Thematische Bibliographien / Staging history / Zeitschriftenartikel
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Zeitschriftenartikel zum Thema „Staging history“

Autor: Grafiati
Veröffentlicht am 2. November 2024

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1

Manchanda, Catharina. „Staging history“. History of Photography 31, Nr. 1 (März 2007): 57–67. http://dx.doi.org/10.1080/03087298.2007.10443502.

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2

Vandeweghe, Evert. „Staging Urban History“. Environment, Space, Place 3, Nr. 2 (2011): 122–59. http://dx.doi.org/10.7761/esp.3.2.122.

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3

Ayling, Ronald, und Charles Davidson. „Barrie Stavis: Making History, Staging History“. Cardozo Studies in Law and Literature 2, Nr. 2 (Oktober 1990): 227–56. http://dx.doi.org/10.2307/743337.

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4

Ayling, Ronald, und Charles Davidson. „Barrie Stavis: Making History, Staging History“. Cardozo Studies in Law and Literature 2, Nr. 2 (Oktober 1990): 227–56. http://dx.doi.org/10.1525/lal.1990.2.2.02a00120.

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5

Ayling, Ronald, und Charles Davidson. „Barrie Stavis: Making History, Staging History“. Law & Literature 2, Nr. 2 (September 1990): 227–56. http://dx.doi.org/10.1080/1535685x.1990.11015683.

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6

Keenan, Tim. „Staging History, 1780-1840“. Restoration and Eighteenth-Century Theatre Research 31, Nr. 1 (2016): 119–23. http://dx.doi.org/10.5325/rectr.31.1.0119.

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7

Lockwood, Joe. „Staging History 1780–1840“. Bodleian Library Record 29, Nr. 2 (Oktober 2016): 118–23. http://dx.doi.org/10.3828/blr.2016.29.2.118.

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8

Chaudhari, Mr Rohit Kiran. „Non-Linear Time History Analysis of an Elevated Water Tank“. International Journal for Research in Applied Science and Engineering Technology 9, Nr. VI (30.06.2021): 4327–34. http://dx.doi.org/10.22214/ijraset.2021.35939.

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It was discovered that reinforced concrete elevated water tanks with frame staging outperformed reinforced concrete elevated water tanks with shaft staging in terms of seismic resistance. These can be due to the frame staging's seismic energy absorption capability. As a result, the primary goal of this research is to better understand the seismic behavior and performance characteristics of elevated water tanks with frame staging. Furthermore, when compared to other shapes, circular tanks have the smallest surface area for a given tank size. As a result, the amount of material needed for a circular water tank is less than for other shapes. As a result, a circular water tank was chosen, and seismic analysis of elevated RC circular water tanks was carried out according to IITK-GSDMA guidelines, with the behavior of the water tank analysed for various parameters such as zone factor, soil condition, and different staging heights. SAP 2000 was used to determine the structure's modal characteristics (mode shapes and modal participation mass ratio).
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Žavbi Milojević, Nina. „The classical dramatic text and its value in contemporary theatre“. Journal of Education Culture and Society 4, Nr. 1 (12.01.2020): 228–35. http://dx.doi.org/10.15503/jecs20131.228.235.

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This paper deals with the classical dramatic text and its staging in contemporary theatre. Specifi cally, it aims to show that classical texts can address topical issues. This is illustrated by the example of several stagings of Ivan Cankar’s Hlapci, one of the most infl uential dramatic texts in Slovene literature. The history of this dramatic text is presented from its fi rst publication and reception to the different stagings in various Slovene professional theatres. The focus is on how the situation in Slovene society is refl ected in each examined staging. The drama Hlapci was fi rst staged almost one hundred years ago, when the staging followed closely the dramatic text. However, after 1980 stagings became more independent from the text and more artistic freedom was allowed. The paper will prove that classical dramatic texts are very appropriate for staging in contemporary theatre, especially with an innovative director’s approach.
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10

Menchaca, Celeste R. „Staging Crossings“. Pacific Historical Review 89, Nr. 1 (2020): 16–43. http://dx.doi.org/10.1525/phr.2020.89.1.16.

