombstones confirms the structure of a symptom. The paper is devoted not only to clarifying the cultural and social causes of such changes but also to the study of the mechanism of mutual transitions between symbols and symptoms, the differences in the coding of these types of signs, which has not been done in visual semiotics so far.Theoreticians have hitherto not paid due attention to the study of signs of graves as a segment of the urban environment. Moreover, the theory of visual semiotics also lacks a description of the specificity of signs in ritual graphics. Ritual graphics is an important indicator of the regularity of cultural processes in an ethnically diverse environment. When surveying the Jewish cemeteries of the Latgale region, the difference in the choice of visual graphics in the city and the countryside is obvious. In rural cemeteries that are still in use, the content and structure of verbal messages, as well as decorative graphics are traditional, therefore predictable. In city cemeteries, there is a change in graphics, deviations from tradition, its modification and obvious violations of tradition. Along with the verbal report about the deceased, the ritual graphic, on the one hand, complements it as an integral part, on the other hand, lives an independent life, because the first, and the only sign that the observer notices is the visual or non-verbal sign. In terms of information, the visual sign is noticeably more capacious, as it is older than the verbal and requires much less time for perception. The focus of the study is the divergence between the meanings of the sacred hexagram and the secular yellow star or “badge”, the causal relationships of their use and perception from the point of view of visual semiotics and cultural philosophy - phenomena of symbolization and desymbolization.

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Brown, Lawrence H., Jeff Waldman, Terry W. Copeland, William E. Smithson und N. Heramba Prasad. „Mistaken Identity: The Effect of Badges on EMT Recognition“. Prehospital and Disaster Medicine 10, Nr. 3 (September 1995): 195–97. http://dx.doi.org/10.1017/s1049023x0004200x.

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AbstractIntroduction:Many emergency medical services (EMS) providers wear badges with their uniforms. This study was undertaken to determine whether emergency medical technicians (EMTs) who wear badges with their uniforms are more likely to be mistaken for law enforcement personnel than are those who do not wear badges.Hypothesis:Emergency medical services providers who wear badges are more likely to be mistaken for law enforcement personnel than are those who do not wear badges.Methods:High school students, college students, civic organizations, and church groups were shown slides of different uniforms and badges/insignia and asked to identify the person portrayed. Responses were categorized as “EMS,” “law enforcement,” or “other.” Frequency of responses for each uniform and insignia were compared with chi-square analysis.Results:Fifty-nine percent of the uniforms with badges were identified as law enforcement personnel. Only 5.5% of the uniforms with badges were identified as “EMS,” compared with 74% of the uniforms with a Star of Life (p<0.001).Conclusion:Individuals wearing uniforms with badges are more likely to be identified as law enforcement personnel than are EMS personnel. Emergency medical services providers who do not wish to be mistaken for law enforcement personnel should wear the Star of Life, not a badge, with their uniform.

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Classen, Albrecht. „Ann Marie Rasmussen, Medieval Badges: Their Wearers and Their Worlds. The Middle Ages Series. Philadelphia, PA: University of Pennsylvania Press, 2021, xi, 299 pp., 15 color plates, 102 b/w ill, 1 map.“ Mediaevistik 35, Nr. 1 (01.01.2022): 371–73. http://dx.doi.org/10.3726/med.2022.01.54.

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Abstract For several decades now, art and cultural historians have discussed the curious phenomenon of medieval badges. There are millions of specimens left until today, primarily found in northwestern and northeastern Europe, but they also existed in the south. The vast majority of badges served pilgrims to signal to the public what holy sites they had visited, but many badges also identified the social, political, or occupational group the wearer belonged to. Badges could additionally be used as symbols of oppression, such as the yellow star for Jews. Most curiously, there are also many badges showing genitalia by themselves or in combination (penis and vulva), or the scene of copulation. Badges communicated in specific fashion, and they served exceedingly well to convey information to the outside world, virtually in the form of medieval media.

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Sun, Yidong. „The Star of David rule“. Linear Algebra and its Applications 429, Nr. 8-9 (Oktober 2008): 1954–61. http://dx.doi.org/10.1016/j.laa.2008.05.027.

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Leigh, David A., Robin G. Pritchard und Alexander J. Stephens. „A Star of David catenane“. Nature Chemistry 6, Nr. 11 (21.09.2014): 978–82. http://dx.doi.org/10.1038/nchem.2056.

