Thematische Bibliographien / Sothebys

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Auswahl der wissenschaftlichen Literatur zum Thema „Sothebys“

Autor: Grafiati

Veröffentlicht am 29. Juni 2021

Zuletzt aktualisiert am 17. Februar 2022

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Zeitschriftenartikel zum Thema "Sothebys"

Ruiz Romero, Zara. „Lawfulness and Ethics around Cultural Property Auctions: The Case of the Barbier-Mueller Pre-Columbian Collection“. International Journal of Cultural Property 27, Nr. 3 (August 2020): 397–416. http://dx.doi.org/10.1017/s0940739120000211.

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AbstractIn March 2013, the Barbier-Mueller collection of pre-Columbian art was auctioned at Sotheby’s Paris. This event ended with the sale of half of the works offered and generated a confrontation between six of the countries of origin of the artifacts, which were absolutely opposed to the sale, and the Sothebys’ Parisian branch. This article, taking the case described above as a reference, intends to analyze the ethical considerations and lawfulness implied in the buying and selling of cultural property at auction. With this purpose in mind, the arguments held by both parties in this disagreement are analyzed. At the same time, the efficacy of national laws, international conventions, and regulations is considered, mainly with reference to the use of principles and ethical codes that seem to be applied when the law has no jurisdiction.

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Białynicka-Birula, Joanna. „Sales tendencies in modern and contemporary art in the world market“. Wiadomości Statystyczne. The Polish Statistician 65, Nr. 4 (08.05.2020): 19–31. http://dx.doi.org/10.5604/01.3001.0014.1228.

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The aim of the paper is to identify and examine changes in the modern and contemporary art market in the world in 2009–2015. The source data for the performed analyses are statistical data compiled annually by Artprice and ArtTactic. In order to identify the changes in sales values in the world market for modern and contemporary art, single-base and chain dynamics indicators were used in the first place. Next, in the framework of a dynamic analysis, the trend function analysis method was adopted, which enabled mathematical models of the trend function in linear and exponential forms, describing the changes in the global market of modern and contemporary art, to be constructed. The paper also shows changes in the sales of the world’s largest auction houses, namely Sotheby's and Christie's, in the years 2000–2015. The sales of modern and contemporary artworks were compared with the sales of other types of artworks. In addition, the author focused on those contemporary artists whose works were sold for the highest prices at auctions in the most recent auction seasons. It was empirically proven that the world market for modern and contemporary art is developing dynamically. The collected data enabled the author to formulate the conclusion that the value of sales of modern art at the Sotheby’s and Christie’s auction houses grew both dynamically and significantly.

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Lubina, Katja. „Sotheby's Restitution Symposium: Sotheby's Amsterdam, The Netherlands (January 30, 2008)“. International Journal of Cultural Property 15, Nr. 4 (November 2008): 429–31. http://dx.doi.org/10.1017/s0940739108080247.

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This symposium on provenance research and the restitution of Nazi-looted art was organized by the auction house Sotheby's and sponsored by the Muggenthaler International Genealogical Research Institute. After prior meetings hosted by Sotheby's on the same topic in London and Vienna, some 90 provenance researchers, art historians, government representatives, lawyers, and academics met in Amsterdam to discuss the Dutch restitution regime in particular and, in general, the progress made since the passing of the Washington Principles on Nazi-looted art in December 1998.

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Tremain, Cara Grace. „Fifty Years of Collecting: The Sale of Ancient Maya Antiquities at Sotheby’s“. International Journal of Cultural Property 24, Nr. 2 (Mai 2017): 187–219. http://dx.doi.org/10.1017/s0940739117000054.