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This article examines the dynamic interactions between Mexican women who sought to circumvent their sexual regulation at the U.S.-Mexico border, and U.S. immigration officials who enforced these regulations and policed these women's bodies in the early twentieth century. Using the transcripts of the board of special inquiry (BSI)—a panel that deliberated over the admission of excludable immigrants and oversaw accompanying interrogations—I contend that, while the BSI operated to encode corporeally Mexican female immigrants as sexually deviant, it simultaneously served as a stage for them to respond with their own performances of crossing. In the interrogation room, women performed a slew of admissible identities, including the devoted mother, aggrieved woman, and hard-working laborer. When those attempts to cross failed, women did not simply return home. Instead, many re-crossed until they reached their intended destination. Thus, the BSI served as a site for Mexican female border crossers to both uphold and challenge the production of heteropatriarchal notions of marriage. These findings contribute to the growing literature on U.S. border enforcement in the early twentieth century and uncover the (dis)order of a growing U.S. bureaucratic infrastructure based on sexual and gendered regulation.
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11

Spelman, Henry. „Staging Literary History in Old Comedy“. Classical Philology 116, Nr. 3 (01.07.2021): 305–35. http://dx.doi.org/10.1086/714532.

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12

Vorlicky, Robert. „Staging Masculinities: History, Gender, Performance (review)“. Theatre Journal 57, Nr. 2 (2005): 334–36. http://dx.doi.org/10.1353/tj.2005.0042.

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13

Innes, Christopher. „STAGING BLACK HISTORY: RE-IMAGING CULTURAL“. South African Theatre Journal 13, Nr. 1 (Januar 1999): 21–29. http://dx.doi.org/10.1080/10137548.1999.9687683.

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14

Antman, Karen H. „Natural History and Staging of Malignant Mesothelioma“. Chest 96, Nr. 1 (Juli 1989): 93S—95S. http://dx.doi.org/10.1378/chest.96.1_supplement.93s.

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15

Odicino, Franco, Sergio Pecorelli, Lucia Zigliani und William T. Creasman. „History of the FIGO cancer staging system“. International Journal of Gynecology & Obstetrics 101, Nr. 2 (15.01.2008): 205–10. http://dx.doi.org/10.1016/j.ijgo.2007.11.004.

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16

Thompson, John F., Helen M. Shaw, Peter Hersey und Richard A. Scolyer. „The history and future of melanoma staging“. Journal of Surgical Oncology 86, Nr. 4 (2004): 224–35. http://dx.doi.org/10.1002/jso.20082.

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17

Izenberg, N., und S. A. Dowshen. „'Beeper Obliterans': Clinical Staging and Natural History“. JAMA: The Journal of the American Medical Association 267, Nr. 9 (04.03.1992): 1209. http://dx.doi.org/10.1001/jama.1992.03480090057026.

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18

Forner, Alejandro, Carlos Rodríguez-Lopez und María Reig. „Natural history and staging for hepatocellular carcinoma“. Clinical Liver Disease 1, Nr. 6 (Dezember 2012): 183–85. http://dx.doi.org/10.1002/cld.129.

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19

Smith, Robert Dean. „Staging cancer research“. Metascience 29, Nr. 3 (23.10.2020): 437–40. http://dx.doi.org/10.1007/s11016-020-00578-0.

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20

Chebaiki-Adli, Leila, und Naima Chabbi-Chemrouk. „The Staging of Algiers“. Interventions 21, Nr. 8 (01.08.2019): 1045–67. http://dx.doi.org/10.1080/1369801x.2019.1649177.

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21

Roessler, Norman. „Staging History: Brecht's Social Concepts of Ideology (review)“. Theatre Journal 58, Nr. 1 (2006): 153–54. http://dx.doi.org/10.1353/tj.2006.0085.