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Harris, Mark A., und Amita G. Chin. „Consumer trust in Google’s top developers’ apps: an exploratory study“. Information & Computer Security 24, Nr. 5 (14.11.2016): 474–95. http://dx.doi.org/10.1108/ics-11-2015-0044.

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Purpose This paper aims to investigate Google’s top developers’ apps with trust badges to see if they warrant an additional level of trust and confidence from consumers, as stated by Google. Design/methodology/approach Risky app permissions and in-app purchases (IAP) from Google’s top developers and traditional developers were investigated in several Google Play top app categories, including Editor’s Choice apps. Analysis was performed between categories and developer types. Findings Overall, Google’s top developers’ apps request more risky permissions and IAP than do traditional developers. Other results indicate that free apps are more dangerous than paid apps and star ratings do not signify safe apps. Research limitations/implications Because of a limited number of Google’s top developers and Editor’s Choice apps, conclusions are drawn from a small sample of apps and not the entire market. Practical implications Google’s top developers’ apps are suited well for increasing revenue for Google and developers at the consumer’s expense. Consumers should be wary of top developer trust badges. Social implications As the lure for “top free” and “top developer” software is strong among consumers, this research contributes to societal welfare in that it makes consumers aware that Google top developer app trust badges and free apps are more dangerous than traditional developer and paid apps, as they request risky permissions at a much higher frequency. Therefore, consumers should be very careful when downloading apps that are advertised as “top free” or “top developer”. Originality/value Google’s top developers’ apps and Editors’ Choice apps have not been investigated from the perspective of permissions and IAP before.

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Mota, Wagner Ferreira da, Fernando Luiz Finger, Derly José Henriques da Silva, Paulo César Corrêa, Lúcia Pittol Firme und Rosilene Antônio Ribeiro. „Composição mineral de frutos de quatro cultivares de quiabeiro“. Ciência e Agrotecnologia 32, Nr. 3 (Juni 2008): 762–67. http://dx.doi.org/10.1590/s1413-70542008000300009.

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Este experimento foi realizado na Universidade Federal de Viçosa e teve como objetivo avaliar a composição mineral dos frutos de quatro cultivares de quiabo. O delineamento utilizado foi em blocos casualizados, sendo os tratamentos constituídos pelas cultivares Amarelinho, Red Velvet, Star of David e Mammoth Spinless, com cinco blocos. Os maiores teores de cálcio, fósforo, enxofre e magnésio foram encontrado na Cultivar Red Velvet. Os maiores teores de nitrogênio total, amônio e manganês e menor teor de fósforo foram encontrados na cultivar Mammoth Spinless, enquanto nas cultivares Red Velvet e Star of David foram observados os menores teores de nitrogênio total, amônio e manganês. Menores teores de cálcio, enxofre e magnésio foram verificados em conjunto nas cultivares Amarelinho, Star of David e Mammoth Spinless.

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Kuruvilla, Samuel J. „REVIEW ESSAY: THE CROSS AND THE STAR OF DAVID“. Holy Land Studies 7, Nr. 1 (Mai 2008): 103–10. http://dx.doi.org/10.3366/e1474947508000097.

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Dissertationen zum Thema "Star of David badges"

Pontén, Joon. „The final final final cut : Fan edits och hur de samverkar med filmindustrin“. Thesis, Stockholms universitet, Institutionen för mediestudier, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77200.

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Begreppet ”fan edits” betecknar filmer som klipps om av fans, vilka är missnöjda med hur en adaption för vita duken som gjorts. I min uppsats vill jag påvisa dels hur samspelet mellan fans och filmmakare/filmbolag sett och ser ut, dels försöka klargöra varför copyright/fair use är så knepigt att applicera på området.

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Popovská, Michaela. „Nová synagoga Frýdek-Místek“. Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2021. http://www.nusl.cz/ntk/nusl-443696.

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Architectural study deals with the design of a new synagogue in Frýdku-Místku, located on the site of the original synagogue from 19th centruy, which was burnt by fanaticized Germans in 1939 and then demolished. Nowadays, it is an undeveloped area without any historical significant. There are other functions beside the building of synagogue – mikveh (ritual bath) and its access tunnel, the jewish community administration and kosher restaurant with two shops. The design concept works with the symbolish of the Star of David, triangles‘ intersection. The synagogue depicts the Mount Sinai, where the Ten Commandments were received.