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Abstract:Pre-Columbian antiquities, particularly those from the Maya region, are highly sought after on the international art market. Large auction houses such as Sotheby’s have dedicated pre-Columbian departments and annual auctions, for which sales catalogues are created. These catalogues offer insight into market trends and allow the volume of antiquities being bought and sold to be monitored. The following study records the public sale of Maya antiquities at Sotheby’s over a period slightly exceeding 50 years from 1963 to 2016. More than 3,500 artifacts were offered for sale during this period, of which more than 80 percent did not have associated provenance information. The data suggests that the volume of Maya antiquities offered for sale at Sotheby’s public auctions have been steadily decreasing since the 1980s, but their relative value has increased. Quantitative studies of auction sales such as this one can be useful in monitoring the market for illegal antiquities and forgeries.

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TRUMAN, CHARLES, und BRAND INGLIS. „SOTHEBY'S CONCISE ENCYCLOPEDIA OF SILVER“. Art Book 1, Nr. 3 (Juni 1994): 28b. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00161.x.

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Dickson, David. „Darwin material sells briskly at Sotheby's“. Nature 360, Nr. 6405 (Dezember 1992): 616. http://dx.doi.org/10.1038/360616b0.

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SOMERVILLE, STEPHEN. „SOTHEBY'S; ART AT AUCTION 1992?93.“ Art Book 1, Nr. 1 (Januar 1994): 16. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00080.x.

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Frosch, Paula. „SOTHEBY'S INTERNATIONAL PRICE GUIDE. John L. Marion“. Art Documentation: Journal of the Art Libraries Society of North America 5, Nr. 3 (Oktober 1986): 139. http://dx.doi.org/10.1086/adx.5.3.27947637.

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Gill, David. „Sotheby's, sleaze and subterfuge: inside the antiquities trade“. Antiquity 71, Nr. 272 (Juni 1997): 468–71. http://dx.doi.org/10.1017/s0003598x00085112.

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López Hernández, Isabel. „Bruce Chatwin: Utz, su novela sobre el mundo del arte“. Revista humanidades 10, Nr. 2 (14.05.2020): e41806. http://dx.doi.org/10.15517/h.v10i2.41806.

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El escritor británico Bruce Chatwin (1940-1989) convierte a un coleccionista compulsivo en eje central de su novela Utz. A través de su protagonista, reflexiona acerca del mundo del arte, rememorando su pasado cuando trabajaba en la casa de subastas Sotheby´s. Su experiencia allí le proporcionó unos conocimientos y una mirada que determinarían su vida, aprendió a estudiar una obra de arte, a describirla en pocas palabras y valorar su precio en el mercado. Todo ello se percibe en su estilo narrativo, donde persigue la precisión de las descripciones típicas de los catalogadores. Desarrolló un estilo propio. Además, adquirió una red de contactos trascendental alrededor del mundo. Fijó su interés en personalidades peculiares que desembocaron en la creación de Utz, personificación de ese entramado de marchantes y coleccionistas que le facilitó su puesto de director en el departamento de impresionistas y arte moderno. Al mismo tiempo, su época en Sotheby´s despertó en él la eterna disyuntiva entre la posesión, la búsqueda de la inmortalidad y la creación artística. El presente artículo examina cómo el autor aborda todos estos temas en la novela.

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Dissertationen zum Thema "Sothebys"

Widlund, Crisman Johanna. „CHRISTIE’S OCH SOTHEBY’S – ”THE OUTSIDE STORY” : AUKTIONSHUSENS ANPASSNINGAR TILL EN DIGITALT PROGRESSIV OCH GLOBALT EXPANDERANDE MARKNAD“. Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-436870.

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Christie's and Sotheby's auction houses have adapted their way of working to a digitally progressive and globally expanding market, where the Internet, during the past two decades, has become an increasingly integral part of almost every aspect of current western culture. This thesis examines and demonstrates how, and why, the two auction houses have adapted their work to be published through their digital and physical channels. This thesis also examines and analyzes how Christie’s and Sotheby’s have customized their way of presenting their auction lots to potential costumers, and how they use technological innovations to visualize materiality. Intermediate presentations of four auction lots, available through Christie's and Sotheby's Instagram accounts, websites and physical auction catalogs, are the main focus of this thesis. The historical and contextual information, on an increasingly technologically innovative and digitally focused art and auction market, together with predominantly Roland Barthe’s semiotic theoretical framework regarding picture’s denoted and connoted messages, are being analyzed with Anne D’Alleva’s formal and contextual methodology for pictorial analysis.