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22

Bruzzi, Stella. „Approximation: Documentary, history and the staging of reality“. MIRAJ, Moving Image Review & Art Journal 2, Nr. 1 (01.04.2013): 38–52. http://dx.doi.org/10.1386/miraj.2.1.38_1.

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23

Stern, Claudio D. „Staging tables for avian embryos: a little history“. International Journal of Developmental Biology 62, Nr. 1-2-3 (2018): 43–48. http://dx.doi.org/10.1387/ijdb.170299cs.

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24

Zatzman, Belarie. „Staging History: Aesthetics and the Performance of Memory“. Journal of Aesthetic Education 39, Nr. 4 (2005): 95–103. http://dx.doi.org/10.1353/jae.2005.0048.

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25

Zinzani, Pier Luigi. „Lymphoma: Diagnosis, staging, natural history, and treatment strategies“. Seminars in Oncology 32 (Februar 2005): 4–10. http://dx.doi.org/10.1053/j.seminoncol.2005.01.008.

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26

Cortes, Jorge. „Natural history and staging of chronic myelogenous leukemia“. Hematology/Oncology Clinics of North America 18, Nr. 3 (Juni 2004): 569–84. http://dx.doi.org/10.1016/j.hoc.2004.03.011.

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27

Reinheimer, David A., Andrew Gurr und Mariko Ichikawa. „Staging in Shakespeare's Theatres“. Sixteenth Century Journal 32, Nr. 4 (2001): 1210. http://dx.doi.org/10.2307/3649057.

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28

Schuler, Catherine. „Staging the Great Victory“. TDR: The Drama Review 65, Nr. 1 (März 2021): 95–123. http://dx.doi.org/10.1017/s1054204320000118.

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A war of history and memory over the Great Patriotic War (WWII) between the Soviet Union and Germany has been raging in Vladimir Putin’s Russia for almost two decades. Putin’s Kremlin deploys all of the mythmaking machinery at its disposal to correct narratives that demonize the Soviet Union and reflect badly on post-Soviet Russia. Victory Day, celebrated annually on 9 May with parades, concerts, films, theatre, art, and music, plays a crucial role in disseminating the Kremlin’s counter narratives.
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29

Lund, Valerie J., und David W. Kennedy. „Quantification for Staging Sinusitis“. Annals of Otology, Rhinology & Laryngology 104, Nr. 10_suppl (Oktober 1995): 17–21. http://dx.doi.org/10.1177/000348949510410s02.

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A method of quantifying the symptoms, radiologic data, and endoscopic findings in extensive sinus disease is proposed. It is intended to enable clinicians to classify patients with extensive sinus disease according to severity of disease and prognostic category. The rubric of extensive sinus disease, for scoring and staging, comprises recurrent acute sinusitis and chronic sinusitis, but not an isolated episode of acute sinusitis. The method assigns simple numeric scores to specific computed tomography findings, elements of surgical history, presence of defining symptoms of sinusitis, and endoscopic appearance. This quantitative system may be rationalized into a staging system.
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30

Gjervan, Ellen Karoline. „Ibsen Staging Ibsen: Henrik Ibsen's Culturally Embedded Staging Practice in Bergen“. Ibsen Studies 11, Nr. 2 (November 2011): 117–44. http://dx.doi.org/10.1080/15021866.2011.617210.

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31

Doyle, James A., Thomas G. Garrison und Stephen D. Houston. „Watchful realms: integrating GIS analysis and political history in the southern Maya lowlands“. Antiquity 86, Nr. 333 (September 2012): 792–807. http://dx.doi.org/10.1017/s0003598x0004792x.

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Travellers naturally prefer to use the most passable routes and establish staging points on the way. Cost surface analysis predicts the easiest routes and viewshed analysis the territory visible from a staging point or destination. Applying these GIS techniques to the Buenavista Valley Corridor, our authors write a history of travel and exchange that vividly reflects the rivalry of two polities and the rise and fall of their nodal settlements.
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32

Aschheim, Steven E. „On Anson Rabinbach’s Staging the Third Reich“. New German Critique 48, Nr. 2 (01.08.2021): 205–20. http://dx.doi.org/10.1215/0094033x-8989330.

