Auswahl der wissenschaftlichen Literatur zum Thema „Spectator’s place“
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Zeitschriftenartikel zum Thema "Spectator’s place"
Christoffersen, Erik Exe. „Intermedial Performance and the vertical perspective“. Peripeti 14, S6 (01.01.2017): 23–30. http://dx.doi.org/10.7146/peri.v14is6.110658.
Der volle Inhalt der QuelleShmatova, G. A. „“Open space”: The spectator’s place in contemporary theatre communications“. Shagi / Steps 3, Nr. 3 (2017): 97–107. http://dx.doi.org/10.22394/2412-9410-2017-3-3-97-107.
Der volle Inhalt der QuelleKlobukova (Golubinskaya), N. F. „At the Crossroads of Cultures: A Story of Two Performances“. Russian Japanology Review 5, Nr. 2 (24.01.2023): 95–115. http://dx.doi.org/10.55105/2658-6444-2022-2-95-115.
Der volle Inhalt der QuelleStańczyk, Marta. „Liberté, égalité, sororité. Kobiece gatunki cielesne i francuskie „ekstremistki”“. Literatura i Kultura Popularna 24 (18.04.2019): 97–112. http://dx.doi.org/10.19195/0867-7441.24.8.
Der volle Inhalt der QuelleStaniškytė, Jurgita. „Reinstalling the Fourth Wall: Digital Performance and Spectatorship in (Post-)Pandemic Era“. Art History & Criticism 19, Nr. 1 (30.11.2023): 31–38. http://dx.doi.org/10.2478/mik-2023-0003.
Der volle Inhalt der QuelleDavydova, Olga S., und Larisa E. Muravieva. „The spectator’s anxiety in film narrative: Notes on films by Bertrand Bonello“. Media Linguistics 9, Nr. 1 (2022): 64–76. http://dx.doi.org/10.21638/spbu22.2022.105.
Der volle Inhalt der QuelleYeung, Lorraine. „The Nature of Horror Reconsidered“. International Philosophical Quarterly 58, Nr. 2 (2018): 125–38. http://dx.doi.org/10.5840/ipq2018326104.
Der volle Inhalt der QuelleSofer, Andrew. „Catastrophe Practices and the Ontological Gambit: Nicholas Mosley’s Plays for Not Acting“. Theatre Journal 75, Nr. 4 (Dezember 2023): 455–67. http://dx.doi.org/10.1353/tj.2023.a922216.
Der volle Inhalt der QuelleSilva, Carlos Nogueira da. „O objecto estético como mundo, na phénoménologie de l’expérience esthétique i, de mikel dufrenne“. Phainomenon 3, Nr. 1 (01.10.2001): 57–66. http://dx.doi.org/10.2478/phainomenon-2001-0010.
Der volle Inhalt der QuelleBoczkowska, Kornelia. „The Homely Sublime in Space Science Documentary Films: Domesticating the Feeling of Homelessness in Carl Sagan’s Cosmos and its Sequel“. Kultura Popularna 4, Nr. 54 (07.05.2018): 24–35. http://dx.doi.org/10.5604/01.3001.0011.6717.
Der volle Inhalt der QuelleDissertationen zum Thema "Spectator’s place"
Lauraire, Héloïse. „Parcours scéniques : un genre de dispositif esthétique spécifique dans l'art contemporain occidental des années 2005-2012 : étude d’une sélection d’œuvres de Christoph Büchel, Mike Nelson, Jonah Freeman & Justin Lowe“. Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080034.
Der volle Inhalt der QuelleBetween the early 2000s and the early 2010s, four contemporary Western artists Christoph Büchel, Mike Nelson, Jonah Freeman and Justin Lowe built gigantic and enigmatic multi-room installations in Europe and the United States. Our initial hypothesis was that there were relationships between the labyrinthine super-productions of these artists, both in terms of their conceptions and their receptions.Our study describes and analyzes the specificities (construction, visitors reception, themes and references ...) and the issues (exploration, elaboration of a story, visitors’ endangerment and risk-taking...) of the aesthetic experiences offered by these works of art, nowadays invisible. The gathering and assessment of unpublished archives concerning ten of these artistic devices and their geneses as well as a field survey carried out among their spectators have enabled us to reconstruct mental images of these works. The plans and ekphrases, illustrated fictions, presented in this thesis reveal the spatial and temporal dimensions of these aesthetic walkthroughs and bring to light a set of similar set ups, materials, and themes. Based upon the scenographic strategies of the artists and the feelings of the spectators, our analysis leads us to consider these works as emotional installations and as dystopian narrative spaces. Walking across these, as if journeying through a voyage of initiation, sparks the spectator’s imagination and makes him fully conscious of his individuality and ability to take action
CATALANO, ANA ROSA SARAIVA. „THE PLACE OF THE PARTICIPATING SPECTATOR IN LYGIA CLARK S AND HÉLIO OITICICA S WORK“. PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6409@1.