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Lobay, Gordon Brock. „Objects and objectivity : an archaeology of auctions : Central Italian antiquities at Bonhams, Christie's and Sotheby's, 1970-2005“. Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/284070.

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Eller, Erin E. „A legitimate space for the consumption of art : how Sotheby's, London sells a cultural experience through fine art auctions“. Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99370.

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The contemporary fine art auction house is a space where aesthetics and commerce merge into a spectacular experience. Sotheby's, London is one example of an auction house turned entertainment space, which masks its blatant capitalist tendencies through the replication of validated cultural institutions. The auction house mimics museum and theatre space in order to create a legitimate social and cultural experience for its clients. Every aspect of the auction event is choreographed to generate demand for its art and an authentic experience for its patrons. Individuals with the approved educational and economical background have access to these constructed locations, and attend the auction performance to purchase social status in conjunction with the art. As a result of this, Sotheby's effectively transforms economic capital into class acceptance through its spectacular space and legitimized cultural events.

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Kalmykova, Anna. „Auction Houses and Contemporary Art : A Study of Outstanding Sales in 2007 and 2009“. Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-13154.

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This thesis aims to analyze contemporary art market in terms of auction sales carried out bySotheby’s and Christie’s in London and New York in 2007 and 2009. The study deals withinvestigating the cases when artworks’ prices exceeded their estimates. A model testing therelationships between hammer price, auction house, artist, form of art, the year of object’screation and its current owner along with the year of sale and performance of stock marketwas developed according to the theoretical framework, which includes such concepts as artobjects and their value, gatekeepers and investment and auction theories. Regression analysis revealed that the presence of a pre-lot note published in auctioncatalogue and specifying the collector putting the artwork for sale and the year of art piececreation have a significant contribution to predicting their hammer price. Moreover, theanalysis identified that paintings and sculptures typically reach high prices while drawings,watercolors and gouaches appeared to be less expensive objects. As far as the artists areconcerned, the study showed that pieces by such top artists as Andy Warhol, Jean-MichelBasquiat, Gerhard Richter, Willem de Kooning and Jeff Koons tend to achieve outstandingresults more often. The cases of over-performance were identified according to the model, which provided anopportunity to estimate predicted hammer price and compare it to the one achieved duringthe sale. Analysis did not reveal a clear pattern among over-performers, however, it can beobserved that objects sold at Sotheby’s tend to over-perform slightly more often; AndyWarhol and Damien Hirst appeared to be the artists whose artworks reach prices higherthan the estimates; and watercolors, drawings and gouaches along with sculptures, statuesand figures and photographs and prints turned out to be the over-performing forms of art.

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Kozáková, Kateřina. „Mezinárodní obchod s uměleckými předměty“. Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-199902.

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The present diploma thesis deals with international art trade. It is divided into four chapters. The first chapter introduces key market agents and describes briefly the art market history. It also shortly evaluates the current market situation. The second chapter describes major international art trade centers and analyses key market patterns and electronic trading. The third chapter provides overview of regulations and rules at the US, EU, and Chinese art markets. The last chapter compares investment into art with selected other investment options. This chapter includes also a case study concerning Picasso's late works on paper. The theoretical part of the thesis aims to provide comprehensive overview of the international art trade. The objective of the case study is to analyze evolution of a narrowly defined art market segment in a given period and to compare it with the development of global art market and also with the presumptions resulting from the theoretical part. The other objective of the case study is to compare the return on investment of this art market segment with respect to the S&P 500 shares and gold.