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Abstract This article presents an exposition, analysis, and critique of Anson Rabinbach’s historical research and theses as reflected in Staging the Third Reich: Essays in Cultural and Intellectual History (2020), a volume of his essays on Nazism, fascism, antifascism, and the aftermath of these movements in political life, public remembrance, and historiography. The article probes Rabinbach’s particular method and significant contributions to intellectual and cultural history.
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33

Turk, Edward Baron. „Avignon 2009: Staging History, War, and Contemporary Social Plights“. French Review 84, Nr. 1 (2010): 37–49. http://dx.doi.org/10.1353/tfr.2010.0003.

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34

Lo, Jacqueline. „Burning Daylight: Staging Asian-Indigenous History in Northern Australia“. Amerasia Journal 36, Nr. 2 (Januar 2010): 50–61. http://dx.doi.org/10.17953/amer.36.2.q1250441564g8q15.

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35

Rogers, Jami. „“Staging History”: The RSC'S Histories for the New Millenium“. Cahiers Élisabéthains: A Journal of English Renaissance Studies 73, Nr. 1 (April 2008): 57–64. http://dx.doi.org/10.7227/ce.73.1.9.

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36

Gordon, S. „Seroconversion, staging and survival. Natural history of HIV infection“. Journal of the American Podiatric Medical Association 80, Nr. 1 (01.01.1990): 9–14. http://dx.doi.org/10.7547/87507315-80-1-9.

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With the discovery of human immunodeficiency virus (HIV), researchers identified the etiologic agent for acquired immunodeficiency syndrome (AIDS). Although neither a cure nor a vaccine exists for this fatal disease, considerable information is now available on the progression from HIV infection through AIDS. Understanding the natural history of this progression can facilitate early detection and intervention. Although the epidemic continues to claim lives at an accelerating rate, the timely administration of prophylactic and therapeutic modalities can significantly prolong survival time for many patients. As more effective and less toxic treatments are developed, it will become increasingly crucial for practitioners to accurately diagnose and stage HIV-infected patients.
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37

Barker, Simon. „Staging the Revolution: Drama, Reinvention and History, 1647-72“. Restoration and Eighteenth-Century Theatre Research 32, Nr. 2 (2017): 79–81. http://dx.doi.org/10.5325/rectr.32.2.0079.

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38

Turner, Jeff. „Staging Desire: Queer Readings of American Theater History (review)“. Theatre Journal 55, Nr. 3 (2003): 567–68. http://dx.doi.org/10.1353/tj.2003.0144.

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39

Hachinski, V., R. N. Kalaria und V. Deramecourt. „Staging and Natural History of Cerebrovascular Pathology in Dementia“. Neurology 79, Nr. 1 (02.07.2012): 107. http://dx.doi.org/10.1212/01.wnl.0000416262.36658.49.

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40

Deramecourt, V., J. Y. Slade, A. E. Oakley, R. H. Perry, P. G. Ince, C. A. Maurage und R. N. Kalaria. „Staging and natural history of cerebrovascular pathology in dementia“. Neurology 78, Nr. 14 (29.02.2012): 1043–50. http://dx.doi.org/10.1212/wnl.0b013e31824e8e7f.

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41

Fairfield, Joy Brooke. „Introduction: Consent-Based Staging in the Wreckage of History“. Journal of Dramatic Theory and Criticism 34, Nr. 1 (2019): 67–75. http://dx.doi.org/10.1353/dtc.2019.0023.

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42

Cortes, Jorge, Hagop M. Kantarjian, Sergio Giralt und Moshe Talpaz. „6 Natural history and staging of chronic myelogenous leukaemia“. Baillière's Clinical Haematology 10, Nr. 2 (Juni 1997): 277–90. http://dx.doi.org/10.1016/s0950-3536(97)80007-8.

