Auswahl der wissenschaftlichen Literatur zum Thema „Sound in museum exhibits“
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Zeitschriftenartikel zum Thema "Sound in museum exhibits"
Al-Taie, Inas, Paola Di Giuseppantonio Di Franco, Michael Tymkiw, Duncan Williams und Ian Daly. „Sonic enhancement of virtual exhibits“. PLOS ONE 17, Nr. 8 (24.08.2022): e0269370. http://dx.doi.org/10.1371/journal.pone.0269370.
Der volle Inhalt der QuellePorshnev, Valeriy P. „Musaeum Kircherianum in the history of museum work during the Baroque epoch“. Issues of Museology 13, Nr. 1 (2022): 16–38. http://dx.doi.org/10.21638/spbu27.2022.102.
Der volle Inhalt der QuelleParry, Manon. „Exhibit Review: The Sound of Amsterdam, Amsterdam Museum“. Public Historian 35, Nr. 3 (01.08.2013): 127–30. http://dx.doi.org/10.1525/tph.2013.35.3.127.
Der volle Inhalt der QuellePutcha, Rumya S. „Yoga and White Public Space“. Religions 11, Nr. 12 (14.12.2020): 669. http://dx.doi.org/10.3390/rel11120669.
Der volle Inhalt der QuelleMancuso, Rebecca. „The Finger Saga“. Public Historian 40, Nr. 2 (01.05.2018): 23–42. http://dx.doi.org/10.1525/tph.2018.40.2.23.
Der volle Inhalt der QuelleSadiq, Assadullah. „‘Baba, Take Us to Museum’: An Afghan refugee family’s engagement in language and literacy at the children’s museum“. Journal of Early Childhood Literacy 20, Nr. 4 (04.05.2018): 583–612. http://dx.doi.org/10.1177/1468798418770718.
Der volle Inhalt der QuelleNovak, Royce. „The Guerrilla, the Goddess, and the Girl“. Journal of Vietnamese Studies 19, Nr. 2 (2024): 1–39. http://dx.doi.org/10.1525/vs.2024.19.2.1.
Der volle Inhalt der QuelleКардашевская, Лия Ивановна. „Evenk phono-instruments in the collections of Yakutia museums“. ТРАДИЦИОННАЯ КУЛЬТУРА, Nr. 4 (25.12.2019): 22–32. http://dx.doi.org/10.26158/tk.2019.20.4.002.
Der volle Inhalt der Quellebandt, ros. „designing sound in public space in australia: a comparative study based on the australian sound design project's online gallery and database“. Organised Sound 10, Nr. 2 (August 2005): 129–40. http://dx.doi.org/10.1017/s1355771805000774.
Der volle Inhalt der QuelleLensing, Jorge. „The future of audio-visual designers with a focus on sound“. International Journal of Film and Media Arts 8, Nr. 3 (29.12.2023): 38–58. http://dx.doi.org/10.24140/ijfma.v8.n3.03.
Der volle Inhalt der QuelleDissertationen zum Thema "Sound in museum exhibits"
Bhusate, Arvind M. „Intelligent Communication Technologies for Interactive Museum Exhibits“. Thesis, Imperial College London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519602.
Der volle Inhalt der QuelleWade, Amanda E. „Balancing preservation and interaction in the museum setting“. Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1509Wade/umi-uncg-1509.pdf.
Der volle Inhalt der QuelleTitle from PDF t.p. (viewed Feb. 28, 2008). Directed by Patrick Lee Lucas; submitted to the School of Human Environmental Sciences. Includes bibliographical references (p. 149-152).
Marsh, Hannah. „Memory in World War I American museum exhibits“. Thesis, Kansas State University, 2014. http://hdl.handle.net/2097/18813.
Der volle Inhalt der QuelleDepartment of History
Sue Zschoche
As the world enters the centennial of World War I, interest in this war is reviving. Books, television shows, and movies are bringing the war into popular culture. Now that all the participants of the war have passed away a change is occurring in in American memory. The transition from living to non-living memory is clearly visible in museums, one of the main ways history is communicated to the public. Four museums are studied in this paper. Two exhibits built in the 1990s are in the 1st Infantry Division Museum at Fort Riley, Kansas, and the Chemical Corps Museum in Fort Leonard Wood, Missouri. The other two exhibits are newer and are the National World War I Museum in Kansas City, Missouri and the Cantigny 1st Infantry Division Museum in Wheaton, Illinois. Findings reveal that exhibits become more inclusive over time to civilian bodies, wounded bodies, and the specific image of “Americans killing Germans bodies.” However, even though there is change some things are turning into myths. The icon of the American soldier as a healthy and strong man willing to sacrifice his life for the country is still a major theme throughout all the exhibits. Finally, there are several myths that America has adopted from its allies. The icons of the bandages over the eyes from the chemical attacks and the horrors of the trenches are borrowed, to a certain extent, from America’s allies. The Americans were only in the war for a limited time and borrowed cultural memories to supplement their own. The examination of the four museums is important because this transition will happen again and soon. Museums must be conscious of the changes occurring during this transition in order to confront the challenges.