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Riegel, Marcus L. „An analytical and historical examination of six works for middle level wind band: Bells of freedom (grade 1) by David Gillingham, Rising star (grade 1) by Samuel R. Hazo, Achilles’ wrath (grade 2) by Sean O’Laughlin, Kenya contrasts (grade 2.5) by William Himes, On the wings of swallows (grade 3) by Michael Sweeney, and Old churches (grade 3) by Michael Colgrass“. Kansas State University, 2008. http://hdl.handle.net/2097/1130.

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Master of Music
Department of Music
Frank C. Tracz
The following document is research and analysis from the comprehensive examination question based on the Graduate Conducting Recital of Marcus L. Riegel. The recital, performed by the Chapman Middle School Sixth, Seventh, and Eighth Grade Bands, was given in the District Gymnasium at the Spring Arts Concert on April 22, 2008 at 7:00 pm. The repertoire included but was not exclusive to Bells of Freedom by David Gillingham, Rising Star by Samuel R. Hazo, Achilles’ Wrath by Sean O’Loughlin, Kenya Contrasts by William Himes, On the Wings of Swallows by Michael Sweeney, and Old Churches by Michael Colgrass. This document contains theoretical and historical analysis- and outlines the procedures of planning and performing the graduate conducting recital.

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Riegel, Marcus L. „An analytical and historical examination of six works for middle level wind band: Bells of freedom (grade 1) by David Gillingham, Rising star (grade 1) by Samuel R. Hazo, Achilles' wrath (grade 2) by Sean O'Laughlin, Kenya contrasts (grade 2.5) by William Himes, On the wings of swallows (grade 3) by Michael Sweeney, and Old churches (grade 3) by Michael Colgrass“. Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/1130.

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Parv, Valerie. „Healing writes : restoring the authorial self through creative practice : and Birthright, a speculative fiction novel“. Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16646/1/Valerie_Parv_-_Birthright.pdf.

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Writing the speculative fiction novel, Birthright, and this accompanying exegesis, led me to challenge the validity of the disclaimer usually found in the front matter of most novels that the story is purely imaginary, bears no relationship to reality, with the characters not being inspired by anyone known or unknown to the author. For the first time in my career, I began to consider how writers including myself might frequently revisit themes and ideas which resonate with our lived experiences. I call this restorying, an unconscious process whereby aspects of one's life history are rewritten through one's creative work to achieve a more satisfactory result. Through personal contact, studying authors' accounts of their creative practices, and surveying current literature on narrative therapy, a case is made that, far from being generated purely from imagination, writers' creative choices are driven by an unconscious need to restory ourselves.

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Parv, Valerie. „Healing writes : restoring the authorial self through creative practice : and Birthright, a speculative fiction novel“. Queensland University of Technology, 2007. http://eprints.qut.edu.au/16646/.

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Brown, Morgan Alexander. „The Pleiadic Age of Stuart Poesie: Restoration Uranography, Dryden's Judicial Astrology, and the Fate of Anne Killigrew“. Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/77.

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The following Thesis is a survey of seventeenth-century uranography, with specific focus on the use of the Pleiades and Charles's Wain by English poets and pageant writers as astrological ciphers for the Stuart dynasty (1603-1649; 1660-1688). I then use that survey to address the problem of irony in John Dryden's 1685 Pindaric elegy, "To the Pious Memory of Mrs. Anne Killigrew," since the longstanding notion of what the Pleiades signify in Dryden's ode is problematic from an astronomical and astrological perspective. In his elegiac ode, Dryden translates a young female artist to the Pleiades to actuate her apotheosis, not for the sake of mere fulsome hypberbole, but in such a way that Anne (b. 1660-d. 1685) signifies for the reign of Charles II (1660-1685) in her Pleiadic catasterism. The political underpinnings of Killigrew's apotheosis reduce the probability that Dryden's hyperbole reserves pejorative ironic potential.

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PODROUŽKOVÁ, Petra. „Moderní sakrální architektura“. Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-152618.

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The thesis deals with European sacral architecture of the twentieth and the twenty-first century. Particularly, it refers to Judaic, Roman-Catholic and Islamic buildings. The second part puts into historical context the sacral constructions of individual religions including their function, characters and typology. In the third part of this thesis the representative sample of significant modern sacral constructions is selected, always under circumstances regarding their creation, the urban description and the setting in a specific location as well as the architectural layout, the interior arrangment and a possible use of special technological procedures at their construction. The mutual comparison and the evaluation of the modern European sacral architecture development are carried out in the fourth part. This section notices the function and the usage of light and presents some extraordinary buildings from this point of view. The final fifth part tries to answer the question, how a modern temple should look like.