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43

Grippa, Wesley Rocha, Larissa Soares Dell’Antonio, Luciane Bresciani Salaroli und Luís Carlos Lopes-Júnior. „Incompleteness trends of epidemiological variables in a Brazilian high complexity cancer registry: An ecological time series study“. Medicine 102, Nr. 31 (04.08.2023): e34369. http://dx.doi.org/10.1097/md.0000000000034369.

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Hospital Cancer Registries serve as a vital source of information for clinical and epidemiological research, allowing the evaluation of patient care outcomes through therapeutic protocol analysis and patient survival assessment. This study aims to assess the trend of incompleteness in the epidemiological variables within the Hospital Cancer Registry of a renowned oncology center in a Brazilian state. An ecological time-series study was conducted using secondary data from the Hospital Santa Rita de Cássia Cancer Registry in Espírito Santo between 2000 and 2016. Data completeness was categorized as follows: excellent (<5%), good (5%–10%), fair (10%–20%), poor (20%–50%), and very poor (>50%), based on the percentage of missing information. Descriptive and bivariate statistical analyses were performed using the free software RStudio (version 2022.07.2) and R (version 4.1.0). The Mann–Kendall test was used to assess temporal trends between the evaluated years, and the Friedman test was employed to evaluate quality scores across the years. Among the variables assessed, birthplace, race/color, education, occupation, origin, marital status, history of alcohol and tobacco consumption, previous diagnosis and treatment, the most important basis for tumor diagnosis, tumor-node-metastasis staging (TNM) staging, and clinical tumor staging by group (TNM) showed the highest levels of incompleteness. Conversely, other epidemiological variables demonstrated excellent completeness, reaching 100% throughout the study period. Significant trends were observed over the years for history of alcohol consumption (P < .001), history of tobacco consumption (P < .001), TNM staging (P = .016), clinical tumor staging by group (TNM) (P = .002), first treatment received at the hospital (P = .012), disease status at the end of the first treatment at the hospital (P < .001), and family history of cancer (P < .001), and tumor laterality (P = .032). While most epidemiological variables within the Hospital Santa Rita de Cássia Cancer Registry exhibited excellent completeness, some important variables, such as TNM staging and clinical staging, showed high levels of incompleteness. Ensuring high-quality data within Cancer Registries is crucial for a comprehensive understanding of the health-disease process.
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44

Byrdal Jørgensen, Tine. „Staging the Other“. Nordic Theatre Studies 25, Nr. 1 (15.11.2018): 72–83. http://dx.doi.org/10.7146/nts.v25i1.110899.

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Through an analysis of the performance of Third Generation, this article discusses the ethical claim activated in documentary theatre and has the encounter with the Other as its leitmotif. Third Generation puts a Gordian knot between Germany, Israel and Palestine into relief by bringing actors from these three countries – each with their own individual family history of violence – onto the stage. The article identifies the critical potential of the staging by exploring how the performance offers the audience two contrasting modes of perception. One of which is trying to create and maintain the illusion of authenticity that is produced by the biographical elements. The other challenges this illusion. In dialogue with Erika Fischer-Lichte’s The Transformative Power of Performance, the author points out how the interplay between the two modes of perception creates an increased awareness of the act of perceiving the Other. Via Derrida and Butler, this perceiving act is then set in relation to Lévinas’ ethical concept of the subject as a host(age) – the subject as held captive by the Other and as a hospitable host for the Other. Offering this ethical frame for the analysis, the article traces how and by which means documentary theatre rearticulates a complex ethical relation between the Other on Stage and the eye (I) of the spectator. In conclusion, this potential is discussed in relation to critical citizenship.
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Byrdal Jørgensen, Tine. „Staging the Other“. Nordic Theatre Studies 25, Nr. 1 (15.11.2018): 72–83. http://dx.doi.org/10.7146/nts.v25i1.110899.