Eliason, Clint B. „Evaluating the Effectiveness of Supplemental Labels in Museum Exhibits“. DigitalCommons@USU, 2007. https://digitalcommons.usu.edu/etd/6124.
Der volle Inhalt der QuelleRedvale, Jolene Kay. „Interactive exhibits in museums: Definitions, methods and visitor experiences“. CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/1371.
Der volle Inhalt der QuelleSchneider, Amber N. Hafertepe Kenneth. „More than meets the eye the use of exhibitions as agents of propaganda during the inter-war period /“. Waco, Tex. : Baylor University, 2009. http://hdl.handle.net/2104/5309.
Der volle Inhalt der QuelleZheng, Su. „Promoting children's creativity : a design method for interactive museum exhibits“. Thesis, Coventry University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492365.
Der volle Inhalt der QuelleDancu, Toni Nicole. „Designing Exhibits For Gender Equity“. PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/339.
Der volle Inhalt der QuelleBenne, Marcie Rae. „Methods for assessing influences of the visual-spatial environment on museum display attraction“. Diss., Georgia Institute of Technology, 2001. http://hdl.handle.net/1853/30341.
Der volle Inhalt der QuelleNaujokaitis, Alina. „"Inside outer space exhibitions" : a museum intern's view of multi-sited exhibit performativity in Smithsonian Institution space culture /“. Connect to online version, 2009. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2009/.pdf.
Der volle Inhalt der QuelleBücher zum Thema "Sound in museum exhibits"
Wolska-Pabian, Karolina. Muzeum i zmiana: Losy muzeów narracyjnych. Warszawa: Muzeum Powstania Warszawskiego, 2019.
Den vollen Inhalt der Quelle findenStephanie, Glagla-Dietz, Jacoby Marianne 1959- und Matter Max, Hrsg. Museum im Dialog. Marburg: Jonas Verlag, 1999.
Den vollen Inhalt der Quelle findenDjurslev, Anders Thrue, und Mathias Kokholm. Museum for fremtiden. Aarhus: Antipyrine, 2022.
Den vollen Inhalt der Quelle findenHarvard University. Museum of Comparative Zoology. About the exhibits. 3. Aufl. Cambridge, Mass: Museum of Comparative Zoology, Harvard University, 1985.
Den vollen Inhalt der Quelle findenNeal, Arminta. Exhibits for the small museum: A handbook. Walnut Creek, Calif: AltaMira Press, 1996.
Den vollen Inhalt der Quelle findenShiryōkan, Shibusawa. Shibusawa Memorial Museum guide to the exhibits. Tokyo: Shibusawa Memorial Museum, 2009.
Den vollen Inhalt der Quelle findenReiko, Yanagi, und Inro Museum, Hrsg. Inro Museum: A photographic record of exhibits. Takayama City: Inro Museum, 1990.
Den vollen Inhalt der Quelle findenShiryōkan, Shibusawa. Shibusawa Memorial Museum guide to the exhibits. Tokyo: Shibusawa Memorial Museum, 2009.
Den vollen Inhalt der Quelle findenQi, Mei. Bo wu guan chen lie zhan lan nei rong ce hua yu shi shi. Beijing: Wen wu chu ban she, 2009.
Den vollen Inhalt der Quelle findenMaznyĭ, N. V. Muzeĭnai͡a︡ vystavka: Istorii͡a︡, problemy, perspektivy. Moskva: [s.n.], 1997.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Sound in museum exhibits"
Müller, Ana, Michael Schiffmann, Anke Neumeister und Anja Richert. „Exploring Beyond the Exhibits“. In Edition Museum, 273–86. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-026.
Der volle Inhalt der Quellede Jong, Steffi. „Museum“. In Handbuch Sound, 291–95. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05421-0_53.
Der volle Inhalt der QuelleMiddleton, Margaret. „Making exhibits for young children“. In Welcoming Young Children into the Museum, 91–108. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003055198-6.