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Teng, Chual-Hsin, und 鄧傳馨. „Operational Strategies in Asian Oil Paintings Auction of Sotheby’s and Christie’s in Hong Kong“. Thesis, 2013. http://ndltd.ncl.edu.tw/handle/59382319687084904024.

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碩士
國立臺灣大學
臺大-復旦EMBA境外專班
101
With its unique natural geographical environment and over 150 years (1841-1997) long-term British colonial rule, Hong Kong enjoys a nature-endowed advantage in developing a prosperous economy based on, western social system, open-minded folk customs, fusion ethnicity, diverse international culture, convenient location of transportation, commercial-friendly legal systems, and transportation industries, which boosts the rising international status of Hong Kong and provides Hong Kong with highly favorable conditions for developing an art trading market. Plus the government takes a tax free policy in art trades and awards tax incentives such as tax exemption in importation, exportation, income tax, etc. In addition, Hong Kong, as a free economy, allows capital access in and out freely at art market. All the aforesaid convenient conditions precisely drive Hong Kong art market booming and thriving well. Further relying on the rapidly growing Asian economy and Chinese appetite for art, Hong Kong has become the major area of art trading and auction in Asia, tied with New York and London as the world’s top three significant art auction markets. Sotheby’s established its Hong Kong branch office in 1973 and carry out auction business at Hong Kong in the same year. Its competitor, Christie’s, later entered Hong Kong to set branch office in 1984 and held first auction in 1986. In Hong Kong, these top two international auction houses initially mainly focus on trading traditional Chinese painting, calligraphy, ceramics, fine crafts art and jewelry auctions, thus accumulate prolific resources of collectors from Hong Kong, Western countries, Southeast Asia, and all over the world. Since 2000, in addition, Sotheby’s and Christie’s transferred their Asia oil paintings auctions from Taiwan to Hong Kong and thereby brought the most crucial resources: Taiwanese auction talents and collectors, to Hong Kong. Since then, various auction resources are operated and integrated in Hong Kong, which brings about vigorous growth, enhances the importance of Hong Kong art market in Asia, and further drives Asian oil painting gaining more international attentions. Through the core development of 20th century Chinese Art and Chinese Contemporary Art to the outreaching integration of Japanese, Korean, and Southeast Asian Modern and Contemporary Art, the art market of Asian oil painting was build up and became a larger international art scale. In sum, Sotheby’s and Christie’s in Hong Kong successfully run the business of Asian oil painting auction. The purpose of this thesis is to first explain why Sotheby’s and Christie’s chose to base on Hong Kong to develop Asian oil painting auction by analyzing the environment of Hong Kong market; then to analyze the competitive ecology of the Asian oil painting auction industry and the two companies’ resource bases. Secondly, this thesis intends to compare their operational strategies, application of company resources and innovative business models in the last decade of the development in Asian oil painting in Hong Kong. Furthermore, the thesis looks at how these company strategies contribute to values to customers. Nowadays, in the highly competitive Hong Kong art market, the thesis will also help predict how Sotheby’s and Christie’s further pursue growth opportunities and extend their competitive advantages in Asia art market. In recent years, many auction companies actively enter Hong Kong to develop Asian oil painting auction; these companies not only come from Taiwan, Japan, Korea, Singapore and United Kingdom but also from Mainland China, a quickly rising auction market of Chinese art. Facing such a severe competitive momentum, I hope that my research findings can contribute to strategic thinking in capturing business opportunities in developing Asian oil painting auction. This research finds that the superior ability of integrating global values is the most critical key success factor for driving correct strategies and leading Sotheby’s and Christie’s success in operating Asian oil painting auction in the Hong Kong market. As for the impact these two companies have on the auction houses and industry of Asian oil painting, this research finds that Sotheby’s and Christie’s successful experiences enhance the international status of Asian oil painting, promote internationalization of Asian oil painting, and build up the Asian aesthetic spirit.