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Bücher zum Thema "Star of David badges"

Macnow, Glen. David Robinson: Star center. Hillside, N.J., U.S.A: Enslow, 1994.

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Anderson, Poul. David Falkayn: Star trader. Riverdale, NY: Baen Pub. Enterprises, 2009.

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Borch, Frederic L. The bronze star medal. Parma Heights, Ohio: OMSA Book Service, 1994.

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Rappoport, Ken. David Wright: A baseball star who cares. Berkeley Heights, NJ: Enslow Publishers, 2011.

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Roselius, J. Chris. David Beckham: Gifted and giving soccer star. Berkeley Heights, NJ: Enslow Publishers, 2010.

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Lorayne, Harry. Star quality: The magic of David Regal. New York, N.Y. (62 Jane St., New York 10014): H. Lorayne, 1987.

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Roselius, J. Chris. David Beckham: Gifted and giving soccer star. Berkeley Heights, NJ: Enslow Publishers, 2010.

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Gitlin, Marty. David Wright: Gifted and giving baseball star. Berkeley Heights, NJ: Enslow Publishers, 2010.

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Eder, Asher. The star of David: An ancient symbol of integration. Jerusalem: R. Mass, 1987.

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Smith, Neil C. Australian Military Force recipients of the Burma Star: World war two. Brighton, Vic: Mostly Unsung Military History Research and Publications, 2007.

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Buchteile zum Thema "Star of David badges"

Cantz, Paul, Kalman J. Kaplan und Matthew B. Schwartz. „Star of David“. In Encyclopedia of Psychology and Religion, 2280–83. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_9107.

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Cantz, Paul, Kalman J. Kaplan und Matthew B. Schwartz. „Star of David“. In Encyclopedia of Psychology and Religion, 1726–29. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_9107.

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Glynn, Stephen. „Bowie as Star(man)—Loving the Alien“. In David Bowie and Film, 53–75. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13401-2_3.

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Long, Calvin, und Shiro Ando. „Two Generalizations of Gould’s Star of David Theorem“. In Applications of Fibonacci Numbers, 219–30. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3586-3_25.

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Ando, Shiro, Calvin Long und Daihachiro Sato. „Generalizations to Large Hexagons of The Star of David Theorem with Respect to Gcd“. In Applications of Fibonacci Numbers, 23–28. Dordrecht: Springer Netherlands, 1998. http://dx.doi.org/10.1007/978-94-011-5020-0_4.

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Ando, Shiro, und Daihachiro Sato. „Multiple Color Version of the Star of David Theorems on Pascal’s Triangle and Related Arrays of Numbers“. In Applications of Fibonacci Numbers, 31–45. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-009-0223-7_3.

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„David Bowie: the Extraordinary Rock Star as Film Star“. In David Bowie, 248–62. Routledge, 2015. http://dx.doi.org/10.4324/9781315797755-21.

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„‘That is my Star of David’“. In Thinking Through the Skin, 223–36. Routledge, 2003. http://dx.doi.org/10.4324/9780203165706-21.

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„A Star of David on Christmas“. In The Desert Remembers My Name, 83–96. University of Arizona Press, 2022. http://dx.doi.org/10.2307/j.ctv27bds69.17.

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October, Dene. „David Bowie is . . . actor, star and character“. In I’m Not a Film Star. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781501368653.0011.

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Konferenzberichte zum Thema "Star of David badges"

Zhong, Qi, Yongsheng Liang, Jianqi Xiong, Limin Song, Fucheng Hou, Liqin Tang, Daohong Song und Zhigang Chen. „Higher-order topological corner states in a distorted photonic Kagome lattice“. In CLEO: Fundamental Science. Washington, D.C.: Optica Publishing Group, 2023. http://dx.doi.org/10.1364/cleo_fs.2023.fm2b.4.

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We experimentally demonstrate photonic higher-order topological corner states in a C6- symmetric lattice of “inverse star of David” shape - the distorted Kagome lattice. Topological nature of such corner states is discussed from the fractional corner anomaly.

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