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Through an analysis of the performance of Third Generation, this article discusses the ethical claim activated in documentary theatre and has the encounter with the Other as its leitmotif. Third Generation puts a Gordian knot between Germany, Israel and Palestine into relief by bringing actors from these three countries – each with their own individual family history of violence – onto the stage. The article identifies the critical potential of the staging by exploring how the performance offers the audience two contrasting modes of perception. One of which is trying to create and maintain the illusion of authenticity that is produced by the biographical elements. The other challenges this illusion. In dialogue with Erika Fischer-Lichte’s The Transformative Power of Performance, the author points out how the interplay between the two modes of perception creates an increased awareness of the act of perceiving the Other. Via Derrida and Butler, this perceiving act is then set in relation to Lévinas’ ethical concept of the subject as a host(age) – the subject as held captive by the Other and as a hospitable host for the Other. Offering this ethical frame for the analysis, the article traces how and by which means documentary theatre rearticulates a complex ethical relation between the Other on Stage and the eye (I) of the spectator. In conclusion, this potential is discussed in relation to critical citizenship.
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46

Chirapongsathorn, Sakkarin. „Stage and natural history of cirrhosis“. Thai Journal of Hepatology 1, Nr. 2 (30.05.2018): 14–18. http://dx.doi.org/10.30856/th.jhep2018vol1iss2_04.

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Cirrhosisis the final pathway of any chronic liver disease and can lead to a number of complications,including hepatocellular carcinoma. Liver fibrosis is the key role of disease progression in cirrhosis. Advanced liver fibrosis and early stage of cirrhosis are not usually clinically detectable or symptomatic.As patients develop more extensive hepatic fibrosis potentially resulting in development of cirrhoticcomplications such as variceal hemorrhage. Prognosis and survival is markedly better in patients with early stage of cirrhosis. Now there are many stages classification of cirrhosis defined by liverhistology, hepatic venous pressure gradient and clinical staging selected by complications. The knowledgeand understanding of the natural history of liver fibrosis can help for staging and early detection ofthe cirrhosis. Remove noxious stimuli, hepato-protectants and decrease hepatic inflammationand cell death are the main treatment modalities for hepatic fibrosis. Figure 1 ระยะโรคตับแข็งแบ่งตามลักษณะการดำเนินโรค (modified from Arvaniti V’s work) (12)*decompensated events เช่น ท้องมาน spontaneous bacterial peritonitisvariceal bleeding หรือโรคสมองเหตุจากโรคตับ; LT, liver transplantation Keywords: cirrhosis, liver fibrosis, liver histology, hepatic venous pressure gradient
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Ostermeier, Thomas. „Reading and Staging Ibsen“. Ibsen Studies 10, Nr. 2 (November 2010): 68–74. http://dx.doi.org/10.1080/15021866.2010.537889.

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48

Imre, Zoltán. „Theatre and Ideology“. European Judaism 51, Nr. 2 (01.09.2018): 213–22. http://dx.doi.org/10.3167/ej.2018.510228.

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Abstract The article deals with the 1940 and the 1986 stagings of The Merchant of Venice in Hungary and with the forty-six-year gap between them. Comparing these events, the article draws attention to the ways in which the dominant ideology of these entirely different regimes influenced the interpretation of Shakespeare’s play and its staging.
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Zalis, Elayne. „At Home in Cyberspace: Staging Autobiographical Scenes“. Biography 26, Nr. 1 (2003): 84–119. http://dx.doi.org/10.1353/bio.2003.0036.

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50

Kennon, Raquel. „Stacie Selmon McCormick, Staging Black Fugitivity“. Modern Drama 64, Nr. 2 (Juni 2021): 245–47. http://dx.doi.org/10.3138/md.64.2.br04.

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Staging Black Fugitivity traces the history of late twentieth- and early twenty-first-century dramatic performances of slavery through the analytic lens of Black fugitivity. It argues that neoslave drama re-presents the ongoing quest for Black freedom amid contemporary conditions of unfinished emancipation.
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