Der volle Inhalt der QuelleThe goal of this dissertation is to analyse the existing relationship between the art work, the artist and the spectator within the context of Lygia Clark s e Hélio Oiticica s work. These two artists were chosen as the object of this study because both were committed to proposing new issues regarding the inclusion of the spectator as a direct agent in the modification and even creation of the art work. They stood out in the artistic world by proposing innovating issues, searching to occupy the real space and free themselves from the bidimensionality of the canvas and the easel. The research is based on the premise that both are current references in the history of Brazilian art and investigates the span of their trajectory, from their participation in the Neoconcrete group up to their last pieces, stressing the problematics involved in each one s work and, specially, to what point they were able to establish a direct dialogue with the public.
Besson, Roger. „Les lieux de l'interaction : fréquentation du stade et intégration sociale à Neuchâtel“. Thesis, Besançon, 2012. http://www.theses.fr/2012BESA1017.
Der volle Inhalt der QuelleIn February 2007, Neuchâtel celebrates the inauguration of a brand new soccer stadium. For the club of Neuchâtel Xamax, which has been facing economical difficulties since a long time, this infrastructure represents a promising bright future. Everyone praises without restraint the comfort of the new arena, which is described as a friendly place, convenient to encounters, able to attract bigger crowds of people for long festive afternoons dedicated to the soccer entertainment. The analysis of the real social impact of the modernisation of this type of infrastructure is nonetheless very tricky. It implies not only a critical reflection on the attributes that can be considered as “socially virtuous” for the community, but also requires deciphering how the place works in its whole complexity. Following that, the research first requires the construction of a theoretical and methodological tool, which allows the study of the “integration potential” of this kind of space. Within the framework of the soccer stadium analysis, the use of this tool shows us that, in the case of Neuchâtel, this place plays a quite important social role. Based on various sources (questionnaire surveys, statistics relative to affluences, discourse analysis on a forum, etc.), the comparison of the situations that characterize the old and new infrastructure leads nevertheless to a nuanced assessment of the process of modernisation
Wang, Gang. „CORRELATIONS RELATIVE TO THE REACTION PLANE AT THE RELATIVISTIC HEAVY ION COLLIDER BASED ON TRANSVERSE DEFLECTION OF SPECTATOR NEUTRONS“. Kent State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=kent1144770985.
Der volle Inhalt der Quelle„The place of the participating spectator in lygia clarks and hélio oiticicas work“. Tese, MAXWELL, 2004. http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/db2www/PRG_0991.D2W/SHOW?Cont=6409:pt&Mat=&Sys=&Nr=&Fun=&CdLinPrg=pt.
Der volle Inhalt der QuelleBücher zum Thema "Spectator’s place"
Canter, David V. Football in its place: An environmental psychology of football grounds. London: Routledge, 1989.
Den vollen Inhalt der Quelle findenSen, Amartya. Our Obligation to Future Generations. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198825067.003.0007.
Der volle Inhalt der QuelleHarris, Joanne. Place in the Sun/Al and Christine's World of Leather/the Spectator (Storycuts). Transworld Publishers Limited, 2011.
Den vollen Inhalt der Quelle findenDoane, Mary Ann. Bigger Than Life. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021780.
Der volle Inhalt der QuelleBontemps, Arna. Recreation and Sports. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037696.003.0021.
Der volle Inhalt der QuelleSchliesser, Eric. Philosophy of Science. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690120.003.0011.
Der volle Inhalt der QuelleSlocum, Karla. Black Towns, Black Futures. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469653976.001.0001.
Der volle Inhalt der QuelleBailey, Doug. Cutting Skin. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190611873.003.0002.
Der volle Inhalt der QuelleKoehlinger, Amy. History of Sport and Religion in the United States and Britain. Herausgegeben von Robert Edelman und Wayne Wilson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199858910.013.34.