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Žížala, Jan. „Porovnání mediální komunikace a propagace předních českých aukčních síní a světových aukčních siní Sotheby's a Christie's v letech 2010 - 2016“. Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-358025.

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This Diploma thesis deals with a media communication through new technologies, specifically then specific social networks such as Facebook and Instagram, in the field of art auctions market. Major focus is given especially to the 1. Art Consulting, Dorotheum and European Arts Auction houses. The international auction houses are represented by two art auctions market world leaders, Christie's and Sotheby's. The Thesis first summarizes the art market and it's characteristics, marketing and media communication of the Czech auction houses, both Czech and international auction market and a history of the auction houses examined in this Diploma thesis. The methodology used is a quantitative content analysis. The analysis primarily focuses on the number of social networks used by the auction houses for a communication with fans and other public, on the hit rate of this communication. The largest part of the research is given to the nature of individual media messages. In selected cases, the length, hit rate, origin, focus, topic etc. is examined. The analysis covers the period between the fall 2016 and spring 2017. The results of the quantitative analysis are described and as a conclusion a comparison is made between the Czech and foreign auction houses in the area of communication through social networks.

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SHIAO-LING, CHEN, und 陳小凌. „A Study on the price Fluctuations of Ancient Chinese Ceramics：As by the Auctions of Sotheby's and Christie's iIllustrated n the 1990s“. Thesis, 2005. http://ndltd.ncl.edu.tw/handle/08924176745061940732.

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Pataca, José Manuel Magarreiro. „O mercado leiloeiro dos Old Masters: Tendências dos últimos cinco anos“. Master's thesis, 2020. http://hdl.handle.net/10071/21386.

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A venda em novembro de 2017, pela leiloeira Christie´s, de uma obra de Leonardo Da Vinci, intitulada Salvator Mundi, pela quantia recorde de 450 milhões de dólares, tomou o mundo da arte de surpresa. Tal quantia inusitada despendida por um Old Master, recorde absoluto em termos de obra de arte vendida em leilão até agora, colocou o mercado destes artistas num patamar que, desde os inícios do século XXI, tinha sido ocupado pelos artistas contemporâneos. Contudo, ao representar uma exceção no que respeita ao preço de venda, os dados relativos às receitas das leiloeiras entre 2015 e 2019 com os Old Masters deverão ser lidos com especial atenção, pois esses dados estão enviesados por esta venda excecional, conforme mostramos nesta dissertação. A venda referida veio ainda acicatar a rivalidade entre as duas principais casas leiloeiras a nível mundial: a Christie´s e a Sotheby´s. Desde então muitas têm sido as estratégias adotadas pelas duas leiloeiras por forma a garantir o lugar de topo no que refere a receitas de vendas. O que nos propomos então verificar é, analisando os dados obtidos pelas vendas em leilão da Christie´s e da Sotheby's, do departamento de pinturas de Old Masters, entre 2015 e 2019, quais as variações que se encontram no que diz respeito à liderança de vendas entre as duas casas leiloeiras referidas.
The sale in 2017, by auctioneer Christie's, of a work by Leonardo Da Vinci, Salvator Mundi, for the record amount of 450 million dollars, took the art world by surprise. Such an unusual amount spent by an Old Master, an absolute record in terms of artwork sold at auction so far, placed the market for these artists at a level hitherto occupied by contemporary artists. However, when representing an exception with regard to the sale price, the data relating to auctioneers' revenues between 2015 and 2019 should be read with special attention, data that may be skewed by this sale, a task that we propose to carry out when writing this dissertation. The referred sale also added to the rivalry between the two main auction houses worldwide: Christie's and Sotheby's. Since then, there have been many strategies adopted by the two auction houses in order to guarantee the top position in terms of sales revenue. What we propose to verify then is, analyzing the data obtained by the auction sales of Christie's and Sotheby's, of the Old Masters painting department, between 2015 and 2019, what are the variations regarding the sales leadership between the two auction houses mentioned.