Der volle Inhalt der QuelleTomaka, Agnieszka, Leszek Luchowski und Krzysztof Skabek. „From Museum Exhibits to 3D Models“. In Man-Machine Interactions, 477–86. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-00563-3_50.
Der volle Inhalt der QuelleKiriyama, Takashi, und Masahiko Sato. „Aesthetic Design of Interactive Museum Exhibits“. In Communications in Computer and Information Science, 5–11. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-31479-7_2.
Der volle Inhalt der QuellePartarakis, N., M. Antona und C. Stephanidis. „Adaptable, Personalizable and Multi User Museum Exhibits“. In Curating the Digital, 167–79. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-28722-5_11.
Der volle Inhalt der QuelleBrooks, Jeanice. „Music and stories of space in the historic house museum“. In Sound Heritage, 214–35. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429281327-12.
Der volle Inhalt der QuelleKiriyama, Takashi, und Masahiko Sato. „Design and Analysis of Interactions with Museum Exhibits“. In Lecture Notes in Computer Science, 182–89. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-25167-2_22.
Der volle Inhalt der QuelleIkei, Yasushi, Ken Ishigaki, Hirofumi Ota und Keisuke Yoshida. „Image Mnemonics for Cognitive Mapping of the Museum Exhibits“. In Human Interface and the Management of Information: Applications and Services, 268–77. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40397-7_26.
Der volle Inhalt der QuelleRammos, Dimitris, und Tharrenos Bratitsis. „Museum Exhibits that Interact with Pupils’ Mobile Devices. The Case of Hellenic Maritime Museum“. In Internet of Things, Infrastructures and Mobile Applications, 189–201. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49932-7_19.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Sound in museum exhibits"
Tomlinson, Brianna J., R. Michael Winters, Christopher Latina, Smruthi Bhat, Milap Rane und Bruce N. Walker. „Solar System Sonification: Exploring Earth and Its Neighbors Through Sound“. In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.027.
Der volle Inhalt der QuelleYiannoutsou, Nikoleta, Ioanna Papadimitriou, Vassilis Komis und Nikolaos Avouris. „"Playing with" museum exhibits“. In the 8th International Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1551788.1551837.
Der volle Inhalt der QuelleBasballe, Ditte Amund, und Kim Halskov. „Projections on museum exhibits“. In the 22nd Conference of the Computer-Human Interaction Special Interest Group of Australia. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1952222.1952240.
Der volle Inhalt der QuelleHemminger, Bradley M., Gerald Bolus und Doug Schiff. „Visiting virtual reality museum exhibits“. In the 2004 joint ACM/IEEE conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/996350.996490.
Der volle Inhalt der QuelleJohnson, Kyle D., J. C. Díaz und Robert B. Pickering. „Virtual Tours for Museum Exhibits“. In Electronic Visualisation and the Arts (EVA 2012). BCS Learning & Development, 2012. http://dx.doi.org/10.14236/ewic/eva2012.18.
Der volle Inhalt der QuelleFosh, Lesley. „Performing Interpretations of Museum Exhibits in Groups“. In MobileHCI '15: 17th International Conference on Human-Computer Interaction with Mobile Devices and Services. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2786567.2794346.
Der volle Inhalt der QuelleChen, Dalei. „Museum Exhibits Display the Artistic Expression Fully Reflecting the Exhibits Social Significance“. In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.134.
Der volle Inhalt der QuelleAndo, Yuhei, Ruck Thawonmas und Frank Rinaldo. „Inference of Viewed Exhibits in a Metaverse Museum“. In 2013 International Conference on Culture and Computing (Culture Computing). IEEE, 2013. http://dx.doi.org/10.1109/culturecomputing.2013.73.
Der volle Inhalt der QuelleWynn, Nathan, Kyle Johnsen und Nick Gonzalez. „Deepfake Portraits in Augmented Reality for Museum Exhibits“. In 2021 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2021. http://dx.doi.org/10.1109/ismar-adjunct54149.2021.00125.
Der volle Inhalt der QuelleLong, Duri. „Conducting Remote Design Research on Embodied, Collaborative Museum Exhibits“. In CHI '23: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3544549.3573842.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Sound in museum exhibits"
Shubinski, R. [Energy education exhibits for Insights El Paso Science Museum]. Office of Scientific and Technical Information (OSTI), Mai 1998. http://dx.doi.org/10.2172/639730.
Der volle Inhalt der QuellePeshkin, M. Scientific support of SciTech museum exhibits and outreach programs. Office of Scientific and Technical Information (OSTI), August 1995. http://dx.doi.org/10.2172/166509.
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