Der volle Inhalt der QuelleHolt, Robin. Unhomeliness. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199671458.003.0008.
Der volle Inhalt der QuelleBuchteile zum Thema "Spectator’s place"
Canter, David, Miriam Comber und David L. Uzzell. „Spectators' Views“. In Football in its Place, 22–56. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003482574-2.
Der volle Inhalt der QuelleHill, Shonagh. „Feeling Out of Place: The ‘Affective Dissonance’ of the Feminist Spectator in The Boys of Foley Street“. In Performance, Feminism and Affect in Neoliberal Times, 269–81. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59810-3_21.
Der volle Inhalt der QuelleLo, Dennis. „Translocalities of Sadness“. In The Authorship of Place, 145–64. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528516.003.0007.
Der volle Inhalt der QuelleParker, Fred. „Addison’s Modesty, or the Essayist as Spectator“. In Joseph Addison, 164–81. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198814030.003.0009.
Der volle Inhalt der QuelleLie, Sulgi. „On Enunciation without an Enunciator: Suture“. In Towards a Political Aesthetics of Cinema. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462983632_ch02.
Der volle Inhalt der QuelleStrukov, Vlad. „A Plea for the Dead (Self): Renata Litvinova’s Goddess: How I Fell in Love (2004)“. In Contemporary Russian Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474407649.003.0007.
Der volle Inhalt der QuelleBudick, Sanford. „‘Conversion’ of the ‘Nothing’ by the Instrumentality of The Merchant of Venice“. In Hazarding All, 33–54. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474493154.003.0002.
Der volle Inhalt der QuelleRedmon, Allen H. „Adaptation“. In Rewatching on the Point of the Cinematic Index, 142–84. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496841810.003.0005.
Der volle Inhalt der QuelleŞahbaz, Ramazan Pars, und Ali Turan Bayram. „The Role of Movies/TV Series in Building Country/City/Destination Brands“. In Brand Culture and Identity, 1204–17. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7116-2.ch064.
Der volle Inhalt der QuelleŞahbaz, Ramazan Pars, und Ali Turan Bayram. „The Role of Movies/TV Series in Building Country/City/Destination Brands“. In Strategic Place Branding Methodologies and Theory for Tourist Attraction, 269–82. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0579-2.ch013.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Spectator’s place"
Giurescu, Adina. „The aesthetic experience of the contemporary theater audience“. In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.21.
Der volle Inhalt der QuelleOlarewaju, Oluseyi, Athanasios V. Kokkinakis, Simon Demediuk, Justus Roberstson, Isabelle Nölle, Sagarika Patra, Daniel Slawson et al. „Automatic Generation of Text for Match Recaps using Esport Caster Commentaries“. In 6th International Conference on Computer Science, Engineering And Applications (CSEA 2020). AIRCC Publishing Corporation, 2020. http://dx.doi.org/10.5121/csit.2020.101810.
Der volle Inhalt der QuelleCONDURACHE, Dumitriana. „A Diverse Beauty: Amore, by Pippo Delbono“. In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0015.
Der volle Inhalt der QuelleStanković, Emilija. „ULOGA TRANSPORTA U SNABDEVANjU RIMA“. In XV Majsko savetovanje: Sloboda pružanja usluga i pravna sigurnost. University of Kragujevac, Faculty of Law, 2019. http://dx.doi.org/10.46793/xvmajsko.103s.
Der volle Inhalt der QuelleThurston, Leanne. „How Staged Head-On Collisions Changed Public Perception of Railroads“. In 2019 Joint Rail Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/jrc2019-1329.
Der volle Inhalt der QuelleMyers, Marie J. „BRIDGING LANGUAGE GAPS OF L2 (SECOND LANGUAGE) TEACHERS BY OPTIMIZING THEIR SELF-AWARENESS“. In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end112.
Der volle Inhalt der QuelleMonteiro, Caique Cahon. „Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition“. In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.
Der volle Inhalt der QuelleBlidar, Crina-Rozalia. „Traditions and customs in the country of Codru, Maramureş“. In Conferinţă ştiinţifică naţională "Salvgardarea şi conservarea digitală a patrimoniului etnografic din Republica Moldova". Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841856.04.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Spectator’s place"
Commonwealth Bank - Spectators in Martin Place at the opening of the new Head Office - 22 August 1916 (plate 645). Reserve Bank of Australia, März 2021. http://dx.doi.org/10.47688/rba_archives_pn-000850.
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