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Bücher zum Thema "Sothebys"

Sold: The rise and fall of the House of Sotheby. New York, N.Y: Macmillan, 1985.

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Faith, Nicholas. Sold: The revolution in the art market. London: Hamilton, 1985.

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"Wholly unacceptable": The bitter battle for Sotheby's. New York: W. Morrow, 1986.

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Hogrefe, Jeffrey. 'Wholly unacceptable': The bitter battle for Sotheby's. London: Harrap, 1986.

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Sotheby's: Inside story. London: Bloomsbury, 1997.

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(Firm), Sotheby's, Hrsg. The Sotheby's wine encyclopedia. 5. Aufl. London: DK, 2011.

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Peter, Watson. Sotheby's: The inside story. New York: Random House, 1997.

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Sotheby's: Bidding for class. Boston: Little, Brown & Co., 1998.

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Sotheby's guide to photographs. New York: H. Holt, 1998.

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(Firm), Sotheby's, Hrsg. The new Sotheby's wine encyclopedia. London: Dorling Kindersley, 1997.

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Buchteile zum Thema "Sothebys"

Y., W. B. „Chevalier Burke — “Shule Aroon” — Carleton and the Banims’ Novels An Autograph Sale at Sotheby’s William Allingham — Miss Ellen O’Leary“. In Letters to the New Island, 22–26. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-09425-7_4.

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„Sotheby’s of London“. In The Search for the Codex Cardona, 30–40. Duke University Press, 2009. http://dx.doi.org/10.1215/9780822391579-004.

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„Sotheby’s of London“. In The Search for the Codex Cardona, 30–40. Duke University Press, 2009. http://dx.doi.org/10.2307/j.ctv11cvzq3.8.

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„19 SURPRISE AT SOTHEBY’S“. In The Mystery of the Invisible Hand, 217–30. Princeton: Princeton University Press, 2014. http://dx.doi.org/10.1515/9781400851959-020.

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„An Auction at Sotheby’s“. In Beyond Market Value, 1–6. University of Texas Press, 2019. http://dx.doi.org/10.7560/319352-003.

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„Chapter four. Sotheby’s of London“. In The Search for the Codex Cardona, 30–40. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822391579-007.

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Wordsworth, William. „209. W. W. to William Sotheby“. In The Letters of William and Dorothy Wordsworth, Vol. 1: The Early Years: 1787–1805 (Second Revised Edition), herausgegeben von Ernest De Selincourt und Chester L. Shaver, 456–57. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00082416.

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Wordsworth, William. „278. W. W. to William Sotheby“. In The Letters of William and Dorothy Wordsworth, Vol. 4: The Later Years: Part I: 1821–1828 (Second Revised Edition), herausgegeben von Ernest De Selincourt und Alan G. Hill, 516. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00083434.

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Hardy, Thomas. „To Sotheby & Co. (20 May 1927)“. In The Collected Letters of Thomas Hardy, Vol. 7: 1926–1927: with Addenda, Corrigenda, and General Index, herausgegeben von Richard Little Purdy und Michael Millgate. Oxford University Press, 1988. http://dx.doi.org/10.1093/oseo/instance.00225392.

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Davy, Humphry. „1300. Humphry Davy to William Sotheby, [?1818–25]“. In The Collected Letters of Sir Humphry Davy, herausgegeben von Tim Fulford und Sharon Ruston. Oxford University Press, 2020. http://dx.doi.org/10.1093/oseo/instance.00270171.

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Berichte der Organisationen zum Thema "Sothebys"

Ashenfelter, Orley, und Kathryn Graddy. Anatomy of the Rise and Fall of a Price-Fixing Conspiracy: Auctions at Sotheby's and Christie's. Cambridge, MA: National Bureau of Economic Research, September 2004. http://dx.doi.org/10.3386/w10795.

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